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Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593333: Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

ID: FLO4593333

Machines for silk manufacture: reeling, winding, throwsting, doubling and warping, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.
Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.

FLO4593340: Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809. / Bridgeman Images

ID: FLO4593340

Equipment used in worsted manufacture: breaking frame, spinning frame and roving frame, 18th century. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1809.

Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico
Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico

LRI4593367: Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4593367

Etruscan art: warrior figure (Etruscan art, a warrior, bronze sculpture, from Brolio, Italy, 550 BC, Dim 36 cm) Bronze sculpture, From Brolio, Italy, 550 BC, Museo Archeologico

Etruscan, (6th century BC)

Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593375: Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593375

Examples of joinery, wooden doors and windows. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593403: Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

ID: FLO4593403

Firework manufacture or pyrotechny, including rockets, firecrackers, catherine wheels and others, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593462: Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

ID: FLO4593462

Perspective view of a common printing press, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593561: Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593561

Anatomy of the horse: musculature. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593591: Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593591

Architectural drawings of the Arch of Adrian at Athens and the Arch of Septimius Severus at Rome. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Atrium of Casa del tramezzo di legno, 5th century BC-1st century AD
Atrium of Casa del tramezzo di legno, 5th century BC-1st century AD

LRI4593861: Atrium of Casa del tramezzo di legno, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593861

Atrium of Casa del tramezzo di legno, 5th century BC-1st century AD

Roman

Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593876: Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593876

Pneumatics of aerostation, the science of operating light-tha-air aircraft, with two hot-air balloons and aeronauts. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Pneumatics of air pumps and experiments on air. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Pneumatics of air pumps and experiments on air. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593898: Pneumatics of air pumps and experiments on air. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593898

Pneumatics of air pumps and experiments on air. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

View of a street, 5th century BC - 1st century AD
View of a street, 5th century BC - 1st century AD

LRI4593901: View of a street, 5th century BC - 1st century AD, Roman / Bridgeman Images

ID: LRI4593901

View of a street, 5th century BC - 1st century AD

Roman

Pneumatics of air pumps including English engineer John Smeaton's pump and Edward Nair's pump. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Pneumatics of air pumps including English engineer John Smeaton's pump and Edward Nair's pump. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593913: Pneumatics of air pumps including English engineer John Smeaton's pump and Edward Nair's pump. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593913

Pneumatics of air pumps including English engineer John Smeaton's pump and Edward Nair's pump. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

The Pandean Minstrels in performance at Vauxhall pleasure gardens circa 1800. This popular band all played pan pipes and percussion instruments such as drum, triangle, tambourine and cymbals. Copperplate engraving by John Lee after a drawing by Edward Burney from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
The Pandean Minstrels in performance at Vauxhall pleasure gardens circa 1800. This popular band all played pan pipes and percussion instruments such as drum, triangle, tambourine and cymbals. Copperplate engraving by John Lee after a drawing by Edward Burney from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593919: The Pandean Minstrels in performance at Vauxhall pleasure gardens circa 1800. This popular band all played pan pipes and percussion instruments such as drum, triangle, tambourine and cymbals. Copperplate engraving by John Lee after a drawing by Edward Burney from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593919

The Pandean Minstrels in performance at Vauxhall pleasure gardens circa 1800. This popular band all played pan pipes and percussion instruments such as drum, triangle, tambourine and cymbals. Copperplate engraving by John Lee after a drawing by Edward Burney from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593957: Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593957

Goudok Rebec fiddle with three strings, Gelaika pipes, double flutes of the ancients, hunting horn of Siberia, Rojok (rozhok) trumpet, and Batalaika (Balalaika) guitar with two strings. From the Russian Antiquities by M. Guthrie. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593969: The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593969

The harp of Brian Boromh (1,2), silver prize harp (3), and bell harp (4). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Mechanism of the heliostata or heliostate, an optical instrument invented by s' Gravesande. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Mechanism of the heliostata or heliostate, an optical instrument invented by s' Gravesande. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593771: Mechanism of the heliostata or heliostate, an optical instrument invented by s' Gravesande. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593771

Mechanism of the heliostata or heliostate, an optical instrument invented by s' Gravesande. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593803: Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593803

Optical equipment of the 18th century. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD
Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

LRI4593835: Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593835

Detail of Roman constructions (opus mixtum or Opus vagecum and Opus compositum) 5th century BC-1st century AD

Roman

Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593855: Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593855

Orrery built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593862: Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593862

Perspective view of the improved orrery for mean motions built by British astronomer William Pearson. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

View of cardo III, 5th century BC-1st century AD
View of cardo III, 5th century BC-1st century AD

LRI4593895: View of cardo III, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593895

View of cardo III, 5th century BC-1st century AD

Roman

Artillery - cannon carriages of the early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Artillery - cannon carriages of the early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594071: Artillery - cannon carriages of the early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594071

Artillery - cannon carriages of the early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello
Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello

LRI4594167: Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello, Robbia, Giovanni della (1469-c.1530) / Bridgeman Images

ID: LRI4594167

Noli tangers me Jesus Christ holds a white flag (standard) striking with a red cross and his altar is marked with a cross. Low relief ceramic by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello

Robbia, Giovanni della (1469-c.1530)

View of a house, 5th century BC-1st century AD
View of a house, 5th century BC-1st century AD

LRI4593857: View of a house, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593857

View of a house, 5th century BC-1st century AD

Roman

Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594001: Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594001

Arch lute (1), mandolin (2) and mandola (3). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594060: Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594060

Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Venere Italica. Marble sculpture, 1810
Venere Italica. Marble sculpture, 1810

LRI4594075: Venere Italica. Marble sculpture, 1810, Canova, Antonio (1757-1822) / Bridgeman Images

ID: LRI4594075

Venere Italica. Marble sculpture, 1810

Canova, Antonio (1757-1822)

Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594096: Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594096

Anatomy of birds: the crop or gullet. Copperplate engraving by T. Milton after a drawing by W. Clift from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Russule emetique (Russula emetica 1), Pezize orangee (Peziza aurantia 2) - Chromolithography from a drawing by Mordecai Cubitt Cooke (1825-1914), published in “” A Plain and Easy Account of British Fungi”””, Robert Hardwicke edition, London, 1862
Russule emetique (Russula emetica 1), Pezize orangee (Peziza aurantia 2) - Chromolithography from a drawing by Mordecai Cubitt Cooke (1825-1914), published in “” A Plain and Easy Account of British Fungi”””, Robert Hardwicke edition, London, 1862

FLO4594426: Russule emetique (Russula emetica 1), Pezize orangee (Peziza aurantia 2) - Chromolithography from a drawing by Mordecai Cubitt Cooke (1825-1914), published in “” A Plain and Easy Account of British Fungi”””, Robert Hardwicke edition, London, 1862 / Bridgeman Images

ID: FLO4594426

Russule emetique (Russula emetica 1), Pezize orangee (Peziza aurantia 2) - Chromolithography from a drawing by Mordecai Cubitt Cooke (1825-1914), published in “” A Plain and Easy Account of British Fungi”””, Robert Hardwicke edition, London, 1862

Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594448: Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

ID: FLO4594448

Hepatic Fistuline (Fistulina hepatica) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

Hydnum imbricatum 1, sheep's foot or hydna sinue (Hydnum repandum 2) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Hydnum imbricatum 1, sheep's foot or hydna sinue (Hydnum repandum 2) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594453: Hydnum imbricatum 1, sheep's foot or hydna sinue (Hydnum repandum 2) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

ID: FLO4594453

Hydnum imbricatum 1, sheep's foot or hydna sinue (Hydnum repandum 2) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594537: Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594537

Dress (Dress) of the reign of King Henry III, 1216-1272. She wear a crimson furlined mantle over a blue and white damask dress, crown of roses, veil and wimple. Based on an effigy of Aveline, Countess of Lancaster, in Westminster Abbey, 13th century romance With damask white and Azure Blue/Well diapered with lilies new. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)
Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

FLO4594591: Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho), English School, (19th century) / Bridgeman Images

ID: FLO4594591

Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

English School, (19th century)

Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594202: Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594202

Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594255: Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594255

Anatomy of human internal organs from the back showing spine, lungs, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.


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