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Old Mill, Derbyshire
Old Mill, Derbyshire

SAD68985: Old Mill, Derbyshire, Edwards, James (1820-88) / Bridgeman Images

ID: SAD68985

Old Mill, Derbyshire

Edwards, James (1820-88)

Putti playing with garlands of fruit
Putti playing with garlands of fruit

PFA69059: Putti playing with garlands of fruit, Rubens, Peter Paul (1577-1640) (after) / Bridgeman Images

ID: PFA69059

Putti playing with garlands of fruit

Rubens, Peter Paul (1577-1640) (after)

Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving)
Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving)

CSM73679: Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving), English School, (18th century) / Bridgeman Images

ID: CSM73679

Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving)

English School, (18th century)

The Winning Side, c.1948 (litho)
The Winning Side, c.1948 (litho)

WSG91124: The Winning Side, c.1948 (litho), Boswell, James (1906-71) / Bridgeman Images

ID: WSG91124

The Winning Side, c.1948 (litho)

Boswell, James (1906-71)

Water Jump (gouache on paper)
Water Jump (gouache on paper)

WSG91185: Water Jump (gouache on paper), Ritchie, Alick Penrose Forbes (1868-1938) / Bridgeman Images

ID: WSG91185

Water Jump (gouache on paper)

Ritchie, Alick Penrose Forbes (1868-1938)

Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper)
Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper)

BDG91219: Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper), Mathews, Richard George (1870-1955) / Bridgeman Images

ID: BDG91219

Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper)

Mathews, Richard George (1870-1955)

Venus and Adonis, 1782 (oil on canvas)
Venus and Adonis, 1782 (oil on canvas)

SRM91263: Venus and Adonis, 1782 (oil on canvas), Sokolov, Piotr Ivanovich (1752-91) / Bridgeman Images

ID: SRM91263

Venus and Adonis, 1782 (oil on canvas)

Sokolov, Piotr Ivanovich (1752-91)

The Toilet by the Water (oil on canvas)
The Toilet by the Water (oil on canvas)

PWI91428: The Toilet by the Water (oil on canvas), Siberechts, Jan (1627-1703) / Bridgeman Images

ID: PWI91428

The Toilet by the Water (oil on canvas)

Siberechts, Jan (1627-1703)

The Adoration of the Magi, c.1640-45 (oil on panel)
The Adoration of the Magi, c.1640-45 (oil on panel)

PWI91437: The Adoration of the Magi, c.1640-45 (oil on panel), Tassel, Jean (1608-67) / Bridgeman Images

ID: PWI91437

The Adoration of the Magi, c.1640-45 (oil on panel)

Tassel, Jean (1608-67)

Mask from the Dan tribe, Liberia
Mask from the Dan tribe, Liberia

XAM91572: Mask from the Dan tribe, Liberia, African School / Bridgeman Images

ID: XAM91572

Mask from the Dan tribe, Liberia

African School

View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)
View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)

HAZ92593: View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo) / Bridgeman Images

ID: HAZ92593

View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)

The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)
The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)

HAZ92618: The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo) / Bridgeman Images

ID: HAZ92618

The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)

Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)
Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)

HAZ92639: Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638) / Bridgeman Images

ID: HAZ92639

Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)

Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour
Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour

HAZ92653: Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour / Bridgeman Images

ID: HAZ92653

Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour

The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92698: The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

ID: STC92698

The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

Paillou, Peter (c.1720-90) (after)

View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)
View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)

HAZ92646: View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo) / Bridgeman Images

ID: HAZ92646

View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)

Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving)
Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving)

EHL92804: Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving), Vos, Maarten de (1532-1603) (after) / Bridgeman Images

ID: EHL92804

Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving)

Vos, Maarten de (1532-1603) (after)

Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)
Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)

SC92090: Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

ID: SC92090

Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)

Griffith, Moses (1747-1819) (attr. to)

Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92168: Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Uwins, Thomas (1782-1857) (after) / Bridgeman Images

ID: STC92168

Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

Uwins, Thomas (1782-1857) (after)

STC93064: "A Frost", engraved by R.G. Reeve (fl.1811-37) pub. by Thomas McLean, 1835 (litho), Newhouse, Charles B. (1805-77) (after) / Bridgeman Images

ID: STC93064

"A Frost", engraved by R.G. Reeve (fl.1811-37) pub. by Thomas McLean, 1835 (litho)

Newhouse, Charles B. (1805-77) (after)

Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)
Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)

STC93069: Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

ID: STC93069

Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)

Atkinson, John Augustus (1775-1831)

The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)
The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)

STC93072: The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

ID: STC93072

The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)

Atkinson, John Augustus (1775-1831)

Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas)
Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas)

XAB92384: Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas), Kramskoy, Ivan Nikolaevich (1837-87) / Bridgeman Images

ID: XAB92384

Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas)

Kramskoy, Ivan Nikolaevich (1837-87)

Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper)
Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper)

SRM92403: Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper), Terebenev, Mikhail Ivanovich (1795-1864) / Bridgeman Images

ID: SRM92403

Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper)

Terebenev, Mikhail Ivanovich (1795-1864)

View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)
View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)

SRM92442: View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel), Bogolyubov, Aleksei Petrovich (1824-96) / Bridgeman Images

ID: SRM92442

View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)

Bogolyubov, Aleksei Petrovich (1824-96)

Pembrokeshire Jackdaws, 1994 (oil on canvas)
Pembrokeshire Jackdaws, 1994 (oil on canvas)

JSU91706: Pembrokeshire Jackdaws, 1994 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: JSU91706

Pembrokeshire Jackdaws, 1994 (oil on canvas)

Sutton, Philip (b.1928)

The Magic of Tenby Town, 1989 (oil on canvas)
The Magic of Tenby Town, 1989 (oil on canvas)

JSU91716: The Magic of Tenby Town, 1989 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: JSU91716

The Magic of Tenby Town, 1989 (oil on canvas)

Sutton, Philip (b.1928)

Flowers from Pembroke (oil on canvas)
Flowers from Pembroke (oil on canvas)

JSU91739: Flowers from Pembroke (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: JSU91739

Flowers from Pembroke (oil on canvas)

Sutton, Philip (b.1928)

Summer Flowers, 1991 (oil on canvas)
Summer Flowers, 1991 (oil on canvas)

JSU91774: Summer Flowers, 1991 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

ID: JSU91774

Summer Flowers, 1991 (oil on canvas)

Sutton, Philip (b.1928)

The Head of Christ, 1922 (oil on canvas)
The Head of Christ, 1922 (oil on canvas)

HTL91864: The Head of Christ, 1922 (oil on canvas), Kalmakov, Nikolai Konstantinovich (1873-1955) / Bridgeman Images

ID: HTL91864

The Head of Christ, 1922 (oil on canvas)

Kalmakov, Nikolai Konstantinovich (1873-1955)

The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92688: The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

ID: STC92688

The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

Paillou, Peter (c.1720-90) (after)

Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)
Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)

HAZ92599: Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo) / Bridgeman Images

ID: HAZ92599

Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)

Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)
Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)

HAZ92635: Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634) / Bridgeman Images

ID: HAZ92635

Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)

Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)
Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)

HAZ92661: Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze) / Bridgeman Images

ID: HAZ92661

Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)

The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92695: The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

ID: STC92695

The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

Paillou, Peter (c.1720-90) (after)

Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)
Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)

SC92087: Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

ID: SC92087

Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)

Griffith, Moses (1747-1819) (attr. to)


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