AIG433610:
A Dark Futurist, 1923 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433610
A Dark Futurist, 1923 (oil on panel)
Parrish, Maxfield Frederick (1870-1966)
AIG433615:
Evening, or Winterscape, 1953 (oil on artist board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433615
Evening, or Winterscape, 1953 (oil on artist board)
Parrish, Maxfield Frederick (1870-1966)
AIG433618:
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433618
Bill Sachs: The Flying Dutchman, 1902 (oil on canvas mounted on paper & board)
Parrish, Maxfield Frederick (1870-1966)
AIG433637:
Dies Irae, 1902 (pen & ink on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433637
Dies Irae, 1902 (pen & ink on board)
Parrish, Maxfield Frederick (1870-1966)
AIG433640:
Letter to Austin Purves, c.1904 (pencil on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433640
Letter to Austin Purves, c.1904 (pencil on paper)
Parrish, Maxfield Frederick (1870-1966)
AIG433647:
Spotted Horse and Soldier cutout, c.1910 (collage mounted on board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433647
Spotted Horse and Soldier cutout, c.1910 (collage mounted on board)
Parrish, Maxfield Frederick (1870-1966)
AIG433653:
Mermen, 1916 (oil on panel with cut-out reliefs), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433653
Mermen, 1916 (oil on panel with cut-out reliefs)
Parrish, Maxfield Frederick (1870-1966)
AIG433656:
Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433656
Farmer with Clasped Hands in Back, c.1920s (oil & w/c on paper)
Parrish, Maxfield Frederick (1870-1966)
AIG433667:
October, or Dreaming, 1928 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433667
October, or Dreaming, 1928 (oil on panel)
Parrish, Maxfield Frederick (1870-1966)
AIG433669:
White Birch Winter, 1931 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433669
White Birch Winter, 1931 (oil on panel)
Parrish, Maxfield Frederick (1870-1966)
AIG433673:
Just a Moment Please, c.1935 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433673
Just a Moment Please, c.1935 (oil on panel)
Parrish, Maxfield Frederick (1870-1966)
AIG433676:
The River at Ascutney, 1942 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433676
The River at Ascutney, 1942 (oil on panel)
Parrish, Maxfield Frederick (1870-1966)
AIG433677:
Road to the Valley, 1943 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433677
Road to the Valley, 1943 (oil on masonite)
Parrish, Maxfield Frederick (1870-1966)
AIG433683:
Glen Mill, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433683
Glen Mill, 1950 (oil on panel)
Parrish, Maxfield Frederick (1870-1966)
AIG433695:
Indian Drinking Rum, 1899 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images
ID: AIG433695
Indian Drinking Rum, 1899 (pen & ink on paper)
Parrish, Maxfield Frederick (1870-1966)
ROC427427:
Thomas, 2nd Baron Vaux, c.1533 (pen & ink, chalk, bodycolour and metalpoint on pink paper), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images
ID: ROC427427
Thomas, 2nd Baron Vaux, c.1533 (pen & ink, chalk, bodycolour and metalpoint on pink paper)
Holbein the Younger, Hans (1497/8-1543)
ROC427456:
Windsor Castle seen from the north, c.1568 (pen & ink with wash on paper), Hoefnagel, Joris (1542-1600) / Bridgeman Images
ID: ROC427456
Windsor Castle seen from the north, c.1568 (pen & ink with wash on paper)
Hoefnagel, Joris (1542-1600)
ROC427473:
Windsor Castle: the Queen's State Bedchamber, 1818 (w/c & bodycolour over pencil on paper), Stephanoff, James (1788-1874) / Bridgeman Images
ID: ROC427473
Windsor Castle: the Queen's State Bedchamber, 1818 (w/c & bodycolour over pencil on paper)
Stephanoff, James (1788-1874)
ROC427477:
View of St. Leonard's Hill, near Windsor, 1780 (bodycolour on board), Prince Augustus Frederick (1773-1843) / Bridgeman Images
ID: ROC427477
View of St. Leonard's Hill, near Windsor, 1780 (bodycolour on board)
Prince Augustus Frederick (1773-1843)
ROC427480:
The Prince of Wales's phaeton, 1793 (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images
ID: ROC427480
The Prince of Wales's phaeton, 1793 (oil on canvas)
Stubbs, George (1724-1806)
ROC427484:
Barikh Khan, c.1886-88 (oil on panel), Swoboda, Rudolf Der G. (1859-1914) / Bridgeman Images
ID: ROC427484
Barikh Khan, c.1886-88 (oil on panel)
Swoboda, Rudolf Der G. (1859-1914)
VAH427612:
View on Willoughby's Run, bewteen Lithia Springs and the spot where General Reynolds fell, west of Theological Seminary. Rebel Position, no. 562 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albumen print), American Photographer, (19th century) / Bridgeman Images
ID: VAH427612
View on Willoughby's Run, bewteen Lithia Springs and the spot where General Reynolds fell, west of Theological Seminary. Rebel Position, no. 562 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albumen print)
American Photographer, (19th century)
VAH427614:
Natural fortifications in rear of 'Devil's Den' near Round Top, no. 541 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albument print), American Photographer, (19th century) / Bridgeman Images
ID: VAH427614
Natural fortifications in rear of 'Devil's Den' near Round Top, no. 541 from 'Tyson's Stereoscopic Views of The Battle-field of Gettysburg' (albument print)