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View of cardo III, 5th century BC-1st century AD
View of cardo III, 5th century BC-1st century AD

LRI4593895: View of cardo III, 5th century BC-1st century AD, Roman / Bridgeman Images

View of a street, 5th century BC - 1st century AD
View of a street, 5th century BC - 1st century AD

LRI4593901: View of a street, 5th century BC - 1st century AD, Roman / Bridgeman Images

Samnite warriors. 4th century BC (Tomb painting)
Samnite warriors. 4th century BC (Tomb painting)

LRI4592501: Samnite warriors. 4th century BC (Tomb painting), Roman, (4th century BC) / Bridgeman Images

Bund, Puxi in Shanghai, China.
Bund, Puxi in Shanghai, China.

OMG4591323: Bund, Puxi in Shanghai, China. / Bridgeman Images

Xintiandi district, Pundi in Shanghai, China.
Xintiandi district, Pundi in Shanghai, China.

OMG4591159: Xintiandi district, Pundi in Shanghai, China. / Bridgeman Images

Puandong and Puxi districts cross through the Hangpu River in Shanghai, China. Photography 21/04/05.
Puandong and Puxi districts cross through the Hangpu River in Shanghai, China. Photography 21/04/05.

OMG4591639: Puandong and Puxi districts cross through the Hangpu River in Shanghai, China. Photography 21/04/05. / Bridgeman Images

Nanjing Donglu Street (Puxi), night in Shanghai, China.
Nanjing Donglu Street (Puxi), night in Shanghai, China.

OMG4591529: Nanjing Donglu Street (Puxi), night in Shanghai, China. / Bridgeman Images

Vedado district in Havana, Cuba.
Vedado district in Havana, Cuba.

TEC4592747: Vedado district in Havana, Cuba. / Bridgeman Images

Section and elevation of laboratory chemical apparatus, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by W. Duesbury from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Section and elevation of laboratory chemical apparatus, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by W. Duesbury from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4590903: Section and elevation of laboratory chemical apparatus, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by W. Duesbury from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594001: Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592439: Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591881: Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593591: Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593855: Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594096: Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594552: Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Friction and fulling mill for scouring cloth. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.
Friction and fulling mill for scouring cloth. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.

FLO4591383: Friction and fulling mill for scouring cloth. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images

Elevations and plans of the Eddystone Rock lighthouse, built with dovetailed granite and blocks by John Smeaton in 1759. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Elevations and plans of the Eddystone Rock lighthouse, built with dovetailed granite and blocks by John Smeaton in 1759. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591503: Elevations and plans of the Eddystone Rock lighthouse, built with dovetailed granite and blocks by John Smeaton in 1759. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.
Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

FLO4592211: Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803. / Bridgeman Images

Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592156: Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Portrait of Che Guevarra (1928-1967), Havana (Cuba).
Portrait of Che Guevarra (1928-1967), Havana (Cuba).

TEC4592935: Portrait of Che Guevarra (1928-1967), Havana (Cuba). / Bridgeman Images

Propaganda poster located in the outskirts of Havana, Cuba.
Propaganda poster located in the outskirts of Havana, Cuba.

TEC4592978: Propaganda poster located in the outskirts of Havana, Cuba. / Bridgeman Images

Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.
Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.

TEC4594790: Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows. / Bridgeman Images

Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4592253: Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.
Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815.

FLO4593204: Wool manufacturing machine from the 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1815. / Bridgeman Images

Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594211: Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590485: Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810
John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810

FLO4591145: John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810 / Bridgeman Images

Propaganda poster located in the outskirts of Havana, Cuba.
Propaganda poster located in the outskirts of Havana, Cuba.

TEC4593005: Propaganda poster located in the outskirts of Havana, Cuba. / Bridgeman Images

Residence of the Ambassador of the United States, 41 rue du Faubourg Saint Honore, Paris 8th arrondissement. Private hotel built in 1836 on the site of the hotel d'Aguesseau, architect Louis Visconti (1791-1853).
Residence of the Ambassador of the United States, 41 rue du Faubourg Saint Honore, Paris 8th arrondissement. Private hotel built in 1836 on the site of the hotel d'Aguesseau, architect Louis Visconti (1791-1853).

TEC4594712: Residence of the Ambassador of the United States, 41 rue du Faubourg Saint Honore, Paris 8th arrondissement. Private hotel built in 1836 on the site of the hotel d'Aguesseau, architect Louis Visconti (1791-1853). / Bridgeman Images

Details of the mechanism of a chronometer made by the firm of John and Myles Brockbank, a famous London clock maker. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Details of the mechanism of a chronometer made by the firm of John and Myles Brockbank, a famous London clock maker. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593689: Details of the mechanism of a chronometer made by the firm of John and Myles Brockbank, a famous London clock maker. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Diagrams of magnets, magnetic fields, iron filings, etc. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Diagrams of magnets, magnetic fields, iron filings, etc. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591585: Diagrams of magnets, magnetic fields, iron filings, etc. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Plaza Vieja in Havana (Cuba).
Plaza Vieja in Havana (Cuba).

TEC4593183: Plaza Vieja in Havana (Cuba). / Bridgeman Images

Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590681: Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591669: Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Surgical equipment for a lithotomy: sound, staffs, Blunt gorget, Hawkin's cutting gorget, Mr. Cline's cutting gorget, Mr. Aberney's gorget and forceps from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.
Surgical equipment for a lithotomy: sound, staffs, Blunt gorget, Hawkin's cutting gorget, Mr. Cline's cutting gorget, Mr. Aberney's gorget and forceps from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.

FLO4593006: Surgical equipment for a lithotomy: sound, staffs, Blunt gorget, Hawkin's cutting gorget, Mr. Cline's cutting gorget, Mr. Aberney's gorget and forceps from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812. / Bridgeman Images


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