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2533212 Search Results

A Dark Futurist, 1923 (oil on panel)
A Dark Futurist, 1923 (oil on panel)

AIG433610: A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Evening, or Winterscape, 1953 (oil on artist board)
Evening, or Winterscape, 1953 (oil on artist board)

AIG433615: Evening, or Winterscape, 1953 (oil on artist board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)

AIG433618: Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Dies Irae, 1902 (pen & ink on board)
Dies Irae, 1902 (pen & ink on board)

AIG433637: Dies Irae, 1902 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Letter to Austin Purves, c.1904 (pencil on paper)
Letter to Austin Purves, c.1904 (pencil on paper)

AIG433640: Letter to Austin Purves, c.1904 (pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)
Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)

AIG433647: Spotted Horse and Soldier cutout, c.1910 (collage mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Mermen, 1916 (oil on panel with cut-out reliefs)
Mermen, 1916 (oil on panel with cut-out reliefs)

AIG433653: Mermen, 1916 (oil on panel with cut-out reliefs), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)
Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)

AIG433656: Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

October, or Dreaming, 1928 (oil on panel)
October, or Dreaming, 1928 (oil on panel)

AIG433667: October, or Dreaming, 1928 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

White Birch Winter, 1931 (oil on panel)
White Birch Winter, 1931 (oil on panel)

AIG433669: White Birch Winter, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Just a Moment Please, c.1935 (oil on panel)
Just a Moment Please, c.1935 (oil on panel)

AIG433673: Just a Moment Please, c.1935 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

The River at Ascutney, 1942 (oil on panel)
The River at Ascutney, 1942 (oil on panel)

AIG433676: The River at Ascutney, 1942 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Road to the Valley, 1943 (oil on masonite)
Road to the Valley, 1943 (oil on masonite)

AIG433677: Road to the Valley, 1943 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Glen Mill, 1950 (oil on panel)
Glen Mill, 1950 (oil on panel)

AIG433683: Glen Mill, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Indian Drinking Rum, 1899 (pen & ink on paper)
Indian Drinking Rum, 1899 (pen & ink on paper)

AIG433695: Indian Drinking Rum, 1899 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

Thomas, 2nd Baron Vaux, c.1533 (pen & ink, chalk, bodycolour and metalpoint on pink paper)
Thomas, 2nd Baron Vaux, c.1533 (pen & ink, chalk, bodycolour and metalpoint on pink paper)

ROC427427: Thomas, 2nd Baron Vaux, c.1533 (pen & ink, chalk, bodycolour and metalpoint on pink paper), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

Windsor Castle seen from the north, c.1568 (pen & ink with wash on paper)
Windsor Castle seen from the north, c.1568 (pen & ink with wash on paper)

ROC427456: Windsor Castle seen from the north, c.1568 (pen & ink with wash on paper), Hoefnagel, Joris (1542-1600) / Bridgeman Images

Windsor Castle: the Queen's State Bedchamber, 1818 (w/c & bodycolour over pencil on paper)
Windsor Castle: the Queen's State Bedchamber, 1818 (w/c & bodycolour over pencil on paper)

ROC427473: Windsor Castle: the Queen's State Bedchamber, 1818 (w/c & bodycolour over pencil on paper), Stephanoff, James (1788-1874) / Bridgeman Images

View of St. Leonard's Hill, near Windsor, 1780 (bodycolour on board)
View of St. Leonard's Hill, near Windsor, 1780 (bodycolour on board)

ROC427477: View of St. Leonard's Hill, near Windsor, 1780 (bodycolour on board), Prince Augustus Frederick (1773-1843) / Bridgeman Images

The Prince of Wales's phaeton, 1793 (oil on canvas)
The Prince of Wales's phaeton, 1793 (oil on canvas)

ROC427480: The Prince of Wales's phaeton, 1793 (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images

Barikh Khan, c.1886-88 (oil on panel)
Barikh Khan, c.1886-88 (oil on panel)

ROC427484: Barikh Khan, c.1886-88 (oil on panel), Swoboda, Rudolf Der G. (1859-1914) / Bridgeman Images

View on Willoughby's Run, bewteen Lithia Springs and the spot where General Reynolds fell, west of Theological Seminary. Rebel Position, no. 562 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albumen print)
View on Willoughby's Run, bewteen Lithia Springs and the spot where General Reynolds fell, west of Theological Seminary. Rebel Position, no. 562 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albumen print)

VAH427612: View on Willoughby's Run, bewteen Lithia Springs and the spot where General Reynolds fell, west of Theological Seminary. Rebel Position, no. 562 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albumen print), American Photographer, (19th century) / Bridgeman Images

Natural fortifications in rear of 'Devil's Den' near Round Top, no. 541 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albument print)
Natural fortifications in rear of 'Devil's Den' near Round Top, no. 541 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albument print)

VAH427614: Natural fortifications in rear of 'Devil's Den' near Round Top, no. 541 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albument print), American Photographer, (19th century) / Bridgeman Images

Grizzana Landscape, 1932 (etching)
Grizzana Landscape, 1932 (etching)

ESC427652: Grizzana Landscape, 1932 (etching), Morandi, Giorgio (1890-1964) / Bridgeman Images

The Bridge over the Savena in Bologna, 1912 (etching)
The Bridge over the Savena in Bologna, 1912 (etching)

ESC427654: The Bridge over the Savena in Bologna, 1912 (etching), Morandi, Giorgio (1890-1964) / Bridgeman Images

Cells Suffocated by poisonous Gas, detail of the North Wall Fresco, 1932-33 (fresco)
Cells Suffocated by poisonous Gas, detail of the North Wall Fresco, 1932-33 (fresco)

DTR427686: Cells Suffocated by poisonous Gas, detail of the North Wall Fresco, 1932-33 (fresco), Rivera, Diego (1886-1957) / Bridgeman Images

Interior (photo)
Interior (photo)

KW427996: Interior (photo) / Bridgeman Images

Interior (photo)
Interior (photo)

KW427997: Interior (photo) / Bridgeman Images

John Goodsir, 1889 (oil on canvas)
John Goodsir, 1889 (oil on canvas)

EUL428157: John Goodsir, 1889 (oil on canvas), Drummond Young, William (1854-1924) / Bridgeman Images

General John Reid, c.1782 (oil on canvas)
General John Reid, c.1782 (oil on canvas)

EUL428161: General John Reid, c.1782 (oil on canvas), English School, (18th century) / Bridgeman Images

A Woody Lane with a Thatched Cottage and a Pool, 1659 (oil on panel)
A Woody Lane with a Thatched Cottage and a Pool, 1659 (oil on panel)

EUL428179: A Woody Lane with a Thatched Cottage and a Pool, 1659 (oil on panel), Hobbema, Meindert (1638-1709) (attr. to) / Bridgeman Images

A Farrier's Shop, c.1652-1750 (oil on canvas)
A Farrier's Shop, c.1652-1750 (oil on canvas)

EUL428181: A Farrier's Shop, c.1652-1750 (oil on canvas), Dujardin, Karel (1626-1678) (after) / Bridgeman Images

Ecce Homo, c.1640-1730 (oil on canvas)
Ecce Homo, c.1640-1730 (oil on canvas)

EUL428184: Ecce Homo, c.1640-1730 (oil on canvas), Reni, Guido (1575-1642) (after) / Bridgeman Images

William Dick, c.1850 (oil on canvas)
William Dick, c.1850 (oil on canvas)

EUL428192: William Dick, c.1850 (oil on canvas), Shiels, William (1785-1857) / Bridgeman Images

Flight into Egypt, 1927 (etching)
Flight into Egypt, 1927 (etching)

LIS425788: Flight into Egypt, 1927 (etching), Austin, Frederick (1902-90) / Bridgeman Images

Attic Room, Lingard House, with unmade bed, 1930s (w/c on paper)
Attic Room, Lingard House, with unmade bed, 1930s (w/c on paper)

LIS425792: Attic Room, Lingard House, with unmade bed, 1930s (w/c on paper), Austin, Robert Sargent (1895-1973) / Bridgeman Images


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