1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2490904 Search Results

Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689205: Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689205

Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651
Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651

LRI4689215: Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689215

Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651

Etruscan, (4th century BC)

Prince of Wales Vase in jasper. With figure of Britannia and a lion, medallion of George, crown and feathers, with lion and horse at base. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Prince of Wales Vase in jasper. With figure of Britannia and a lion, medallion of George, crown and feathers, with lion and horse at base. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689224: Prince of Wales Vase in jasper. With figure of Britannia and a lion, medallion of George, crown and feathers, with lion and horse at base. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689224

Prince of Wales Vase in jasper. With figure of Britannia and a lion, medallion of George, crown and feathers, with lion and horse at base. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815
Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815

LRI4689313: Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689313

Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815

Etruscan, (5th century BC)

Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865
Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865

FLO4689457: Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865 / Bridgeman Images

ID: FLO4689457

Aromatic gums and fragrant woods were burned in the incense houses of ancient Egypt - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Aromatic gums and woods were burnt in censers (incense burners) in an Egyptian temple - Woodcut engraving from Eugene Rimmelell's The Book of Perfumes, London, Chapman and Hall, 1865

Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689623: Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689623

Yellow brain mushroom Tremella mesenterica, Tremellodon gelatinosum, black itch's butter Exidia glandulosa, and apricot jelly Guepinia rufa. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

War makeup of the Indians of America, Sioux warriors and Pawnee (or Paneassa, Pari, Pariki) with a body painted with feather headdresses - Chromolithography extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The warpaint of the Native Americans, Souix or Pawnee men in full body paint with fethoather headdresses - Chromolithoather headdresses - Chromolithoather Graph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870
War makeup of the Indians of America, Sioux warriors and Pawnee (or Paneassa, Pari, Pariki) with a body painted with feather headdresses - Chromolithography extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The warpaint of the Native Americans, Souix or Pawnee men in full body paint with fethoather headdresses - Chromolithoather headdresses - Chromolithoather Graph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

FLO4689555: War makeup of the Indians of America, Sioux warriors and Pawnee (or Paneassa, Pari, Pariki) with a body painted with feather headdresses - Chromolithography extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The warpaint of the Native Americans, Souix or Pawnee men in full body paint with fethoather headdresses - Chromolithoather headdresses - Chromolithoather Graph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870 / Bridgeman Images

ID: FLO4689555

War makeup of the Indians of America, Sioux warriors and Pawnee (or Paneassa, Pari, Pariki) with a body painted with feather headdresses - Chromolithography extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The warpaint of the Native Americans, Souix or Pawnee men in full body paint with fethoather headdresses - Chromolithoather headdresses - Chromolithoather Graph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico
Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico

LRI4689653: Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689653

Etruscan civilization: “” gold earrings”” From the tomb of the Flabelli, Populonia, Italy - 6th century BC Florence, Museo Archeologico

Etruscan, (6th century BC)

Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy
Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy

LRI4689688: Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689688

Etruscan civilization: “” two pieces aureus””” 5th century BC Provenance unknown Florence, Museo Archeologico, inv 36246 - Etruscan civilization: two aureus coins, 5th century BC. Unknown provenance. Museum of Archaeology, inv 36246, Florence, Italy

Etruscan, (5th century BC)

Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710
Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710

LRI4689613: Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689613

Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710

Etruscan, (6th century BC)

Etruscan civilization: earthenware hydroe - 6th century BC Dim 55 cm Florence, Museo Archeologico, inv 3389
Etruscan civilization: earthenware hydroe - 6th century BC Dim 55 cm Florence, Museo Archeologico, inv 3389

LRI4689632: Etruscan civilization: earthenware hydroe - 6th century BC Dim 55 cm Florence, Museo Archeologico, inv 3389, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689632

Etruscan civilization: earthenware hydroe - 6th century BC Dim 55 cm Florence, Museo Archeologico, inv 3389

Etruscan, (6th century BC)

Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC
Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC

LRI4689766: Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689766

Double head kantharos, Heracles and Omphale. From Cerveteri. 320 BC

Etruscan, (4th century BC)

Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689786: Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689786

Rufous or red milkcap, Lactarius rufus, weeping milkcap, Lactifluus volemus, Lactarius volemus, mild milkcap, Lactarius subdulcis and candy cap or curry milkcap, Lactarius camphoratus. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Small bucchero amphora decorated with spirals from the Tomb 2 of Casaletti di Ceri. 675-650 BC
Small bucchero amphora decorated with spirals from the Tomb 2 of Casaletti di Ceri. 675-650 BC

LRI4689832: Small bucchero amphora decorated with spirals from the Tomb 2 of Casaletti di Ceri. 675-650 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689832

Small bucchero amphora decorated with spirals from the Tomb 2 of Casaletti di Ceri. 675-650 BC

Etruscan, (7th century BC)

Chalice of brown paste from the tomb of the bronze tank, 680-670 BC
Chalice of brown paste from the tomb of the bronze tank, 680-670 BC

LRI4689830: Chalice of brown paste from the tomb of the bronze tank, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689830

Chalice of brown paste from the tomb of the bronze tank, 680-670 BC

Etruscan, (7th century BC)

Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689950: Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689950

Edible mushrooms: salt-loving agaricus, Psalliota bernardii, and horse mushroom Psalliota arvensis. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689999: Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689999

Edible mushrooms: Dryad's saddle, Polyporus squamosus, Polyporus pes caprae. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690171: The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690171

The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690202

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690319: The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690319

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690387: The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690387

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690398: The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690398

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)
The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

LRI4690283: The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images

ID: LRI4690283

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

Consolo (Magister Conxolus) (13th century)

The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690317: The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690317

The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690480: The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690480

The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690198: The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690198

The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

American tennis player John McEnroe in the 1980s.
American tennis player John McEnroe in the 1980s.

MME4703784: American tennis player John McEnroe in the 1980s., Mencarini, Marcello / Bridgeman Images

ID: MME4703784

American tennis player John McEnroe in the 1980s.

Mencarini, Marcello

Pair of snake-shaped bracelets, 2nd-1st century BC
Pair of snake-shaped bracelets, 2nd-1st century BC

MEP4703830: Pair of snake-shaped bracelets, 2nd-1st century BC / Bridgeman Images

ID: MEP4703830

Pair of snake-shaped bracelets, 2nd-1st century BC

Woman loading wheat, melons and vegetables onto a Roman two-wheeled farm cart Plaustrum drawn by oxen. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Woman loading wheat, melons and vegetables onto a Roman two-wheeled farm cart Plaustrum drawn by oxen. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

FLO4703552: Woman loading wheat, melons and vegetables onto a Roman two-wheeled farm cart Plaustrum drawn by oxen. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798). / Bridgeman Images

ID: FLO4703552

Woman loading wheat, melons and vegetables onto a Roman two-wheeled farm cart Plaustrum drawn by oxen. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Blues musician John Mayall on stage in 1988.
Blues musician John Mayall on stage in 1988.

MME4703614: Blues musician John Mayall on stage in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703614

Blues musician John Mayall on stage in 1988.

Mencarini, Marcello

Portrait of blues musician John Mayall in 1988.
Portrait of blues musician John Mayall in 1988.

MME4703702: Portrait of blues musician John Mayall in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703702

Portrait of blues musician John Mayall in 1988.

Mencarini, Marcello

Juno, Roman goddess of marriage, with bride, groom and mother of the bride. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Juno, Roman goddess of marriage, with bride, groom and mother of the bride. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703738: Juno, Roman goddess of marriage, with bride, groom and mother of the bride. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703738

Juno, Roman goddess of marriage, with bride, groom and mother of the bride. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Sacred bull ready for sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Sacred bull ready for sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703835: Sacred bull ready for sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703835

Sacred bull ready for sacrifice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Blues musician John Mayall on stage in 1988.
Blues musician John Mayall on stage in 1988.

MME4703514: Blues musician John Mayall on stage in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4703514

Blues musician John Mayall on stage in 1988.

Mencarini, Marcello

King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703811: King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703811

King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704055: Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704055

Ceremony at a German tribal meeting. Men wearing wreaths, animal skins and antlers. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).


Back to top