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Ms 635 f90v Map of Ireland, by Gerard Mercator (1512-94) (vellum)
Ms 635 f90v Map of Ireland, by Gerard Mercator (1512-94) (vellum)

LAM141121: Ms 635 f90v Map of Ireland, by Gerard Mercator (1512-94) (vellum), English School, (17th century) / Bridgeman Images

ID: LAM141121

Ms 635 f90v Map of Ireland, by Gerard Mercator (1512-94) (vellum)

English School, (17th century)

MS 474 f.72 The Funeral, from the Book of Hours of Richard III (vellum)
MS 474 f.72 The Funeral, from the Book of Hours of Richard III (vellum)

LAM141125: MS 474 f.72 The Funeral, from the Book of Hours of Richard III (vellum), English School, (15th century) / Bridgeman Images

ID: LAM141125

MS 474 f.72 The Funeral, from the Book of Hours of Richard III (vellum)

English School, (15th century)

MS 634 ff.43v-44 The Land Proportion of the Merchant Tailors, from 'A Survey of the Estate of the Plantation of the County of Londonderry Taken in 1624 by Sir Thomas Phillips' (vellum)
MS 634 ff.43v-44 The Land Proportion of the Merchant Tailors, from 'A Survey of the Estate of the Plantation of the County of Londonderry Taken in 1624 by Sir Thomas Phillips' (vellum)

LAM141127: MS 634 ff.43v-44 The Land Proportion of the Merchant Tailors, from 'A Survey of the Estate of the Plantation of the County of Londonderry Taken in 1624 by Sir Thomas Phillips' (vellum), English School, (17th century) / Bridgeman Images

ID: LAM141127

MS 634 ff.43v-44 The Land Proportion of the Merchant Tailors, from 'A Survey of the Estate of the Plantation of the County of Londonderry Taken in 1624 by Sir Thomas Phillips' (vellum)

English School, (17th century)

View of the facade, built between 1171 and 1331 (photo)
View of the facade, built between 1171 and 1331 (photo)

KW141200: View of the facade, built between 1171 and 1331 (photo), Spanish School / Bridgeman Images

ID: KW141200

View of the facade, built between 1171 and 1331 (photo)

Spanish School

Detail from the Roman aqueduct (photo)
Detail from the Roman aqueduct (photo)

KW141206: Detail from the Roman aqueduct (photo), Roman, (1st century AD) / Bridgeman Images

ID: KW141206

Detail from the Roman aqueduct (photo)

Roman, (1st century AD)

View of the church inside the monastery, begun in 1161 (photo)
View of the church inside the monastery, begun in 1161 (photo)

KW141210: View of the church inside the monastery, begun in 1161 (photo), Spanish School, (12th century) / Bridgeman Images

ID: KW141210

View of the church inside the monastery, begun in 1161 (photo)

Spanish School, (12th century)

Exterior of the monastery, founded in 1194 and moved to its present site in 1218 (photo)
Exterior of the monastery, founded in 1194 and moved to its present site in 1218 (photo)

KW141217: Exterior of the monastery, founded in 1194 and moved to its present site in 1218 (photo), Spanish School, (13th century) / Bridgeman Images

ID: KW141217

Exterior of the monastery, founded in 1194 and moved to its present site in 1218 (photo)

Spanish School, (13th century)

Detail from the facade of the church, founded in 1194 and moved to its present site in 1218 (photo)
Detail from the facade of the church, founded in 1194 and moved to its present site in 1218 (photo)

KW141220: Detail from the facade of the church, founded in 1194 and moved to its present site in 1218 (photo), Spanish School, (13th century) / Bridgeman Images

ID: KW141220

Detail from the facade of the church, founded in 1194 and moved to its present site in 1218 (photo)

Spanish School, (13th century)

Repose (Girl in Blue on Red Couch) 1923 (oil on canvas)
Repose (Girl in Blue on Red Couch) 1923 (oil on canvas)

BRN189108: Repose (Girl in Blue on Red Couch) 1923 (oil on canvas), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

ID: BRN189108

Repose (Girl in Blue on Red Couch) 1923 (oil on canvas)

Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024

Seated Woman in Tan Roo, 1917 (oil on canvas)
Seated Woman in Tan Roo, 1917 (oil on canvas)

BRN189110: Seated Woman in Tan Roo, 1917 (oil on canvas), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

ID: BRN189110

Seated Woman in Tan Roo, 1917 (oil on canvas)

Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024

Semi-Nude on a Red Couch, 1919 (oil on canvas)
Semi-Nude on a Red Couch, 1919 (oil on canvas)

BRN189123: Semi-Nude on a Red Couch, 1919 (oil on canvas), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

ID: BRN189123

Semi-Nude on a Red Couch, 1919 (oil on canvas)

Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024

On the Gretna Looking Down the River (oil on canvas)
On the Gretna Looking Down the River (oil on canvas)

OJ189132: On the Gretna Looking Down the River (oil on canvas), Halswelle, Keeley (1832-91) / Bridgeman Images

ID: OJ189132

On the Gretna Looking Down the River (oil on canvas)

Halswelle, Keeley (1832-91)

The Punch and Judy Show (oil on canvas)
The Punch and Judy Show (oil on canvas)

OJ189134: The Punch and Judy Show (oil on canvas), Smythe, Edward Robert (1810-99) / Bridgeman Images

ID: OJ189134

The Punch and Judy Show (oil on canvas)

Smythe, Edward Robert (1810-99)

Still Life of Grapes, Apples, Dead Grouse and a Blue Jug (oil on canvas)
Still Life of Grapes, Apples, Dead Grouse and a Blue Jug (oil on canvas)

OJ189137: Still Life of Grapes, Apples, Dead Grouse and a Blue Jug (oil on canvas), Bale, Charles Thomas (fl.1868-75) / Bridgeman Images

ID: OJ189137

Still Life of Grapes, Apples, Dead Grouse and a Blue Jug (oil on canvas)

Bale, Charles Thomas (fl.1868-75)

Bolton Abbey (w/c on paper)
Bolton Abbey (w/c on paper)

BBC189179: Bolton Abbey (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: BBC189179

Bolton Abbey (w/c on paper)

Cotman, John Sell (1782-1842)

Tuesday 22: Sunny spells but mainly dry, but more cloud and showers in south-western England, 2001 (oil on board)
Tuesday 22: Sunny spells but mainly dry, but more cloud and showers in south-western England, 2001 (oil on board)

BMN189297: Tuesday 22: Sunny spells but mainly dry, but more cloud and showers in south-western England, 2001 (oil on board), McLaughlin, Ben / Bridgeman Images

ID: BMN189297

Tuesday 22: Sunny spells but mainly dry, but more cloud and showers in south-western England, 2001 (oil on board)

McLaughlin, Ben

View of palaces at sunset (photo)
View of palaces at sunset (photo)

SQ189615: View of palaces at sunset (photo) / Bridgeman Images

ID: SQ189615

View of palaces at sunset (photo)

Still Life (oil on canvas)
Still Life (oil on canvas)

BRN189684: Still Life (oil on canvas), Davidsson, Kristjan (b.1917) / Bridgeman Images

ID: BRN189684

Still Life (oil on canvas)

Davidsson, Kristjan (b.1917)

Still Life Abstraction, 1946 (oil on paper)
Still Life Abstraction, 1946 (oil on paper)

BRN189687: Still Life Abstraction, 1946 (oil on paper), Reiff, Barbara (fl. 1946) / Bridgeman Images

ID: BRN189687

Still Life Abstraction, 1946 (oil on paper)

Reiff, Barbara (fl. 1946)

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)
Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189744

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

Gillray, James (1757-1815)

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189779

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)
Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189798: Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189798

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

Gillray, James (1757-1815)

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)
New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189799

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

The Royal Oak, Shepherd Market (oil on canvas)
The Royal Oak, Shepherd Market (oil on canvas)

PIA190042: The Royal Oak, Shepherd Market (oil on canvas), Birtwhistle, Cecil Harry (1910-90) / Bridgeman Images

ID: PIA190042

The Royal Oak, Shepherd Market (oil on canvas)

Birtwhistle, Cecil Harry (1910-90)

Taj Mahal, Agra, 2001 (oil on canvas)
Taj Mahal, Agra, 2001 (oil on canvas)

TSB190067: Taj Mahal, Agra, 2001 (oil on canvas), Scott Bolton, Tim / Bridgeman Images

ID: TSB190067

Taj Mahal, Agra, 2001 (oil on canvas)

Scott Bolton, Tim

Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)
Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)

TRI190097: Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915), English School, (20th century) / Bridgeman Images

ID: TRI190097

Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)

English School, (20th century)

The Dutch Divisions, published by S.W. Fores in 1787 (etching)
The Dutch Divisions, published by S.W. Fores in 1787 (etching)

NCO190102: The Dutch Divisions, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190102

The Dutch Divisions, published by S.W. Fores in 1787 (etching)

Gillray, James (1757-1815)

A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190114: A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190114

A Woman with Spirit, published by Hannah Humphrey in 1795 (hand-coloured etching)

Gillray, James (1757-1815)

A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190136: A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190136

A Squall, published by Hannah Humphrey in 1810 (hand-coloured etching)

Gillray, James (1757-1815)

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)
Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190165: Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190165

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Mill ii, 2000 (oil on board)
The Mill ii, 2000 (oil on board)

ANR186791: The Mill ii, 2000 (oil on board), Rothenstein, Anne (b.1949) / Bridgeman Images

ID: ANR186791

The Mill ii, 2000 (oil on board)

Rothenstein, Anne (b.1949)

Sculptures and grotto from the 'Calvary' in the grounds of the church (photo)
Sculptures and grotto from the 'Calvary' in the grounds of the church (photo)

MAE186801: Sculptures and grotto from the 'Calvary' in the grounds of the church (photo), Flemish School, (18th century) / Bridgeman Images

ID: MAE186801

Sculptures and grotto from the 'Calvary' in the grounds of the church (photo)

Flemish School, (18th century)

Carved capital depicting four faces, from the south portal (stone)
Carved capital depicting four faces, from the south portal (stone)

MAE186803: Carved capital depicting four faces, from the south portal (stone), Netherlandish School, (15th century) / Bridgeman Images

ID: MAE186803

Carved capital depicting four faces, from the south portal (stone)

Netherlandish School, (15th century)

View of the interior (photo)
View of the interior (photo)

MAE186814: View of the interior (photo), Flemish School / Bridgeman Images

ID: MAE186814

View of the interior (photo)

Flemish School

St. Ambrose, one of the Four Latin Fathers of the Church (wood)
St. Ambrose, one of the Four Latin Fathers of the Church (wood)

MAE186816: St. Ambrose, one of the Four Latin Fathers of the Church (wood), Netherlandish School / Bridgeman Images

ID: MAE186816

St. Ambrose, one of the Four Latin Fathers of the Church (wood)

Netherlandish School

St. Augustine, one of the Four Latin Fathers of the Church (wood)
St. Augustine, one of the Four Latin Fathers of the Church (wood)

MAE186817: St. Augustine, one of the Four Latin Fathers of the Church (wood), Netherlandish School / Bridgeman Images

ID: MAE186817

St. Augustine, one of the Four Latin Fathers of the Church (wood)

Netherlandish School


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