KEI3964249:
Murray Lachlan Young, Edinburgh International Book Festival, 2018 (photo) / Bridgeman Images
ID: KEI3964249
Murray Lachlan Young, Edinburgh International Book Festival, 2018 (photo)
KEI3964278:
High street performers, Edinburgh Festival Fringe, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964278
High street performers, Edinburgh Festival Fringe, Scotland, 2018 (photo)
KEI3964283:
Tony Adams, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964283
Tony Adams, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI3964287:
Warren Pleece, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964287
Warren Pleece, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI3964290:
Wu Ming-Yi, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964290
Wu Ming-Yi, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI3964296:
High street performers, Edinburgh Festival Fringe, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964296
High street performers, Edinburgh Festival Fringe, Scotland, 2018 (photo)
KEI3964624:
H. J. Golakai, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964624
H. J. Golakai, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI3964629:
H. J. Golakai, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964629
H. J. Golakai, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI3964638:
H. J. Golakai, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI3964638
H. J. Golakai, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073952:
Nicola Upson, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073952
Nicola Upson, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073954:
Nicola Upson, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073954
Nicola Upson, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073959:
Olumide Popoola, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073959
Olumide Popoola, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073969:
Tania Skarynkina, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073969
Tania Skarynkina, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073970:
Tim Parks, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073970
Tim Parks, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073971:
Tim Parks, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073971
Tim Parks, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073977:
Christine Burns, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073977
Christine Burns, Edinburgh International Book Festival, Scotland, 2018 (photo)
KEI4073984:
Nicola Upson, Edinburgh International Book Festival, Scotland, 2018 (photo) / Bridgeman Images
ID: KEI4073984
Nicola Upson, Edinburgh International Book Festival, Scotland, 2018 (photo)
LSE4098281:
Calendar of posts of the year 1943 presenting a portrait of Marshal Pétain under the motto "Work, Family, Fatherland"., Unknown Artist, (20th century) / Bridgeman Images
ID: LSE4098281
Calendar of posts of the year 1943 presenting a portrait of Marshal Pétain under the motto "Work, Family, Fatherland".
Unknown Artist, (20th century)
LSE4112908:
General Philippe Petain (1856-1951) defends the Citadel of Verdun (1916), and by his grandiose victory he became famous throughout the world. In “Our national glories”, circa 1920., Unknown Artist, (20th century) / Bridgeman Images
ID: LSE4112908
General Philippe Petain (1856-1951) defends the Citadel of Verdun (1916), and by his grandiose victory he became famous throughout the world. In “Our national glories”, circa 1920.
Unknown Artist, (20th century)
YAC4122036:
Portrait of the soprano singer Renata Tebaldi (1922 - 2004). / Bridgeman Images
ID: YAC4122036
Portrait of the soprano singer Renata Tebaldi (1922 - 2004).
YAC4122067:
The housekeepers of Gargantua amusing the child by making noise with glasses and bottles. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122067
The housekeepers of Gargantua amusing the child by making noise with glasses and bottles. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122079:
Gargantua, wiping his buttocks on a goose. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122079
Gargantua, wiping his buttocks on a goose. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122094:
Master Janotus (Ianotus) of Bragmardo trying to convince Gargantua to return the bells of Notre Dame de Paris. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122094
Master Janotus (Ianotus) of Bragmardo trying to convince Gargantua to return the bells of Notre Dame de Paris. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122099:
Master Janotus (Ianotus) of Bragmardo leaving the Parisian home of Gargantua taking away the gifts offered by Gargantua. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122099
Master Janotus (Ianotus) of Bragmardo leaving the Parisian home of Gargantua taking away the gifts offered by Gargantua. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122126:
Men and women playing a colin maillard. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122126
Men and women playing a colin maillard. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122129:
Man sitting in front of his canvas. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122129
Man sitting in front of his canvas. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122135:
Gargantua with prostitutes. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122135
Gargantua with prostitutes. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122145:
Picrochole, king of Lerne, wearing armor and waving his sword. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122145
Picrochole, king of Lerne, wearing armor and waving his sword. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122157:
Ulrich Gallet, sent by Grandgousier, the father of Gargantua, asking to speak to Picrochole, king of Lerne. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122157
Ulrich Gallet, sent by Grandgousier, the father of Gargantua, asking to speak to Picrochole, king of Lerne. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122166:
The fountain of the Abbey of Theleme, the three Graces. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122166
The fountain of the Abbey of Theleme, the three Graces. Gargantua. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122178:
A limosin (limousin) with two women. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122178
A limosin (limousin) with two women. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122203:
At the entrance of a church, Panurge giving water benite a woman. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122203
At the entrance of a church, Panurge giving water benite a woman. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122222:
Cleopatra (Cleopatre) selling onions. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122222
Cleopatra (Cleopatre) selling onions. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122231:
Pantagruel on his horse watching his army in the rain. Land of the Dipsodes. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122231
Pantagruel on his horse watching his army in the rain. Land of the Dipsodes. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122242:
Panzoust's Sibyl reels her dress and uncovers her butt while Panurge and Epistemon move away. Pantagruel. The lustration of Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122242
Panzoust's Sibyl reels her dress and uncovers her butt while Panurge and Epistemon move away. Pantagruel. The lustration of Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
YAC4122256:
The nuns of the Abbey of Coingnaufond opening the box donated by Pope Ian (John) XXII. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images
ID: YAC4122256
The nuns of the Abbey of Coingnaufond opening the box donated by Pope Ian (John) XXII. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.