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France, Rhone-Alpes, Rhone (69), Lyon: old Lyon, Saint Jean district, rue Tramasac, a renaissance courtyard with Italian staircase, 1900 (traboules)
France, Rhone-Alpes, Rhone (69), Lyon: old Lyon, Saint Jean district, rue Tramasac, a renaissance courtyard with Italian staircase, 1900 (traboules)

LUX4791291: France, Rhone-Alpes, Rhone (69), Lyon: old Lyon, Saint Jean district, rue Tramasac, a renaissance courtyard with Italian staircase, 1900 (traboules) / Bridgeman Images

France, Rhone-Alpes, Rhone (69), Lyon: Saint Paul district, Montee du Change, rue Gadagne, 1904 - poster: bloc Republicain
France, Rhone-Alpes, Rhone (69), Lyon: Saint Paul district, Montee du Change, rue Gadagne, 1904 - poster: bloc Republicain

LUX4792105: France, Rhone-Alpes, Rhone (69), Lyon: Saint Paul district, Montee du Change, rue Gadagne, 1904 - poster: bloc Republicain / Bridgeman Images

Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610.
Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610.

GIA4793761: Owl with glasses, symbol of wisdom. Engraving of the “Amphitheatrum sapientiae aeternae”. (Amphitheatre of eternal wisdom) (Hamburg: n.n., 1595) by Heinrich Khunrath (1560 circa 1605). Study of Upper Kabbalah and Alchemy. 12 boards. This is the reference work of the Rose-Croix (Rose Croix) around 1610., German School, (17th century) / Bridgeman Images

Portrait of Ivan Petrovich 19th century (photo)
Portrait of Ivan Petrovich 19th century (photo)

GIA4793379: Portrait of Ivan Petrovich 19th century (photo) / Bridgeman Images

Portrait of Colonel Thomas Edward Lawrence (Laurence of Arabia or Lawrence of Arabia). Akaba, 1918.
Portrait of Colonel Thomas Edward Lawrence (Laurence of Arabia or Lawrence of Arabia). Akaba, 1918.

GIA4792771: Portrait of Colonel Thomas Edward Lawrence (Laurence of Arabia or Lawrence of Arabia). Akaba, 1918., Unknown photographer, (20th century) / Bridgeman Images

Advertising of hair products Mrs S. A. Allen's. 1879
Advertising of hair products Mrs S. A. Allen's. 1879

GIA4794045: Advertising of hair products Mrs S. A. Allen's. 1879, British School, (19th century) / Bridgeman Images

Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM
Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM

GIA4791730: Constellation of the dog (Canis). Miniature from “” Astronomica” by Biasino da Parma (Blaise de Parma) (1425-1457), 15th century CPM, Italian School, (15th century) / Bridgeman Images

Neapolitan small metier: the seller of strawberries. Lithograph by G. Dura, 1833
Neapolitan small metier: the seller of strawberries. Lithograph by G. Dura, 1833

GIA4790032: Neapolitan small metier: the seller of strawberries. Lithograph by G. Dura, 1833, Dura, Gaetano (1805-78) / Bridgeman Images

Boxers Daniel Mendoza (1764-1836) and Richard Humphries (Humphreys) in 1790. Engraving of the 19th century
Boxers Daniel Mendoza (1764-1836) and Richard Humphries (Humphreys) in 1790. Engraving of the 19th century

GIA4794653: Boxers Daniel Mendoza (1764-1836) and Richard Humphries (Humphreys) in 1790. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting.
Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting.

GIA4793801: Saint Bonaventure (Giovanni di Fidanza, known as Doctor Seraphique, San Bonaventura) (1221-1274) receiving the hat of the cardinal. He was consecrated Cardinal-Eveque of Albano in 1273 by Gregoire X in 1273. Engraving by Bauchart from Santar's painting., French School, (19th century) / Bridgeman Images

Artisan: the Marechal Ferrants made the hooves of the horses. Engraving of the 19th century
Artisan: the Marechal Ferrants made the hooves of the horses. Engraving of the 19th century

GIA4792897: Artisan: the Marechal Ferrants made the hooves of the horses. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Representation of an astrologer using an astrolabe in the 15th century. Engraving from “” De machinis Bellicis”” (Treat seat machines).
Representation of an astrologer using an astrolabe in the 15th century. Engraving from “” De machinis Bellicis”” (Treat seat machines).

GIA4794792: Representation of an astrologer using an astrolabe in the 15th century. Engraving from “” De machinis Bellicis”” (Treat seat machines)., Unknown Artist, (15th century) / Bridgeman Images

Church of the Knights of the Templars in Roumoulds (Alpes de Haute provence). 13th or 14th century
Church of the Knights of the Templars in Roumoulds (Alpes de Haute provence). 13th or 14th century

GIA4790884: Church of the Knights of the Templars in Roumoulds (Alpes de Haute provence). 13th or 14th century, French School, (13th-14th century) / Bridgeman Images

portrait of Angelo Poliziano ((Police Angel) Italian humanist 1454-1494. in “” Virorum Doctorum effigies””” by Filippo Galli, 1572.
portrait of Angelo Poliziano ((Police Angel) Italian humanist 1454-1494. in “” Virorum Doctorum effigies””” by Filippo Galli, 1572.

GIA4790557: portrait of Angelo Poliziano ((Police Angel) Italian humanist 1454-1494. in “” Virorum Doctorum effigies””” by Filippo Galli, 1572., Unknown Artist, (16th century) / Bridgeman Images

Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558.
Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558.

GIA4791850: Representation of the mythological monster Basil Xilography taken from the Universal Cosmography of Sebastien Munster. Bale, 1558., German School, (16th century) / Bridgeman Images

Representation of the Basil, engraving of the 17th century
Representation of the Basil, engraving of the 17th century

GIA4792305: Representation of the Basil, engraving of the 17th century, Unknown Artist, (17th century) / Bridgeman Images

Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558.
Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558.

GIA4791767: Representation of a fantastic creature. Xilography taken from Sebastien Munster's “Universal Cosmography”. Bale, 1558., German School, (16th century) / Bridgeman Images

Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791982: Different types of human monsters. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Representation of a monster found in a Perou lake: it has a human face, horns, dragon wings, a lion's mane, a reptile body, a woman's breast. Popular 18th century print.
Representation of a monster found in a Perou lake: it has a human face, horns, dragon wings, a lion's mane, a reptile body, a woman's breast. Popular 18th century print.

GIA4792087: Representation of a monster found in a Perou lake: it has a human face, horns, dragon wings, a lion's mane, a reptile body, a woman's breast. Popular 18th century print., Unknown artist, (18th century) / Bridgeman Images

Swordfish harpoon fishing in the Detroit of Messina in Sicily. Watercolour 1898
Swordfish harpoon fishing in the Detroit of Messina in Sicily. Watercolour 1898

GIA4791257: Swordfish harpoon fishing in the Detroit of Messina in Sicily. Watercolour 1898, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Richepin (1849-1926), French writer.
Portrait of Jean Richepin (1849-1926), French writer.

GIA4790235: Portrait of Jean Richepin (1849-1926), French writer., French School, (19th century) / Bridgeman Images

Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese .
Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese .

GIA4793693: Portrait of Luigi CAPUANA (1839-1915) Italian writer. Photograph glue on drawing with dedication by Marco Praga. Milanese ., Italian Photographer, (19th century) / Bridgeman Images

Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century
Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century

GIA4793842: Portrait of Louis Pasteur (1822-1895), French chemist and biologist. From the painting by Aristide Albert Gustaf Edelfelt (1854-1905) of the Musee d'orsay in Paris. Engraving of the 19th century, Edelfelt, Albert Gustaf Aristides (1854-1905) / Bridgeman Images

Marine monster with the head of demon. detail of a map of the atlas of Urbano Monte, 16th century.
Marine monster with the head of demon. detail of a map of the atlas of Urbano Monte, 16th century.

GIA4792104: Marine monster with the head of demon. detail of a map of the atlas of Urbano Monte, 16th century., Unknown Artist, (16th century) / Bridgeman Images

Publicite pour un engrais a base de soufre
Publicite pour un engrais a base de soufre

GIA4792930: Publicite pour un engrais a base de soufre ""zolfo"" utilise pour les vignes. 1904 environ, Italian School, (20th century) / Bridgeman Images

The giant bird Rok carrying an elephant between its greenhouses to give it to its young, detail of a world map by Vincenzo coronelli (1650-1718). 17th century
The giant bird Rok carrying an elephant between its greenhouses to give it to its young, detail of a world map by Vincenzo coronelli (1650-1718). 17th century

GIA4792116: The giant bird Rok carrying an elephant between its greenhouses to give it to its young, detail of a world map by Vincenzo coronelli (1650-1718). 17th century, Coronelli, Vincenzo Maria (1650-1718) / Bridgeman Images

Geographical map of Italy in 1850 with the delimitation of the borders of the different states that made up the country before the Risorgimento.
Geographical map of Italy in 1850 with the delimitation of the borders of the different states that made up the country before the Risorgimento.

GIA4794396: Geographical map of Italy in 1850 with the delimitation of the borders of the different states that made up the country before the Risorgimento., Unknown Artist, (19th century) / Bridgeman Images

Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791947: Different types of monstrous animals, with multiple bodies or an abnormal amount of limbs. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Study of boat equipped with a series of oars by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519). Drawing with pen and ink. Manuscript. Library of the Institut de France. Paris.
Study of boat equipped with a series of oars by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519). Drawing with pen and ink. Manuscript. Library of the Institut de France. Paris.

GIA4794254: Study of boat equipped with a series of oars by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519). Drawing with pen and ink. Manuscript. Library of the Institut de France. Paris., Vinci, Leonardo da (1452-1519) / Bridgeman Images

A whale attacks a ship. Plate from an edition of “Theatrum Orbis Terrarum” by cartographer Abraham Ortelius (1527-1598), 1584
A whale attacks a ship. Plate from an edition of “Theatrum Orbis Terrarum” by cartographer Abraham Ortelius (1527-1598), 1584

GIA4791792: A whale attacks a ship. Plate from an edition of “Theatrum Orbis Terrarum” by cartographer Abraham Ortelius (1527-1598), 1584, Ortelius, Abraham (1527-98) / Bridgeman Images

Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili.
Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili.

GIA4791110: Portrait of Andrea Doria (1466-1560), Italian warman. Anonymous painting. Roma Galleria Doria Pamphili., Unknown Artist, (16th century) / Bridgeman Images

Jewish religion: an old Jewish man wearing the prayer lime (Talit or Tzitzit), engraving from 1890
Jewish religion: an old Jewish man wearing the prayer lime (Talit or Tzitzit), engraving from 1890

GIA4792291: Jewish religion: an old Jewish man wearing the prayer lime (Talit or Tzitzit), engraving from 1890, Unknown Artist, (19th century) / Bridgeman Images

Representation of the constellation of the belier. Manuscript.
Representation of the constellation of the belier. Manuscript.

GIA4794774: Representation of the constellation of the belier. Manuscript., Unknown Artist / Bridgeman Images

Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century.
Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century.

GIA4793575: Scene 15 of Act III of the comic piece “” Il matrimonio per concorso”” by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images

Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557.
Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557.

GIA4791827: Representation of basilics in flight burning wheat fields. Engraving from “Prodigiorum ac ostentorum chronicon” by Conrad Lycosthenes (1518-1561). 1557., Unknown Artist, (16th century) / Bridgeman Images

Portrait of the Norwegian explorer Fridtjof Nansen (1861-1930), scientist and diplomat, with his wife.
Portrait of the Norwegian explorer Fridtjof Nansen (1861-1930), scientist and diplomat, with his wife.

GIA4790830: Portrait of the Norwegian explorer Fridtjof Nansen (1861-1930), scientist and diplomat, with his wife., Unknown Artist, (19th century) / Bridgeman Images


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