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Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.
Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

FLO4706436: Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590. / Bridgeman Images

ID: FLO4706436

Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706726: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706726

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707530: Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707530

Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.
Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

TEC4707545: Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986., Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707545

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

Picasso, Pablo (1881-1973)

David Bowie, c.1999-93 (photo)
David Bowie, c.1999-93 (photo)

MME4707678: David Bowie, c.1999-93 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4707678

David Bowie, c.1999-93 (photo)

Mencarini, Marcello

Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome
Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome

MME4709052: Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome, Mencarini, Marcello / Bridgeman Images

ID: MME4709052

Panoramic view of the column of Marc Aurele (Marc-Aurele or Marco Aurelio) on Piazza Colonna, Rome

Mencarini, Marcello

Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707060: Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707060

Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707147: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707147

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707208: Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707208

Two knights mounted and armed fighting with their hands in a tournament. The knights threw their spears and swords to the ground, but the fight continues without weapons. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707247

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707290: A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707290

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707303: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707303

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707314: Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707314

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Three Norman cavalry soldiers, wearing armor of stitches and their helm, with spear and sword. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman cavalry in chainmail suits of armor and helmets, carrying lances and swords.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman cavalry soldiers, wearing armor of stitches and their helm, with spear and sword. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman cavalry in chainmail suits of armor and helmets, carrying lances and swords.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707931: Three Norman cavalry soldiers, wearing armor of stitches and their helm, with spear and sword. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman cavalry in chainmail suits of armor and helmets, carrying lances and swords.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707931

Three Norman cavalry soldiers, wearing armor of stitches and their helm, with spear and sword. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman cavalry in chainmail suits of armor and helmets, carrying lances and swords.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Portrait of the Italian composer Sylvano Bussotti, circa 1980
Portrait of the Italian composer Sylvano Bussotti, circa 1980

MME4707998: Portrait of the Italian composer Sylvano Bussotti, circa 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707998

Portrait of the Italian composer Sylvano Bussotti, circa 1980

Mencarini, Marcello

Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708168: Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708168

Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708195: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708195

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709279: Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

ID: FLO4709279

Diamond combs and head ornaments, wings, sword hilts, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

Cannes Film Festival, panoramic view of the Carlton Hotel. 1991
Cannes Film Festival, panoramic view of the Carlton Hotel. 1991

MME4708509: Cannes Film Festival, panoramic view of the Carlton Hotel. 1991, Mencarini, Marcello / Bridgeman Images

ID: MME4708509

Cannes Film Festival, panoramic view of the Carlton Hotel. 1991

Mencarini, Marcello

Portrait of American comedian and director John Cassavetes in 1984.
Portrait of American comedian and director John Cassavetes in 1984.

MME4708586: Portrait of American comedian and director John Cassavetes in 1984., Mencarini, Marcello / Bridgeman Images

ID: MME4708586

Portrait of American comedian and director John Cassavetes in 1984.

Mencarini, Marcello

Fashionable men in three-piece suits with wide lapels exchanging business cards. Color printed fashion plate by W. A. Richards from the winter catalogue of Superchic, London, 1929.
Fashionable men in three-piece suits with wide lapels exchanging business cards. Color printed fashion plate by W. A. Richards from the winter catalogue of Superchic, London, 1929.

FLO4709749: Fashionable men in three-piece suits with wide lapels exchanging business cards. Color printed fashion plate by W. A. Richards from the winter catalogue of Superchic, London, 1929. / Bridgeman Images

ID: FLO4709749

Fashionable men in three-piece suits with wide lapels exchanging business cards. Color printed fashion plate by W. A. Richards from the winter catalogue of Superchic, London, 1929.

Scarlet pimpernel, Anagallis arvensis (Indian pimpernel, Anagallis indica). Handcoloured copperplate engraving by Bailey after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1825.
Scarlet pimpernel, Anagallis arvensis (Indian pimpernel, Anagallis indica). Handcoloured copperplate engraving by Bailey after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1825.

FLO4710011: Scarlet pimpernel, Anagallis arvensis (Indian pimpernel, Anagallis indica). Handcoloured copperplate engraving by Bailey after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1825. / Bridgeman Images

ID: FLO4710011

Scarlet pimpernel, Anagallis arvensis (Indian pimpernel, Anagallis indica). Handcoloured copperplate engraving by Bailey after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1825.

The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690146: The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690146

The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690212: The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690212

The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)
The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

LRI4690283: The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images

ID: LRI4690283

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

Consolo (Magister Conxolus) (13th century)

The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690317: The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690317

The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690480: The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690480

The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690573: The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690573

The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.
Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

FLO4691313: Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691313

Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

View of the Holy Staircase, decorated with frescoes. 14th century (photography)
View of the Holy Staircase, decorated with frescoes. 14th century (photography)

LRI4690640: View of the Holy Staircase, decorated with frescoes. 14th century (photography), Master Trecentesco of Sacro Speco School (14th Century) / Bridgeman Images

ID: LRI4690640

View of the Holy Staircase, decorated with frescoes. 14th century (photography)

Master Trecentesco of Sacro Speco School (14th Century)

Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690644: Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690644

Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

View of the apse decorated with frescoes, 13th century (photography)
View of the apse decorated with frescoes, 13th century (photography)

LRI4690673: View of the apse decorated with frescoes, 13th century (photography), Italian School / Bridgeman Images

ID: LRI4690673

View of the apse decorated with frescoes, 13th century (photography)

Italian School

The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690683: The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690683

The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Siamang, Symphalangus syndactylus (Hylobates syndactylis), and agile gibbon, Hylobates agilis, male and female with young (both endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.
Siamang, Symphalangus syndactylus (Hylobates syndactylis), and agile gibbon, Hylobates agilis, male and female with young (both endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.

FLO4690834: Siamang, Symphalangus syndactylus (Hylobates syndactylis), and agile gibbon, Hylobates agilis, male and female with young (both endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827. / Bridgeman Images

ID: FLO4690834

Siamang, Symphalangus syndactylus (Hylobates syndactylis), and agile gibbon, Hylobates agilis, male and female with young (both endangered). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Animals, Zurich, 1827.

Newfoundland dog, Canis lupus familiaris 1, and St. Bernard dog, Canis lupus familiaris 2. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Newfoundland dog, Canis lupus familiaris 1, and St. Bernard dog, Canis lupus familiaris 2. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691020: Newfoundland dog, Canis lupus familiaris 1, and St. Bernard dog, Canis lupus familiaris 2. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691020

Newfoundland dog, Canis lupus familiaris 1, and St. Bernard dog, Canis lupus familiaris 2. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691049: Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691049

Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)


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