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Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.
Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609103: Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

ID: FLO4609103

Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.

Chinese honeysuckle or Rangoon creeper, Combretum indicum (Quisqualis indica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.
Chinese honeysuckle or Rangoon creeper, Combretum indicum (Quisqualis indica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609080: Chinese honeysuckle or Rangoon creeper, Combretum indicum (Quisqualis indica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

ID: FLO4609080

Chinese honeysuckle or Rangoon creeper, Combretum indicum (Quisqualis indica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.

Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.
Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609174: Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609174

Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609286: Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609286

Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609450: Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609450

Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350)
The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350)

LRI4609508: The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350), Veneziano, Paolo (fl.1333-62) / Bridgeman Images

ID: LRI4609508

The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350)

Veneziano, Paolo (fl.1333-62)

Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609516: Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609516

Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Portrait of Don Baldassarre di Antonio di Angelo, monk of the Abbey of Vallombrosa Profile of a monk of the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices)
Portrait of Don Baldassarre di Antonio di Angelo, monk of the Abbey of Vallombrosa Profile of a monk of the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices)

LRI4609695: Portrait of Don Baldassarre di Antonio di Angelo, monk of the Abbey of Vallombrosa Profile of a monk of the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4609695

Portrait of Don Baldassarre di Antonio di Angelo, monk of the Abbey of Vallombrosa Profile of a monk of the monastery of Vallombreuse. Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 26x27 cm Florence, galleria degli Uffizi (Offices)

Perugino, Pietro (c.1445-1523)

Heart-leaved poison, Gastrolobium bilobum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.
Heart-leaved poison, Gastrolobium bilobum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

FLO4609724: Heart-leaved poison, Gastrolobium bilobum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821. / Bridgeman Images

ID: FLO4609724

Heart-leaved poison, Gastrolobium bilobum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

Fabagelle has sessile leaves. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Fabagelle has sessile leaves. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609611: Fabagelle has sessile leaves. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609611

Fabagelle has sessile leaves. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Gomesa orchid, Gomesa flexuosa (Oncidium flexuosus). Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.
Gomesa orchid, Gomesa flexuosa (Oncidium flexuosus). Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

FLO4609697: Gomesa orchid, Gomesa flexuosa (Oncidium flexuosus). Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821. / Bridgeman Images

ID: FLO4609697

Gomesa orchid, Gomesa flexuosa (Oncidium flexuosus). Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.
Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

FLO4609725: Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821. / Bridgeman Images

ID: FLO4609725

Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822.
Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609747: Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

ID: FLO4609747

Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822.

Diptere: black fly with short wings and spring gentian. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824 to 1839.
Diptere: black fly with short wings and spring gentian. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824 to 1839.

FLO4609952: Diptere: black fly with short wings and spring gentian. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4609952

Diptere: black fly with short wings and spring gentian. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824 to 1839.

Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609863: Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4609863

Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609884: Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

ID: FLO4609884

Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)
Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)

LRI4609926: Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

ID: LRI4609926

Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)

Cosimo, Piero di (c.1462-1521)

Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610197: Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610197

Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610226: Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610226

Insect: Heriade guepe variete with a campanule plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Heriades truncorum, Larger Heriades wasp, with corn bell-flower, Campanula hybrida. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610237: Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

ID: FLO4610237

Insect: variete of coleoptere staphylinus with a fragrant fuzzy plant or fragrant quackgrass Lithograph by John Curtis (1791-1862) published in “” British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Homalota dimidiata, Hygronoma dimidiata, Ochre-banded Staphylinus beetle, with spring grass, Anthoxanthum odoratum. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610316: Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610316

Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610375: The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610375

The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610401: Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610401

Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610422: Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610422

Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610280: Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610280

Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Vegetable roots: carrot and turnip. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root vegetables, carrot Daucus carota and turnip Brassica rapa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Vegetable roots: carrot and turnip. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root vegetables, carrot Daucus carota and turnip Brassica rapa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610288: Vegetable roots: carrot and turnip. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root vegetables, carrot Daucus carota and turnip Brassica rapa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610288

Vegetable roots: carrot and turnip. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root vegetables, carrot Daucus carota and turnip Brassica rapa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Root and bulb of lilies. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root and bulb of the lily Lilium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Root and bulb of lilies. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root and bulb of the lily Lilium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610349: Root and bulb of lilies. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root and bulb of the lily Lilium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610349

Root and bulb of lilies. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Root and bulb of the lily Lilium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Passionflower, bud and flower. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Passionflower, Passiflora. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Passionflower, bud and flower. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Passionflower, Passiflora. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610365: Passionflower, bud and flower. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Passionflower, Passiflora. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610365

Passionflower, bud and flower. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Passionflower, Passiflora. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610339: Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4610339

Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

Edwards, Sydenham Teast (c.1768-1819)

Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607224: Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607224

Scarlet bugler, Penstemon barbatus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607237: Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607237

Stemless gentian, Gentiana acaulis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

Recuperation of samples from the Stardust probe - Stardust sample return capsule - Artwork - The Stardust probe was launched on February 7, 1999 with the primary objective of studying comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Artist's view. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft
Recuperation of samples from the Stardust probe - Stardust sample return capsule - Artwork - The Stardust probe was launched on February 7, 1999 with the primary objective of studying comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Artist's view. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft

PIX4607221: Recuperation of samples from the Stardust probe - Stardust sample return capsule - Artwork - The Stardust probe was launched on February 7, 1999 with the primary objective of studying comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Artist's view. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft / Bridgeman Images

ID: PIX4607221

Recuperation of samples from the Stardust probe - Stardust sample return capsule - Artwork - The Stardust probe was launched on February 7, 1999 with the primary objective of studying comet Wild 2 and taking samples during a passage through the comet's hair. Stardust was the first probe to collect and bring back to Earth interstellar and cometary dust. The return capsule landed on Earth on 15 January 2006 with the samples. Artist's view. Stardust is an interplanetary spacecraft, whose primary purpose was to investigate the makeup of the comet Wild 2 and its coma. It was launched on February 07 1999 and returned to Earth on January 15 2006. It is the first sample return mission to collect cosmic dust and return the sample to Earth; the capsule contains cometary and interstellar samples gathered by the Stardust spacecraft

Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view
Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view

PIX4607001: Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4607001

Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view

Dixon, Don (b.1951)

Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607408: Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607408

Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system
A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system

PIX4607428: A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system, Bergeron, Joe / Bridgeman Images

ID: PIX4607428

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system

Bergeron, Joe

Lucrece's death (Detrempe on wood, 1452-1453)
Lucrece's death (Detrempe on wood, 1452-1453)

LRI4607528: Lucrece's death (Detrempe on wood, 1452-1453), Lippi, Filippino (c.1457-1504) / Bridgeman Images

ID: LRI4607528

Lucrece's death (Detrempe on wood, 1452-1453)

Lippi, Filippino (c.1457-1504)


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