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THE AMBASSADRESS CLAIRE BOOTHE LUCE WITH THE DUCHESS WALLIS SIMPSON (Duchess of Windsor (Bessie Wallis Warfield) (1896-1986) AT VENICE LIDO -1961
THE AMBASSADRESS CLAIRE BOOTHE LUCE WITH THE DUCHESS WALLIS SIMPSON (Duchess of Windsor (Bessie Wallis Warfield) (1896-1986) AT VENICE LIDO -1961

GRZ4915326: THE AMBASSADRESS CLAIRE BOOTHE LUCE WITH THE DUCHESS WALLIS SIMPSON (Duchess of Windsor (Bessie Wallis Warfield) (1896-1986) AT VENICE LIDO -1961 / Bridgeman Images

Mantua, Book Fair 08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court). Photo Gurdo
Mantua, Book Fair 08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court). Photo Gurdo

GIE4915387: Mantua, Book Fair 08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court). Photo Gurdo / Bridgeman Images

08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo
08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo

GIE4915431: 08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo / Bridgeman Images

08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo
08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo

GIE4915473: 08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo / Bridgeman Images

WWII:Frankfurt am Main (Germany) June 4, 1946: During her tour in the US occupation zone, American actress Paulette Goddard visits the mess of the 508th Regiment of Infantry Aeroportee US gets a coffee served by a GI's
WWII:Frankfurt am Main (Germany) June 4, 1946: During her tour in the US occupation zone, American actress Paulette Goddard visits the mess of the 508th Regiment of Infantry Aeroportee US gets a coffee served by a GI's

ETE4915053: WWII:Frankfurt am Main (Germany) June 4, 1946: During her tour in the US occupation zone, American actress Paulette Goddard visits the mess of the 508th Regiment of Infantry Aeroportee US gets a coffee served by a GI's / Bridgeman Images

Portrait of Angus Wilson, March 18, 1981
Portrait of Angus Wilson, March 18, 1981

SOB4915124: Portrait of Angus Wilson, March 18, 1981, Bassouls, Sophie / Bridgeman Images

THE PAINTER AND WRITER LUIGI BARTOLINI IN ROME - 1950
THE PAINTER AND WRITER LUIGI BARTOLINI IN ROME - 1950

GRZ4915149: THE PAINTER AND WRITER LUIGI BARTOLINI IN ROME - 1950 / Bridgeman Images

THE ACTOR MEMO BENASSI WITH THE PAINTER ZUFFI AT VENICE LIDO - 1948
THE ACTOR MEMO BENASSI WITH THE PAINTER ZUFFI AT VENICE LIDO - 1948

GRZ4915234: THE ACTOR MEMO BENASSI WITH THE PAINTER ZUFFI AT VENICE LIDO - 1948 / Bridgeman Images

08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo
08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo

GIE4915374: 08/09/2007 Portrait of writer Frank McCourt (Mc Court or Mac Court) Photo Gurdo / Bridgeman Images

Feb. 12, 1954 - Henry Moore Lolos A 'One Man' Exhibition. 'King and Queen' Modern Art: Photo Shows” king and Queen” - is the names given to this place - five feet high and which is suppose to represent a Royal couples watching a procession. It is included in the exhibition of 33 pieces of work-modern art- by Henry Moore at the Leicester Square Galleries
Feb. 12, 1954 - Henry Moore Lolos A 'One Man' Exhibition. 'King and Queen' Modern Art: Photo Shows” king and Queen” - is the names given to this place - five feet high and which is suppose to represent a Royal couples watching a procession. It is included in the exhibition of 33 pieces of work-modern art- by Henry Moore at the Leicester Square Galleries

ZUM4915447: Feb. 12, 1954 - Henry Moore Lolos A 'One Man' Exhibition. 'King and Queen' Modern Art: Photo Shows” king and Queen” - is the names given to this place - five feet high and which is suppose to represent a Royal couples watching a procession. It is included in the exhibition of 33 pieces of work-modern art- by Henry Moore at the Leicester Square Galleries, Moore, Henry Spencer (1898-1986) / Bridgeman Images

Feb. 12, 1954 - Women's International art club exhibition; The Women's International Art Club Annual Exhibition of Contemporary Painting and Sculpture, including sculpture from Germany, is being opened today at the New Burlington Galleries, w.l
Feb. 12, 1954 - Women's International art club exhibition; The Women's International Art Club Annual Exhibition of Contemporary Painting and Sculpture, including sculpture from Germany, is being opened today at the New Burlington Galleries, w.l

ZUM4915452: Feb. 12, 1954 - Women's International art club exhibition; The Women's International Art Club Annual Exhibition of Contemporary Painting and Sculpture, including sculpture from Germany, is being opened today at the New Burlington Galleries, w.l / Bridgeman Images

Feb. 12, 1954 - Royal Marine Commandos Undergoing” Arctic” Training Course in the Scottish Highlands.: London and Chatham Royal Marine Commandos are undergoing a” survival training” course under Zero temperatures on the top of the Cairngorm Mountains near Invernses. The man attending the special course are practising snow warfers high on the icy 4,000 feet peaks in winds which can reach more than 70 miles an hour. They are spending nights on the mountains in snow holes in the ground and in tents, while learning mountain navigation. During they day they are taught such thing as step cutting and glissading (sliding down icy slopes). Before going to Scotland the men had a toughening-up conses at the Commando School at Bickleigh near Plymouth. The object of the training is to supply a neuclus of personnel accustomed to operating tactically under snow conditions. During the course they learn to ski- use snow shoes etc
Feb. 12, 1954 - Royal Marine Commandos Undergoing” Arctic” Training Course in the Scottish Highlands.: London and Chatham Royal Marine Commandos are undergoing a” survival training” course under Zero temperatures on the top of the Cairngorm Mountains near Invernses. The man attending the special course are practising snow warfers high on the icy 4,000 feet peaks in winds which can reach more than 70 miles an hour. They are spending nights on the mountains in snow holes in the ground and in tents, while learning mountain navigation. During they day they are taught such thing as step cutting and glissading (sliding down icy slopes). Before going to Scotland the men had a toughening-up conses at the Commando School at Bickleigh near Plymouth. The object of the training is to supply a neuclus of personnel accustomed to operating tactically under snow conditions. During the course they learn to ski- use snow shoes etc

ZUM4915521: Feb. 12, 1954 - Royal Marine Commandos Undergoing” Arctic” Training Course in the Scottish Highlands.: London and Chatham Royal Marine Commandos are undergoing a” survival training” course under Zero temperatures on the top of the Cairngorm Mountains near Invernses. The man attending the special course are practising snow warfers high on the icy 4,000 feet peaks in winds which can reach more than 70 miles an hour. They are spending nights on the mountains in snow holes in the ground and in tents, while learning mountain navigation. During they day they are taught such thing as step cutting and glissading (sliding down icy slopes). Before going to Scotland the men had a toughening-up conses at the Commando School at Bickleigh near Plymouth. The object of the training is to supply a neuclus of personnel accustomed to operating tactically under snow conditions. During the course they learn to ski- use snow shoes etc / Bridgeman Images

Strie frog fish (Antennarius striatus). Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Striated frogfish, Antennarius striatus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Strie frog fish (Antennarius striatus). Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Striated frogfish, Antennarius striatus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4974660: Strie frog fish (Antennarius striatus). Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Striated frogfish, Antennarius striatus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

Alberto Giacometti in his home-workshop in Stampa, with his wife Annette Arm, 1963 (photo)
Alberto Giacometti in his home-workshop in Stampa, with his wife Annette Arm, 1963 (photo)

LRI4974592: Alberto Giacometti in his home-workshop in Stampa, with his wife Annette Arm, 1963 (photo) / Bridgeman Images

Portland vase in the British Museum. Cameo vase in blue and white glass with historical or mythological figures. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Portland vase in the British Museum. Cameo vase in blue and white glass with historical or mythological figures. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4974647: Portland vase in the British Museum. Cameo vase in blue and white glass with historical or mythological figures. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

The human flea (Pulex irritans), description of each stage of its development egg, larva (worm-shaped), white larva and insect. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Human flea, Pulex irritans. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
The human flea (Pulex irritans), description of each stage of its development egg, larva (worm-shaped), white larva and insect. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Human flea, Pulex irritans. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4974662: The human flea (Pulex irritans), description of each stage of its development egg, larva (worm-shaped), white larva and insect. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Human flea, Pulex irritans. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

Striped mouse, African rodent. Copper engraving, illustration by Frederick Polydor Nodder (1751-1801) and George Shaw for the naturalist collection, published in 1790 by George Shaw. Typical Striped Grad Mouse. Lemniscomys striatus. Illustration signed SN (George Shaw and Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).
Striped mouse, African rodent. Copper engraving, illustration by Frederick Polydor Nodder (1751-1801) and George Shaw for the naturalist collection, published in 1790 by George Shaw. Typical Striped Grad Mouse. Lemniscomys striatus. Illustration signed SN (George Shaw and Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974689: Striped mouse, African rodent. Copper engraving, illustration by Frederick Polydor Nodder (1751-1801) and George Shaw for the naturalist collection, published in 1790 by George Shaw. Typical Striped Grad Mouse. Lemniscomys striatus. Illustration signed SN (George Shaw and Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Draco lezard or flying dragon. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Flying dragon, a type of gliding lizard. Draco Volans. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).
Draco lezard or flying dragon. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Flying dragon, a type of gliding lizard. Draco Volans. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974690: Draco lezard or flying dragon. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Flying dragon, a type of gliding lizard. Draco Volans. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Woman in fancy dress called the moon (la lune) with hat with shooting stars, grey dress and veils of stars and roses. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress called the moon (la lune) with hat with shooting stars, grey dress and veils of stars and roses. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4974699: Woman in fancy dress called the moon (la lune) with hat with shooting stars, grey dress and veils of stars and roses. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

Alberto Giacometti in his home-workshop in Stampa, with his wife Annette Arm, 1963 (photo)
Alberto Giacometti in his home-workshop in Stampa, with his wife Annette Arm, 1963 (photo)

LRI4974589: Alberto Giacometti in his home-workshop in Stampa, with his wife Annette Arm, 1963 (photo) / Bridgeman Images

Blue-toned lezard (Tiliqua scincoides scincoides). Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Eastern blue-tongued lizard, Tiliqua scincoides scincoides. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Blue-toned lezard (Tiliqua scincoides scincoides). Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Eastern blue-tongued lizard, Tiliqua scincoides scincoides. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4974664: Blue-toned lezard (Tiliqua scincoides scincoides). Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Eastern blue-tongued lizard, Tiliqua scincoides scincoides. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

Hybrid duck, a cross between musk and mallard duck. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by Maria Sibylla Merian, for the naturalist collection, published in 1790 by George Shaw. Merian duck. Anas merianae. A hybrid between the Muscovy duck Cairo moschata and the domestic mallard Anas platyrhynchos. Illustration copied from drawing by Maria Sibylla Merian. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).
Hybrid duck, a cross between musk and mallard duck. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by Maria Sibylla Merian, for the naturalist collection, published in 1790 by George Shaw. Merian duck. Anas merianae. A hybrid between the Muscovy duck Cairo moschata and the domestic mallard Anas platyrhynchos. Illustration copied from drawing by Maria Sibylla Merian. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974691: Hybrid duck, a cross between musk and mallard duck. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by Maria Sibylla Merian, for the naturalist collection, published in 1790 by George Shaw. Merian duck. Anas merianae. A hybrid between the Muscovy duck Cairo moschata and the domestic mallard Anas platyrhynchos. Illustration copied from drawing by Maria Sibylla Merian. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Types of leaves of plants. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Types of leaves of plants. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4974700: Types of leaves of plants. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Map of the inland navigation of England and Wales by the canals and principal rivers, 1809. Copperplate engraving by Mutlow from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Map of the inland navigation of England and Wales by the canals and principal rivers, 1809. Copperplate engraving by Mutlow from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4974709: Map of the inland navigation of England and Wales by the canals and principal rivers, 1809. Copperplate engraving by Mutlow from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images

Lady of Honour to Marie Antoinette, 1777. Handcoloured steel engraving by Polidor Pauquet after Moreau the younger from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Lady of Honour to Marie Antoinette, 1777. Handcoloured steel engraving by Polidor Pauquet after Moreau the younger from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4974721: Lady of Honour to Marie Antoinette, 1777. Handcoloured steel engraving by Polidor Pauquet after Moreau the younger from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Roman mythology: Minerva, goddess of war fury, wisdom, strategy and intelligence, with its attributes, a helmet, a pectoral and a long stick - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Minerva, Roman goddess of wisdom, war, arts and commerce, with helmet, breastplate and staff- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Minerva, goddess of war fury, wisdom, strategy and intelligence, with its attributes, a helmet, a pectoral and a long stick - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Minerva, Roman goddess of wisdom, war, arts and commerce, with helmet, breastplate and staff- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4974663: Roman mythology: Minerva, goddess of war fury, wisdom, strategy and intelligence, with its attributes, a helmet, a pectoral and a long stick - Eau forte by Jacques Louis Constant Lacerf, following an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Minerva, Roman goddess of wisdom, war, arts and commerce, with helmet, breastplate and staff- Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

Velvet asity, Philepitta castanea, female (Lunulated thrush, Turdus lunulatus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Velvet asity, Philepitta castanea, female (Lunulated thrush, Turdus lunulatus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4974675: Velvet asity, Philepitta castanea, female (Lunulated thrush, Turdus lunulatus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

Long-beaked pavilion. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw. Copperband butterfly fish. Jaculator or shooting fish. Chelmon rostratus (Chaetodon enceladus). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).
Long-beaked pavilion. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw. Copperband butterfly fish. Jaculator or shooting fish. Chelmon rostratus (Chaetodon enceladus). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974677: Long-beaked pavilion. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw. Copperband butterfly fish. Jaculator or shooting fish. Chelmon rostratus (Chaetodon enceladus). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Vegetable mite. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Vegetating mite. Acarus vegetans. Nothing more than the larva or young of the acarus coleoptratorum or common beetle acarus.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Vegetable mite. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Vegetating mite. Acarus vegetans. Nothing more than the larva or young of the acarus coleoptratorum or common beetle acarus.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974687: Vegetable mite. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Vegetating mite. Acarus vegetans. Nothing more than the larva or young of the acarus coleoptratorum or common beetle acarus.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Parisian male fashion, reign of Louis XVI (French revolution), 1792. Handcoloured steel engraving by Hippolyte Pauquet after Philibert-Louis Debucourt from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Parisian male fashion, reign of Louis XVI (French revolution), 1792. Handcoloured steel engraving by Hippolyte Pauquet after Philibert-Louis Debucourt from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4974716: Parisian male fashion, reign of Louis XVI (French revolution), 1792. Handcoloured steel engraving by Hippolyte Pauquet after Philibert-Louis Debucourt from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Indulgence granted by the Archbishop of Armagh Rowland Jorse 1312 with his seal showing him in religious robes with crozier. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.
Indulgence granted by the Archbishop of Armagh Rowland Jorse 1312 with his seal showing him in religious robes with crozier. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.

FLO4974705: Indulgence granted by the Archbishop of Armagh Rowland Jorse 1312 with his seal showing him in religious robes with crozier. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images

Various personal seals from the time of Henry VII and Henry VII, and a promisory deed by Robert Batheman from 1308. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.
Various personal seals from the time of Henry VII and Henry VII, and a promisory deed by Robert Batheman from 1308. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.

FLO4974708: Various personal seals from the time of Henry VII and Henry VII, and a promisory deed by Robert Batheman from 1308. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images

Rome, 1980. Italian writer Alberto Moravia in his house/Roma, 1980. Lo scrittore Alberto Moravia nella sua casa -
Rome, 1980. Italian writer Alberto Moravia in his house/Roma, 1980. Lo scrittore Alberto Moravia nella sua casa -

MME4809915: Rome, 1980. Italian writer Alberto Moravia in his house/Roma, 1980. Lo scrittore Alberto Moravia nella sua casa -, Mencarini, Marcello / Bridgeman Images

Italian writer Alberto Moravia (about 1980)/Roma, 1980. Lo scrittore Alberto Moravia (1980 circa) -
Italian writer Alberto Moravia (about 1980)/Roma, 1980. Lo scrittore Alberto Moravia (1980 circa) -

MME4810031: Italian writer Alberto Moravia (about 1980)/Roma, 1980. Lo scrittore Alberto Moravia (1980 circa) -, Mencarini, Marcello / Bridgeman Images

Venice Lido, Venice Film Festival 1988. Italian actress Lauta betti and writer Alberto Moravia/Lido di Venezia, Mostra del Cinema 1988. L'attrice Laura Betti e lo scrittore Alberto Moravia -
Venice Lido, Venice Film Festival 1988. Italian actress Lauta betti and writer Alberto Moravia/Lido di Venezia, Mostra del Cinema 1988. L'attrice Laura Betti e lo scrittore Alberto Moravia -

MME4810147: Venice Lido, Venice Film Festival 1988. Italian actress Lauta betti and writer Alberto Moravia/Lido di Venezia, Mostra del Cinema 1988. L'attrice Laura Betti e lo scrittore Alberto Moravia -, Mencarini, Marcello / Bridgeman Images

Venice Lido, Venice Film Festival 1988. Italian writer Alberto Moravia/Lido di Venezia, Mostra del Cinema 1988. Lo scrittore Alberto Moravia -
Venice Lido, Venice Film Festival 1988. Italian writer Alberto Moravia/Lido di Venezia, Mostra del Cinema 1988. Lo scrittore Alberto Moravia -

MME4810164: Venice Lido, Venice Film Festival 1988. Italian writer Alberto Moravia/Lido di Venezia, Mostra del Cinema 1988. Lo scrittore Alberto Moravia -, Mencarini, Marcello / Bridgeman Images


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