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Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671747: Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672143: Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671886: Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671738: Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671924: Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672260: Outfit of a wealthy London merchant, in the time of Elizabeth I (1533-1603), wearing a long sleeve embroidered coat on red stockings. According to Gasper Rutz, 1588. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

Sympathic nervous system in the cardiac plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sympathic nervous system in the cardiac plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672521: Sympathic nervous system in the cardiac plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672515: Glossopharyngeal nerve. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672822: Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672832: Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672626: Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672534: Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672563: Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Purple foxglove, Digitalis purpurea altera, and mandrake, Mandragora officinarum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Purple foxglove, Digitalis purpurea altera, and mandrake, Mandragora officinarum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669159: Purple foxglove, Digitalis purpurea altera, and mandrake, Mandragora officinarum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669180: Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669072: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

Long-beaked stork's bill, Erodium botrys, and bitterweed or ragwort, Ambrosia artemisiaefolia. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Long-beaked stork's bill, Erodium botrys, and bitterweed or ragwort, Ambrosia artemisiaefolia. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669140: Long-beaked stork's bill, Erodium botrys, and bitterweed or ragwort, Ambrosia artemisiaefolia. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669258: An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669351: The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Anniversary meeting of the children of the charity schools of London at St. Paul's Cathedral. Steel engraving by W.H. Fuge after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Anniversary meeting of the children of the charity schools of London at St. Paul's Cathedral. Steel engraving by W.H. Fuge after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669374: Anniversary meeting of the children of the charity schools of London at St. Paul's Cathedral. Steel engraving by W.H. Fuge after an illustration by F. Mackenzie from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Tomb of Queen Elizabeth, Henry VII's Chapel, Westminster Abbey. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Tomb of Queen Elizabeth, Henry VII's Chapel, Westminster Abbey. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669377: Tomb of Queen Elizabeth, Henry VII's Chapel, Westminster Abbey. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.
The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.

TEC4668925: The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

Jujube, Ziziphus zizyphus, and strawberry tree, Arbutus unedo. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Jujube, Ziziphus zizyphus, and strawberry tree, Arbutus unedo. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668938: Jujube, Ziziphus zizyphus, and strawberry tree, Arbutus unedo. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

Stinking iris, Iris foetidissima, and greater burdock, Arctium lappa. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Stinking iris, Iris foetidissima, and greater burdock, Arctium lappa. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669037: Stinking iris, Iris foetidissima, and greater burdock, Arctium lappa. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

The waiting room of the office of the President of the Republic, in The Presidential Palace (Palacio do Planalto) of Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The waiting room of the office of the President of the Republic, in The Presidential Palace (Palacio do Planalto) of Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669084: The waiting room of the office of the President of the Republic, in The Presidential Palace (Palacio do Planalto) of Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669089: Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669121: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.
The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.

TEC4669202: The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669211: Delivery of the annual orations in the Great Hall, Christ's Hospital. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669340: Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669392: Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669534: The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Lawyers question a lady witness before judge and jury at the Central Criminal Court. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Lawyers question a lady witness before judge and jury at the Central Criminal Court. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669588: Lawyers question a lady witness before judge and jury at the Central Criminal Court. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Queen Victoria and Prince Albert at a service in the Chapel Royal, St. James' Palace. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Queen Victoria and Prince Albert at a service in the Chapel Royal, St. James' Palace. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669595: Queen Victoria and Prince Albert at a service in the Chapel Royal, St. James' Palace. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

Payment of customs in the Long Room at Custom House. Built in 1813 by the architect David Laing, it collapsed in 1825. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Payment of customs in the Long Room at Custom House. Built in 1813 by the architect David Laing, it collapsed in 1825. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669610: Payment of customs in the Long Room at Custom House. Built in 1813 by the architect David Laing, it collapsed in 1825. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

The Discovery of America - Detail of the Crew of Christopher Columbus, 1927-30 (painting)
The Discovery of America - Detail of the Crew of Christopher Columbus, 1927-30 (painting)

LRI4669780: The Discovery of America - Detail of the Crew of Christopher Columbus, 1927-30 (painting), Vazquez Diaz, Daniel (1881-1969) / Bridgeman Images


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