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Posthumous portrait of Leopoldine Hugo (1824-43) 1847 (drawing)
Posthumous portrait of Leopoldine Hugo (1824-43) 1847 (drawing)

CHT173588: Posthumous portrait of Leopoldine Hugo (1824-43) 1847 (drawing), Hugo, Adele Julie (1803-68) / Bridgeman Images

ID: CHT173588

Posthumous portrait of Leopoldine Hugo (1824-43) 1847 (drawing)

Hugo, Adele Julie (1803-68)

View of a flower garden near Vienna, from 'Vorstellung folgender Lustgarten ausser der Residenz-Stadt Wienn, engraved by Georg Daniel Heumann (1691-1759), published c.1724-37 (engraving)
View of a flower garden near Vienna, from 'Vorstellung folgender Lustgarten ausser der Residenz-Stadt Wienn, engraved by Georg Daniel Heumann (1691-1759), published c.1724-37 (engraving)

STC172994: View of a flower garden near Vienna, from 'Vorstellung folgender Lustgarten ausser der Residenz-Stadt Wienn, engraved by Georg Daniel Heumann (1691-1759), published c.1724-37 (engraving), Kleiner, Salomon (1700/03-61) (after) / Bridgeman Images

ID: STC172994

View of a flower garden near Vienna, from 'Vorstellung folgender Lustgarten ausser der Residenz-Stadt Wienn, engraved by Georg Daniel Heumann (1691-1759), published c.1724-37 (engraving)

Kleiner, Salomon (1700/03-61) (after)

Two Washerwomen, 1898 (colour litho)
Two Washerwomen, 1898 (colour litho)

CHT173522: Two Washerwomen, 1898 (colour litho), Steinlen, Theophile Alexandre (1859-1923) / Bridgeman Images

ID: CHT173522

Two Washerwomen, 1898 (colour litho)

Steinlen, Theophile Alexandre (1859-1923)

Opuntia Maior Augustifolia, from 'Phytographia Curiosa', published 1702 (coloured engraving)
Opuntia Maior Augustifolia, from 'Phytographia Curiosa', published 1702 (coloured engraving)

STC170886: Opuntia Maior Augustifolia, from 'Phytographia Curiosa', published 1702 (coloured engraving), Munting, Abraham (1626-83) / Bridgeman Images

ID: STC170886

Opuntia Maior Augustifolia, from 'Phytographia Curiosa', published 1702 (coloured engraving)

Munting, Abraham (1626-83)

The Green Pavilion, Frogmore House, from 'The History of the Royal Residences', engraved by Daniel Havell (1785-1826), by William Henry Pyne (1769-1843), 1819 (litho)
The Green Pavilion, Frogmore House, from 'The History of the Royal Residences', engraved by Daniel Havell (1785-1826), by William Henry Pyne (1769-1843), 1819 (litho)

STC170301: The Green Pavilion, Frogmore House, from 'The History of the Royal Residences', engraved by Daniel Havell (1785-1826), by William Henry Pyne (1769-1843), 1819 (litho), Wild, Charles (1781-1835) (after) / Bridgeman Images

ID: STC170301

The Green Pavilion, Frogmore House, from 'The History of the Royal Residences', engraved by Daniel Havell (1785-1826), by William Henry Pyne (1769-1843), 1819 (litho)

Wild, Charles (1781-1835) (after)

Outside the Taj Mahal, probably illustrated in 'Photographic Views in Agra and Its Vicinity', 1858 (sepia photograph)
Outside the Taj Mahal, probably illustrated in 'Photographic Views in Agra and Its Vicinity', 1858 (sepia photograph)

STC170319: Outside the Taj Mahal, probably illustrated in 'Photographic Views in Agra and Its Vicinity', 1858 (sepia photograph), Murray, John (1809-98) / Bridgeman Images

ID: STC170319

Outside the Taj Mahal, probably illustrated in 'Photographic Views in Agra and Its Vicinity', 1858 (sepia photograph)

Murray, John (1809-98)

The Prophet Simeon, St. John the Baptist and St. Peter, jamb figures from the right hand side of the central door of the north portal (stone)
The Prophet Simeon, St. John the Baptist and St. Peter, jamb figures from the right hand side of the central door of the north portal (stone)

XIR174829: The Prophet Simeon, St. John the Baptist and St. Peter, jamb figures from the right hand side of the central door of the north portal (stone), French School, (13th century) / Bridgeman Images

ID: XIR174829

The Prophet Simeon, St. John the Baptist and St. Peter, jamb figures from the right hand side of the central door of the north portal (stone)

French School, (13th century)

George I (1660-1727) at Newmarket, 4th or 5th October 1717, c.1717 (oil on canvas)
George I (1660-1727) at Newmarket, 4th or 5th October 1717, c.1717 (oil on canvas)

XYC171296: George I (1660-1727) at Newmarket, 4th or 5th October 1717, c.1717 (oil on canvas), Wootton, John (c.1682-1765) / Bridgeman Images

ID: XYC171296

George I (1660-1727) at Newmarket, 4th or 5th October 1717, c.1717 (oil on canvas)

Wootton, John (c.1682-1765)

Salon of Hortense de Beauharnais (1783-1837) at Arenenberg (oil on canvas)
Salon of Hortense de Beauharnais (1783-1837) at Arenenberg (oil on canvas)

XIR174311: Salon of Hortense de Beauharnais (1783-1837) at Arenenberg (oil on canvas), French School, (19th century) / Bridgeman Images

ID: XIR174311

Salon of Hortense de Beauharnais (1783-1837) at Arenenberg (oil on canvas)

French School, (19th century)

Portrait of Antonio Canova (1757-1822) (oil on canvas)
Portrait of Antonio Canova (1757-1822) (oil on canvas)

XIR173468: Portrait of Antonio Canova (1757-1822) (oil on canvas), Lawrence, Thomas (1769-1830) / Bridgeman Images

ID: XIR173468

Portrait of Antonio Canova (1757-1822) (oil on canvas)

Lawrence, Thomas (1769-1830)

The Ruins, Kew Gardens, plate 15 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)
The Ruins, Kew Gardens, plate 15 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)

XYC173907: The Ruins, Kew Gardens, plate 15 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho), Papendiek, George Ernest (1788-1835) (after) / Bridgeman Images

ID: XYC173907

The Ruins, Kew Gardens, plate 15 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)

Papendiek, George Ernest (1788-1835) (after)

View of the Town and Port of Marseille from the Town Hall, c.1815-30 (aquatint)
View of the Town and Port of Marseille from the Town Hall, c.1815-30 (aquatint)

XIR171850: View of the Town and Port of Marseille from the Town Hall, c.1815-30 (aquatint), Garneray, Jean Francois (1755-1837) / Bridgeman Images

ID: XIR171850

View of the Town and Port of Marseille from the Town Hall, c.1815-30 (aquatint)

Garneray, Jean Francois (1755-1837)

Michal Kleopas Oginski (1765-1833), Frederic Chopin (1810-49) and Stanislaw Moniuszko (1819-72), from Slavonic Composers, 1890s (oil on canvas) (detail)
Michal Kleopas Oginski (1765-1833), Frederic Chopin (1810-49) and Stanislaw Moniuszko (1819-72), from Slavonic Composers, 1890s (oil on canvas) (detail)

XAB174041: Michal Kleopas Oginski (1765-1833), Frederic Chopin (1810-49) and Stanislaw Moniuszko (1819-72), from Slavonic Composers, 1890s (oil on canvas) (detail), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: XAB174041

Michal Kleopas Oginski (1765-1833), Frederic Chopin (1810-49) and Stanislaw Moniuszko (1819-72), from Slavonic Composers, 1890s (oil on canvas) (detail)

Repin, Ilya Efimovich (1844-1930)

Buddhist Lama during the Holiday in the Pemionchi Cloister, 1874-76 (oil on canvas)
Buddhist Lama during the Holiday in the Pemionchi Cloister, 1874-76 (oil on canvas)

XAB172718: Buddhist Lama during the Holiday in the Pemionchi Cloister, 1874-76 (oil on canvas), Vereshchagin, Vasili Vasilievich (1842-1904) / Bridgeman Images

ID: XAB172718

Buddhist Lama during the Holiday in the Pemionchi Cloister, 1874-76 (oil on canvas)

Vereshchagin, Vasili Vasilievich (1842-1904)

Hussar's Carouse, 1873 (w/c on paper)
Hussar's Carouse, 1873 (w/c on paper)

XAB174070: Hussar's Carouse, 1873 (w/c on paper), Zichy, Mihaly von (1827-1906) / Bridgeman Images

ID: XAB174070

Hussar's Carouse, 1873 (w/c on paper)

Zichy, Mihaly von (1827-1906)

MS 246 f.1r Raoul de Presles Presenting his Translation to Charles V (1338-80) from 'La Cite de Dieu' by St. Augustine, translated by Raoul de Presles (1316-82) c.1400-50 (vellum)
MS 246 f.1r Raoul de Presles Presenting his Translation to Charles V (1338-80) from 'La Cite de Dieu' by St. Augustine, translated by Raoul de Presles (1316-82) c.1400-50 (vellum)

XIR173409: MS 246 f.1r Raoul de Presles Presenting his Translation to Charles V (1338-80) from 'La Cite de Dieu' by St. Augustine, translated by Raoul de Presles (1316-82) c.1400-50 (vellum), French School, (15th century) / Bridgeman Images

ID: XIR173409

MS 246 f.1r Raoul de Presles Presenting his Translation to Charles V (1338-80) from 'La Cite de Dieu' by St. Augustine, translated by Raoul de Presles (1316-82) c.1400-50 (vellum)

French School, (15th century)

Temple of Pan, Kew Gardens, plate 12 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)
Temple of Pan, Kew Gardens, plate 12 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)

XYC173904: Temple of Pan, Kew Gardens, plate 12 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho), Papendiek, George Ernest (1788-1835) (after) / Bridgeman Images

ID: XYC173904

Temple of Pan, Kew Gardens, plate 12 from 'Kew Gardens: A Series of Twenty-Four Drawings on Stone', engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)

Papendiek, George Ernest (1788-1835) (after)

Chinese Garden Screen, from 'Recent New Ideas for the Garden', published 1779 (colour litho)
Chinese Garden Screen, from 'Recent New Ideas for the Garden', published 1779 (colour litho)

STC171682: Chinese Garden Screen, from 'Recent New Ideas for the Garden', published 1779 (colour litho), German School, (18th century) / Bridgeman Images

ID: STC171682

Chinese Garden Screen, from 'Recent New Ideas for the Garden', published 1779 (colour litho)

German School, (18th century)

Garden see saw at Rambouillet, from 'Details des Nouveaux Jardins a la Mode' by George Louis le Rouge, published 1775-78 (engraving) (b/w photo)
Garden see saw at Rambouillet, from 'Details des Nouveaux Jardins a la Mode' by George Louis le Rouge, published 1775-78 (engraving) (b/w photo)

STC171958: Garden see saw at Rambouillet, from 'Details des Nouveaux Jardins a la Mode' by George Louis le Rouge, published 1775-78 (engraving) (b/w photo), French School, (18th century) / Bridgeman Images

ID: STC171958

Garden see saw at Rambouillet, from 'Details des Nouveaux Jardins a la Mode' by George Louis le Rouge, published 1775-78 (engraving) (b/w photo)

French School, (18th century)

Training young fruit trees, from 'The Fruit Grower's Guide' by John Wright, published c.1897-1905 (engraving) (b/w photo)
Training young fruit trees, from 'The Fruit Grower's Guide' by John Wright, published c.1897-1905 (engraving) (b/w photo)

STC171979: Training young fruit trees, from 'The Fruit Grower's Guide' by John Wright, published c.1897-1905 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: STC171979

Training young fruit trees, from 'The Fruit Grower's Guide' by John Wright, published c.1897-1905 (engraving) (b/w photo)

English School, (19th century)

Detail of the grand ceiling from the Mosque of El-Bordeyny, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Jean Arnould Leveil (1806-66), published 1877 (colour litho)
Detail of the grand ceiling from the Mosque of El-Bordeyny, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Jean Arnould Leveil (1806-66), published 1877 (colour litho)

STC173809: Detail of the grand ceiling from the Mosque of El-Bordeyny, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Jean Arnould Leveil (1806-66), published 1877 (colour litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images

ID: STC173809

Detail of the grand ceiling from the Mosque of El-Bordeyny, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Jean Arnould Leveil (1806-66), published 1877 (colour litho)

Prisse d'Avennes, Emile (1807-79) (after)

Louisiana indians tracking their enemy, c.1811 (coloured engraving)
Louisiana indians tracking their enemy, c.1811 (coloured engraving)

CHT174197: Louisiana indians tracking their enemy, c.1811 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: CHT174197

Louisiana indians tracking their enemy, c.1811 (coloured engraving)

French School, (19th century)

The new gardens at Cremsier, the residence of the Prince-Bishop, published c.1700 (engraving)
The new gardens at Cremsier, the residence of the Prince-Bishop, published c.1700 (engraving)

STC172995: The new gardens at Cremsier, the residence of the Prince-Bishop, published c.1700 (engraving), Vischer, Georg Matthaus (1628-96) / Bridgeman Images

ID: STC172995

The new gardens at Cremsier, the residence of the Prince-Bishop, published c.1700 (engraving)

Vischer, Georg Matthaus (1628-96)

Lawn Tennis, illustration for August from a calendar for the clothes shop 'La Belle Jardiniere', 1906 (colour litho)
Lawn Tennis, illustration for August from a calendar for the clothes shop 'La Belle Jardiniere', 1906 (colour litho)

CHT171260: Lawn Tennis, illustration for August from a calendar for the clothes shop 'La Belle Jardiniere', 1906 (colour litho), Scott, Georges Bertin (1873-1943) / Bridgeman Images

ID: CHT171260

Lawn Tennis, illustration for August from a calendar for the clothes shop 'La Belle Jardiniere', 1906 (colour litho)

Scott, Georges Bertin (1873-1943)

Fishponds at Villa d'Este, Tivoli, from 'Le Fontane' by Giovanni Battista Falda (c.1648-1787), published by 1689 (engraving) (b/w photo)
Fishponds at Villa d'Este, Tivoli, from 'Le Fontane' by Giovanni Battista Falda (c.1648-1787), published by 1689 (engraving) (b/w photo)

STC171973: Fishponds at Villa d'Este, Tivoli, from 'Le Fontane' by Giovanni Battista Falda (c.1648-1787), published by 1689 (engraving) (b/w photo), Venturini, Giovanni Francesco (1650-p.1710) / Bridgeman Images

ID: STC171973

Fishponds at Villa d'Este, Tivoli, from 'Le Fontane' by Giovanni Battista Falda (c.1648-1787), published by 1689 (engraving) (b/w photo)

Venturini, Giovanni Francesco (1650-p.1710)

A Zouave Encampment, 1886 (colour litho)
A Zouave Encampment, 1886 (colour litho)

CHT173712: A Zouave Encampment, 1886 (colour litho), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

ID: CHT173712

A Zouave Encampment, 1886 (colour litho)

Detaille, Jean-Baptiste Edouard (1848-1912)

Portrait of Adolf von Menzel (1815-1905), 1902 (litho)
Portrait of Adolf von Menzel (1815-1905), 1902 (litho)

STC170376: Portrait of Adolf von Menzel (1815-1905), 1902 (litho), Rothenstein, William (1872-1945) / Bridgeman Images

ID: STC170376

Portrait of Adolf von Menzel (1815-1905), 1902 (litho)

Rothenstein, William (1872-1945)

Peter I on the banks of the River Neva, from the poem 'The Bronze Horseman' by Alexander Pushkin (1799-1837), 1913 (ink on paper)
Peter I on the banks of the River Neva, from the poem 'The Bronze Horseman' by Alexander Pushkin (1799-1837), 1913 (ink on paper)

XAB174027: Peter I on the banks of the River Neva, from the poem 'The Bronze Horseman' by Alexander Pushkin (1799-1837), 1913 (ink on paper), Lanceray, Evgeni Evgenievitch (1875-1946) / Bridgeman Images

ID: XAB174027

Peter I on the banks of the River Neva, from the poem 'The Bronze Horseman' by Alexander Pushkin (1799-1837), 1913 (ink on paper)

Lanceray, Evgeni Evgenievitch (1875-1946)

Bird song musical tree, published c.1670 (engraving) (b/w photo)
Bird song musical tree, published c.1670 (engraving) (b/w photo)

STC171959: Bird song musical tree, published c.1670 (engraving) (b/w photo), Swiss School, (17th century) / Bridgeman Images

ID: STC171959

Bird song musical tree, published c.1670 (engraving) (b/w photo)

Swiss School, (17th century)

Three Panathenaic amphorae depicting an athlete receiving a trophy, Boxers and Athletes, 580-520 BC (ceramic) (b/w photo)
Three Panathenaic amphorae depicting an athlete receiving a trophy, Boxers and Athletes, 580-520 BC (ceramic) (b/w photo)

XIR173493: Three Panathenaic amphorae depicting an athlete receiving a trophy, Boxers and Athletes, 580-520 BC (ceramic) (b/w photo), Greek school, (6th century BC) / Bridgeman Images

ID: XIR173493

Three Panathenaic amphorae depicting an athlete receiving a trophy, Boxers and Athletes, 580-520 BC (ceramic) (b/w photo)

Greek school, (6th century BC)

The Three Magi, started in 1860 and reworked after 1882 (pastel on paper)
The Three Magi, started in 1860 and reworked after 1882 (pastel on paper)

XIR170157: The Three Magi, started in 1860 and reworked after 1882 (pastel on paper), Moreau, Gustave (1826-98) / Bridgeman Images

ID: XIR170157

The Three Magi, started in 1860 and reworked after 1882 (pastel on paper)

Moreau, Gustave (1826-98)

View of the Seine, the Grande Galerie of the Louvre and the College des Quatre Nations, c.1680 (oil on canvas)
View of the Seine, the Grande Galerie of the Louvre and the College des Quatre Nations, c.1680 (oil on canvas)

XIR171521: View of the Seine, the Grande Galerie of the Louvre and the College des Quatre Nations, c.1680 (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR171521

View of the Seine, the Grande Galerie of the Louvre and the College des Quatre Nations, c.1680 (oil on canvas)

French School, (17th century)

Man Struggling with a Boa Constrictor, Study for 'Liboya Serpent Seizing its Prey', c.1803 (oil on canvas)
Man Struggling with a Boa Constrictor, Study for 'Liboya Serpent Seizing its Prey', c.1803 (oil on canvas)

XYC174466: Man Struggling with a Boa Constrictor, Study for 'Liboya Serpent Seizing its Prey', c.1803 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images

ID: XYC174466

Man Struggling with a Boa Constrictor, Study for 'Liboya Serpent Seizing its Prey', c.1803 (oil on canvas)

Ward, James (1769-1859)

Soup bowl, made in Tournai, 1775-80 (porcelain)
Soup bowl, made in Tournai, 1775-80 (porcelain)

XIR173453: Soup bowl, made in Tournai, 1775-80 (porcelain), French School, (18th century) / Bridgeman Images

ID: XIR173453

Soup bowl, made in Tournai, 1775-80 (porcelain)

French School, (18th century)

Dagger (iron)
Dagger (iron)

XIR174864: Dagger (iron), Gaulish / Bridgeman Images

ID: XIR174864

Dagger (iron)

Gaulish

The Awarding of Honours, plate 18 from 'The Miseries and Misfortunes of War', engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo)
The Awarding of Honours, plate 18 from 'The Miseries and Misfortunes of War', engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo)

XIR172401: The Awarding of Honours, plate 18 from 'The Miseries and Misfortunes of War', engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo), Callot, Jacques (1592-1635) (after) / Bridgeman Images

ID: XIR172401

The Awarding of Honours, plate 18 from 'The Miseries and Misfortunes of War', engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo)

Callot, Jacques (1592-1635) (after)


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