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Christ is deeply touched, and very pleased, when we take part in traditional devotions such as Adoration of the Blessed Sacrament, with Benediction, or the 'Forty Hours', and various devotions which honour His holy Mother Mary, 2005 (w/c on paper)
Christ is deeply touched, and very pleased, when we take part in traditional devotions such as Adoration of the Blessed Sacrament, with Benediction, or the 'Forty Hours', and various devotions which honour His holy Mother Mary, 2005 (w/c on paper)

WNG6378972: Christ is deeply touched, and very pleased, when we take part in traditional devotions such as Adoration of the Blessed Sacrament, with Benediction, or the 'Forty Hours', and various devotions which honour His holy Mother Mary, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

There was a monk chosen to be a door-keeper at his monastery who attained a profound degree of union with God, and spiritual fulfilment far greater than that found in any grand but unnecessary religious project, or in any worldly career, 2005 (w/c on paper)
There was a monk chosen to be a door-keeper at his monastery who attained a profound degree of union with God, and spiritual fulfilment far greater than that found in any grand but unnecessary religious project, or in any worldly career, 2005 (w/c on paper)

WNG6378975: There was a monk chosen to be a door-keeper at his monastery who attained a profound degree of union with God, and spiritual fulfilment far greater than that found in any grand but unnecessary religious project, or in any worldly career, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

People who like to engage in malicious gossip, or scandalous or salacious conversations, are like people choosing to stand in a filthy alley which is befouled underfoot, instead of in a beautiful meeting place in fresh air and sunlight, 2005 (w/c on paper)
People who like to engage in malicious gossip, or scandalous or salacious conversations, are like people choosing to stand in a filthy alley which is befouled underfoot, instead of in a beautiful meeting place in fresh air and sunlight, 2005 (w/c on paper)

WNG6378996: People who like to engage in malicious gossip, or scandalous or salacious conversations, are like people choosing to stand in a filthy alley which is befouled underfoot, instead of in a beautiful meeting place in fresh air and sunlight, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

When Christ is made Present before us at the Consecration, the holy Angels stand awe-struck at the love He shows towards us by coming amongst us in this astounding way, 2005 (w/c on paper)
When Christ is made Present before us at the Consecration, the holy Angels stand awe-struck at the love He shows towards us by coming amongst us in this astounding way, 2005 (w/c on paper)

WNG6379011: When Christ is made Present before us at the Consecration, the holy Angels stand awe-struck at the love He shows towards us by coming amongst us in this astounding way, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Life in Christ involves both fasting and feasting. We should love what is good, but be prepared to sacrifice this when necessary for an even greater Good, which is God, 2005 (w/c on paper)
Life in Christ involves both fasting and feasting. We should love what is good, but be prepared to sacrifice this when necessary for an even greater Good, which is God, 2005 (w/c on paper)

WNG6379017: Life in Christ involves both fasting and feasting. We should love what is good, but be prepared to sacrifice this when necessary for an even greater Good, which is God, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Christ our God is Present in the sanctuary, with the Saints who now live in His love, 2005 (w/c on paper)
Christ our God is Present in the sanctuary, with the Saints who now live in His love, 2005 (w/c on paper)

WNG6379026: Christ our God is Present in the sanctuary, with the Saints who now live in His love, 2005 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

Seville, balcony tower, 2002 (w/c)
Seville, balcony tower, 2002 (w/c)

CWI6379538: Seville, balcony tower, 2002 (w/c), Wilson, Clive / Bridgeman Images

The Bayon: Sunset - Sympathy and Loving kindness (East & South), 2000 (w/c)
The Bayon: Sunset - Sympathy and Loving kindness (East & South), 2000 (w/c)

CWI6379556: The Bayon: Sunset - Sympathy and Loving kindness (East & South), 2000 (w/c), Wilson, Clive / Bridgeman Images

Entrance to Preah Khan - afternoon sun, 1999 (w/c)
Entrance to Preah Khan - afternoon sun, 1999 (w/c)

CWI6379565: Entrance to Preah Khan - afternoon sun, 1999 (w/c), Wilson, Clive / Bridgeman Images

Marathi – swinging with the current, 1997 (w/c)
Marathi – swinging with the current, 1997 (w/c)

CWI6379592: Marathi – swinging with the current, 1997 (w/c), Wilson, Clive / Bridgeman Images

Santorini, 2004 (w/c)
Santorini, 2004 (w/c)

CWI6379595: Santorini, 2004 (w/c), Wilson, Clive / Bridgeman Images

Eton from Windsor Lock, 2010 (w/c)
Eton from Windsor Lock, 2010 (w/c)

CWI6379622: Eton from Windsor Lock, 2010 (w/c), Wilson, Clive / Bridgeman Images

A cavalry engagement in a wooded landscape, a bridge in the distance (oil on canvas)
A cavalry engagement in a wooded landscape, a bridge in the distance (oil on canvas)

NTE6380055: A cavalry engagement in a wooded landscape, a bridge in the distance (oil on canvas), Meulen, Adam Frans van der (1632-90) / Bridgeman Images

Men on a barge in a river landscape with a distant church (oil on panel)
Men on a barge in a river landscape with a distant church (oil on panel)

NTE6380076: Men on a barge in a river landscape with a distant church (oil on panel), Goyen, Jan Josefsz. van (1596-1656) (circle of) / Bridgeman Images

Mediterranean coastal scenes (oil on canvas)
Mediterranean coastal scenes (oil on canvas)

NTE6380240: Mediterranean coastal scenes (oil on canvas), Marlow, Thomas (c.18th-19th century) (circle of) / Bridgeman Images

Frederic Tangy, 2021 (photo)
Frederic Tangy, 2021 (photo)

FPA6385240: Frederic Tangy, 2021 (photo) / Bridgeman Images

Frederic Tangy, 2021 (photo)
Frederic Tangy, 2021 (photo)

FPA6385252: Frederic Tangy, 2021 (photo) / Bridgeman Images

Frederic Tangy, 2021 (photo)
Frederic Tangy, 2021 (photo)

FPA6385255: Frederic Tangy, 2021 (photo) / Bridgeman Images

Frederic Tangy, 2021 (photo) (photo)
Frederic Tangy, 2021 (photo) (photo)

FPA6385261: Frederic Tangy, 2021 (photo) (photo) / Bridgeman Images

Red-Facing the Sun, 2006 (w/c on arches)
Red-Facing the Sun, 2006 (w/c on arches)

GDE6385399: Red-Facing the Sun, 2006 (w/c on arches), Dean, Graham (b.1951) / Bridgeman Images

A river landscape with figures on a road beside a double aqueduct (oil on canvas)
A river landscape with figures on a road beside a double aqueduct (oil on canvas)

NTE6380246: A river landscape with figures on a road beside a double aqueduct (oil on canvas), Lacroix, Charles François Grenier de (c.1700–82) (attr.to) / Bridgeman Images

Thomas Percy, Earl of Worcester, 1730-70 (oil)
Thomas Percy, Earl of Worcester, 1730-70 (oil)

NTE6380252: Thomas Percy, Earl of Worcester, 1730-70 (oil), English School, (18th century) / Bridgeman Images

Henry, Lord Percy of Alnwick, 1730-70 (oil)
Henry, Lord Percy of Alnwick, 1730-70 (oil)

NTE6380264: Henry, Lord Percy of Alnwick, 1730-70 (oil), English School, (18th century) / Bridgeman Images

August Oak - Sunrise, 1996 (w/c)
August Oak - Sunrise, 1996 (w/c)

CWI6380276: August Oak - Sunrise, 1996 (w/c), Wilson, Clive / Bridgeman Images

Libyan Infantry Officer Of Carthaginian Army, 202 BC, 2021 (digitalbrush, 3d cgi)
Libyan Infantry Officer Of Carthaginian Army, 202 BC, 2021 (digitalbrush, 3d cgi)

CGS6380394: Libyan Infantry Officer Of Carthaginian Army, 202 BC, 2021 (digitalbrush, 3d cgi), Giannopoulos, Christos / Bridgeman Images

Fifty-three Stations of the Tokaido, Station 2 Sunrise at Shinagawa, undated (woodcut)
Fifty-three Stations of the Tokaido, Station 2 Sunrise at Shinagawa, undated (woodcut)

WHT6380459: Fifty-three Stations of the Tokaido, Station 2 Sunrise at Shinagawa, undated (woodcut), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

A scholar sharpening his quill (oil on panel)
A scholar sharpening his quill (oil on panel)

NTE6380523: A scholar sharpening his quill (oil on panel), Beschey, Karel (b.1706) / Bridgeman Images

Societe adoucie, Georges Aperghis (b/w photo, 1983)
Societe adoucie, Georges Aperghis (b/w photo, 1983)

MTT6380541: Societe adoucie, Georges Aperghis (b/w photo, 1983), Martinot, Thierry / Bridgeman Images

Tall Baobab South Luangwa, 2017 (oil on linen)
Tall Baobab South Luangwa, 2017 (oil on linen)

FHL6373757: Tall Baobab South Luangwa, 2017 (oil on linen), Hamel, Francis / Bridgeman Images

Monkey Puzzle Tree (Araucaria), 2017 (oil on linen)
Monkey Puzzle Tree (Araucaria), 2017 (oil on linen)

FHL6373782: Monkey Puzzle Tree (Araucaria), 2017 (oil on linen), Hamel, Francis / Bridgeman Images

Hot Summer oak, 2003 (oil on linen)
Hot Summer oak, 2003 (oil on linen)

FHL6373794: Hot Summer oak, 2003 (oil on linen), Hamel, Francis / Bridgeman Images

Mango Tree in Tai Kwun, Hong Kong, 2019 (oil on linen)
Mango Tree in Tai Kwun, Hong Kong, 2019 (oil on linen)

FHL6373821: Mango Tree in Tai Kwun, Hong Kong, 2019 (oil on linen), Hamel, Francis / Bridgeman Images

Near San Donato, Tuscany, 2015 (oil on linen)
Near San Donato, Tuscany, 2015 (oil on linen)

FHL6373857: Near San Donato, Tuscany, 2015 (oil on linen), Hamel, Francis / Bridgeman Images

Early Morning in September, 2015 (oil on linen)
Early Morning in September, 2015 (oil on linen)

FHL6373866: Early Morning in September, 2015 (oil on linen), Hamel, Francis / Bridgeman Images

The Road to Casa Beri at Easter, 2015 (oil on linen)
The Road to Casa Beri at Easter, 2015 (oil on linen)

FHL6373878: The Road to Casa Beri at Easter, 2015 (oil on linen), Hamel, Francis / Bridgeman Images

The Circus in Oxford (University Parks), 2015 (oil on linen)
The Circus in Oxford (University Parks), 2015 (oil on linen)

FHL6373902: The Circus in Oxford (University Parks), 2015 (oil on linen), Hamel, Francis / Bridgeman Images


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