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Ursus Americanus, var. Cinnamonum (Cinnamon Bear), plate 127 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1847 (colour litho)
Ursus Americanus, var. Cinnamonum (Cinnamon Bear), plate 127 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1847 (colour litho)

NP125950: Ursus Americanus, var. Cinnamonum (Cinnamon Bear), plate 127 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1847 (colour litho), Audubon, John Woodhouse (1812-62) (after) / Bridgeman Images

ID: NP125950

Ursus Americanus, var. Cinnamonum (Cinnamon Bear), plate 127 from 'Quadrupeds of North America', engraved by John T. Bowen (1801-c.1856), 1847 (colour litho)

Audubon, John Woodhouse (1812-62) (after)

Plate illustrating seven Greek philosophers, from the seventh chapter of 'The Second Book of Commentaries on the Library of Caesar Augustus' 1668 (engraving)
Plate illustrating seven Greek philosophers, from the seventh chapter of 'The Second Book of Commentaries on the Library of Caesar Augustus' 1668 (engraving)

XJF115809: Plate illustrating seven Greek philosophers, from the seventh chapter of 'The Second Book of Commentaries on the Library of Caesar Augustus' 1668 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF115809

Plate illustrating seven Greek philosophers, from the seventh chapter of 'The Second Book of Commentaries on the Library of Caesar Augustus' 1668 (engraving)

English School, (17th century)

Andrew Marvell (1621-78) engraved by Thomas Bonner (engraving)
Andrew Marvell (1621-78) engraved by Thomas Bonner (engraving)

XJF115825: Andrew Marvell (1621-78) engraved by Thomas Bonner (engraving), English School, (18th century) / Bridgeman Images

ID: XJF115825

Andrew Marvell (1621-78) engraved by Thomas Bonner (engraving)

English School, (18th century)

The Bull Leaping the Barriers, 1865 (colour litho)
The Bull Leaping the Barriers, 1865 (colour litho)

STC116019: The Bull Leaping the Barriers, 1865 (colour litho), Price, William Henry Lake (1810-91) / Bridgeman Images

ID: STC116019

The Bull Leaping the Barriers, 1865 (colour litho)

Price, William Henry Lake (1810-91)

The Alguazil Delivering the Keys of the Toril, 1865 (colour litho)
The Alguazil Delivering the Keys of the Toril, 1865 (colour litho)

STC116026: The Alguazil Delivering the Keys of the Toril, 1865 (colour litho), Price, William Henry Lake (1810-91) / Bridgeman Images

ID: STC116026

The Alguazil Delivering the Keys of the Toril, 1865 (colour litho)

Price, William Henry Lake (1810-91)

Bas Relief of Ancient Aztec Warriors, from The Stone of Tizoc Commemorating a Ruler Holding his Captives by the Head (colour litho)
Bas Relief of Ancient Aztec Warriors, from The Stone of Tizoc Commemorating a Ruler Holding his Captives by the Head (colour litho)

STC116127: Bas Relief of Ancient Aztec Warriors, from The Stone of Tizoc Commemorating a Ruler Holding his Captives by the Head (colour litho), Bonatti, D.K. (fl.1720-80) (after) / Bridgeman Images

ID: STC116127

Bas Relief of Ancient Aztec Warriors, from The Stone of Tizoc Commemorating a Ruler Holding his Captives by the Head (colour litho)

Bonatti, D.K. (fl.1720-80) (after)

Portrait of Robert Devereux (1566-1601) 2nd Earl of Essex, commemorating his Lord Lieutenancy of Ireland, 1599 (engraving)
Portrait of Robert Devereux (1566-1601) 2nd Earl of Essex, commemorating his Lord Lieutenancy of Ireland, 1599 (engraving)

STC95243: Portrait of Robert Devereux (1566-1601) 2nd Earl of Essex, commemorating his Lord Lieutenancy of Ireland, 1599 (engraving), Rogers, William (c.1545-1610) / Bridgeman Images

ID: STC95243

Portrait of Robert Devereux (1566-1601) 2nd Earl of Essex, commemorating his Lord Lieutenancy of Ireland, 1599 (engraving)

Rogers, William (c.1545-1610)

Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving)
Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving)

ONH95278: Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving), Cary, John (c.1754-1835) (after) / Bridgeman Images

ID: ONH95278

Map of Southern Britain, coloured to show geological areas of interest, annotated by William Smith (1769-1839) (engraving)

Cary, John (c.1754-1835) (after)

The Crucifixion, 1547 (pencil heightened with white on paper)
The Crucifixion, 1547 (pencil heightened with white on paper)

XAB95320: The Crucifixion, 1547 (pencil heightened with white on paper), Daniele da Volterra (Ricciarelli), (1509-66) / Bridgeman Images

ID: XAB95320

The Crucifixion, 1547 (pencil heightened with white on paper)

Daniele da Volterra (Ricciarelli), (1509-66)

Female Figure, Greek (mural painting)
Female Figure, Greek (mural painting)

PWI95376: Female Figure, Greek (mural painting) / Bridgeman Images

ID: PWI95376

Female Figure, Greek (mural painting)

A View near Moscow, 1836 (w/c on paper)
A View near Moscow, 1836 (w/c on paper)

NCM95480: A View near Moscow, 1836 (w/c on paper), Vickers, Alfred Gomersal (1810-37) / Bridgeman Images

ID: NCM95480

A View near Moscow, 1836 (w/c on paper)

Vickers, Alfred Gomersal (1810-37)

Self Portrait as a Naval Officer (oil on canvas)
Self Portrait as a Naval Officer (oil on canvas)

XIR95556: Self Portrait as a Naval Officer (oil on canvas), Ducreux, Joseph (1735-1802) / Bridgeman Images

ID: XIR95556

Self Portrait as a Naval Officer (oil on canvas)

Ducreux, Joseph (1735-1802)

Children Sliding on a Pond (w/c on card)
Children Sliding on a Pond (w/c on card)

CMN95600: Children Sliding on a Pond (w/c on card), Clausen, Alice (19th century) / Bridgeman Images

ID: CMN95600

Children Sliding on a Pond (w/c on card)

Clausen, Alice (19th century)

H.M. Queen Alexandra, from 'Twelve Portraits - Second Series', first published by William Heinemann, 1902 (colour litho)
H.M. Queen Alexandra, from 'Twelve Portraits - Second Series', first published by William Heinemann, 1902 (colour litho)

CMN95604: H.M. Queen Alexandra, from 'Twelve Portraits - Second Series', first published by William Heinemann, 1902 (colour litho), Nicholson, William (1872-1949) / Bridgeman Images

ID: CMN95604

H.M. Queen Alexandra, from 'Twelve Portraits - Second Series', first published by William Heinemann, 1902 (colour litho)

Nicholson, William (1872-1949)

Chinese carved statuette, 18th century (nephrite)
Chinese carved statuette, 18th century (nephrite)

BGD112331: Chinese carved statuette, 18th century (nephrite) / Bridgeman Images

ID: BGD112331

Chinese carved statuette, 18th century (nephrite)

The foundation of an Empire economic policy well and truly laid - the final plenary session of the Ottawa Conference, from 'The Illustrated London News', 3rd September 1932 (b&w photo)
The foundation of an Empire economic policy well and truly laid - the final plenary session of the Ottawa Conference, from 'The Illustrated London News', 3rd September 1932 (b&w photo)

ILN112495: The foundation of an Empire economic policy well and truly laid - the final plenary session of the Ottawa Conference, from 'The Illustrated London News', 3rd September 1932 (b&w photo), English School, (20th century) / Bridgeman Images

ID: ILN112495

The foundation of an Empire economic policy well and truly laid - the final plenary session of the Ottawa Conference, from 'The Illustrated London News', 3rd September 1932 (b&w photo)

English School, (20th century)

Adam and Eve slipware dish, North Staffordshire, 1674 (ceramic)
Adam and Eve slipware dish, North Staffordshire, 1674 (ceramic)

LMG112961: Adam and Eve slipware dish, North Staffordshire, 1674 (ceramic), Toft, Thomas (d.1689) / Bridgeman Images

ID: LMG112961

Adam and Eve slipware dish, North Staffordshire, 1674 (ceramic)

Toft, Thomas (d.1689)

Still Life of Grapes, c.1894 (oil on canvas)
Still Life of Grapes, c.1894 (oil on canvas)

NUM116451: Still Life of Grapes, c.1894 (oil on canvas), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: NUM116451

Still Life of Grapes, c.1894 (oil on canvas)

Fantin-Latour, Ignace Henri Jean (1836-1904)

Canal, 1897 (pastel on canvas)
Canal, 1897 (pastel on canvas)

NUM116487: Canal, 1897 (pastel on canvas), Ury, Lesser (1861-1931) / Bridgeman Images

ID: NUM116487

Canal, 1897 (pastel on canvas)

Ury, Lesser (1861-1931)

Church (oil on canvas)
Church (oil on canvas)

CIE116606: Church (oil on canvas), Makowski, Tadeusz (1882-1932) / Bridgeman Images

ID: CIE116606

Church (oil on canvas)

Makowski, Tadeusz (1882-1932)

A Church Displayed to a Traveller in an Extensive Landscape (oil on canvas)
A Church Displayed to a Traveller in an Extensive Landscape (oil on canvas)

NUM116831: A Church Displayed to a Traveller in an Extensive Landscape (oil on canvas), Robert, Hubert (1733-1808) / Bridgeman Images

ID: NUM116831

A Church Displayed to a Traveller in an Extensive Landscape (oil on canvas)

Robert, Hubert (1733-1808)

Large Meditation, 1937 (oil on panel)
Large Meditation, 1937 (oil on panel)

NUM117373: Large Meditation, 1937 (oil on panel), Jawlensky, Alexej von (1864-1941) / Bridgeman Images

ID: NUM117373

Large Meditation, 1937 (oil on panel)

Jawlensky, Alexej von (1864-1941)

View from the Court of Ramesses II to the Colonnade of Amenophis III (1403-1365 BC) New Kingdom (photo)
View from the Court of Ramesses II to the Colonnade of Amenophis III (1403-1365 BC) New Kingdom (photo)

JB117455: View from the Court of Ramesses II to the Colonnade of Amenophis III (1403-1365 BC) New Kingdom (photo), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: JB117455

View from the Court of Ramesses II to the Colonnade of Amenophis III (1403-1365 BC) New Kingdom (photo)

Egyptian 18th Dynasty (c.1567-1320 BC)

A Moonlight Effect (gouache on paper)
A Moonlight Effect (gouache on paper)

CMN95670: A Moonlight Effect (gouache on paper), Sandby, Paul (1725-1809) / Bridgeman Images

ID: CMN95670

A Moonlight Effect (gouache on paper)

Sandby, Paul (1725-1809)

Diana and Actaeon, from the ceiling of the library (fresco)
Diana and Actaeon, from the ceiling of the library (fresco)

FTB95829: Diana and Actaeon, from the ceiling of the library (fresco), Franco, Battista (1498-1561) / Bridgeman Images

ID: FTB95829

Diana and Actaeon, from the ceiling of the library (fresco)

Franco, Battista (1498-1561)

Sunlight and Shadow (oil on canvas)
Sunlight and Shadow (oil on canvas)

FER95963: Sunlight and Shadow (oil on canvas), Clifford, Harry Percy (fl.1895-1938) / Bridgeman Images

ID: FER95963

Sunlight and Shadow (oil on canvas)

Clifford, Harry Percy (fl.1895-1938)

Beach at Annisquam, 1918 (oil on canvas)
Beach at Annisquam, 1918 (oil on canvas)

CH96153: Beach at Annisquam, 1918 (oil on canvas), Glackens, William James (1870-1938) / Bridgeman Images

ID: CH96153

Beach at Annisquam, 1918 (oil on canvas)

Glackens, William James (1870-1938)

A November Evening (oil on canvas)
A November Evening (oil on canvas)

CH96321: A November Evening (oil on canvas), Choultse, Ivan Fedorovich (1874-1939) / Bridgeman Images

ID: CH96321

A November Evening (oil on canvas)

Choultse, Ivan Fedorovich (1874-1939)

The Commission on Society, from 'St. Stephen's Review Royal Commission Number, Christmas, 1888 (colour litho)
The Commission on Society, from 'St. Stephen's Review Royal Commission Number, Christmas, 1888 (colour litho)

XCF136719: The Commission on Society, from 'St. Stephen's Review Royal Commission Number, Christmas, 1888 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

ID: XCF136719

The Commission on Society, from 'St. Stephen's Review Royal Commission Number, Christmas, 1888 (colour litho)

Merry, Tom (c.1852-1902)

The Oaths Bill Passed by a Hundred Votes, from 'St. Stephen's Review Presentation Cartoon', 24 March 1888 (colour litho)
The Oaths Bill Passed by a Hundred Votes, from 'St. Stephen's Review Presentation Cartoon', 24 March 1888 (colour litho)

XCF136724: The Oaths Bill Passed by a Hundred Votes, from 'St. Stephen's Review Presentation Cartoon', 24 March 1888 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images

ID: XCF136724

The Oaths Bill Passed by a Hundred Votes, from 'St. Stephen's Review Presentation Cartoon', 24 March 1888 (colour litho)

Merry, Tom (c.1852-1902)

De Vere, Earl of Oxford, 1280, from 'Ancient Armour' by Samuel Rush Meyrick, 1824 (colour litho)
De Vere, Earl of Oxford, 1280, from 'Ancient Armour' by Samuel Rush Meyrick, 1824 (colour litho)

STC136930: De Vere, Earl of Oxford, 1280, from 'Ancient Armour' by Samuel Rush Meyrick, 1824 (colour litho), English School, (19th century) / Bridgeman Images

ID: STC136930

De Vere, Earl of Oxford, 1280, from 'Ancient Armour' by Samuel Rush Meyrick, 1824 (colour litho)

English School, (19th century)

Part of the Kanaree Caves, Salsette, plate 62 from 'Oriental Scenery: Twenty Four Views in Hindoostan', published 1800 (colour litho)
Part of the Kanaree Caves, Salsette, plate 62 from 'Oriental Scenery: Twenty Four Views in Hindoostan', published 1800 (colour litho)

STC136979: Part of the Kanaree Caves, Salsette, plate 62 from 'Oriental Scenery: Twenty Four Views in Hindoostan', published 1800 (colour litho), Daniell, Thomas (1749-1840) & William (1769-1837) / Bridgeman Images

ID: STC136979

Part of the Kanaree Caves, Salsette, plate 62 from 'Oriental Scenery: Twenty Four Views in Hindoostan', published 1800 (colour litho)

Daniell, Thomas (1749-1840) & William (1769-1837)

The Pedlar, published by Hartman Schopper (woodcut) (b/w photo)
The Pedlar, published by Hartman Schopper (woodcut) (b/w photo)

XJF137042: The Pedlar, published by Hartman Schopper (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF137042

The Pedlar, published by Hartman Schopper (woodcut) (b/w photo)

German School, (16th century)

Glastonbury, 1924-25 (w/c on paper)
Glastonbury, 1924-25 (w/c on paper)

RWS137258: Glastonbury, 1924-25 (w/c on paper), Goodwin, Albert (1845-1932) / Bridgeman Images

ID: RWS137258

Glastonbury, 1924-25 (w/c on paper)

Goodwin, Albert (1845-1932)

Poissy, from 'Views on the Seine', engraved by Thomas Sutherland (b.1785) published by R. Ackermann (1764-1834) 1821 (colour litho)
Poissy, from 'Views on the Seine', engraved by Thomas Sutherland (b.1785) published by R. Ackermann (1764-1834) 1821 (colour litho)

STC137356: Poissy, from 'Views on the Seine', engraved by Thomas Sutherland (b.1785) published by R. Ackermann (1764-1834) 1821 (colour litho), Gendall, John (1790-1865) (after) / Bridgeman Images

ID: STC137356

Poissy, from 'Views on the Seine', engraved by Thomas Sutherland (b.1785) published by R. Ackermann (1764-1834) 1821 (colour litho)

Gendall, John (1790-1865) (after)

Reproduction of a poster for the weekly magazine journal 'Today', edited by Jerome K. Jerome (1859-1927) (colour litho)
Reproduction of a poster for the weekly magazine journal 'Today', edited by Jerome K. Jerome (1859-1927) (colour litho)

STC137381: Reproduction of a poster for the weekly magazine journal 'Today', edited by Jerome K. Jerome (1859-1927) (colour litho), Hardy, Dudley (1867-1922) / Bridgeman Images

ID: STC137381

Reproduction of a poster for the weekly magazine journal 'Today', edited by Jerome K. Jerome (1859-1927) (colour litho)

Hardy, Dudley (1867-1922)


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