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Variete d'orchidee Dendrobium Wardianum, Warn. - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902
Variete d'orchidee Dendrobium Wardianum, Warn. - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

FLO4664138: Variete d'orchidee Dendrobium Wardianum, Warn. - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902 / Bridgeman Images

ID: FLO4664138

Variete d'orchidee Dendrobium Wardianum, Warn. - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

Cypripedium by Miss Louisa Fowler - Chromolithography by S. de Leeuw, based on a drawing by C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902
Cypripedium by Miss Louisa Fowler - Chromolithography by S. de Leeuw, based on a drawing by C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

FLO4664289: Cypripedium by Miss Louisa Fowler - Chromolithography by S. de Leeuw, based on a drawing by C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902 / Bridgeman Images

ID: FLO4664289

Cypripedium by Miss Louisa Fowler - Chromolithography by S. de Leeuw, based on a drawing by C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902
Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

FLO4664322: Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902 / Bridgeman Images

ID: FLO4664322

Variete tenebrosa de Vanda tricolor - Chromolithographie de S. de Leeuw, d'un dessin de C. de Bruyne, published in Lindenia, Iconographie des orchides, by Lucien Linden, Brussels (Belgium), 1902

Walnut tree, Juglans major. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Walnut tree, Juglans major. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674536: Walnut tree, Juglans major. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674536

Walnut tree, Juglans major. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674573: Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674573

Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674826: Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674826

Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674650: Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674650

Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4675001: Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4675001

Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa.
Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa.

FLO4674724: Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa. / Bridgeman Images

ID: FLO4674724

Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa.

Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675374: Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675374

Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675382: Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675382

Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Common pear, Bergamot variety of Esperen. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamotte d'Esperen pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common pear, Bergamot variety of Esperen. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamotte d'Esperen pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675457: Common pear, Bergamot variety of Esperen. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamotte d'Esperen pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675457

Common pear, Bergamot variety of Esperen. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamotte d'Esperen pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Common pear variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Perfumed Swan's Egg pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common pear variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Perfumed Swan's Egg pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675474: Common pear variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Perfumed Swan's Egg pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675474

Common pear variete. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Perfumed Swan's Egg pear, Pyrus communis. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Hignell's Inequalable Apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hignell's Matchless apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Hignell's Inequalable Apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hignell's Matchless apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675502: Hignell's Inequalable Apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hignell's Matchless apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675502

Hignell's Inequalable Apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hignell's Matchless apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold. Death on a stool, deliberately collects in a large dish the money on the table that the Mad had counted. In an agony of terror and despair, the poor man seems to beg indulgence from his undesirable visitor. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold. Death on a stool, deliberately collects in a large dish the money on the table that the Mad had counted. In an agony of terror and despair, the poor man seems to beg indulgence from his undesirable visitor. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675742: Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold. Death on a stool, deliberately collects in a large dish the money on the table that the Mad had counted. In an agony of terror and despair, the poor man seems to beg indulgence from his undesirable visitor. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675742

Stingy. Death broke into the vault, where the Stingy sits among his coffers and bags of gold. Death on a stool, deliberately collects in a large dish the money on the table that the Mad had counted. In an agony of terror and despair, the poor man seems to beg indulgence from his undesirable visitor. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4675983: Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4675983

Oldrado da Tresseno (d. 1233), podestat (mayor) of Milan (Italy), 13th century - Oldrado da Tresseno, Podesta or Mayor of Milan, 13th century - He wears a blue cape with gold clasp at the shoulder, pink tunic, yellow stockings, gold spurs - From an equestrian statue - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

Mercuri, Paolo (1804-84)

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671610: Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671610

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671194: Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671194

Amarante Celosia Huttoni or crete de rooster, with purple and dark green foliage. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671317: Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671317

Variete of lily washintonianum type, with crimson and yellow flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Variety of orchid Lycaste skinneri, the white is of type Alba or Monja Blanca, purple and purple is called nigro rubra. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variety of orchid Lycaste skinneri, the white is of type Alba or Monja Blanca, purple and purple is called nigro rubra. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671341: Variety of orchid Lycaste skinneri, the white is of type Alba or Monja Blanca, purple and purple is called nigro rubra. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671341

Variety of orchid Lycaste skinneri, the white is of type Alba or Monja Blanca, purple and purple is called nigro rubra. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671550: Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671550

Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671738: Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671738

Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671868: Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671868

Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671621: Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671621

Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671643: Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671643

Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671743: Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

ID: FLO4671743

Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671778: Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671778

Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671811: Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671811

Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671827: Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671827

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671964: Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671964

Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4672014: Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4672014

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672060: King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672060

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

EX LIBRIS, homage to Jean Francois Champollion, Figeac, France, 1991
EX LIBRIS, homage to Jean Francois Champollion, Figeac, France, 1991

TEC4672129: EX LIBRIS, homage to Jean Francois Champollion, Figeac, France, 1991, Kosuth, Joseph (b.1945) / Bridgeman Images

ID: TEC4672129

EX LIBRIS, homage to Jean Francois Champollion, Figeac, France, 1991

Kosuth, Joseph (b.1945)

Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671645: Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671645

Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674867: Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674867

Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674882: Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674882

Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.


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