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Dryopithecus Africanus (pencil on paper)
Dryopithecus Africanus (pencil on paper)

XZL151550: Dryopithecus Africanus (pencil on paper), English School, (20th century) / Bridgeman Images

ID: XZL151550

Dryopithecus Africanus (pencil on paper)

English School, (20th century)

Alchemists, 1893 (oil on canvas)
Alchemists, 1893 (oil on canvas)

XIR188765: Alchemists, 1893 (oil on canvas), Mehdi (1870-99) / Bridgeman Images

ID: XIR188765

Alchemists, 1893 (oil on canvas)

Mehdi (1870-99)

First Baptism of the Indians by the Dominicans (oil on canvas)
First Baptism of the Indians by the Dominicans (oil on canvas)

XIR169494: First Baptism of the Indians by the Dominicans (oil on canvas), Mexican School, (18th century) / Bridgeman Images

ID: XIR169494

First Baptism of the Indians by the Dominicans (oil on canvas)

Mexican School, (18th century)

Relief depicting the entrance of King Ferdinand II (1452-1516) of Aragon and Queen Isabella I (1451-1504) of Castile in Granada (wood)
Relief depicting the entrance of King Ferdinand II (1452-1516) of Aragon and Queen Isabella I (1451-1504) of Castile in Granada (wood)

XIR168357: Relief depicting the entrance of King Ferdinand II (1452-1516) of Aragon and Queen Isabella I (1451-1504) of Castile in Granada (wood), Vigarny, Felipe (c.1480-c.1543) / Bridgeman Images

ID: XIR168357

Relief depicting the entrance of King Ferdinand II (1452-1516) of Aragon and Queen Isabella I (1451-1504) of Castile in Granada (wood)

Vigarny, Felipe (c.1480-c.1543)

The Triptych of Moses and the Burning Bush, c.1476 (oil on panel) (see also 26542 & 232840-41)
The Triptych of Moses and the Burning Bush, c.1476 (oil on panel) (see also 26542 & 232840-41)

XIR173010: The Triptych of Moses and the Burning Bush, c.1476 (oil on panel) (see also 26542 & 232840-41), Froment, Nicolas (c.1425-c.83/86) / Bridgeman Images

ID: XIR173010

The Triptych of Moses and the Burning Bush, c.1476 (oil on panel) (see also 26542 & 232840-41)

Froment, Nicolas (c.1425-c.83/86)

The Hour of Emancipation, 1863 (oil on canvas)
The Hour of Emancipation, 1863 (oil on canvas)

CH198786: The Hour of Emancipation, 1863 (oil on canvas), Carlton, William Tolman (1816-1888) / Bridgeman Images

ID: CH198786

The Hour of Emancipation, 1863 (oil on canvas)

Carlton, William Tolman (1816-1888)

Chief Satouriona and his Wife go for a Walk, plate XXXIX from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) (coloured engraving)
Chief Satouriona and his Wife go for a Walk, plate XXXIX from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) (coloured engraving)

XIR207040: Chief Satouriona and his Wife go for a Walk, plate XXXIX from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

ID: XIR207040

Chief Satouriona and his Wife go for a Walk, plate XXXIX from 'Brevis Narratio..', engraved by Theodore de Bry (1528-98) (coloured engraving)

Le Moyne, Jacques (de Morgues) (1533-88) (after)

Scheinbar Bescheiden; Seemingly Modest, 1937 (oil and pencil on unstretched canvas on board)
Scheinbar Bescheiden; Seemingly Modest, 1937 (oil and pencil on unstretched canvas on board)

CH825126: Scheinbar Bescheiden; Seemingly Modest, 1937 (oil and pencil on unstretched canvas on board), Klee, Paul (1879-1940) / Bridgeman Images

ID: CH825126

Scheinbar Bescheiden; Seemingly Modest, 1937 (oil and pencil on unstretched canvas on board)

Klee, Paul (1879-1940)

Viking conquest of England and Ireland
Viking conquest of England and Ireland

XLF3782838: Viking conquest of England and Ireland / Bridgeman Images

ID: XLF3782838

Viking conquest of England and Ireland

Bouquet of Flowers in a Japanese Vase, c.1905-08 (oil on canvas)
Bouquet of Flowers in a Japanese Vase, c.1905-08 (oil on canvas)

LEF218185: Bouquet of Flowers in a Japanese Vase, c.1905-08 (oil on canvas), Redon, Odilon (1840-1916) / Bridgeman Images

ID: LEF218185

Bouquet of Flowers in a Japanese Vase, c.1905-08 (oil on canvas)

Redon, Odilon (1840-1916)

Self Portrait, c.1660-63 (oil on canvas)
Self Portrait, c.1660-63 (oil on canvas)

XIR61824: Self Portrait, c.1660-63 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XIR61824

Self Portrait, c.1660-63 (oil on canvas)

Rembrandt Harmensz. van Rijn (1606-69)

Archbishop Laud (1573-1645) c.1635-37 (and detail 62514)
Archbishop Laud (1573-1645) c.1635-37 (and detail 62514)

FIT62513: Archbishop Laud (1573-1645) c.1635-37 (and detail 62514), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: FIT62513

Archbishop Laud (1573-1645) c.1635-37 (and detail 62514)

Dyck, Anthony van (1599-1641)

Temptation of St.Thomas Aquinas (oil on canvas)
Temptation of St.Thomas Aquinas (oil on canvas)

XIR30745: Temptation of St.Thomas Aquinas (oil on canvas), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: XIR30745

Temptation of St.Thomas Aquinas (oil on canvas)

Velazquez, Diego Rodriguez de Silva y (1599-1660)

Snowy Landscape (oil on canvas)
Snowy Landscape (oil on canvas)

XIR19117: Snowy Landscape (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XIR19117

Snowy Landscape (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Arab life during the Abbasidian Times, from the 'Maqamat of Al-Hariri' (print)
Arab life during the Abbasidian Times, from the 'Maqamat of Al-Hariri' (print)

XLF3779001: Arab life during the Abbasidian Times, from the 'Maqamat of Al-Hariri' (print), Islamic School / Bridgeman Images

ID: XLF3779001

Arab life during the Abbasidian Times, from the 'Maqamat of Al-Hariri' (print)

Islamic School

Composition in Lines and Colour: III, 1937 (oil on canvas)
Composition in Lines and Colour: III, 1937 (oil on canvas)

HGM77900: Composition in Lines and Colour: III, 1937 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: HGM77900

Composition in Lines and Colour: III, 1937 (oil on canvas)

Mondrian, Piet (1872-1944)

The Closed Eyes, 1890 (oil on paper)
The Closed Eyes, 1890 (oil on paper)

XIR83685: The Closed Eyes, 1890 (oil on paper), Redon, Odilon (1840-1916) / Bridgeman Images

ID: XIR83685

The Closed Eyes, 1890 (oil on paper)

Redon, Odilon (1840-1916)

Still Life in Front of a Window, 1922 (gouache & pencil on paper)
Still Life in Front of a Window, 1922 (gouache & pencil on paper)

CH3431765: Still Life in Front of a Window, 1922 (gouache & pencil on paper), Gris, Juan (1887-1927) / Bridgeman Images

ID: CH3431765

Still Life in Front of a Window, 1922 (gouache & pencil on paper)

Gris, Juan (1887-1927)

A posthumous portrait of Dickens and his characters; Dickens's Dream, 1875 (oil on canvas)
A posthumous portrait of Dickens and his characters; Dickens's Dream, 1875 (oil on canvas)

DHM3071349: A posthumous portrait of Dickens and his characters; Dickens's Dream, 1875 (oil on canvas), Buss, Robert William (1804-75) / Bridgeman Images

ID: DHM3071349

A posthumous portrait of Dickens and his characters; Dickens's Dream, 1875 (oil on canvas)

Buss, Robert William (1804-75)

Ships Riding on the Seine at Rouen, 1872- 73 (oil on canvas)
Ships Riding on the Seine at Rouen, 1872- 73 (oil on canvas)

XOS744787: Ships Riding on the Seine at Rouen, 1872- 73 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XOS744787

Ships Riding on the Seine at Rouen, 1872- 73 (oil on canvas)

Monet, Claude (1840-1926)

The fishing industry, Newfoundland, from 'Le Costume Ancien et Moderne', Volume II, plate 36, by Jules Ferrario, published c.1820s-30s (colour litho)
The fishing industry, Newfoundland, from 'Le Costume Ancien et Moderne', Volume II, plate 36, by Jules Ferrario, published c.1820s-30s (colour litho)

STC175880: The fishing industry, Newfoundland, from 'Le Costume Ancien et Moderne', Volume II, plate 36, by Jules Ferrario, published c.1820s-30s (colour litho), Bramati, G. (19th century) / Bridgeman Images

ID: STC175880

The fishing industry, Newfoundland, from 'Le Costume Ancien et Moderne', Volume II, plate 36, by Jules Ferrario, published c.1820s-30s (colour litho)

Bramati, G. (19th century)

Description of Cerro Rico and the Imperial Municipality of Potosi, 1758 (oil on canvas)
Description of Cerro Rico and the Imperial Municipality of Potosi, 1758 (oil on canvas)

MAE176557: Description of Cerro Rico and the Imperial Municipality of Potosi, 1758 (oil on canvas), Miguel de Berrio, Gaspar (1706-62) / Bridgeman Images

ID: MAE176557

Description of Cerro Rico and the Imperial Municipality of Potosi, 1758 (oil on canvas)

Miguel de Berrio, Gaspar (1706-62)

New Playing card designs dating from the French Revolution, 1793 (coloured engraving)
New Playing card designs dating from the French Revolution, 1793 (coloured engraving)

CHT179933: New Playing card designs dating from the French Revolution, 1793 (coloured engraving), French School, (18th century) / Bridgeman Images

ID: CHT179933

New Playing card designs dating from the French Revolution, 1793 (coloured engraving)

French School, (18th century)

Double wedding between two Inca women and two Spaniards in 1558, c.1750 (panel)
Double wedding between two Inca women and two Spaniards in 1558, c.1750 (panel)

BAL82568: Double wedding between two Inca women and two Spaniards in 1558, c.1750 (panel), Spanish School, (18th century) / Bridgeman Images

ID: BAL82568

Double wedding between two Inca women and two Spaniards in 1558, c.1750 (panel)

Spanish School, (18th century)

Solidus (obverse) minted by Theodoric I (AD 471-AD 526) Ostrogothic King of Italy copying a solidus of Anastasius Byzantine Emperor (AD 491-AD 518) (gold) Inscription: DN ANASTASIVS P F AVG
Solidus (obverse) minted by Theodoric I (AD 471-AD 526) Ostrogothic King of Italy copying a solidus of Anastasius Byzantine Emperor (AD 491-AD 518) (gold) Inscription: DN ANASTASIVS P F AVG

BAL46890: Solidus (obverse) minted by Theodoric I (AD 471-AD 526) Ostrogothic King of Italy copying a solidus of Anastasius Byzantine Emperor (AD 491-AD 518) (gold) Inscription: DN ANASTASIVS P F AVG, Italian school (6th century) / Bridgeman Images

ID: BAL46890

Solidus (obverse) minted by Theodoric I (AD 471-AD 526) Ostrogothic King of Italy copying a solidus of Anastasius Byzantine Emperor (AD 491-AD 518) (gold) Inscription: DN ANASTASIVS P F AVG

Italian school (6th century)

The Bridge at Asnieres, 1888 (oil on canvas)
The Bridge at Asnieres, 1888 (oil on canvas)

XIR156236: The Bridge at Asnieres, 1888 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: XIR156236

The Bridge at Asnieres, 1888 (oil on canvas)

Signac, Paul (1863-1935)

The importance of knowing perspective, 18th century (engraving)
The importance of knowing perspective, 18th century (engraving)

XIR163407: The importance of knowing perspective, 18th century (engraving), Hogarth, William (1697-1764) & Sullivan, Luke (1705-71) / Bridgeman Images

ID: XIR163407

The importance of knowing perspective, 18th century (engraving)

Hogarth, William (1697-1764) & Sullivan, Luke (1705-71)

Moses and Aaron - Bible
Moses and Aaron - Bible

XLF3794186: Moses and Aaron - Bible, Leinweber, Anton Robert (1845-1921) / Bridgeman Images

ID: XLF3794186

Moses and Aaron - Bible

Leinweber, Anton Robert (1845-1921)

Sonja Knips, 1898 (oil on canvas)
Sonja Knips, 1898 (oil on canvas)

XOS6219381: Sonja Knips, 1898 (oil on canvas), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: XOS6219381

Sonja Knips, 1898 (oil on canvas)

Klimt, Gustav (1862-1918)

The Garden of Earthly Delights, 1490-1500 (oil on panel)
The Garden of Earthly Delights, 1490-1500 (oil on panel)

XIR285712: The Garden of Earthly Delights, 1490-1500 (oil on panel), Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

ID: XIR285712

The Garden of Earthly Delights, 1490-1500 (oil on panel)

Bosch, Hieronymus (c.1450-1516)

Portrait of a Lady, c.1460 (oil with egg tempera on oak)
Portrait of a Lady, c.1460 (oil with egg tempera on oak)

BAL4096: Portrait of a Lady, c.1460 (oil with egg tempera on oak), Weyden, Rogier van der (1399-1464) (workshop of) / Bridgeman Images

ID: BAL4096

Portrait of a Lady, c.1460 (oil with egg tempera on oak)

Weyden, Rogier van der (1399-1464) (workshop of)

A Greyhound in a hilly landscape
A Greyhound in a hilly landscape

BAL24020: A Greyhound in a hilly landscape, Beard, James Henry (1812-93) / Bridgeman Images

ID: BAL24020

A Greyhound in a hilly landscape

Beard, James Henry (1812-93)

Eastern Point, 1900 (oil on canvas)
Eastern Point, 1900 (oil on canvas)

XCK339896: Eastern Point, 1900 (oil on canvas), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XCK339896

Eastern Point, 1900 (oil on canvas)

Homer, Winslow (1836-1910)

Breakfast in the Loggia, 1910 (oil on canvas)
Breakfast in the Loggia, 1910 (oil on canvas)

FSG348652: Breakfast in the Loggia, 1910 (oil on canvas), Sargent, John Singer (1856-1925) / Bridgeman Images

ID: FSG348652

Breakfast in the Loggia, 1910 (oil on canvas)

Sargent, John Singer (1856-1925)

Life And Death, c.1910-1915 (Oil on canvas)
Life And Death, c.1910-1915 (Oil on canvas)

FIA5386770: Life And Death, c.1910-1915 (Oil on canvas), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: FIA5386770

Life And Death, c.1910-1915 (Oil on canvas)

Klimt, Gustav (1862-1918)

Fr 5594, f.37v Battle scene, from 'Passages faits Outremer' written by Sebastian Marmoret, c.1490 (vellum)
Fr 5594, f.37v Battle scene, from 'Passages faits Outremer' written by Sebastian Marmoret, c.1490 (vellum)

BAL4485: Fr 5594, f.37v Battle scene, from 'Passages faits Outremer' written by Sebastian Marmoret, c.1490 (vellum), French School, (15th century) / Bridgeman Images

ID: BAL4485

Fr 5594, f.37v Battle scene, from 'Passages faits Outremer' written by Sebastian Marmoret, c.1490 (vellum)

French School, (15th century)


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