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Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho)
Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho)

KWE285303: Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho), Pickersgill, Henry William (1782-1875) (after) / Bridgeman Images

ID: KWE285303

Bishop Henry Ryder, engraved by T. Woolnoth, from 'The National Portrait Gallery, volume I', published c.1820 (litho)

Pickersgill, Henry William (1782-1875) (after)

James Blundell, engraved by J. Cochran, from 'The National Portrait Gallery, Volume II', published c.1820 (litho)
James Blundell, engraved by J. Cochran, from 'The National Portrait Gallery, Volume II', published c.1820 (litho)

KWE285316: James Blundell, engraved by J. Cochran, from 'The National Portrait Gallery, Volume II', published c.1820 (litho), Room, Henry (1802-50) (after) / Bridgeman Images

ID: KWE285316

James Blundell, engraved by J. Cochran, from 'The National Portrait Gallery, Volume II', published c.1820 (litho)

Room, Henry (1802-50) (after)

Daniel O'Connell, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)
Daniel O'Connell, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)

KWE285343: Daniel O'Connell, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho), Carrick, Thomas Heathfield (1802-75) (after) / Bridgeman Images

ID: KWE285343

Daniel O'Connell, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)

Carrick, Thomas Heathfield (1802-75) (after)

Albert de Haller, engraved by W. Holl, from 'The National Portrait Gallery, Volume III', published c.1820 (litho)
Albert de Haller, engraved by W. Holl, from 'The National Portrait Gallery, Volume III', published c.1820 (litho)

KWE285361: Albert de Haller, engraved by W. Holl, from 'The National Portrait Gallery, Volume III', published c.1820 (litho), English School, (19th century) / Bridgeman Images

ID: KWE285361

Albert de Haller, engraved by W. Holl, from 'The National Portrait Gallery, Volume III', published c.1820 (litho)

English School, (19th century)

Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285387: Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285387

Gerard Dou, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285392: Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285392

Hans Holbein the Younger, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Johannes Lingelbach, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Johannes Lingelbach, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285406: Johannes Lingelbach, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285406

Johannes Lingelbach, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Luca Giordano, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Luca Giordano, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285414: Luca Giordano, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285414

Luca Giordano, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)
Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

KWE285425: Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285425

Salvatore Rosa, illustration from '75 Portraits Of Celebrated Painters From Authentic Originals', published in London, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

Thomas Gray, illustration from 'Memoirs of Eminent Etonians', by Sir Edward Creasy published London 1876 (litho)
Thomas Gray, illustration from 'Memoirs of Eminent Etonians', by Sir Edward Creasy published London 1876 (litho)

KWE285445: Thomas Gray, illustration from 'Memoirs of Eminent Etonians', by Sir Edward Creasy published London 1876 (litho), Eccardt, John Giles (fl.1740-79) (after) / Bridgeman Images

ID: KWE285445

Thomas Gray, illustration from 'Memoirs of Eminent Etonians', by Sir Edward Creasy published London 1876 (litho)

Eccardt, John Giles (fl.1740-79) (after)

Charles VIII of France called The Affable, illustration from 'Life and Times of Girolamo Savonarola', published in 1909 (litho)
Charles VIII of France called The Affable, illustration from 'Life and Times of Girolamo Savonarola', published in 1909 (litho)

KWE285466: Charles VIII of France called The Affable, illustration from 'Life and Times of Girolamo Savonarola', published in 1909 (litho), Italian School, (20th century) / Bridgeman Images

ID: KWE285466

Charles VIII of France called The Affable, illustration from 'Life and Times of Girolamo Savonarola', published in 1909 (litho)

Italian School, (20th century)

Elizabeth, Queen of Bohemia, engraved by Bocquet, from 'A Catalogue of the Royal and Noble Authors', published 1806 (litho)
Elizabeth, Queen of Bohemia, engraved by Bocquet, from 'A Catalogue of the Royal and Noble Authors', published 1806 (litho)

KWE285482: Elizabeth, Queen of Bohemia, engraved by Bocquet, from 'A Catalogue of the Royal and Noble Authors', published 1806 (litho), English School, (19th century) (after) / Bridgeman Images

ID: KWE285482

Elizabeth, Queen of Bohemia, engraved by Bocquet, from 'A Catalogue of the Royal and Noble Authors', published 1806 (litho)

English School, (19th century) (after)

The Dream, Sussex, 1973 (oil on board)
The Dream, Sussex, 1973 (oil on board)

GAN308004: The Dream, Sussex, 1973 (oil on board), Green, Anthony (b.1939) / Bridgeman Images

ID: GAN308004

The Dream, Sussex, 1973 (oil on board)

Green, Anthony (b.1939)

Breakfast in Bed, 27th Wedding Anniversary, 1988 (oil on board)
Breakfast in Bed, 27th Wedding Anniversary, 1988 (oil on board)

GAN308033: Breakfast in Bed, 27th Wedding Anniversary, 1988 (oil on board), Green, Anthony (b.1939) / Bridgeman Images

ID: GAN308033

Breakfast in Bed, 27th Wedding Anniversary, 1988 (oil on board)

Green, Anthony (b.1939)

Detail of the outer coffin lid of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood)
Detail of the outer coffin lid of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood)

LMG308068: Detail of the outer coffin lid of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood), Egyptian 20th Dynasty (1200-1085 BC) / Bridgeman Images

ID: LMG308068

Detail of the outer coffin lid of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood)

Egyptian 20th Dynasty (1200-1085 BC)

Detail of the outer coffin base of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood)
Detail of the outer coffin base of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood)

LMG308088: Detail of the outer coffin base of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood), Egyptian 20th Dynasty (1200-1085 BC) / Bridgeman Images

ID: LMG308088

Detail of the outer coffin base of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood)

Egyptian 20th Dynasty (1200-1085 BC)

Robert Helpmann (1909-86) in Apparitions, 1936 (b/w photo)
Robert Helpmann (1909-86) in Apparitions, 1936 (b/w photo)

DGC308104: Robert Helpmann (1909-86) in Apparitions, 1936 (b/w photo), Australian Photographer (20th century) / Bridgeman Images

ID: DGC308104

Robert Helpmann (1909-86) in Apparitions, 1936 (b/w photo)

Australian Photographer (20th century)

King George V and Kaiser Wilhelm II at the funeral of Edward VII, postcard, 1910 (b/w photo)
King George V and Kaiser Wilhelm II at the funeral of Edward VII, postcard, 1910 (b/w photo)

DGC308111: King George V and Kaiser Wilhelm II at the funeral of Edward VII, postcard, 1910 (b/w photo) / Bridgeman Images

ID: DGC308111

King George V and Kaiser Wilhelm II at the funeral of Edward VII, postcard, 1910 (b/w photo)

The Conciergerie, from 'Souvenirs De Paris - Monuments Vues en Couleurs' (colour litho)
The Conciergerie, from 'Souvenirs De Paris - Monuments Vues en Couleurs' (colour litho)

DGC308124: The Conciergerie, from 'Souvenirs De Paris - Monuments Vues en Couleurs' (colour litho) / Bridgeman Images

ID: DGC308124

The Conciergerie, from 'Souvenirs De Paris - Monuments Vues en Couleurs' (colour litho)

W.H. Rogers, Clarksville, Tennessee (b/w photo)
W.H. Rogers, Clarksville, Tennessee (b/w photo)

DGC308159: W.H. Rogers, Clarksville, Tennessee (b/w photo) / Bridgeman Images

ID: DGC308159

W.H. Rogers, Clarksville, Tennessee (b/w photo)

Nelson's Dining Room onboard the HMS Victory (b/w photo)
Nelson's Dining Room onboard the HMS Victory (b/w photo)

DGC308193: Nelson's Dining Room onboard the HMS Victory (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: DGC308193

Nelson's Dining Room onboard the HMS Victory (b/w photo)

English Photographer, (20th century)

View to the left of the gateway of the Imam Mosque, Imam Khomeini Square (photo)
View to the left of the gateway of the Imam Mosque, Imam Khomeini Square (photo)

JCH308205: View to the left of the gateway of the Imam Mosque, Imam Khomeini Square (photo), Chichester, Julian / Bridgeman Images

ID: JCH308205

View to the left of the gateway of the Imam Mosque, Imam Khomeini Square (photo)

Chichester, Julian

The Khaju Bridge of the Zayande River (photo)
The Khaju Bridge of the Zayande River (photo)

JCH308217: The Khaju Bridge of the Zayande River (photo), Chichester, Julian / Bridgeman Images

ID: JCH308217

The Khaju Bridge of the Zayande River (photo)

Chichester, Julian

A minaret, dating from the Qajar period in the 18th century, of the Masjed-e Jame (photo)
A minaret, dating from the Qajar period in the 18th century, of the Masjed-e Jame (photo)

JCH308233: A minaret, dating from the Qajar period in the 18th century, of the Masjed-e Jame (photo), Chichester, Julian / Bridgeman Images

ID: JCH308233

A minaret, dating from the Qajar period in the 18th century, of the Masjed-e Jame (photo)

Chichester, Julian

Greater Soru (photo)
Greater Soru (photo)

JCH308237: Greater Soru (photo), Chichester, Julian / Bridgeman Images

ID: JCH308237

Greater Soru (photo)

Chichester, Julian

Gerdkuh Castle in the Alborz Mountains (photo)
Gerdkuh Castle in the Alborz Mountains (photo)

JCH308242: Gerdkuh Castle in the Alborz Mountains (photo), Chichester, Julian / Bridgeman Images

ID: JCH308242

Gerdkuh Castle in the Alborz Mountains (photo)

Chichester, Julian

Detail of Mausoleum B (photo)
Detail of Mausoleum B (photo)

JCH308256: Detail of Mausoleum B (photo), Chichester, Julian / Bridgeman Images

ID: JCH308256

Detail of Mausoleum B (photo)

Chichester, Julian

Mausoleums A and B (photo)
Mausoleums A and B (photo)

JCH308270: Mausoleums A and B (photo), Chichester, Julian / Bridgeman Images

ID: JCH308270

Mausoleums A and B (photo)

Chichester, Julian

An opus sectile mosaic in the House of Jason Magnus, in the Ptolemaion Quarter (photo)
An opus sectile mosaic in the House of Jason Magnus, in the Ptolemaion Quarter (photo)

JCH308276: An opus sectile mosaic in the House of Jason Magnus, in the Ptolemaion Quarter (photo), Chichester, Julian / Bridgeman Images

ID: JCH308276

An opus sectile mosaic in the House of Jason Magnus, in the Ptolemaion Quarter (photo)

Chichester, Julian

Amerigo Vespucci lands in the New World, from 'The Life and Voyages of Americus Vespuccius', published by Horace Mansfield, New Haven, Connecticut, 1853 (litho)
Amerigo Vespucci lands in the New World, from 'The Life and Voyages of Americus Vespuccius', published by Horace Mansfield, New Haven, Connecticut, 1853 (litho)

KWE285501: Amerigo Vespucci lands in the New World, from 'The Life and Voyages of Americus Vespuccius', published by Horace Mansfield, New Haven, Connecticut, 1853 (litho), American School, (19th century) / Bridgeman Images

ID: KWE285501

Amerigo Vespucci lands in the New World, from 'The Life and Voyages of Americus Vespuccius', published by Horace Mansfield, New Haven, Connecticut, 1853 (litho)

American School, (19th century)

A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)
A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

XYC285519: A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285519

A white haired man in a long, pale robe who flees from us with his hands raised, plate 21 from 'The First Book of Urizen', 1794 (colour printed relief etching with w/c)

Blake, William (1757-1827)

'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285525: 'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285525

'The banks of the Thames...', plate 5 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

Blake, William (1757-1827)

'Spring', plate 12 from 'Songs of Innocence and Experience', after William Blake (1757-1827) c.1808 (w/c with pen & brown ink)
'Spring', plate 12 from 'Songs of Innocence and Experience', after William Blake (1757-1827) c.1808 (w/c with pen & brown ink)

XYC285531: 'Spring', plate 12 from 'Songs of Innocence and Experience', after William Blake (1757-1827) c.1808 (w/c with pen & brown ink), Blake, William (1757-1827) (after) / Bridgeman Images

ID: XYC285531

'Spring', plate 12 from 'Songs of Innocence and Experience', after William Blake (1757-1827) c.1808 (w/c with pen & brown ink)

Blake, William (1757-1827) (after)

'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)
'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

XYC285543: 'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285543

'But he that loves the lowly...', plate 7 from 'The Book of Thel', 1789 (relief etching printed in brown with w/c)

Blake, William (1757-1827)

'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285551: 'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285551

'The morning comes...', plate 8 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

Blake, William (1757-1827)

'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285559: 'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285559

'Jerusalem', plate 4 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

Blake, William (1757-1827)


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