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2497571 Search Results

Old Mill, Derbyshire
Old Mill, Derbyshire

SAD68985: Old Mill, Derbyshire, Edwards, James (1820-88) / Bridgeman Images

Putti playing with garlands of fruit
Putti playing with garlands of fruit

PFA69059: Putti playing with garlands of fruit, Rubens, Peter Paul (1577-1640) (after) / Bridgeman Images

Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving)
Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving)

CSM73679: Cornflower (Centaurea montana), plate 77 from William Curtis' 'The Botanical Magazine' (or 'Flower Garden Displayed'), pub. 1789-90 (engraving), English School, (18th century) / Bridgeman Images

The Winning Side, c.1948 (litho)
The Winning Side, c.1948 (litho)

WSG91124: The Winning Side, c.1948 (litho), Boswell, James (1906-71) / Bridgeman Images

Water Jump (gouache on paper)
Water Jump (gouache on paper)

WSG91185: Water Jump (gouache on paper), Ritchie, Alick Penrose Forbes (1868-1938) / Bridgeman Images

Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper)
Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper)

BDG91219: Portrait of Maud Allan, c.1910 (charcoal & red chalk on paper), Mathews, Richard George (1870-1955) / Bridgeman Images

Venus and Adonis, 1782 (oil on canvas)
Venus and Adonis, 1782 (oil on canvas)

SRM91263: Venus and Adonis, 1782 (oil on canvas), Sokolov, Piotr Ivanovich (1752-91) / Bridgeman Images

The Toilet by the Water (oil on canvas)
The Toilet by the Water (oil on canvas)

PWI91428: The Toilet by the Water (oil on canvas), Siberechts, Jan (1627-1703) / Bridgeman Images

The Adoration of the Magi, c.1640-45 (oil on panel)
The Adoration of the Magi, c.1640-45 (oil on panel)

PWI91437: The Adoration of the Magi, c.1640-45 (oil on panel), Tassel, Jean (1608-67) / Bridgeman Images

Mask from the Dan tribe, Liberia
Mask from the Dan tribe, Liberia

XAM91572: Mask from the Dan tribe, Liberia, African School / Bridgeman Images

View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)
View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo)

HAZ92593: View into the Rotunda from the Square Room showing the gallery above, designed by Andrei Stakenschneider (1802-65) (photo) / Bridgeman Images

The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)
The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo)

HAZ92618: The bed alcove in the Damask Bedroom of the Chinese Palace designed by Antonio Rinaldi (1709-94) (photo) / Bridgeman Images

Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)
Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638)

HAZ92639: Nymph and a cherub with a sheet of music, detail of the front panel of a ceramic stove, from the Arabesque Room, 18th century (ceramic) (detail of 92638) / Bridgeman Images

Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour
Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour

HAZ92653: Detail of moulded stucco work by David Jensen (1816-1902) in the White Parlour / Bridgeman Images

The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92698: The Puffin (Fratercula arctica) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)
View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo)

HAZ92646: View up into the dome of the Rotunda, designed by Andrei Stakenschneider (1802-65) (photo) / Bridgeman Images

Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving)
Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving)

EHL92804: Sophronia, from a series depicting 'Three Women as Symbols of Chastity', engraved by Raphael Sadeler I (1561-1632) c.1590 (engraving), Vos, Maarten de (1532-1603) (after) / Bridgeman Images

Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)
Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091)

SC92090: Panoramic View of Derwentwater and the Vale of Keswick, detail of landscape including Castle Head, c.1772 (pencil & wash on paper) (see 92086-89 and 92091), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images

Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92168: Memorials to Captain Montague in the West Entrance and to Addison in Poet's Corner, plate 63 from 'Westminster Abbey', engraved by James Hopwood (c.1752-1819) and J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Uwins, Thomas (1782-1857) (after) / Bridgeman Images

STC93064: "A Frost", engraved by R.G. Reeve (fl.1811-37) pub. by Thomas McLean, 1835 (litho), Newhouse, Charles B. (1805-77) (after) / Bridgeman Images

Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)
Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint)

STC93069: Babki, plate 13 from Volume I of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1803 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)
The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint)

STC93072: The Swing, plate 84 from Volume III of 'The Manners, Customs and Amusements of the Russians', etched by the artist, pub. 1804 (aquatint), Atkinson, John Augustus (1775-1831) / Bridgeman Images

Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas)
Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas)

XAB92384: Portrait of Pavel Mikhailovich Tretyakov (1832-98) 1876 (oil on canvas), Kramskoy, Ivan Nikolaevich (1837-87) / Bridgeman Images

Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper)
Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper)

SRM92403: Portrait of Vasili Ivanovich Demut-Malinovsky (1779-1846) 1830 (w/c & gouache on paper), Terebenev, Mikhail Ivanovich (1795-1864) / Bridgeman Images

View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)
View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel)

SRM92442: View of the Lebyazhyeva Canal looking towards the Mikhailovsky Palace, St. Petersburg (oil on panel), Bogolyubov, Aleksei Petrovich (1824-96) / Bridgeman Images

Pembrokeshire Jackdaws, 1994 (oil on canvas)
Pembrokeshire Jackdaws, 1994 (oil on canvas)

JSU91706: Pembrokeshire Jackdaws, 1994 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

The Magic of Tenby Town, 1989 (oil on canvas)
The Magic of Tenby Town, 1989 (oil on canvas)

JSU91716: The Magic of Tenby Town, 1989 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

Flowers from Pembroke (oil on canvas)
Flowers from Pembroke (oil on canvas)

JSU91739: Flowers from Pembroke (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

Summer Flowers, 1991 (oil on canvas)
Summer Flowers, 1991 (oil on canvas)

JSU91774: Summer Flowers, 1991 (oil on canvas), Sutton, Philip (b.1928) / Bridgeman Images

The Head of Christ, 1922 (oil on canvas)
The Head of Christ, 1922 (oil on canvas)

HTL91864: The Head of Christ, 1922 (oil on canvas), Kalmakov, Nikolai Konstantinovich (1873-1955) / Bridgeman Images

The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92688: The Ringtail, female of the Hen Harrier (Circus cyaneus) plate from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)
Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo)

HAZ92599: Detail of the arch at the end of Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (photo) / Bridgeman Images

Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)
Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634)

HAZ92635: Mirror over the corner fireplace in Catherine the Great's Boudoir with painted panel borders decorated with fronds of foliage, 18th century (photo) (for detail see 92634) / Bridgeman Images

Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)
Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze)

HAZ92661: Moorish style lamp from Grand Duchess Maria's Boudoir, designed by Alexander Rezanov (1817-87) (gilded bronze) / Bridgeman Images

The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)
The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving)

STC92695: The Common Shelduck from 'The British Zoology, Class II: Birds', engraved by Peter Mazell (fl.1761-97) 1766 (engraving), Paillou, Peter (c.1720-90) (after) / Bridgeman Images

Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)
Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91)

SC92087: Panoramic View of Derwentwater and the Vale of Keswick, detail of the northern end of Derwent Water, c.1772 (pencil & wash on paper) (see 92086 and 92088-91), Griffith, Moses (1747-1819) (attr. to) / Bridgeman Images


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