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Portrait of the writer Tobias Wolff. Photography 2008
Portrait of the writer Tobias Wolff. Photography 2008

AUL4128018: Portrait of the writer Tobias Wolff. Photography 2008, Laporte, Aude / Bridgeman Images

ID: AUL4128018

Portrait of the writer Tobias Wolff. Photography 2008

Laporte, Aude

Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959).
Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959).

GUF4359072: Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959)., Wright, Frank Lloyd (1867-1959) / Bridgeman Images

ID: GUF4359072

Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959).

Wright, Frank Lloyd (1867-1959)

Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959).
Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959).

GUF4359073: Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959)., Wright, Frank Lloyd (1867-1959) / Bridgeman Images

ID: GUF4359073

Internal view of the Museum of Modern American Art, the Solomon R. (Robert) Guggenheim Museum in Manhattan (New York, USA). Founded in 1937, the construction of the present Museum was completed in 1959 by Frank Lloyd Wright (1867-1959).

Wright, Frank Lloyd (1867-1959)

Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy
Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy

GUF4359578: Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy / Bridgeman Images

ID: GUF4359578

Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy

Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy
Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy

GUF4359597: Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy / Bridgeman Images

ID: GUF4359597

Greek Art: Temple of Apollo Licio, Metaponto (Metapontum), 7th century BC Basilicata, Italy

Greek art: Greek shrine or temple of Tavola palatine on the site of Metaponto, 6th century BC. Basilicata, Italy
Greek art: Greek shrine or temple of Tavola palatine on the site of Metaponto, 6th century BC. Basilicata, Italy

GUF4359573: Greek art: Greek shrine or temple of Tavola palatine on the site of Metaponto, 6th century BC. Basilicata, Italy / Bridgeman Images

ID: GUF4359573

Greek art: Greek shrine or temple of Tavola palatine on the site of Metaponto, 6th century BC. Basilicata, Italy

Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567842: Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

ID: FLO4567842

Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

Field Astragalus (Oxytrophis campestris) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Field Astragalus (Oxytrophis campestris) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567929: Field Astragalus (Oxytrophis campestris) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

ID: FLO4567929

Field Astragalus (Oxytrophis campestris) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

Canary seed. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Canary grass, Phalaris canariensis. Handcoloured copperplate engraving from a drawing by C. Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Canary seed. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Canary grass, Phalaris canariensis. Handcoloured copperplate engraving from a drawing by C. Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567977: Canary seed. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Canary grass, Phalaris canariensis. Handcoloured copperplate engraving from a drawing by C. Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4567977

Canary seed. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Canary grass, Phalaris canariensis. Handcoloured copperplate engraving from a drawing by C. Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568115: Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568115

Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567811: Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

ID: FLO4567811

Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

Chataignier (Castanea vesca) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Chataignier (Castanea vesca) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567879: Chataignier (Castanea vesca) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

ID: FLO4567879

Chataignier (Castanea vesca) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

The great celandine or great light. Coloured copper engraving from a drawing by W.A. Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Celandine, Chelidonium majus. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
The great celandine or great light. Coloured copper engraving from a drawing by W.A. Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Celandine, Chelidonium majus. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567947: The great celandine or great light. Coloured copper engraving from a drawing by W.A. Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Celandine, Chelidonium majus. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4567947

The great celandine or great light. Coloured copper engraving from a drawing by W.A. Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Celandine, Chelidonium majus. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews.
Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews.

FLO4568133: Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews. / Bridgeman Images

ID: FLO4568133

Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews.

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away
Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away

PIX4568137: Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away / Bridgeman Images

ID: PIX4568137

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away

Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568101: Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568101

Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568235: Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568235

Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Sheet music page for Salve Regina by Domenico Scarlatti
Sheet music page for Salve Regina by Domenico Scarlatti

LRI4568428: Sheet music page for Salve Regina by Domenico Scarlatti, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4568428

Sheet music page for Salve Regina by Domenico Scarlatti

Unknown artist, (18th century)

Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568522: Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568522

Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Page of musical score of the overture of Alruna by Louis Spohr, 1823
Page of musical score of the overture of Alruna by Louis Spohr, 1823

LRI4568582: Page of musical score of the overture of Alruna by Louis Spohr, 1823, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568582

Page of musical score of the overture of Alruna by Louis Spohr, 1823

Unknown Artist, (19th century)

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.
Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

FLO4568609: Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785. / Bridgeman Images

ID: FLO4568609

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

Victorian children dancing in front of a chemist's store while a policeman watches. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian children dancing in front of a chemist's store while a policeman watches. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568309: Victorian children dancing in front of a chemist's store while a policeman watches. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: FLO4568309

Victorian children dancing in front of a chemist's store while a policeman watches. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

Bedford, Francis Donkin (1864-1954)

Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568486: Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568486

Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616).
Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616).

FLO4568493: Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616). / Bridgeman Images

ID: FLO4568493

Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616).

Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568547: Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568547

Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568556: Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568556

Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746
Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746

LRI4568564: Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4568564

Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746

Unknown artist, (18th century)

Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823
Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823

LRI4568592: Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568592

Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823

Unknown Artist, (19th century)

Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776.
Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

FLO4568610: Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776. / Bridgeman Images

ID: FLO4568610

Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho)
Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho)

LRI4568737: Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho), Italian School, (18th century) / Bridgeman Images

ID: LRI4568737

Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho)

Italian School, (18th century)

Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.
Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.

FLO4568807: Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777. / Bridgeman Images

ID: FLO4568807

Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.

Convent of the Friars Minor Capuchin, in the Sintra mountains near Lisbon, Portugal, and the Abbey of Mount Cornillon, near Liege, Belgium. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Convent of the Friars Minor Capuchin, in the Sintra mountains near Lisbon, Portugal, and the Abbey of Mount Cornillon, near Liege, Belgium. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569046: Convent of the Friars Minor Capuchin, in the Sintra mountains near Lisbon, Portugal, and the Abbey of Mount Cornillon, near Liege, Belgium. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4569046

Convent of the Friars Minor Capuchin, in the Sintra mountains near Lisbon, Portugal, and the Abbey of Mount Cornillon, near Liege, Belgium. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Javan leopard cat, Prionailurus bengalensis javanensis 1, and banded linsang, Prionodon linsang 2. Copied from illustrations by William Daniell in Zoological Researches in Java. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Javan leopard cat, Prionailurus bengalensis javanensis 1, and banded linsang, Prionodon linsang 2. Copied from illustrations by William Daniell in Zoological Researches in Java. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569055: Javan leopard cat, Prionailurus bengalensis javanensis 1, and banded linsang, Prionodon linsang 2. Copied from illustrations by William Daniell in Zoological Researches in Java. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4569055

Javan leopard cat, Prionailurus bengalensis javanensis 1, and banded linsang, Prionodon linsang 2. Copied from illustrations by William Daniell in Zoological Researches in Java. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Natural history of clouds: cirrus, cirrostratus, cirrocumulus, nimbus, etc. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Natural history of clouds: cirrus, cirrostratus, cirrocumulus, nimbus, etc. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569060: Natural history of clouds: cirrus, cirrostratus, cirrocumulus, nimbus, etc. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4569060

Natural history of clouds: cirrus, cirrostratus, cirrocumulus, nimbus, etc. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569260: Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4569260

Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781.
Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781.

FLO4568853: Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781. / Bridgeman Images

ID: FLO4568853

Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781.


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