ID: FLO4611093

Bats chiropteres frugivores - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Fruit bats - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

ID: FLO4611153

Passiflora (Passiflora alata) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Winged-stem passion flower - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

ID: FLO4611248

Harpy eagle of America and small eagle of Guiana - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Harpy eagle, Harpia harpyja (near threatened) and crested eagle, Morphnus guile Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

ID: FLO4611284

Antelope oreotrague or sassa and antelope Rouanne or hippotragus - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Klipspringer, Oreotragus oreotragus oreotragus, and Antelope, Hippotragus equinus - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

ID: FLO4611471

Autumn Colchique - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Meadow saffron, Colchicum autumnale - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780 1845), directed by P J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

ID: FLO4611496

Indian Rhinoceros and Cape Daman - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Indian rhino, Rhinoceros unicornis (vulnerable), and rock hyrax, Procavia capensis Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

ID: LRI4611522

The Holy Family. Tondo, circa 1495 (Oil on canvas)

Signorelli, Luca (c.1450-1523)

ID: FLO4611607

Trunk of the hepatic portal vein. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

ID: LRI4611924

JSaint John the Evangelist and Saint Mary Magdalene - Detail of the polyptic of the Annunciation (1357, tempera and gold leaf on wood)

Veneziano, Lorenzo (fl.1356-72)

ID: FLO4611930

Trocade a tracheotomy, brush for the stomach, tumour in the chest after Lorenz Heister, scar after the elimination of the tumour, and ancient harmful and painful method of tracheotomy - Plate drawn from “” The Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - chotomy trocar 1, stomach brush 2, breast tumor after Lorenz Heister 3, scar after tumor removal 4, large breast tumor 5 and old mastectomy method more painful and harmful than useful 6. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

ID: FLO4611990

17th century copies of the white dodo by Salomon Savery, male: Gerrit van Goedesberg, 1662 (13), Joost Hartgers, 1650 (14), Abraham and Jan de Wees, 1651 (15) and Gijsbert Sijbes, 1651 (16). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

ID: FLO4612010

White dodo I by Pieter II Holsteyn, female, 1638. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

ID: FLO4612042

White dodo by Johann Walther, female, 1657 (27) and white dodo by Jacob Hoefnagel, young male, 1609 (28). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

ID: FLO4611624

Arteries in the face. Copperplate engraving by Robert Benard after an illustration by Albrecht von Haller from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

ID: FLO4611726

Fencers in outside guard/thrust positions, tierce and carte positions, tierce and second positions. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

ID: FLO4611696

Second position of the disarm in tierce, disarm on the carte or seconde thrust, and second position of the disarm on the carte. Copperplate engraving by Robert Benard from the Fencing fencing section of Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

ID: LRI4611807

Life of Saint Francis of Assisi: the Saint receiving stigmas, 13th century (Painting on wood)

Berlinghieri, Bonaventura (fl.1228-74)

ID: FLO4611958

Dodo of the Scotch House, Veere, 1561, and dodo from the Florence Codex, circa 1703. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

ID: LRI4611957

The Annunciation Painting of Giambattista (Giovan Battista) (Giovanni Battista) Pittoni (1687-1767), 18th century Sun. 153x205 cm Venice Gallery dell' Accademia

Pittoni, Giovanni Battista (1687-1767)

ID: FLO4612057

Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

ID: FLO4612063

Title page with Willem Ysbrantsz Bontekoe's illustration of the dodo. Title page from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.

ID: FLO4612102

Illustration of a Rodrigues solitaire, 1848 (lithograph)

ID: FLO4612254

Sea eagle, Haliaeetus albicilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612297

Long-tailed duck, Clangula hyemalis. Vulnerable. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612310

Red shank, Tringa totanus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612376

Tawny owl, Strix aluco. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612386

Spotted crake, Porzana porzana. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612158

Back view of skull, upper and lower view of lower jaw, inner view of jaw, and circle of sclerotic bones in the dodo. Lithograph from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.

ID: FLO4612272

Stock dove or pigeon, Columba oenas. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612402

Turtle dove, Streptopelia turtur. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds” (1794-1819). Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612455

Common goldeneye, Bucephala clangula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds” (1794-1819). Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612531

Tufted duck, Aythya fuligula. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612550

Northern three-toed woodpecker. Picoides tridactylus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612556

Black guillemot or tystie, Cepphus grylle, with fish in its beak. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

ID: FLO4612049

Images of a male Rodrigues solitaire, Pezophaps solitaria, from Francois Lequat's Voyages, 1708. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

ID: LRI4612208

Saint Nicholas receives the tribute of the clerk of Mira. 1582 (painting)

Veronese, (Caliari, Paolo) (1528-88)