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2497476 Search Results

Chyulu cheetah, 2019 (photograph)
Chyulu cheetah, 2019 (photograph)

AMN5945085: Chyulu cheetah, 2019 (photograph), Meyer, Eric / Bridgeman Images

Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)
Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)

COU5948342: Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support), Spanish School, (17th century) / Bridgeman Images

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)
Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

COU5948384: Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue), Keuninck, Kerstiaen de (c.1560-1633) / Bridgeman Images

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)
Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

COU5948399: Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper), Bolognese School, (17th century) / Bridgeman Images

Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)
Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)

COU5948429: Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper), Savery, Roelandt Jacobsz. (1576-1639) / Bridgeman Images

Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount)
Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount)

COU5948438: Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount), Lear, Edward (1812-88) / Bridgeman Images

11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood)
11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood)

COU5948468: 11th-12th century walrus ivory figures mounted on a medieval-style copper-clad oak box, 19th century (carved walrus ivory and gilded and stamped copper-clad wood), German School / Bridgeman Images

Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet)
Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet)

COU5948483: Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet), Flemish or Burgundian school, (15th century) / Bridgeman Images

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)
Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

COU5948519: Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing), Mamluk Sultanate school, (15th-16th century) / Bridgeman Images

Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay)
Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay)

COU5948522: Bowl of engraved brass inlaid with silver and remains of gold inlay; cover missing, 1500-25 (metalworked brass and silver inlay), Mamluk Sultanate school, (16th century) / Bridgeman Images

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)
Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

COU5948528: Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding), Venetian School, (16th century) / Bridgeman Images

Grande Danseuse A, c.1911 (bronze) [see 5948535]
Grande Danseuse A, c.1911 (bronze) [see 5948535]

COU5948534: Grande Danseuse A, c.1911 (bronze) [see 5948535], Rodin, Auguste (1840-1917) / Bridgeman Images

Baboon mother, 2019 (photograph)
Baboon mother, 2019 (photograph)

AMN5945330: Baboon mother, 2019 (photograph), Meyer, Eric / Bridgeman Images

Dumbo, 2018 (mixed media)
Dumbo, 2018 (mixed media)

MAD5945436: Dumbo, 2018 (mixed media), Adlington, Mark / Bridgeman Images

Young Kudu, Loisaba, 2018 (conté and pastel on paper)
Young Kudu, Loisaba, 2018 (conté and pastel on paper)

MAD5945622: Young Kudu, Loisaba, 2018 (conté and pastel on paper), Adlington, Mark / Bridgeman Images

Getting Down, 2019 (photograph)
Getting Down, 2019 (photograph)

AMN5945637: Getting Down, 2019 (photograph), Meyer, Eric / Bridgeman Images

Wallow, 2019 (photograph)
Wallow, 2019 (photograph)

AMN5945640: Wallow, 2019 (photograph), Meyer, Eric / Bridgeman Images

Madonna and Child with Saint Peter and Saint Paul and Saint Ansovinus and Saint Jerome, 1488-90 (oil on board)
Madonna and Child with Saint Peter and Saint Paul and Saint Ansovinus and Saint Jerome, 1488-90 (oil on board)

PDB5948210: Madonna and Child with Saint Peter and Saint Paul and Saint Ansovinus and Saint Jerome, 1488-90 (oil on board), Crivelli, Carlo (c.1430/35-1495) / Bridgeman Images

Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)
Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo)

FDG5948255: Pier Paolo Pasolini among the shacks in the township of Centocelle, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)
Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

COU5948319: Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch), Cajes, Patrizio (c.1540-1612) / Bridgeman Images

Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)
Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)

COU5948331: Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper), Herrera Barnuevo, Sebastian de (1619-71) (attr.to) / Bridgeman Images

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)
Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

COU5948343: Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper), Tovar, Alonso Miguel de (1678-1758) / Bridgeman Images

King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948364: King Arthur of England, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948367: Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)
Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)

COU5948376: Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines), Brill or Bril, Paul (1554-1626) (circle of) / Bridgeman Images

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]
Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

COU5948379: Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378], Poynter, Edward John (1836-1919) / Bridgeman Images

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)
Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

COU5948382: Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines), Valencia, Felipe Gómez de (c.1634-1679/94) / Bridgeman Images

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)
Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

COU5948388: Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper), Watts, George Frederic (1817-1904) / Bridgeman Images

Magnanimity, 17th century (red chalk on laid paper)
Magnanimity, 17th century (red chalk on laid paper)

COU5948412: Magnanimity, 17th century (red chalk on laid paper), Thornhill, James (1675-1734) / Bridgeman Images

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]
Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

COU5948418: Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417], Caravaggio, Polidoro da (1490/1500-1543) / Bridgeman Images

The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)
The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)

COU5948421: The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper), Hunt, William Holman (1827-1910) / Bridgeman Images

Terrace in an Italian Garden, c.1760 (red chalk on paper)
Terrace in an Italian Garden, c.1760 (red chalk on paper)

COU5948424: Terrace in an Italian Garden, c.1760 (red chalk on paper), Robert, Hubert (1733-1808) / Bridgeman Images

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)
Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

COU5948433: Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)
Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours)

COU5948457: Plate with overglaze geometric design enclosing Omega symbol; Plate with overglaze painted design of two nude figures, 1913-c.1914 (glazed earthenware with painted decoration; Commercially produced white glazed plate overpainted with four colours), Omega Workshops (20th century) / Bridgeman Images

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)
The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

COU5948475: The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding), French School, (14th century) / Bridgeman Images

Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)
Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)

COU5948478: Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory), Northern French school, (14th century) / Bridgeman Images


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