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Fashionable society enjoying Tea a l'Anglais, English tea, in a drawing room, 18th century. With music from players on harpsichord and lute. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Fashionable society enjoying Tea a l'Anglais, English tea, in a drawing room, 18th century. With music from players on harpsichord and lute. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4657013: Fashionable society enjoying Tea a l'Anglais, English tea, in a drawing room, 18th century. With music from players on harpsichord and lute. Chromolithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Michelle de Vitry, widow of Jean Jouvenel des Ursins, 1827 (engraving)
Michelle de Vitry, widow of Jean Jouvenel des Ursins, 1827 (engraving)

FLO4657214: Michelle de Vitry, widow of Jean Jouvenel des Ursins, 1827 (engraving), Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656045: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656113: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656370: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656445: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4656502: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Young Vandal girl, Lower Lusacia, Germany, 19th century. She wears a traditional toquet with ruff collar and bow. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Young Vandal girl, Lower Lusacia, Germany, 19th century. She wears a traditional toquet with ruff collar and bow. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4657976: Young Vandal girl, Lower Lusacia, Germany, 19th century. She wears a traditional toquet with ruff collar and bow. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Roman art: young Romans engaged in physical exercises. They wear a loincloth around the kidneys and a strophium (ancetre of the bra) on the chest. Detail of mosaic 315-350 AD. Piazza Armerina, Villa Romana del Casale
Roman art: young Romans engaged in physical exercises. They wear a loincloth around the kidneys and a strophium (ancetre of the bra) on the chest. Detail of mosaic 315-350 AD. Piazza Armerina, Villa Romana del Casale

LRI4658010: Roman art: young Romans engaged in physical exercises. They wear a loincloth around the kidneys and a strophium (ancetre of the bra) on the chest. Detail of mosaic 315-350 AD. Piazza Armerina, Villa Romana del Casale, Roman, (4th century AD) / Bridgeman Images

Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658072: Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil trimmed with blue check and tassels, black basquina dress, and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil trimmed with blue check and tassels, black basquina dress, and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658086: Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil trimmed with blue check and tassels, black basquina dress, and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Dancer of Madrid, Spain, 19th century. In a dress for the fandango or bolero with short petticoat, tight corset, and hair tied up in ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Dancer of Madrid, Spain, 19th century. In a dress for the fandango or bolero with short petticoat, tight corset, and hair tied up in ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658100: Dancer of Madrid, Spain, 19th century. In a dress for the fandango or bolero with short petticoat, tight corset, and hair tied up in ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Married woman of Coburg, Franconia, Germany, 19th century. She wears an embroidered cap of pleated chiffon, and a full cape of rich cloth, decorated with gold braid. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Married woman of Coburg, Franconia, Germany, 19th century. She wears an embroidered cap of pleated chiffon, and a full cape of rich cloth, decorated with gold braid. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658222: Married woman of Coburg, Franconia, Germany, 19th century. She wears an embroidered cap of pleated chiffon, and a full cape of rich cloth, decorated with gold braid. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Straw hat merchant - Straw hat seller, Paris, early 19th century, in white dress with frilled cuffs and hem, lace collar and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Straw hat merchant - Straw hat seller, Paris, early 19th century, in white dress with frilled cuffs and hem, lace collar and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658394: Straw hat merchant - Straw hat seller, Paris, early 19th century, in white dress with frilled cuffs and hem, lace collar and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Bouquetiere - Flower seller, Paris, early 19th century, in red dress, white apron and bonnet, carrying a basket of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Bouquetiere - Flower seller, Paris, early 19th century, in red dress, white apron and bonnet, carrying a basket of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658402: Bouquetiere - Flower seller, Paris, early 19th century, in red dress, white apron and bonnet, carrying a basket of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Demoiselle de boutique - Shop girl of Paris, wearing a bonnet, lace collar and long coat and carrying a bolt of fabric - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Demoiselle de boutique - Shop girl of Paris, wearing a bonnet, lace collar and long coat and carrying a bolt of fabric - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823

FLO4658434: Demoiselle de boutique - Shop girl of Paris, wearing a bonnet, lace collar and long coat and carrying a bolt of fabric - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Boat-billed heron, Cochlearius cochlearius (crested boatbill or cinereous boatbill, Cancroma cochlearia). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.
Boat-billed heron, Cochlearius cochlearius (crested boatbill or cinereous boatbill, Cancroma cochlearia). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824.

FLO4658817: Boat-billed heron, Cochlearius cochlearius (crested boatbill or cinereous boatbill, Cancroma cochlearia). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824., Latham, John (1740-1837) / Bridgeman Images

Western barred bandicoot or mari, Perameles bougainville (endangered). Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838.
Western barred bandicoot or mari, Perameles bougainville (endangered). Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838.

FLO4660077: Western barred bandicoot or mari, Perameles bougainville (endangered). Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838. / Bridgeman Images

La Belle Feronniere, mistress of King Francis I of France, 1827 (engraving)
La Belle Feronniere, mistress of King Francis I of France, 1827 (engraving)

FLO4657289: La Belle Feronniere, mistress of King Francis I of France, 1827 (engraving), Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Madame de Montespan, mistress to King Louis XIV of France, 1827 (engraving)
Madame de Montespan, mistress to King Louis XIV of France, 1827 (engraving)

FLO4657540: Madame de Montespan, mistress to King Louis XIV of France, 1827 (engraving), Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Young woman of the Canton of Lucerne, Switzerland, 19th century. Her dress is notable for the thick troche or bourrelet hat, and her footless stockings. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Young woman of the Canton of Lucerne, Switzerland, 19th century. Her dress is notable for the thick troche or bourrelet hat, and her footless stockings. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4657817: Young woman of the Canton of Lucerne, Switzerland, 19th century. Her dress is notable for the thick troche or bourrelet hat, and her footless stockings. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Map of Paris, showing the Palais des Tuileries, Vieux Louvre, the River Seine, circa 1730. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Map of Paris, showing the Palais des Tuileries, Vieux Louvre, the River Seine, circa 1730. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4656917: Map of Paris, showing the Palais des Tuileries, Vieux Louvre, the River Seine, circa 1730. Lithograph from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

View of the Grand Trianon and its garden or parterre, Versailles, 18th century. Lithograph after Jacques Rigaud from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
View of the Grand Trianon and its garden or parterre, Versailles, 18th century. Lithograph after Jacques Rigaud from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4656952: View of the Grand Trianon and its garden or parterre, Versailles, 18th century. Lithograph after Jacques Rigaud from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Illustration from Thomas Hailes Lacy's
Illustration from Thomas Hailes Lacy's

FLO4655612: Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Fashionable salon in the era of King Louis XVI, France. Women playing cards, reading books, chatting, flirting, etc. Lithograph after Lawrence from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.
Fashionable salon in the era of King Louis XVI, France. Women playing cards, reading books, chatting, flirting, etc. Lithograph after Lawrence from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876.

FLO4657020: Fashionable salon in the era of King Louis XVI, France. Women playing cards, reading books, chatting, flirting, etc. Lithograph after Lawrence from Paul Lacroix 'The Eighteenth Century: Its Institutions, Customs, and Costumes, London, 1876. / Bridgeman Images

Lady in waiting to Isabelle of Bavaria, wife of King Charles VI, 1389. She wears a tall bonnet with brocade tail, necklace, and red velvet dress with high waist and ermine hem. After a miniature in Roger Gaignieres' portfolio. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.
Lady in waiting to Isabelle of Bavaria, wife of King Charles VI, 1389. She wears a tall bonnet with brocade tail, necklace, and red velvet dress with high waist and ermine hem. After a miniature in Roger Gaignieres' portfolio. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

FLO4657152: Lady in waiting to Isabelle of Bavaria, wife of King Charles VI, 1389. She wears a tall bonnet with brocade tail, necklace, and red velvet dress with high waist and ermine hem. After a miniature in Roger Gaignieres' portfolio. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Coincap mushroom, Collybia grammocephela. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Coincap mushroom, Collybia grammocephela. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689851: Coincap mushroom, Collybia grammocephela. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

Cyclomyces setiporus (Polyporus intybaceus) and birch polypore, Piptoporus betulinus (Polyporus betulinus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Cyclomyces setiporus (Polyporus intybaceus) and birch polypore, Piptoporus betulinus (Polyporus betulinus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4690003: Cyclomyces setiporus (Polyporus intybaceus) and birch polypore, Piptoporus betulinus (Polyporus betulinus). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

Pride of Waltham pink hybrid pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.
Pride of Waltham pink hybrid pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

FLO4690054: Pride of Waltham pink hybrid pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690171: The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The disbelief of the apostle Thomas, 14th century (Fresco)
The disbelief of the apostle Thomas, 14th century (Fresco)

LRI4690218: The disbelief of the apostle Thomas, 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689308: Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815
Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815

LRI4689313: Etruscan civilization: “” Bronze patere of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze patera 5th century BC) Florence Museo Archeologico, inv 11815, Etruscan, (5th century BC) / Bridgeman Images

Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562
Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562

LRI4689424: Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562, Etruscan, (6th century BC) / Bridgeman Images


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