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Trocade a tracheotomy, brush for the stomach, tumour in the chest after Lorenz Heister, scar after the elimination of the tumour, and ancient harmful and painful method of tracheotomy - Plate drawn from “” The Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - chotomy trocar 1, stomach brush 2, breast tumor after Lorenz Heister 3, scar after tumor removal 4, large breast tumor 5 and old mastectomy method more painful and harmful than useful 6. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Trocade a tracheotomy, brush for the stomach, tumour in the chest after Lorenz Heister, scar after the elimination of the tumour, and ancient harmful and painful method of tracheotomy - Plate drawn from “” The Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - chotomy trocar 1, stomach brush 2, breast tumor after Lorenz Heister 3, scar after tumor removal 4, large breast tumor 5 and old mastectomy method more painful and harmful than useful 6. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611930: Trocade a tracheotomy, brush for the stomach, tumour in the chest after Lorenz Heister, scar after the elimination of the tumour, and ancient harmful and painful method of tracheotomy - Plate drawn from “” The Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - chotomy trocar 1, stomach brush 2, breast tumor after Lorenz Heister 3, scar after tumor removal 4, large breast tumor 5 and old mastectomy method more painful and harmful than useful 6. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

17th century copies of the white dodo by Salomon Savery, male: Gerrit van Goedesberg, 1662 (13), Joost Hartgers, 1650 (14), Abraham and Jan de Wees, 1651 (15) and Gijsbert Sijbes, 1651 (16). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
17th century copies of the white dodo by Salomon Savery, male: Gerrit van Goedesberg, 1662 (13), Joost Hartgers, 1650 (14), Abraham and Jan de Wees, 1651 (15) and Gijsbert Sijbes, 1651 (16). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

FLO4611990: 17th century copies of the white dodo by Salomon Savery, male: Gerrit van Goedesberg, 1662 (13), Joost Hartgers, 1650 (14), Abraham and Jan de Wees, 1651 (15) and Gijsbert Sijbes, 1651 (16). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. / Bridgeman Images

White dodo I by Pieter II Holsteyn, female, 1638. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
White dodo I by Pieter II Holsteyn, female, 1638. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

FLO4612010: White dodo I by Pieter II Holsteyn, female, 1638. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. / Bridgeman Images

White dodo by Johann Walther, female, 1657 (27) and white dodo by Jacob Hoefnagel, young male, 1609 (28). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
White dodo by Johann Walther, female, 1657 (27) and white dodo by Jacob Hoefnagel, young male, 1609 (28). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

FLO4612042: White dodo by Johann Walther, female, 1657 (27) and white dodo by Jacob Hoefnagel, young male, 1609 (28). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. / Bridgeman Images

Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.

FLO4612057: Head and tail of the dodo by Roelandt Savery, Johan Neiuhof, Jacob de Bondt, Ludwig Schmoor von Carolsfeld, G. Krause, etc. Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. / Bridgeman Images

Title page with Willem Ysbrantsz Bontekoe's illustration of the dodo. Title page from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.
Title page with Willem Ysbrantsz Bontekoe's illustration of the dodo. Title page from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848.

FLO4612063: Title page with Willem Ysbrantsz Bontekoe's illustration of the dodo. Title page from Hugh Edwin Strickland and Alexander Gordon Melville's The Dodo and its Kindred, London, Reeve, Benham and Reeve, 1848. / Bridgeman Images

Illustration of a Rodrigues solitaire, 1848 (lithograph)
Illustration of a Rodrigues solitaire, 1848 (lithograph)

FLO4612102: Illustration of a Rodrigues solitaire, 1848 (lithograph) / Bridgeman Images

Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)
Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)

LRI4609926: Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610197: Insect: double-stained coleoptere variete and bird nest neottie plant Lithograph by John Curtis (1791-1862) published in “British Entomology”, collection of 770 illustrations and descriptions of insects from Great Britain, London, England, 1824-1839. Tritoma bipustulatum, Tritoma bipustulata, Double-spotted Tritoma beetle, with bird's nest orchis, Epipactis nidus reviews. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610280: Fibrous roots of common senecon and large plantain (or plantain of birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Plant roots: fibrous root of groundsel Senecio vulgaris and plantain Plantago major. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610316: Flowers of aconite, ancholia, galanthus, hellebore and weeping willow, with details of pistils and etamines). Nectarium of the aconite Aconitum (1,3), columbine Aquilegia (2,4), snowdrop Galanthus (5), hellebore Helleborus (6) and willow Salix (7). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610375: The veronica little oak or false germandree. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610339: Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610401: Hyssop or officinal hyssop. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Hyssop, Hyssopus officinalis. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610422: Auricle or bear ear. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Auricula, Primula auricula. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Different germination steps of pea seed and common bean. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seeds of the pea Pisum sativum and bean Phaseolus vulgaris. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Different germination steps of pea seed and common bean. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seeds of the pea Pisum sativum and bean Phaseolus vulgaris. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610488: Different germination steps of pea seed and common bean. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Germinating seeds of the pea Pisum sativum and bean Phaseolus vulgaris. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610506: Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The Virgin. Detail of the Holy Family with Saint Bruno of Cologne and other saints. Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1629-1630, oil on canvas, 393* 262 cm. Napoli, Museo di Capodimonte
The Virgin. Detail of the Holy Family with Saint Bruno of Cologne and other saints. Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1629-1630, oil on canvas, 393* 262 cm. Napoli, Museo di Capodimonte

LRI4610643: The Virgin. Detail of the Holy Family with Saint Bruno of Cologne and other saints. Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1629-1630, oil on canvas, 393* 262 cm. Napoli, Museo di Capodimonte, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

Heath lobelia, Lobelia urens, Polygamia monogamia. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Heath lobelia, Lobelia urens, Polygamia monogamia. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610653: Heath lobelia, Lobelia urens, Polygamia monogamia. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The Prophete Joel Painting by Jusepe de Ribera dit lo Spagnoletto (1591-1652) 1638-1643 Dim. 265x235 cm Naples, Certosa di San Martino
The Prophete Joel Painting by Jusepe de Ribera dit lo Spagnoletto (1591-1652) 1638-1643 Dim. 265x235 cm Naples, Certosa di San Martino

LRI4610708: The Prophete Joel Painting by Jusepe de Ribera dit lo Spagnoletto (1591-1652) 1638-1643 Dim. 265x235 cm Naples, Certosa di San Martino, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

Ginseng (Panax ginseng) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginseng - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837
Ginseng (Panax ginseng) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginseng - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

FLO4610763: Ginseng (Panax ginseng) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginseng - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

Brown bear and polar bear - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Brown bear, Ursus arctos arctos, and polar bear, Ursus maritimus (vulnerable) - Handcoloured copperplate engraving , illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837
Brown bear and polar bear - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Brown bear, Ursus arctos arctos, and polar bear, Ursus maritimus (vulnerable) - Handcoloured copperplate engraving , illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837

FLO4610802: Brown bear and polar bear - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Brown bear, Ursus arctos arctos, and polar bear, Ursus maritimus (vulnerable) - Handcoloured copperplate engraving , illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Antoine de Jussieu's “” Dictionary of Natural Science,”” 1837 / Bridgeman Images

The Virgin and Child on the throne with St Nicholas, St Peter, St Barthelemy and St Augustine (oil on canvas, 15th century)
The Virgin and Child on the throne with St Nicholas, St Peter, St Barthelemy and St Augustine (oil on canvas, 15th century)

LRI4610934: The Virgin and Child on the throne with St Nicholas, St Peter, St Barthelemy and St Augustine (oil on canvas, 15th century), Rondinelli, Nicolo (c.1450-c.1510) / Bridgeman Images

Mais (Zea mays) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Maize - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837
Mais (Zea mays) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Maize - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

FLO4610950: Mais (Zea mays) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Maize - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610633: Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610644: Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte
Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte

LRI4610659: Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610764: Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Variete of tangara euphone (tanagra violacea) and saltator with green wings (Saltator similis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Purple throated euphonia and greenery en-winged saltator - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Variete of tangara euphone (tanagra violacea) and saltator with green wings (Saltator similis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Purple throated euphonia and greenery en-winged saltator - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610784: Variete of tangara euphone (tanagra violacea) and saltator with green wings (Saltator similis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Purple throated euphonia and greenery en-winged saltator - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610825: Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4610943: Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610561: Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610700: Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610704: Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti.
Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti.

LRI4610768: Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti., Ricci, Sebastiano (1658-1734) / Bridgeman Images

Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610783: Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images


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