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Anatomy of the human arterial system in the upper torso. Handcoloured lithograph by St. Schillinger from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839.
Anatomy of the human arterial system in the upper torso. Handcoloured lithograph by St. Schillinger from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839.

FLO4684926: Anatomy of the human arterial system in the upper torso. Handcoloured lithograph by St. Schillinger from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839. / Bridgeman Images

Lizard species. Flying dragon, Draco volans, green iguana, iguana iguana, Chilean tree lizard, Liolaemus chiliensis, helmeted iguana, Corytophanes cristatus, chameleon, Chamaeleo chamaeleon, spotted anole, Anolis punctatus, frill-neck lizard, Chlamydosaurus kingii, and basilisk cus. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.
Lizard species. Flying dragon, Draco volans, green iguana, iguana iguana, Chilean tree lizard, Liolaemus chiliensis, helmeted iguana, Corytophanes cristatus, chameleon, Chamaeleo chamaeleon, spotted anole, Anolis punctatus, frill-neck lizard, Chlamydosaurus kingii, and basilisk cus. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841.

FLO4684994: Lizard species. Flying dragon, Draco volans, green iguana, iguana iguana, Chilean tree lizard, Liolaemus chiliensis, helmeted iguana, Corytophanes cristatus, chameleon, Chamaeleo chamaeleon, spotted anole, Anolis punctatus, frill-neck lizard, Chlamydosaurus kingii, and basilisk cus. Lithograph from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1841. / Bridgeman Images

Austrian golden doubloon (doublon) of emperor Joseph II (1740-1790) 1783 Naples, museo archeologico
Austrian golden doubloon (doublon) of emperor Joseph II (1740-1790) 1783 Naples, museo archeologico

LRI4685099: Austrian golden doubloon (doublon) of emperor Joseph II (1740-1790) 1783 Naples, museo archeologico, Austrian School, (18th century) / Bridgeman Images

Silver coin (8 reales) from Spain: reign of Philip (Filippo or Philippe) II (1556-1598). 1589 Diam. 3,5 cm Naples, museo archeologico
Silver coin (8 reales) from Spain: reign of Philip (Filippo or Philippe) II (1556-1598). 1589 Diam. 3,5 cm Naples, museo archeologico

LRI4685129: Silver coin (8 reales) from Spain: reign of Philip (Filippo or Philippe) II (1556-1598). 1589 Diam. 3,5 cm Naples, museo archeologico, Spanish School, (16th century) / Bridgeman Images

Golden coin (8 ecu) from Spain: reign of Philip (Filippo or Philippe) V (1700-1746). 1739 Diam. 3.6 cm Naples, museo archeologico
Golden coin (8 ecu) from Spain: reign of Philip (Filippo or Philippe) V (1700-1746). 1739 Diam. 3.6 cm Naples, museo archeologico

LRI4685140: Golden coin (8 ecu) from Spain: reign of Philip (Filippo or Philippe) V (1700-1746). 1739 Diam. 3.6 cm Naples, museo archeologico, Spanish School, (18th century) / Bridgeman Images

Barn owl, Tyto alba, and European nightjar, Caprimulgus europaeus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Barn owl, Tyto alba, and European nightjar, Caprimulgus europaeus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685268: Barn owl, Tyto alba, and European nightjar, Caprimulgus europaeus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Eastern imperial eagle, Aquila heliaca. Vulnerable. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Eastern imperial eagle, Aquila heliaca. Vulnerable. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685273: Eastern imperial eagle, Aquila heliaca. Vulnerable. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677534: The old young man. Old dandy in jacket with high collar, bicorn, tight breeches and hose, has a tie ties by a young shopgirl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

English fashions and military uniforms, 1815. One woman on the right wears English-influenced fashions, while talking with a hussar and dragoon. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
English fashions and military uniforms, 1815. One woman on the right wears English-influenced fashions, while talking with a hussar and dragoon. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677558: English fashions and military uniforms, 1815. One woman on the right wears English-influenced fashions, while talking with a hussar and dragoon. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Breakfast. Gentlemen in coat tails and breeches and ladies in veils and dresses share a breakfast of coffee and bread. Great familiarity reigns in the morning, one has no time to become ceremonial, breakfast is the honest meal.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Breakfast. Gentlemen in coat tails and breeches and ladies in veils and dresses share a breakfast of coffee and bread. Great familiarity reigns in the morning, one has no time to become ceremonial, breakfast is the honest meal.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677718: Breakfast. Gentlemen in coat tails and breeches and ladies in veils and dresses share a breakfast of coffee and bread. Great familiarity reigns in the morning, one has no time to become ceremonial, breakfast is the honest meal.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677735: A woman is pampered by her seamstress, her clothes seller, her hairdresser and two chambermaids. As Montesquieu said, “” For one man to live deliciously, one hundred others must work tirelessly.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677962: Shop girls dressing in the morning. Four shop girls dressing, fixing their hair in front of mirror, adjusting their stockings, playing with a cat. “These little workers show such ingenious coquetry. They wear ordinary negliges, but have the art to add value to simple things.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Fossils: Ammonites ornatus, A. athleta, A. hecticus, A. Jason, A. convolutus, A. bipartitus, A. polygonius, and A. refractus. Lithographie in Petrefactenbuch (Book of Petrification) by Dr. F.A.Schmidt, published in Stuttgart (Germany) in 1855 by Verlag von Krais and Hoffmann.
Fossils: Ammonites ornatus, A. athleta, A. hecticus, A. Jason, A. convolutus, A. bipartitus, A. polygonius, and A. refractus. Lithographie in Petrefactenbuch (Book of Petrification) by Dr. F.A.Schmidt, published in Stuttgart (Germany) in 1855 by Verlag von Krais and Hoffmann.

FLO4693769: Fossils: Ammonites ornatus, A. athleta, A. hecticus, A. Jason, A. convolutus, A. bipartitus, A. polygonius, and A. refractus. Lithographie in Petrefactenbuch (Book of Petrification) by Dr. F.A.Schmidt, published in Stuttgart (Germany) in 1855 by Verlag von Krais and Hoffmann. / Bridgeman Images

Precious Metals (gold in quartz vermeil, gold crystal, gold in quartz, gold pepites, sylvanite, platinum and iridosmine) - Chromolithography of Mineralogy by Gustav Adolph Kengott (1818-1897), extract from Natural History by Gotthilf Heinrich von Schubert (1780-1860), 1886 - Precious metals including gold in ruddy quartz, including gold, gold crystal, gold tablet in quartz, lumps of gold, sylvanite, platinum and osmiridium - Chromolithograph from Dr. Aldolph Kenngott's “” Mineralogy”” section in Gotthilf Heinrich von Schubert's “” Naturgeschichte,””” Schreiber, Munich, 1886
Precious Metals (gold in quartz vermeil, gold crystal, gold in quartz, gold pepites, sylvanite, platinum and iridosmine) - Chromolithography of Mineralogy by Gustav Adolph Kengott (1818-1897), extract from Natural History by Gotthilf Heinrich von Schubert (1780-1860), 1886 - Precious metals including gold in ruddy quartz, including gold, gold crystal, gold tablet in quartz, lumps of gold, sylvanite, platinum and osmiridium - Chromolithograph from Dr. Aldolph Kenngott's “” Mineralogy”” section in Gotthilf Heinrich von Schubert's “” Naturgeschichte,””” Schreiber, Munich, 1886

FLO4693932: Precious Metals (gold in quartz vermeil, gold crystal, gold in quartz, gold pepites, sylvanite, platinum and iridosmine) - Chromolithography of Mineralogy by Gustav Adolph Kengott (1818-1897), extract from Natural History by Gotthilf Heinrich von Schubert (1780-1860), 1886 - Precious metals including gold in ruddy quartz, including gold, gold crystal, gold tablet in quartz, lumps of gold, sylvanite, platinum and osmiridium - Chromolithograph from Dr. Aldolph Kenngott's “” Mineralogy”” section in Gotthilf Heinrich von Schubert's “” Naturgeschichte,””” Schreiber, Munich, 1886 / Bridgeman Images

Fossils of various marine species - Chromolithography of Geology and Paleontology by Friedrich Rolle (1827-1887), extract from Natural History by Gotthilf Heinrich von Schubert (1780-1860), 1886 - Fossils including trilobites, Paradoxides bohemicus, Acidaspis dufrenoyi, Trinucleus ornatus ornatus, worm burrows Oldhami, worm burrows ia radiata, Cyathophyllum hexagonum, sponge Astraeospongium meniscus, zoophyte Graptolithus species, Atocrinus milleri, Spirifer, Gomphoceras, etc - Chromolithograph from Dr. Fr. Rolle's “” Geology and Paleontology”” section in Gotthilf Heinrich von Schubert's “” Naturgeschichte,””” Schreiber, Munich, 1886
Fossils of various marine species - Chromolithography of Geology and Paleontology by Friedrich Rolle (1827-1887), extract from Natural History by Gotthilf Heinrich von Schubert (1780-1860), 1886 - Fossils including trilobites, Paradoxides bohemicus, Acidaspis dufrenoyi, Trinucleus ornatus ornatus, worm burrows Oldhami, worm burrows ia radiata, Cyathophyllum hexagonum, sponge Astraeospongium meniscus, zoophyte Graptolithus species, Atocrinus milleri, Spirifer, Gomphoceras, etc - Chromolithograph from Dr. Fr. Rolle's “” Geology and Paleontology”” section in Gotthilf Heinrich von Schubert's “” Naturgeschichte,””” Schreiber, Munich, 1886

FLO4694044: Fossils of various marine species - Chromolithography of Geology and Paleontology by Friedrich Rolle (1827-1887), extract from Natural History by Gotthilf Heinrich von Schubert (1780-1860), 1886 - Fossils including trilobites, Paradoxides bohemicus, Acidaspis dufrenoyi, Trinucleus ornatus ornatus, worm burrows Oldhami, worm burrows ia radiata, Cyathophyllum hexagonum, sponge Astraeospongium meniscus, zoophyte Graptolithus species, Atocrinus milleri, Spirifer, Gomphoceras, etc - Chromolithograph from Dr. Fr. Rolle's “” Geology and Paleontology”” section in Gotthilf Heinrich von Schubert's “” Naturgeschichte,””” Schreiber, Munich, 1886 / Bridgeman Images

Fieldfare, Turdus pilaris, and rufos-tailed rock-thrush, Monticola saxatilis. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universelle d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Fieldfare, Turdus pilaris, and rufos-tailed rock-thrush, Monticola saxatilis. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universelle d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685361: Fieldfare, Turdus pilaris, and rufos-tailed rock-thrush, Monticola saxatilis. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universelle d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Squid (squid) and octopus. Squid (Histioteuthis bonnellii) and octopus (Octopus vulgaris). Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.
Squid (squid) and octopus. Squid (Histioteuthis bonnellii) and octopus (Octopus vulgaris). Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.

FLO4685389: Squid (squid) and octopus. Squid (Histioteuthis bonnellii) and octopus (Octopus vulgaris). Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849. / Bridgeman Images

Variety of colorful shells. Colorful Murex, Nerinaea, Cerithium, Turbinella, Cancellaria and Fusus shells.Tuberculosis nerinee: Nerinaea nodosa, Chenille: Cerithium aluco, Turbinella pear: Turbinella pyrum, Cancellaire obtuse: Cancellaria obtusa,
Variety of colorful shells. Colorful Murex, Nerinaea, Cerithium, Turbinella, Cancellaria and Fusus shells.Tuberculosis nerinee: Nerinaea nodosa, Chenille: Cerithium aluco, Turbinella pear: Turbinella pyrum, Cancellaire obtuse: Cancellaria obtusa,

FLO4685498: Variety of colorful shells. Colorful Murex, Nerinaea, Cerithium, Turbinella, Cancellaria and Fusus shells.Tuberculosis nerinee: Nerinaea nodosa, Chenille: Cerithium aluco, Turbinella pear: Turbinella pyrum, Cancellaire obtuse: Cancellaria obtusa, / Bridgeman Images

Ichnography of the Chapel of the Trinity, Stratford upon Avon, Warwickshire. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity.
Ichnography of the Chapel of the Trinity, Stratford upon Avon, Warwickshire. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity.

FLO4685505: Ichnography of the Chapel of the Trinity, Stratford upon Avon, Warwickshire. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity. / Bridgeman Images

Galatia hurts about to fall, end of the 3rd century (marble sculpture)
Galatia hurts about to fall, end of the 3rd century (marble sculpture)

LRI4685572: Galatia hurts about to fall, end of the 3rd century (marble sculpture), Greek school, (3rd century BC) / Bridgeman Images

An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.
An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.

FLO4685735: An angel holding a shield with chalice and wafer M, the five wounds of Christ N, and various heraldic shields. Paintings on the south wall of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images

American cockroach, Oriental cockroach, Blatta orientalis, bumble bee, Bombylius major, early humble bee, Bombylius medius, and leathery cerambyx beetle, Cerambyx coriarius, with eggs. Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
American cockroach, Oriental cockroach, Blatta orientalis, bumble bee, Bombylius major, early humble bee, Bombylius medius, and leathery cerambyx beetle, Cerambyx coriarius, with eggs. Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685764: American cockroach, Oriental cockroach, Blatta orientalis, bumble bee, Bombylius major, early humble bee, Bombylius medius, and leathery cerambyx beetle, Cerambyx coriarius, with eggs. Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images

Zebu and bison - Zebu humped cattle, Bos indicus, and European bison, Bison bonasus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Zebu and bison - Zebu humped cattle, Bos indicus, and European bison, Bison bonasus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685775: Zebu and bison - Zebu humped cattle, Bos indicus, and European bison, Bison bonasus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685797: Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685834: Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Anne of Bretagne, second wife to Louis XII, 1500. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Anne of Bretagne, second wife to Louis XII, 1500. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685862: Anne of Bretagne, second wife to Louis XII, 1500. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685867: Page with horn, reign of Louis XII, 1500. Handcoloured steel engraving by Hippolyte Pauquet after Xavier Willemin (1763-1833), French antiquarian and engraver, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

La cour de la basilica Saint Ambroise in Milan (Italy) - Courtyard of the Basilica of Sant'Ambrogio Milan, 13th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
La cour de la basilica Saint Ambroise in Milan (Italy) - Courtyard of the Basilica of Sant'Ambrogio Milan, 13th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676662: La cour de la basilica Saint Ambroise in Milan (Italy) - Courtyard of the Basilica of Sant'Ambrogio Milan, 13th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669211: Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Military suit: Victor (Vettore) Pisani (1324-1380), venitian admiral (Italy) - Vettore Pisani, Venetian admiral, 14th century - He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, thighs, greaves, gauntlets, and shoes, edged with gold - His arms include two-handed sword and dagger - From the statue in Venice arsenal - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Military suit: Victor (Vettore) Pisani (1324-1380), venitian admiral (Italy) - Vettore Pisani, Venetian admiral, 14th century - He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, thighs, greaves, gauntlets, and shoes, edged with gold - His arms include two-handed sword and dagger - From the statue in Venice arsenal - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676769: Military suit: Victor (Vettore) Pisani (1324-1380), venitian admiral (Italy) - Vettore Pisani, Venetian admiral, 14th century - He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, thighs, greaves, gauntlets, and shoes, edged with gold - His arms include two-handed sword and dagger - From the statue in Venice arsenal - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un jeune homme francais, 14eme century - Costume of a young French man, blue tunic with large sleeves, black belt, stockings in red and white, and bizarre long cracows (pointed shoes a la poulaine), 14th century - From a miniature in a French manuscript titled Roman de la Rose, Imperiale Paris Library - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un jeune homme francais, 14eme century - Costume of a young French man, blue tunic with large sleeves, black belt, stockings in red and white, and bizarre long cracows (pointed shoes a la poulaine), 14th century - From a miniature in a French manuscript titled Roman de la Rose, Imperiale Paris Library - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677027: Costume d'un jeune homme francais, 14eme century - Costume of a young French man, blue tunic with large sleeves, black belt, stockings in red and white, and bizarre long cracows (pointed shoes a la poulaine), 14th century - From a miniature in a French manuscript titled Roman de la Rose, Imperiale Paris Library - Handcolored illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677157: Barnabe Visconti (1323-1385), seigneur of Milan - Bernabo Visconti, Lord of Milan, Italian soldier and statesman, 14th century - He wears a gold diadem, black armour, a white tabard embroidered in gold, gold spurs, iron gauntlets, and carries a sword and baton - From the monument to him in the church of Saint-Jean in Concha - Handcoloured illustration and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861 / Bridgeman Images

A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677184: A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677209: A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677354: Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669470: The Princess Royal, Victoria Adelaide Mary Louisa, sitting for a portrait in Buckingham Palace. The painter Winterhalter before the easel, and Queen Victoria and Prince Albert watching. Steel engraving by W. Radclyffe after an illustration by J. Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images


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