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Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610197: Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610226: Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610237: Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610316: Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610375: The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610422: Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Different germination steps of pea seed and common bean. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seeds of the pea Pisum sativum and bean Phaseolus vulgaris. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Different germination steps of pea seed and common bean. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seeds of the pea Pisum sativum and bean Phaseolus vulgaris. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610488: Different germination steps of pea seed and common bean. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seeds of the pea Pisum sativum and bean Phaseolus vulgaris. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610506: Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610561: Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610633: Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610644: Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte
Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte

LRI4610659: Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610700: Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610704: Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610764: Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti.
Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti.

LRI4610768: Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti., Ricci, Sebastiano (1658-1734) / Bridgeman Images

Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610783: Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610825: Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4610943: Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Peregrine falcon, Falco peregrinus, chained to a branch. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Peregrine falcon, Falco peregrinus, chained to a branch. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613205: Peregrine falcon, Falco peregrinus, chained to a branch. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)

LRI4613261: The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

Brambling, Fringilla montifringilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Brambling, Fringilla montifringilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613451: Brambling, Fringilla montifringilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

The Last Judgment: Hell (tempera on wood, 1432-1435)
The Last Judgment: Hell (tempera on wood, 1432-1435)

LRI4613351: The Last Judgment: Hell (tempera on wood, 1432-1435), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

Baptism of Christ  (Fresco, 1450-1452)
Baptism of Christ  (Fresco, 1450-1452)

LRI4613536: Baptism of Christ (Fresco, 1450-1452), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

Siege of the French Communist Patri, 2 place du Colonel Fabien, Paris 10th arrondissement. Construction 1971, architect Oscar Niemeyer. The dome was added in 1980.
Siege of the French Communist Patri, 2 place du Colonel Fabien, Paris 10th arrondissement. Construction 1971, architect Oscar Niemeyer. The dome was added in 1980.

TEC4613623: Siege of the French Communist Patri, 2 place du Colonel Fabien, Paris 10th arrondissement. Construction 1971, architect Oscar Niemeyer. The dome was added in 1980., Niemeyer, Oscar (1907-2012) / Bridgeman Images

Osprey, Pandion haliaetus, standing on a caught fish. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Osprey, Pandion haliaetus, standing on a caught fish. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613315: Osprey, Pandion haliaetus, standing on a caught fish. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

Common shelduck, Tadorna tadorna. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common shelduck, Tadorna tadorna. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613331: Common shelduck, Tadorna tadorna. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

Horned grebe or earhorn grebe. Podiceps auritus (Colymbus auritus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Horned grebe or earhorn grebe. Podiceps auritus (Colymbus auritus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613656: Horned grebe or earhorn grebe. Podiceps auritus (Colymbus auritus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

Mew or winter gull, Larus canus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Mew or winter gull, Larus canus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613372: Mew or winter gull, Larus canus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

Hobby, Falco subbuteo, with one foot on a dead bird. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Hobby, Falco subbuteo, with one foot on a dead bird. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613486: Hobby, Falco subbuteo, with one foot on a dead bird. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

Virgin with child. Open Tabernacle of the Linaioli (Painting on wood, 1433)
Virgin with child. Open Tabernacle of the Linaioli (Painting on wood, 1433)

LRI4613511: Virgin with child. Open Tabernacle of the Linaioli (Painting on wood, 1433), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

Mesange huppee. Lopophanes cristatus cristatus (Parus cristatus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Mesange huppee. Lopophanes cristatus cristatus (Parus cristatus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613635: Mesange huppee. Lopophanes cristatus cristatus (Parus cristatus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

Snow Sparrow. Plectrophenax nivalis (Emberiza nivalis). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Snow Sparrow. Plectrophenax nivalis (Emberiza nivalis). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613639: Snow Sparrow. Plectrophenax nivalis (Emberiza nivalis). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

Tiny beak. Calidris minutilla (Tringa cinclus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.
Tiny beak. Calidris minutilla (Tringa cinclus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819.

FLO4613681: Tiny beak. Calidris minutilla (Tringa cinclus). Copper engraving by Edward Donovan (1768-1837), published in Histoire naturelle des oiseaux britanniques, London, 1794-1819., Donovan, Edward (1768-1837) / Bridgeman Images

Wild common carp, Cyprinus carpio. Vulnerable. Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.
Wild common carp, Cyprinus carpio. Vulnerable. Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808.

FLO4613908: Wild common carp, Cyprinus carpio. Vulnerable. Handcoloured copperplate drawn and engraved by Edward Donovan from his Natural History of British Fishes, Donovan and F.C. and J. Rivington, London, 1802-1808., Donovan, Edward (1768-1837) / Bridgeman Images

Classification of galaxies. The Hubble sequence - Edwin Hubble's galaxy classification - The Hubble sequence is a classification of galaxy types based on morphological criteria developed by astronomer Edwin Hubble in 1936. Artist's view. The Hubble sequence is a morphological classification scheme for galaxies created by the astronomer Edwin Hubble in 1936. Artwork
Classification of galaxies. The Hubble sequence - Edwin Hubble's galaxy classification - The Hubble sequence is a classification of galaxy types based on morphological criteria developed by astronomer Edwin Hubble in 1936. Artist's view. The Hubble sequence is a morphological classification scheme for galaxies created by the astronomer Edwin Hubble in 1936. Artwork

PIX4614013: Classification of galaxies. The Hubble sequence - Edwin Hubble's galaxy classification - The Hubble sequence is a classification of galaxy types based on morphological criteria developed by astronomer Edwin Hubble in 1936. Artist's view. The Hubble sequence is a morphological classification scheme for galaxies created by the astronomer Edwin Hubble in 1936. Artwork / Bridgeman Images


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