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The soul which remains close to Christ is sometimes swept away, silently, in the power of His prayer to the Father, 2000 (w/c on paper)
The soul which remains close to Christ is sometimes swept away, silently, in the power of His prayer to the Father, 2000 (w/c on paper)

WNG6333241: The soul which remains close to Christ is sometimes swept away, silently, in the power of His prayer to the Father, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333241

The soul which remains close to Christ is sometimes swept away, silently, in the power of His prayer to the Father, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Jesus smiled at me, and pointed to a table and two chairs, since He was waiting to dine with me, despite my distractions, 2000 (w/c on paper)
Jesus smiled at me, and pointed to a table and two chairs, since He was waiting to dine with me, despite my distractions, 2000 (w/c on paper)

WNG6333247: Jesus smiled at me, and pointed to a table and two chairs, since He was waiting to dine with me, despite my distractions, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333247

Jesus smiled at me, and pointed to a table and two chairs, since He was waiting to dine with me, despite my distractions, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ is hidden behind two veils, 2000 (w/c on paper)
Christ is hidden behind two veils, 2000 (w/c on paper)

WNG6333262: Christ is hidden behind two veils, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333262

Christ is hidden behind two veils, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

The soul which is hollowed out, for the love of God, by prayer and penance, is a 'home' for Jesus, whose praise streams to the Father, 2000 (w/c on paper)
The soul which is hollowed out, for the love of God, by prayer and penance, is a 'home' for Jesus, whose praise streams to the Father, 2000 (w/c on paper)

WNG6333279: The soul which is hollowed out, for the love of God, by prayer and penance, is a 'home' for Jesus, whose praise streams to the Father, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333279

The soul which is hollowed out, for the love of God, by prayer and penance, is a 'home' for Jesus, whose praise streams to the Father, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Our attitude at Mass should be one of total union with Christ in love of Him and in praise of the Father, 2000 (w/c on paper)
Our attitude at Mass should be one of total union with Christ in love of Him and in praise of the Father, 2000 (w/c on paper)

WNG6333291: Our attitude at Mass should be one of total union with Christ in love of Him and in praise of the Father, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333291

Our attitude at Mass should be one of total union with Christ in love of Him and in praise of the Father, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

One day, within my Soul, He held out a wedding veil, 2000 (w/c on paper)
One day, within my Soul, He held out a wedding veil, 2000 (w/c on paper)

WNG6333312: One day, within my Soul, He held out a wedding veil, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333312

One day, within my Soul, He held out a wedding veil, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Jesus prays in agony to his Heavenly Father in the Garden of Gethesemane, 2000 (w/c on paper)
Jesus prays in agony to his Heavenly Father in the Garden of Gethesemane, 2000 (w/c on paper)

WNG6333318: Jesus prays in agony to his Heavenly Father in the Garden of Gethesemane, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333318

Jesus prays in agony to his Heavenly Father in the Garden of Gethesemane, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Asking Christ about how to love, he appeared to the eyes of my soul, 2000 (w/c on paper)
Asking Christ about how to love, he appeared to the eyes of my soul, 2000 (w/c on paper)

WNG6333330: Asking Christ about how to love, he appeared to the eyes of my soul, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333330

Asking Christ about how to love, he appeared to the eyes of my soul, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Once, when I begged for help, Christ swooped to my soul and gave me his peace, 2000 (w/c on paper)
Once, when I begged for help, Christ swooped to my soul and gave me his peace, 2000 (w/c on paper)

WNG6333345: Once, when I begged for help, Christ swooped to my soul and gave me his peace, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333345

Once, when I begged for help, Christ swooped to my soul and gave me his peace, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ spoke through His priest, saying:
Christ spoke through His priest, saying:

WNG6333351: Christ spoke through His priest, saying: "You, too, can speak with authority"; meaning that you, the baptised faithful, can share the Faith, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333351

Christ spoke through His priest, saying: "You, too, can speak with authority"; meaning that you, the baptised faithful, can share the Faith, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Sometimes it seems that Christ leaves us alone in darkness. But He is near, and he trains us in trust, 2000 (w/c on paper)
Sometimes it seems that Christ leaves us alone in darkness. But He is near, and he trains us in trust, 2000 (w/c on paper)

WNG6333361: Sometimes it seems that Christ leaves us alone in darkness. But He is near, and he trains us in trust, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333361

Sometimes it seems that Christ leaves us alone in darkness. But He is near, and he trains us in trust, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Jesus came from the Holy Virgin, the Mother of God, to pour out God's grace upon the world, 2000 (w/c on paper)
Jesus came from the Holy Virgin, the Mother of God, to pour out God's grace upon the world, 2000 (w/c on paper)

WNG6333370: Jesus came from the Holy Virgin, the Mother of God, to pour out God's grace upon the world, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333370

Jesus came from the Holy Virgin, the Mother of God, to pour out God's grace upon the world, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

At Mass, Christ gives his Sacred Body and Blood as our spiritual food and drink, 2000 (oil on board)
At Mass, Christ gives his Sacred Body and Blood as our spiritual food and drink, 2000 (oil on board)

WNG6333382: At Mass, Christ gives his Sacred Body and Blood as our spiritual food and drink, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333382

At Mass, Christ gives his Sacred Body and Blood as our spiritual food and drink, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

Helmet with visor and knitted to protect the shoulders., Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo)
Helmet with visor and knitted to protect the shoulders., Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo)

BSI6333459: Helmet with visor and knitted to protect the shoulders., Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo), Balossini, Camillo / Bridgeman Images

ID: BSI6333459

Helmet with visor and knitted to protect the shoulders., Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo)

Balossini, Camillo

I saw that the vast out-pouring of God's grace was made possible by the bloody offering of the broken body on Calvary, 2000 (w/c on paper)
I saw that the vast out-pouring of God's grace was made possible by the bloody offering of the broken body on Calvary, 2000 (w/c on paper)

WNG6333356: I saw that the vast out-pouring of God's grace was made possible by the bloody offering of the broken body on Calvary, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333356

I saw that the vast out-pouring of God's grace was made possible by the bloody offering of the broken body on Calvary, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ does His work within the soul, as I sit in unknowing praise…, 2000 (w/c on paper)
Christ does His work within the soul, as I sit in unknowing praise…, 2000 (w/c on paper)

WNG6333362: Christ does His work within the soul, as I sit in unknowing praise…, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333362

Christ does His work within the soul, as I sit in unknowing praise…, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

God poured His Spirit upon the Virgin Mary to make her fruitful for the sake of the whole world, 2000 (oil on board)
God poured His Spirit upon the Virgin Mary to make her fruitful for the sake of the whole world, 2000 (oil on board)

WNG6333371: God poured His Spirit upon the Virgin Mary to make her fruitful for the sake of the whole world, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333371

God poured His Spirit upon the Virgin Mary to make her fruitful for the sake of the whole world, 2000 (oil on board)

Wang, Elizabeth (1942-2016)

Leather processing activities, End of 14th century early 15th century customs and customs, Medieval Mantua, Mantua, Italy, 2020 (photo)
Leather processing activities, End of 14th century early 15th century customs and customs, Medieval Mantua, Mantua, Italy, 2020 (photo)

BSI6333449: Leather processing activities, End of 14th century early 15th century customs and customs, Medieval Mantua, Mantua, Italy, 2020 (photo), Balossini, Camillo / Bridgeman Images

ID: BSI6333449

Leather processing activities, End of 14th century early 15th century customs and customs, Medieval Mantua, Mantua, Italy, 2020 (photo)

Balossini, Camillo

Embroidery of a handkerchief on the frame, Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo)
Embroidery of a handkerchief on the frame, Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo)

BSI6333470: Embroidery of a handkerchief on the frame, Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo), Balossini, Camillo / Bridgeman Images

ID: BSI6333470

Embroidery of a handkerchief on the frame, Uses and costumes late 14th century early 15th century, Medieval Mantua, Mantua, Italy, 2020 (photo)

Balossini, Camillo

At each Mass, Christ's Precious Blood is poured out from the Cross, for our salvation from sin, 2000 (w/c on paper)
At each Mass, Christ's Precious Blood is poured out from the Cross, for our salvation from sin, 2000 (w/c on paper)

WNG6333381: At each Mass, Christ's Precious Blood is poured out from the Cross, for our salvation from sin, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333381

At each Mass, Christ's Precious Blood is poured out from the Cross, for our salvation from sin, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Christ our God is in Heaven now in His purity and power, 2000 (w/c on paper)
Christ our God is in Heaven now in His purity and power, 2000 (w/c on paper)

WNG6333390: Christ our God is in Heaven now in His purity and power, 2000 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG6333390

Christ our God is in Heaven now in His purity and power, 2000 (w/c on paper)

Wang, Elizabeth (1942-2016)

Date Farming, Sahara 1950s
Date Farming, Sahara 1950s

AVE6334104: Date Farming, Sahara 1950s / Bridgeman Images

ID: AVE6334104

Date Farming, Sahara 1950s

Light in the Shallows, 2020 (photograph)
Light in the Shallows, 2020 (photograph)

ADK6334166: Light in the Shallows, 2020 (photograph), Gur-Arie, Alice / Bridgeman Images

ID: ADK6334166

Light in the Shallows, 2020 (photograph)

Gur-Arie, Alice

Tool, from the series Tools, 2020 (photograph)
Tool, from the series Tools, 2020 (photograph)

ADK6334169: Tool, from the series Tools, 2020 (photograph), Gur-Arie, Alice / Bridgeman Images

ID: ADK6334169

Tool, from the series Tools, 2020 (photograph)

Gur-Arie, Alice

Bubbles and Stripes, 2018 (hand repainted photograph)
Bubbles and Stripes, 2018 (hand repainted photograph)

ADK6334190: Bubbles and Stripes, 2018 (hand repainted photograph), Gur-Arie, Alice / Bridgeman Images

ID: ADK6334190

Bubbles and Stripes, 2018 (hand repainted photograph)

Gur-Arie, Alice

Over Nevada, 2018 (hand repainted photograph)
Over Nevada, 2018 (hand repainted photograph)

ADK6334205: Over Nevada, 2018 (hand repainted photograph), Gur-Arie, Alice / Bridgeman Images

ID: ADK6334205

Over Nevada, 2018 (hand repainted photograph)

Gur-Arie, Alice

Train and travel, Desert 1950s
Train and travel, Desert 1950s

AVE6334108: Train and travel, Desert 1950s / Bridgeman Images

ID: AVE6334108

Train and travel, Desert 1950s

Whispers of the Stream, 2017 (hand repainted photograph)
Whispers of the Stream, 2017 (hand repainted photograph)

ADK6334213: Whispers of the Stream, 2017 (hand repainted photograph), Gur-Arie, Alice / Bridgeman Images

ID: ADK6334213

Whispers of the Stream, 2017 (hand repainted photograph)

Gur-Arie, Alice

USS Warrington lost in Hurricane off Bahamas September 13th 1944, 2019 (oil on canvas board)
USS Warrington lost in Hurricane off Bahamas September 13th 1944, 2019 (oil on canvas board)

ABG6334228: USS Warrington lost in Hurricane off Bahamas September 13th 1944, 2019 (oil on canvas board), Alexander Booth, Vincent / Bridgeman Images

ID: ABG6334228

USS Warrington lost in Hurricane off Bahamas September 13th 1944, 2019 (oil on canvas board)

Alexander Booth, Vincent

Woman resting against a chair and looking through a window, recto, c.1806 (graphite, grey and brown wash on laid paper)
Woman resting against a chair and looking through a window, recto, c.1806 (graphite, grey and brown wash on laid paper)

COU6334619: Woman resting against a chair and looking through a window, recto, c.1806 (graphite, grey and brown wash on laid paper), Constable, John (1776-1837) / Bridgeman Images

ID: COU6334619

Woman resting against a chair and looking through a window, recto, c.1806 (graphite, grey and brown wash on laid paper)

Constable, John (1776-1837)

Copy of Daguerreotype of Charles Dickens, colourised by Oliver Clyde, 2020, original image by Antoine Claudet, mid-19th century (digital)
Copy of Daguerreotype of Charles Dickens, colourised by Oliver Clyde, 2020, original image by Antoine Claudet, mid-19th century (digital)

DHM6334700: Copy of Daguerreotype of Charles Dickens, colourised by Oliver Clyde, 2020, original image by Antoine Claudet, mid-19th century (digital), Clyde, Oliver & Claude, Anntoine François Jean (1797-1867) / Bridgeman Images

ID: DHM6334700

Copy of Daguerreotype of Charles Dickens, colourised by Oliver Clyde, 2020, original image by Antoine Claudet, mid-19th century (digital)

Clyde, Oliver & Claude, Anntoine François Jean (1797-1867)

1157-1199, Richard the first of England
1157-1199, Richard the first of England

JAB6335041: 1157-1199, Richard the first of England" Richard Lion's Heart" King of England and Duke of Normandy, 1867, Unknown Artist, (19th century) / Bridgeman Images

ID: JAB6335041

1157-1199, Richard the first of England" Richard Lion's Heart" King of England and Duke of Normandy, 1867

Unknown Artist, (19th century)

Untitled, 2019 (photography)
Untitled, 2019 (photography)

AHN6334988: Untitled, 2019 (photography), Caminker, Alex / Bridgeman Images

ID: AHN6334988

Untitled, 2019 (photography)

Caminker, Alex

Artificial prosthesis, Hand and leg in 16th century by French surgeon Ambroise Par, 1888
Artificial prosthesis, Hand and leg in 16th century by French surgeon Ambroise Par, 1888

JAB6335045: Artificial prosthesis, Hand and leg in 16th century by French surgeon Ambroise Par, 1888, Poyet, Louis (1846-1913) / Bridgeman Images

ID: JAB6335045

Artificial prosthesis, Hand and leg in 16th century by French surgeon Ambroise Par, 1888

Poyet, Louis (1846-1913)

Battle scene in landscape with bridge over a rivernew, recto (pen, ink and watercolour on paper)
Battle scene in landscape with bridge over a rivernew, recto (pen, ink and watercolour on paper)

COU6334618: Battle scene in landscape with bridge over a rivernew, recto (pen, ink and watercolour on paper), Snayers, Peeter (1592-1667) / Bridgeman Images

ID: COU6334618

Battle scene in landscape with bridge over a rivernew, recto (pen, ink and watercolour on paper)

Snayers, Peeter (1592-1667)

Last Judgment, 1562 (1620), reconstruction (engraving)
Last Judgment, 1562 (1620), reconstruction (engraving)

COU6334660: Last Judgment, 1562 (1620), reconstruction (engraving), Beatrizet, Nicholas (1507/15-c.1565) / Bridgeman Images

ID: COU6334660

Last Judgment, 1562 (1620), reconstruction (engraving)

Beatrizet, Nicholas (1507/15-c.1565)


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