1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491064 Search Results

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD
Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

LRI4593835: Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593835

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

Roman

Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello
Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello

LRI4594167: Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello, Robbia, Giovanni della (1469-c.1530) / Bridgeman Images

ID: LRI4594167

Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello

Robbia, Giovanni della (1469-c.1530)

Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594255: Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594255

Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594537: Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594537

Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594844: Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594844

Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Allegory of Day and Night: detail of the night. Mausoleum of Giuliano de Medici. Marble sculpture, 1531
Allegory of Day and Night: detail of the night. Mausoleum of Giuliano de Medici. Marble sculpture, 1531

LRI4594850: Allegory of Day and Night: detail of the night. Mausoleum of Giuliano de Medici. Marble sculpture, 1531, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: LRI4594850

Allegory of Day and Night: detail of the night. Mausoleum of Giuliano de Medici. Marble sculpture, 1531

Buonarroti, Michelangelo (1475-1564)

Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594915: Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594915

Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594962: Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594962

Miss Lise Noblet, dancer, in the ballet “La Paysanne Supposee” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

David Detail. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), 1504. Galleria dell'Accademia, Florence
David Detail. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), 1504. Galleria dell'Accademia, Florence

LRI4594966: David Detail. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), 1504. Galleria dell'Accademia, Florence, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: LRI4594966

David Detail. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), 1504. Galleria dell'Accademia, Florence

Buonarroti, Michelangelo (1475-1564)

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595214: Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595214

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Long-tail Blackbird - Mexican grackle, Quiscalus mexicanus (Surinam daw, Corvus surinamensis) from a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Long-tail Blackbird - Mexican grackle, Quiscalus mexicanus (Surinam daw, Corvus surinamensis) from a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595423: Long-tail Blackbird - Mexican grackle, Quiscalus mexicanus (Surinam daw, Corvus surinamensis) from a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595423

Long-tail Blackbird - Mexican grackle, Quiscalus mexicanus (Surinam daw, Corvus surinamensis) from a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Fawn vulture - Griffon vulture, Gyps fulvus. (Tawny vulture, Falco ambustus.) From a specimen held by the Royal Society. Handcoloured copperplate engraving by Peter Brown from New Illustrations of Zoology, B. White, London, 1776.
Fawn vulture - Griffon vulture, Gyps fulvus. (Tawny vulture, Falco ambustus.) From a specimen held by the Royal Society. Handcoloured copperplate engraving by Peter Brown from New Illustrations of Zoology, B. White, London, 1776.

FLO4595416: Fawn vulture - Griffon vulture, Gyps fulvus. (Tawny vulture, Falco ambustus.) From a specimen held by the Royal Society. Handcoloured copperplate engraving by Peter Brown from New Illustrations of Zoology, B. White, London, 1776. / Bridgeman Images

ID: FLO4595416

Fawn vulture - Griffon vulture, Gyps fulvus. (Tawny vulture, Falco ambustus.) From a specimen held by the Royal Society. Handcoloured copperplate engraving by Peter Brown from New Illustrations of Zoology, B. White, London, 1776.

Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti
Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti

LRI4595422: Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti, Belli, Valerio (c.1468-1546) / Bridgeman Images

ID: LRI4595422

Set decorated with scenes from the life of Christ made for Pope Clement VII in crystal, gold silver and enamel attributed to Valerio Belli (1468-1546), 1532, Florence Museo degli Argenti

Belli, Valerio (c.1468-1546)

Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting)
Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting)

LRI4595497: Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595497

Scandinavia: Norway, Sweden, Finland. c.1567. (mural painting)

Danti, Egnazio (1536-86)

Map of Arabia, c.1567. (mural painting)
Map of Arabia, c.1567. (mural painting)

LRI4595572: Map of Arabia, c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595572

Map of Arabia, c.1567. (mural painting)

Danti, Egnazio (1536-86)

Map of Peru, c.1567. (mural painting)
Map of Peru, c.1567. (mural painting)

LRI4595671: Map of Peru, c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595671

Map of Peru, c.1567. (mural painting)

Danti, Egnazio (1536-86)

Brown ketoupa (or pecheur ketoupa) - Sri Lankan brown fish owl, Ketupa zeylonensis. (Great Ceylonese eared owl, Strix zeylonensis.) After an illustration by Pieter de Bevere provided by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Brown ketoupa (or pecheur ketoupa) - Sri Lankan brown fish owl, Ketupa zeylonensis. (Great Ceylonese eared owl, Strix zeylonensis.) After an illustration by Pieter de Bevere provided by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595661: Brown ketoupa (or pecheur ketoupa) - Sri Lankan brown fish owl, Ketupa zeylonensis. (Great Ceylonese eared owl, Strix zeylonensis.) After an illustration by Pieter de Bevere provided by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595661

Brown ketoupa (or pecheur ketoupa) - Sri Lankan brown fish owl, Ketupa zeylonensis. (Great Ceylonese eared owl, Strix zeylonensis.) After an illustration by Pieter de Bevere provided by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Black Tern - North American black tern, Chlidonias niger surinamensis (Surinam tern, Sterna surinamensis). From the collection of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Black Tern - North American black tern, Chlidonias niger surinamensis (Surinam tern, Sterna surinamensis). From the collection of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595670: Black Tern - North American black tern, Chlidonias niger surinamensis (Surinam tern, Sterna surinamensis). From the collection of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595670

Black Tern - North American black tern, Chlidonias niger surinamensis (Surinam tern, Sterna surinamensis). From the collection of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Map of Peru, c.1567. (mural painting)
Map of Peru, c.1567. (mural painting)

LRI4595678: Map of Peru, c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595678

Map of Peru, c.1567. (mural painting)

Danti, Egnazio (1536-86)

Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595311: Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595311

Pear varieties, Pyrus communis: Onion or La Grosse Oignonette and Pear d'Auch. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Ochre Woodpecker - Blond-crested woodpecker, Celeus flavescens (Yellow-crested woodpecker, Picus flavescens). From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Ochre Woodpecker - Blond-crested woodpecker, Celeus flavescens (Yellow-crested woodpecker, Picus flavescens). From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595439: Ochre Woodpecker - Blond-crested woodpecker, Celeus flavescens (Yellow-crested woodpecker, Picus flavescens). From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595439

Ochre Woodpecker - Blond-crested woodpecker, Celeus flavescens (Yellow-crested woodpecker, Picus flavescens). From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Brown-headed barbet, Psilopogon zeylanicus, and common iora (Indian), Aegithina tiphia multicolor. (Yellow cheeked barbet, Bucco zeylanicus and Ceylon black cap, Motacilla zeylonica.) and Phalaena proserpina moth. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Brown-headed barbet, Psilopogon zeylanicus, and common iora (Indian), Aegithina tiphia multicolor. (Yellow cheeked barbet, Bucco zeylanicus and Ceylon black cap, Motacilla zeylonica.) and Phalaena proserpina moth. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595473: Brown-headed barbet, Psilopogon zeylanicus, and common iora (Indian), Aegithina tiphia multicolor. (Yellow cheeked barbet, Bucco zeylanicus and Ceylon black cap, Motacilla zeylonica.) and Phalaena proserpina moth. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595473

Brown-headed barbet, Psilopogon zeylanicus, and common iora (Indian), Aegithina tiphia multicolor. (Yellow cheeked barbet, Bucco zeylanicus and Ceylon black cap, Motacilla zeylonica.) and Phalaena proserpina moth. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Map of Persia (Iran), c.1567. (mural painting)
Map of Persia (Iran), c.1567. (mural painting)

LRI4595554: Map of Persia (Iran), c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595554

Map of Persia (Iran), c.1567. (mural painting)

Danti, Egnazio (1536-86)

Blue rale - African rail, Rallus caerulescens (Rallus capensis) and clymene moth, Haploa clymene. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Blue rale - African rail, Rallus caerulescens (Rallus capensis) and clymene moth, Haploa clymene. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595669: Blue rale - African rail, Rallus caerulescens (Rallus capensis) and clymene moth, Haploa clymene. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595669

Blue rale - African rail, Rallus caerulescens (Rallus capensis) and clymene moth, Haploa clymene. After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Constellations of Andromede and Cassiopee - Andromeda and Cassiopeia constellations - On the left the constellation of Cassiopee, on the right Andromede, up part of Pegase. Left Cassiopeia constellation, right Andromeda and part of Pegasus
Constellations of Andromede and Cassiopee - Andromeda and Cassiopeia constellations - On the left the constellation of Cassiopee, on the right Andromede, up part of Pegase. Left Cassiopeia constellation, right Andromeda and part of Pegasus

PIX4588933: Constellations of Andromede and Cassiopee - Andromeda and Cassiopeia constellations - On the left the constellation of Cassiopee, on the right Andromede, up part of Pegase. Left Cassiopeia constellation, right Andromeda and part of Pegasus / Bridgeman Images

ID: PIX4588933

Constellations of Andromede and Cassiopee - Andromeda and Cassiopeia constellations - On the left the constellation of Cassiopee, on the right Andromede, up part of Pegase. Left Cassiopeia constellation, right Andromeda and part of Pegasus

Pyxis decorated with athletes practicing javelin throw (painted terracotta)
Pyxis decorated with athletes practicing javelin throw (painted terracotta)

LRI4589485: Pyxis decorated with athletes practicing javelin throw (painted terracotta), Etruscan / Bridgeman Images

ID: LRI4589485

Pyxis decorated with athletes practicing javelin throw (painted terracotta)

Etruscan

Faux jasmine nightshade - Potato vine or jasmine-leaved bittersweet, Solanum jasminoides. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Faux jasmine nightshade - Potato vine or jasmine-leaved bittersweet, Solanum jasminoides. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589628: Faux jasmine nightshade - Potato vine or jasmine-leaved bittersweet, Solanum jasminoides. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

ID: FLO4589628

Faux jasmine nightshade - Potato vine or jasmine-leaved bittersweet, Solanum jasminoides. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

Golden flag, Iris crocea (Golden iris, Iris aurea). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Golden flag, Iris crocea (Golden iris, Iris aurea). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589826: Golden flag, Iris crocea (Golden iris, Iris aurea). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

ID: FLO4589826

Golden flag, Iris crocea (Golden iris, Iris aurea). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

Terracotta fragment of kylix representing a maenad and a satyr, 350 BC
Terracotta fragment of kylix representing a maenad and a satyr, 350 BC

LRI4589806: Terracotta fragment of kylix representing a maenad and a satyr, 350 BC, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4589806

Terracotta fragment of kylix representing a maenad and a satyr, 350 BC

Etruscan, (4th century BC)

Terracotta amphora with representation of a duel between two soldiers, 520-500 BC
Terracotta amphora with representation of a duel between two soldiers, 520-500 BC

LRI4589925: Terracotta amphora with representation of a duel between two soldiers, 520-500 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4589925

Terracotta amphora with representation of a duel between two soldiers, 520-500 BC

Etruscan, (6th century BC)

Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589708: Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

ID: FLO4589708

Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589779: Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

ID: FLO4589779

Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

Shopfront of Monsieur Shuler's butchers, 45 rue Turenne, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Shuler's butchers, 45 rue Turenne, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589947: Shopfront of Monsieur Shuler's butchers, 45 rue Turenne, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

ID: FLO4589947

Shopfront of Monsieur Shuler's butchers, 45 rue Turenne, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590365: Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590365

Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590668: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4590668

Terracotta plate representing animals, 600-590 BC

Etruscan, (6th century BC)

Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590681: Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4590681

Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.


Back to top