STC222023:
Map of Ireland, 1712 (litho), Senex, John (1678-1740) / Bridgeman Images
ID: STC222023
Map of Ireland, 1712 (litho)
Senex, John (1678-1740)
STC222035:
Map of Suffolk, engraved by William Web, 1642, published 1745 (engraving), Saxton, Christopher (1543-c.1610) (after) / Bridgeman Images
ID: STC222035
Map of Suffolk, engraved by William Web, 1642, published 1745 (engraving)
Saxton, Christopher (1543-c.1610) (after)
STC222077:
Capturing Elephants in Burma, plate 76 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Zancon, Gaetano (1771-1816) / Bridgeman Images
ID: STC222077
Capturing Elephants in Burma, plate 76 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)
Zancon, Gaetano (1771-1816)
XPC220811:
Rose window on the West Facade of St.Lorenzkirk (photo), German School, (14th century) / Bridgeman Images
ID: XPC220811
Rose window on the West Facade of St.Lorenzkirk (photo)
German School, (14th century)
XPC220872:
South portal of the west facade (South Door) (photo), French School / Bridgeman Images
ID: XPC220872
South portal of the west facade (South Door) (photo)
French School
XYC220878:
'The Little Boy Lost', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
ID: XYC220878
'The Little Boy Lost', plate 20 from 'Songs of Innocence', 1789 (relief etching with w/c)
Blake, William (1757-1827)
XYC220941:
Heath Ewe and Lambs, 1810 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
XPC220873:
North rose window, c.1280 (photo), French School, (13th century) / Bridgeman Images
ID: XPC220873
North rose window, c.1280 (photo)
French School, (13th century)
XYC220881:
'Holy Thursday', plate 23 from 'Songs of Innocence', 1789 (relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images
ID: XYC220881
'Holy Thursday', plate 23 from 'Songs of Innocence', 1789 (relief etching with w/c)
Blake, William (1757-1827)
XYC222366:
Portrait of a Woman, probably Eleanor Packington, Lady Scudamore, 1601 (oil on panel), Gheeraerts, Marcus, the Younger (c.1561-1635) / Bridgeman Images
ID: XYC222366
Portrait of a Woman, probably Eleanor Packington, Lady Scudamore, 1601 (oil on panel)
Gheeraerts, Marcus, the Younger (c.1561-1635)
PAR222393:
Canape from a Suite of Louis XVI furniture stamped by Delaisement, c.1780 (carved giltwood and upholstery) (see 222394), French School, (18th century) / Bridgeman Images
ID: PAR222393
Canape from a Suite of Louis XVI furniture stamped by Delaisement, c.1780 (carved giltwood and upholstery) (see 222394)
GHL240154:
View of area in Christ's Hospital, Newgate St, 1881 (w/c on paper), Crowther, John (1837-1902) / Bridgeman Images
ID: GHL240154
View of area in Christ's Hospital, Newgate St, 1881 (w/c on paper)
Crowther, John (1837-1902)
GAH238503:
A panel from an eight fold screen depicting famous stories of China (natural pigments on paper), Chinese School / Bridgeman Images
ID: GAH238503
A panel from an eight fold screen depicting famous stories of China (natural pigments on paper)
Chinese School
GAH238519:
Doryeong (natural pigments on paper), Korean School / Bridgeman Images
ID: GAH238519
Doryeong (natural pigments on paper)
Korean School
GAH238550:
Sipdaewang, ten kings of the underworld (natural pigment on silk), Korean School / Bridgeman Images
ID: GAH238550
Sipdaewang, ten kings of the underworld (natural pigment on silk)
Korean School
GAH238558:
Yeoldu madangdo (natural pigments on silk), Korean School / Bridgeman Images
ID: GAH238558
Yeoldu madangdo (natural pigments on silk)
Korean School
XYC239863:
Edward Hodges, 1820 (marble), Baily, Edward Hodges (1788-1867) / Bridgeman Images
ID: XYC239863
Edward Hodges, 1820 (marble)
Baily, Edward Hodges (1788-1867)
JPC238290:
Detail of lintel IV depicting a tribute being paid by the vanquished, from Piedras Negras, Usumacinta, Guatemala, Late Classic Period (600-900) (stone), Mayan / Bridgeman Images
ID: JPC238290
Detail of lintel IV depicting a tribute being paid by the vanquished, from Piedras Negras, Usumacinta, Guatemala, Late Classic Period (600-900) (stone)
Mayan
XYC238495:
A Barn with a Mossy Roof, Shoreham (watercolour with brown wash, ink, gouache & pencil on paper), Palmer, Samuel (1805-81) / Bridgeman Images
ID: XYC238495
A Barn with a Mossy Roof, Shoreham (watercolour with brown wash, ink, gouache & pencil on paper)
Palmer, Samuel (1805-81)
GAH238511:
A panel from an eight fold screen (natural pigments on paper), Korean School / Bridgeman Images
ID: GAH238511
A panel from an eight fold screen (natural pigments on paper)
Korean School
GAH238542:
Doryeong (natural pigment on paper) (see also 238541), Korean School / Bridgeman Images
ID: GAH238542
Doryeong (natural pigment on paper) (see also 238541)
Korean School
GUI237868:
Judith, 1789 (oil on canvas), Russell, John (1745-1806) / Bridgeman Images
ID: GUI237868
Judith, 1789 (oil on canvas)
Russell, John (1745-1806)
XIR237982:
Homage to Venus (oil on canvas), Vos, Simon de (1603-76) / Bridgeman Images
ID: XIR237982
Homage to Venus (oil on canvas)
Vos, Simon de (1603-76)
PLT238235:
Baron Erasme Surlet de Chokier (1769-1839) Regent of Belgium, 1831 (colour litho), Daems, Ferdinand J.J. (1809-1875) / Bridgeman Images
ID: PLT238235
Baron Erasme Surlet de Chokier (1769-1839) Regent of Belgium, 1831 (colour litho)
Daems, Ferdinand J.J. (1809-1875)
JPC238289:
Funerary urn with lid, Ixil, Quiche, Guatemala, Early Postclassic Period (900-1200) (polychrome earthenware), Mayan / Bridgeman Images
ID: JPC238289
Funerary urn with lid, Ixil, Quiche, Guatemala, Early Postclassic Period (900-1200) (polychrome earthenware)
Mayan
JPC238293:
Architectural detail from the Nunnery Quadrangle, Late Classic Maya (600-900 AD) (photo), Mayan / Bridgeman Images
ID: JPC238293
Architectural detail from the Nunnery Quadrangle, Late Classic Maya (600-900 AD) (photo)
Mayan
XBP236467:
Chalice, c.1791 (gold with diamonds) (see also 236466), Russian School, (18th century) / Bridgeman Images
ID: XBP236467
Chalice, c.1791 (gold with diamonds) (see also 236466)