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Mr. George Berry St. Luke, Middlesex
Mr. George Berry St. Luke, Middlesex

LZT1011982: Mr. George Berry St. Luke, Middlesex / Bridgeman Images

ID: LZT1011982

Mr. George Berry St. Luke, Middlesex

Storm at Long Branch, Drawn James E. Kelly, US, USA, Engraving 1880
Storm at Long Branch, Drawn James E. Kelly, US, USA, Engraving 1880

LZT1012009: Storm at Long Branch, Drawn James E. Kelly, US, USA, Engraving 1880 / Bridgeman Images

ID: LZT1012009

Storm at Long Branch, Drawn James E. Kelly, US, USA, Engraving 1880

A.J. De Fehrt after Jean Baptiste Oudry (French, Born 1723 ), L'Homme Qui Court Apres La Fortune Et L'Hommequi L'Attend Dans Son Lit (the Man Who Courts Fortune and the Man Who Sleeps in Bed), Published 1756, Hand Colored Etching
A.J. De Fehrt after Jean Baptiste Oudry (French, Born 1723 ), L'Homme Qui Court Apres La Fortune Et L'Hommequi L'Attend Dans Son Lit (the Man Who Courts Fortune and the Man Who Sleeps in Bed), Published 1756, Hand Colored Etching

LZT1012348: A.J. De Fehrt after Jean Baptiste Oudry (French, Born 1723 ), L'Homme Qui Court Apres La Fortune Et L'Hommequi L'Attend Dans Son Lit (the Man Who Courts Fortune and the Man Who Sleeps in Bed), Published 1756, Hand Colored Etching / Bridgeman Images

ID: LZT1012348

A.J. De Fehrt after Jean Baptiste Oudry (French, Born 1723 ), L'Homme Qui Court Apres La Fortune Et L'Hommequi L'Attend Dans Son Lit (the Man Who Courts Fortune and the Man Who Sleeps in Bed), Published 1756, Hand Colored Etching

A.-J. De Fehrt after Jean-Baptiste Oudry (French, Born 1723 ), Le Loup Et Le Chasseur (the Wolf and the Hunter), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware
A.-J. De Fehrt after Jean-Baptiste Oudry (French, Born 1723 ), Le Loup Et Le Chasseur (the Wolf and the Hunter), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware

LZT1012389: A.-J. De Fehrt after Jean-Baptiste Oudry (French, Born 1723 ), Le Loup Et Le Chasseur (the Wolf and the Hunter), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware / Bridgeman Images

ID: LZT1012389

A.-J. De Fehrt after Jean-Baptiste Oudry (French, Born 1723 ), Le Loup Et Le Chasseur (the Wolf and the Hunter), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware

Mr. Blanchard, after Nature by Mr. Bolomey , Benjamin Samuel, 1739-1819, Artist, a Rotterdam : Chez M. D'sallieth, Between 1780 and 1800 , Head-and-Shoulders Portrait of French Balloonist Jean-Pierre Blanchard. Includes Image of Blanchard's Balloon Demonstrating His Experiments with Balloon Navigation.
Mr. Blanchard, after Nature by Mr. Bolomey , Benjamin Samuel, 1739-1819, Artist, a Rotterdam : Chez M. D'sallieth, Between 1780 and 1800 , Head-and-Shoulders Portrait of French Balloonist Jean-Pierre Blanchard. Includes Image of Blanchard's Balloon Demonstrating His Experiments with Balloon Navigation.

LZT1012413: Mr. Blanchard, after Nature by Mr. Bolomey , Benjamin Samuel, 1739-1819, Artist, a Rotterdam : Chez M. D'sallieth, Between 1780 and 1800 , Head-and-Shoulders Portrait of French Balloonist Jean-Pierre Blanchard. Includes Image of Blanchard's Balloon Demonstrating His Experiments with Balloon Navigation. / Bridgeman Images

ID: LZT1012413

Mr. Blanchard, after Nature by Mr. Bolomey , Benjamin Samuel, 1739-1819, Artist, a Rotterdam : Chez M. D'sallieth, Between 1780 and 1800 , Head-and-Shoulders Portrait of French Balloonist Jean-Pierre Blanchard. Includes Image of Blanchard's Balloon Demonstrating His Experiments with Balloon Navigation.

Elisa Garnerin, Aeronaut by Jules Porreau, 1854.
Elisa Garnerin, Aeronaut by Jules Porreau, 1854.

LZT1012441: Elisa Garnerin, Aeronaut by Jules Porreau, 1854. / Bridgeman Images

ID: LZT1012441

Elisa Garnerin, Aeronaut by Jules Porreau, 1854.

Jph. Lis. Gay-Lussac
Jph. Lis. Gay-Lussac

LZT1012445: Jph. Lis. Gay-Lussac / Bridgeman Images

ID: LZT1012445

Jph. Lis. Gay-Lussac

The Freedom of Election or Hunt-Ing for Popularity and Plumpers for Maxwell, Cruikshank, Robert, 1789-1856, Two Candidates in the Westminster Election, Henry Hunt and Murray Maxwell, Addressing a Crowd
The Freedom of Election or Hunt-Ing for Popularity and Plumpers for Maxwell, Cruikshank, Robert, 1789-1856, Two Candidates in the Westminster Election, Henry Hunt and Murray Maxwell, Addressing a Crowd

LZT1012492: The Freedom of Election or Hunt-Ing for Popularity and Plumpers for Maxwell, Cruikshank, Robert, 1789-1856, Two Candidates in the Westminster Election, Henry Hunt and Murray Maxwell, Addressing a Crowd / Bridgeman Images

ID: LZT1012492

The Freedom of Election or Hunt-Ing for Popularity and Plumpers for Maxwell, Cruikshank, Robert, 1789-1856, Two Candidates in the Westminster Election, Henry Hunt and Murray Maxwell, Addressing a Crowd

The Arch Dutchess Maria Louisa Going to Take Her Nap, 1810, the Young Archduchess Maria Louisa, Second Wife of Napoleon, in a Bed which is Too Short for Her with Napoleon Discussing the Accommodations.
The Arch Dutchess Maria Louisa Going to Take Her Nap, 1810, the Young Archduchess Maria Louisa, Second Wife of Napoleon, in a Bed which is Too Short for Her with Napoleon Discussing the Accommodations.

LZT1012517: The Arch Dutchess Maria Louisa Going to Take Her Nap, 1810, the Young Archduchess Maria Louisa, Second Wife of Napoleon, in a Bed which is Too Short for Her with Napoleon Discussing the Accommodations. / Bridgeman Images

ID: LZT1012517

The Arch Dutchess Maria Louisa Going to Take Her Nap, 1810, the Young Archduchess Maria Louisa, Second Wife of Napoleon, in a Bed which is Too Short for Her with Napoleon Discussing the Accommodations.

Erin Go Bray,Engraving 1799, an Irish Field Officer on His Charger, or an Irishman Holding a Lance, Sitting on a Donkey which is Braying O How I Long for a Union with the English Bull, Ay by My Soul or the English Cow, or the English Any Thing! to the Devil with All the Priests and Proctors They Have Not Left Us a Potatoe Between Us.
Erin Go Bray,Engraving 1799, an Irish Field Officer on His Charger, or an Irishman Holding a Lance, Sitting on a Donkey which is Braying O How I Long for a Union with the English Bull, Ay by My Soul or the English Cow, or the English Any Thing! to the Devil with All the Priests and Proctors They Have Not Left Us a Potatoe Between Us.

LZT1012531: Erin Go Bray,Engraving 1799, an Irish Field Officer on His Charger, or an Irishman Holding a Lance, Sitting on a Donkey which is Braying O How I Long for a Union with the English Bull, Ay by My Soul or the English Cow, or the English Any Thing! to the Devil with All the Priests and Proctors They Have Not Left Us a Potatoe Between Us. / Bridgeman Images

ID: LZT1012531

Erin Go Bray,Engraving 1799, an Irish Field Officer on His Charger, or an Irishman Holding a Lance, Sitting on a Donkey which is Braying O How I Long for a Union with the English Bull, Ay by My Soul or the English Cow, or the English Any Thing! to the Devil with All the Priests and Proctors They Have Not Left Us a Potatoe Between Us.

Charon's Boat or the Ghosts of All the Talents Taking Their Last Voyage, from the Pope's Gallery at Rome, a Group of Naked Whig Politicians, Including Three Grenvilles, Sheridan, St. Vincent, Moira, Temple, Erskine, Howick, Petty, Whitbread, Sheridan, Windham,and Tomline, Bishop of Lincoln, Crossing the River Styx in a Boat Named the Broad Bottom Packet. Sidmouth's Head Emerges from the Water Next to the Boat. The Boat's Torn Sail Has Inscription Catholic Emancipation and the Center Mast is Crowned with the Prince of Wales Feathers and Motto Ich Dien. On the Far Side the Shades of Cromwell, Charles Fox and Robespierre Wave to Them. Overhead, on Brooms, Are the Three Fates; to the Left a Three-Headed Dog. Above the Boat Three Birds Soil the Boat and Politicians.
Charon's Boat or the Ghosts of All the Talents Taking Their Last Voyage, from the Pope's Gallery at Rome, a Group of Naked Whig Politicians, Including Three Grenvilles, Sheridan, St. Vincent, Moira, Temple, Erskine, Howick, Petty, Whitbread, Sheridan, Windham,and Tomline, Bishop of Lincoln, Crossing the River Styx in a Boat Named the Broad Bottom Packet. Sidmouth's Head Emerges from the Water Next to the Boat. The Boat's Torn Sail Has Inscription Catholic Emancipation and the Center Mast is Crowned with the Prince of Wales Feathers and Motto Ich Dien. On the Far Side the Shades of Cromwell, Charles Fox and Robespierre Wave to Them. Overhead, on Brooms, Are the Three Fates; to the Left a Three-Headed Dog. Above the Boat Three Birds Soil the Boat and Politicians.

LZT1012535: Charon's Boat or the Ghosts of All the Talents Taking Their Last Voyage, from the Pope's Gallery at Rome, a Group of Naked Whig Politicians, Including Three Grenvilles, Sheridan, St. Vincent, Moira, Temple, Erskine, Howick, Petty, Whitbread, Sheridan, Windham,and Tomline, Bishop of Lincoln, Crossing the River Styx in a Boat Named the Broad Bottom Packet. Sidmouth's Head Emerges from the Water Next to the Boat. The Boat's Torn Sail Has Inscription Catholic Emancipation and the Center Mast is Crowned with the Prince of Wales Feathers and Motto Ich Dien. On the Far Side the Shades of Cromwell, Charles Fox and Robespierre Wave to Them. Overhead, on Brooms, Are the Three Fates; to the Left a Three-Headed Dog. Above the Boat Three Birds Soil the Boat and Politicians. / Bridgeman Images

ID: LZT1012535

Charon's Boat or the Ghosts of All the Talents Taking Their Last Voyage, from the Pope's Gallery at Rome, a Group of Naked Whig Politicians, Including Three Grenvilles, Sheridan, St. Vincent, Moira, Temple, Erskine, Howick, Petty, Whitbread, Sheridan, Windham,and Tomline, Bishop of Lincoln, Crossing the River Styx in a Boat Named the Broad Bottom Packet. Sidmouth's Head Emerges from the Water Next to the Boat. The Boat's Torn Sail Has Inscription Catholic Emancipation and the Center Mast is Crowned with the Prince of Wales Feathers and Motto Ich Dien. On the Far Side the Shades of Cromwell, Charles Fox and Robespierre Wave to Them. Overhead, on Brooms, Are the Three Fates; to the Left a Three-Headed Dog. Above the Boat Three Birds Soil the Boat and Politicians.

The Moment of Imagination, Engraving 1785, Edward Topham, a Pen in His Hand, Has Just Kicked Over His Circular Writing Table in Frenzied Inspiration. He Raises His Clenched Fist. An Inkstand and Fragments of Paper Inscribed Epilogue Mrs. W... [Wells] Hay-Market, Epilogue Mrs. S...S [Siddons] Drury-Lane, and Prologue for Miss F... [Farren] Covent Garden Lie on the Floor. On the Wall Hangs an Oval Bust Portrait of Mrs. Siddons. Over Topham's Head is a Small Parrot in a Cage, Saying, Bravo Cptn. Prologue! Bravo!
The Moment of Imagination, Engraving 1785, Edward Topham, a Pen in His Hand, Has Just Kicked Over His Circular Writing Table in Frenzied Inspiration. He Raises His Clenched Fist. An Inkstand and Fragments of Paper Inscribed Epilogue Mrs. W... [Wells] Hay-Market, Epilogue Mrs. S...S [Siddons] Drury-Lane, and Prologue for Miss F... [Farren] Covent Garden Lie on the Floor. On the Wall Hangs an Oval Bust Portrait of Mrs. Siddons. Over Topham's Head is a Small Parrot in a Cage, Saying, Bravo Cptn. Prologue! Bravo!

LZT1012560: The Moment of Imagination, Engraving 1785, Edward Topham, a Pen in His Hand, Has Just Kicked Over His Circular Writing Table in Frenzied Inspiration. He Raises His Clenched Fist. An Inkstand and Fragments of Paper Inscribed Epilogue Mrs. W... [Wells] Hay-Market, Epilogue Mrs. S...S [Siddons] Drury-Lane, and Prologue for Miss F... [Farren] Covent Garden Lie on the Floor. On the Wall Hangs an Oval Bust Portrait of Mrs. Siddons. Over Topham's Head is a Small Parrot in a Cage, Saying, Bravo Cptn. Prologue! Bravo! / Bridgeman Images

ID: LZT1012560

The Moment of Imagination, Engraving 1785, Edward Topham, a Pen in His Hand, Has Just Kicked Over His Circular Writing Table in Frenzied Inspiration. He Raises His Clenched Fist. An Inkstand and Fragments of Paper Inscribed Epilogue Mrs. W... [Wells] Hay-Market, Epilogue Mrs. S...S [Siddons] Drury-Lane, and Prologue for Miss F... [Farren] Covent Garden Lie on the Floor. On the Wall Hangs an Oval Bust Portrait of Mrs. Siddons. Over Topham's Head is a Small Parrot in a Cage, Saying, Bravo Cptn. Prologue! Bravo!

The Modern Job! or John Bull and His Comforts!, Engraving 1816, John Bull, in Tattered Clothes, Seated on a Stool, Gazing Gloomily at a Book on the Ground: The Extraordinary Red Book. He is Surrounded by the Regent with Two Gouty Legs Supported on Crutches, Liverpool, Mahon, Canning, Sidmouth, Ellenborough, the Duke of York, and the Dukes of Kent and Cambridge.
The Modern Job! or John Bull and His Comforts!, Engraving 1816, John Bull, in Tattered Clothes, Seated on a Stool, Gazing Gloomily at a Book on the Ground: The Extraordinary Red Book. He is Surrounded by the Regent with Two Gouty Legs Supported on Crutches, Liverpool, Mahon, Canning, Sidmouth, Ellenborough, the Duke of York, and the Dukes of Kent and Cambridge.

LZT1012581: The Modern Job! or John Bull and His Comforts!, Engraving 1816, John Bull, in Tattered Clothes, Seated on a Stool, Gazing Gloomily at a Book on the Ground: The Extraordinary Red Book. He is Surrounded by the Regent with Two Gouty Legs Supported on Crutches, Liverpool, Mahon, Canning, Sidmouth, Ellenborough, the Duke of York, and the Dukes of Kent and Cambridge. / Bridgeman Images

ID: LZT1012581

The Modern Job! or John Bull and His Comforts!, Engraving 1816, John Bull, in Tattered Clothes, Seated on a Stool, Gazing Gloomily at a Book on the Ground: The Extraordinary Red Book. He is Surrounded by the Regent with Two Gouty Legs Supported on Crutches, Liverpool, Mahon, Canning, Sidmouth, Ellenborough, the Duke of York, and the Dukes of Kent and Cambridge.

Florizel and Perdita, En Sanguine Engraving 1780s, a Bust Portrait Divided Vertically by a Line Down the Center of the Face, Left Half of Face Representing the Prince of Wales, and Right Half Representing Mrs. Robinson, or Perdita.
Florizel and Perdita, En Sanguine Engraving 1780s, a Bust Portrait Divided Vertically by a Line Down the Center of the Face, Left Half of Face Representing the Prince of Wales, and Right Half Representing Mrs. Robinson, or Perdita.

LZT1012598: Florizel and Perdita, En Sanguine Engraving 1780s, a Bust Portrait Divided Vertically by a Line Down the Center of the Face, Left Half of Face Representing the Prince of Wales, and Right Half Representing Mrs. Robinson, or Perdita. / Bridgeman Images

ID: LZT1012598

Florizel and Perdita, En Sanguine Engraving 1780s, a Bust Portrait Divided Vertically by a Line Down the Center of the Face, Left Half of Face Representing the Prince of Wales, and Right Half Representing Mrs. Robinson, or Perdita.

A Return from an Invasion, or, Napoleon at a Nonplus, Engraving 1803, Napoleon I Coming Ashore at Calais, France, Defeated at Every Turn, Without Men and Ships, to Face the Ridicule of Fisherwomen, the Governor, a French Soldier, and an English Sailor Who Says, Take One Kick at Parting & Thank Your Own Insignificance the English Suffer'D You to Return to France Alive.
A Return from an Invasion, or, Napoleon at a Nonplus, Engraving 1803, Napoleon I Coming Ashore at Calais, France, Defeated at Every Turn, Without Men and Ships, to Face the Ridicule of Fisherwomen, the Governor, a French Soldier, and an English Sailor Who Says, Take One Kick at Parting & Thank Your Own Insignificance the English Suffer'D You to Return to France Alive.

LZT1012606: A Return from an Invasion, or, Napoleon at a Nonplus, Engraving 1803, Napoleon I Coming Ashore at Calais, France, Defeated at Every Turn, Without Men and Ships, to Face the Ridicule of Fisherwomen, the Governor, a French Soldier, and an English Sailor Who Says, Take One Kick at Parting & Thank Your Own Insignificance the English Suffer'D You to Return to France Alive. / Bridgeman Images

ID: LZT1012606

A Return from an Invasion, or, Napoleon at a Nonplus, Engraving 1803, Napoleon I Coming Ashore at Calais, France, Defeated at Every Turn, Without Men and Ships, to Face the Ridicule of Fisherwomen, the Governor, a French Soldier, and an English Sailor Who Says, Take One Kick at Parting & Thank Your Own Insignificance the English Suffer'D You to Return to France Alive.

The Ghost a Christmas Frolic Le Revenant, En Sanguine Engraving 1814, a Boy with a Mannequin Ghost Holding a Candle Frightens Several Guests at an Intimate Party.
The Ghost a Christmas Frolic Le Revenant, En Sanguine Engraving 1814, a Boy with a Mannequin Ghost Holding a Candle Frightens Several Guests at an Intimate Party.

LZT1012618: The Ghost a Christmas Frolic Le Revenant, En Sanguine Engraving 1814, a Boy with a Mannequin Ghost Holding a Candle Frightens Several Guests at an Intimate Party. / Bridgeman Images

ID: LZT1012618

The Ghost a Christmas Frolic Le Revenant, En Sanguine Engraving 1814, a Boy with a Mannequin Ghost Holding a Candle Frightens Several Guests at an Intimate Party.

The Upper Lakes, Pointe De Meuron, Canada, Nineteenth Century Engraving
The Upper Lakes, Pointe De Meuron, Canada, Nineteenth Century Engraving

LZT1004815: The Upper Lakes, Pointe De Meuron, Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004815

The Upper Lakes, Pointe De Meuron, Canada, Nineteenth Century Engraving

Sea River Falls, Nelson River, Canada, Nineteenth Century Engraving
Sea River Falls, Nelson River, Canada, Nineteenth Century Engraving

LZT1004839: Sea River Falls, Nelson River, Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004839

Sea River Falls, Nelson River, Canada, Nineteenth Century Engraving

North-West Mounted Police, Canada, Nineteenth Century Engraving
North-West Mounted Police, Canada, Nineteenth Century Engraving

LZT1004860: North-West Mounted Police, Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004860

North-West Mounted Police, Canada, Nineteenth Century Engraving

Niagara Winter Scenes, Canada, Nineteenth Century Engraving
Niagara Winter Scenes, Canada, Nineteenth Century Engraving

LZT1004872: Niagara Winter Scenes, Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004872

Niagara Winter Scenes, Canada, Nineteenth Century Engraving

Entrance to Welland Canal, Port Colborne, Canada, Nineteenth Century Engraving
Entrance to Welland Canal, Port Colborne, Canada, Nineteenth Century Engraving

LZT1004890: Entrance to Welland Canal, Port Colborne, Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004890

Entrance to Welland Canal, Port Colborne, Canada, Nineteenth Century Engraving

University of Toronto, Canada, Nineteenth Century Engraving
University of Toronto, Canada, Nineteenth Century Engraving

LZT1004911: University of Toronto, Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004911

University of Toronto, Canada, Nineteenth Century Engraving

Toronto, College Avenue (Queen Street), Canada, Nineteenth Century Engraving
Toronto, College Avenue (Queen Street), Canada, Nineteenth Century Engraving

LZT1004920: Toronto, College Avenue (Queen Street), Canada, Nineteenth Century Engraving / Bridgeman Images

ID: LZT1004920

Toronto, College Avenue (Queen Street), Canada, Nineteenth Century Engraving

Nelson's Bust. Horatio Nelson, 1st Viscount Nelson, British Admiral, UK
Nelson's Bust. Horatio Nelson, 1st Viscount Nelson, British Admiral, UK

LZT1004935: Nelson's Bust. Horatio Nelson, 1st Viscount Nelson, British Admiral, UK / Bridgeman Images

ID: LZT1004935

Nelson's Bust. Horatio Nelson, 1st Viscount Nelson, British Admiral, UK

Mountain Path Near Capel Curig, UK
Mountain Path Near Capel Curig, UK

LZT1004962: Mountain Path Near Capel Curig, UK / Bridgeman Images

ID: LZT1004962

Mountain Path Near Capel Curig, UK

Warwick Castle, from the West, UK
Warwick Castle, from the West, UK

LZT1004965: Warwick Castle, from the West, UK / Bridgeman Images

ID: LZT1004965

Warwick Castle, from the West, UK

Warwick Castle, UK
Warwick Castle, UK

LZT1004968: Warwick Castle, UK / Bridgeman Images

ID: LZT1004968

Warwick Castle, UK

Gateway at Winchelsea, East Sussex, England, UK
Gateway at Winchelsea, East Sussex, England, UK

LZT1004983: Gateway at Winchelsea, East Sussex, England, UK / Bridgeman Images

ID: LZT1004983

Gateway at Winchelsea, East Sussex, England, UK

The Dove Holes, Dove Dale, , Peak District, England, UK
The Dove Holes, Dove Dale, , Peak District, England, UK

LZT1005001: The Dove Holes, Dove Dale, , Peak District, England, UK / Bridgeman Images

ID: LZT1005001

The Dove Holes, Dove Dale, , Peak District, England, UK

Silas Deane, 1737-1789, Was an American Merchant, Politician and Diplomat, US, USA, 1870s Engraving
Silas Deane, 1737-1789, Was an American Merchant, Politician and Diplomat, US, USA, 1870s Engraving

LZT1008757: Silas Deane, 1737-1789, Was an American Merchant, Politician and Diplomat, US, USA, 1870s Engraving / Bridgeman Images

ID: LZT1008757

Silas Deane, 1737-1789, Was an American Merchant, Politician and Diplomat, US, USA, 1870s Engraving

Rout of the Loyal Recruits, 1870s Engraving
Rout of the Loyal Recruits, 1870s Engraving

LZT1008816: Rout of the Loyal Recruits, 1870s Engraving / Bridgeman Images

ID: LZT1008816

Rout of the Loyal Recruits, 1870s Engraving

Cecil, Second Lord Baltimore, 1870s Engraving
Cecil, Second Lord Baltimore, 1870s Engraving

LZT1008908: Cecil, Second Lord Baltimore, 1870s Engraving / Bridgeman Images

ID: LZT1008908

Cecil, Second Lord Baltimore, 1870s Engraving

Old Map of Acadie, Canada, 1870s Engraving
Old Map of Acadie, Canada, 1870s Engraving

LZT1008933: Old Map of Acadie, Canada, 1870s Engraving / Bridgeman Images

ID: LZT1008933

Old Map of Acadie, Canada, 1870s Engraving

Martha Cory and Her Persecutors, US, USA, 1870s Engraving
Martha Cory and Her Persecutors, US, USA, 1870s Engraving

LZT1008990: Martha Cory and Her Persecutors, US, USA, 1870s Engraving / Bridgeman Images

ID: LZT1008990

Martha Cory and Her Persecutors, US, USA, 1870s Engraving

Niagara and the Beaver Dams. From Moll's New and Exact Map, 1715. North America, US, USA, 1870s Engraving
Niagara and the Beaver Dams. From Moll's New and Exact Map, 1715. North America, US, USA, 1870s Engraving

LZT1009027: Niagara and the Beaver Dams. From Moll's New and Exact Map, 1715. North America, US, USA, 1870s Engraving / Bridgeman Images

ID: LZT1009027

Niagara and the Beaver Dams. From Moll's New and Exact Map, 1715. North America, US, USA, 1870s Engraving

View in Acadie, Canada, 1870s Engraving
View in Acadie, Canada, 1870s Engraving

LZT1009035: View in Acadie, Canada, 1870s Engraving / Bridgeman Images

ID: LZT1009035

View in Acadie, Canada, 1870s Engraving


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