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Fougere: hemionitis palm - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Starfern or palmated hemionitis, Hemionitis palmata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823
Fougere: hemionitis palm - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Starfern or palmated hemionitis, Hemionitis palmata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619438: Fougere: hemionitis palm - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Starfern or palmated hemionitis, Hemionitis palmata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

Walker's Schizopetalon - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Walker's schizopetalon, Schizopetalon walkeri - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh, 1823
Walker's Schizopetalon - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Walker's schizopetalon, Schizopetalon walkeri - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619700: Walker's Schizopetalon - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Walker's schizopetalon, Schizopetalon walkeri - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

Fougere: rough doodia - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Prickly rasp ferm or rigid doodia, Doodia aspera - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823
Fougere: rough doodia - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Prickly rasp ferm or rigid doodia, Doodia aspera - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823

FLO4619740: Fougere: rough doodia - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Prickly rasp ferm or rigid doodia, Doodia aspera - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own Exotic “” Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Houses of the Nubians, early 19th century. Natives smoking pipes and sitting in the shade under palm trees. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Houses of the Nubians, early 19th century. Natives smoking pipes and sitting in the shade under palm trees. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619772: Houses of the Nubians, early 19th century. Natives smoking pipes and sitting in the shade under palm trees. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Billbergy flower, endemic to Brazil - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Panicle of the showy airbroom, Billbergia amoena (Bromelia pallida) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823
Billbergy flower, endemic to Brazil - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Panicle of the showy airbroom, Billbergia amoena (Bromelia pallida) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823

FLO4619497: Billbergy flower, endemic to Brazil - Lithography by J. Swan, based on an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Panicle of the showy airbroom, Billbergia amoena (Bromelia pallida) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Orchid: Asian Cymbidium Variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Leafed launcher or sword-leaved cymbidium orchid, Cymbidium lancifolium - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” “Blackwood, Edinburgh, 1823
Orchid: Asian Cymbidium Variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Leafed launcher or sword-leaved cymbidium orchid, Cymbidium lancifolium - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” “Blackwood, Edinburgh, 1823

FLO4619566: Orchid: Asian Cymbidium Variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Leafed launcher or sword-leaved cymbidium orchid, Cymbidium lancifolium - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” “Blackwood, Edinburgh, 1823 / Bridgeman Images

Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619581: Anthurium variete, with its purple fruit cluster - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Pearl laceleaf, Anthurium scandens subsp. scandens (Purple-fruited pothos, Pothos violacea) - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Fougere: polypod with leaf in a sword blade - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Scaly-fern species, Pleopeltis macrocarpa (Sword-leaved scaly-fern, Pleopeltis ensifolia) -Handcoloured copperplate engraving by J. An after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Fougere: polypod with leaf in a sword blade - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Scaly-fern species, Pleopeltis macrocarpa (Sword-leaved scaly-fern, Pleopeltis ensifolia) -Handcoloured copperplate engraving by J. An after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619625: Fougere: polypod with leaf in a sword blade - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Scaly-fern species, Pleopeltis macrocarpa (Sword-leaved scaly-fern, Pleopeltis ensifolia) -Handcoloured copperplate engraving by J. An after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823
Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823

FLO4619630: Fougere: short-leaved polypod variety - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Lepisorus nudus fern (glabrous scaly-fern, Pleopeltis nuda) - Handcoloured copperplate engraving by J. Swan after a botanical illustration W. J. Hooker from his own “” Exotic Flora ,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620233: Costumes of the tattooed natives of Dalagoa Bay (Maputo Bay), Mozambique, in front of a village of circular huts. Man smoking tobacco with a curious hookah pipe made of bamboo and cow horn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620191: Village of the Khoikhoi (Hottentots) of Korah, hut on the Orange River, South Africa, men swimming with dogs. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620334: Captain of the Ashanti in war dress of feathers, medals and animal tails, Ghana. From Thomas Bowdich's account of his travels to the Kingdom of Ashanti, 1817. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Costumes of the Tswana or Batswana (Bechuana), South Africa. Woman with baby on her back, man smoking hookah pipe of bamboo and cowhorn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the Tswana or Batswana (Bechuana), South Africa. Woman with baby on her back, man smoking hookah pipe of bamboo and cowhorn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620330: Costumes of the Tswana or Batswana (Bechuana), South Africa. Woman with baby on her back, man smoking hookah pipe of bamboo and cowhorn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian gods in the Graeco-Roman style: Isis from a Greek temple 1, Isis with snake from a Roman temple, and Serapis with snake from a Greek temple 3. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian gods in the Graeco-Roman style: Isis from a Greek temple 1, Isis with snake from a Roman temple, and Serapis with snake from a Greek temple 3. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620497: Egyptian gods in the Graeco-Roman style: Isis from a Greek temple 1, Isis with snake from a Roman temple, and Serapis with snake from a Greek temple 3. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620561: Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Elevation of the Temple of Edfu (Apollonopolis Magna), Egypt, with carved hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Elevation of the Temple of Edfu (Apollonopolis Magna), Egypt, with carved hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620611: Elevation of the Temple of Edfu (Apollonopolis Magna), Egypt, with carved hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Naval architecture of the Berbers: barque 1, stambecco warship 2, polacca 3, and pink or pinque mechant ship 4. Handcoloured copperplate engraving by Paolo Socroaldi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Naval architecture of the Berbers: barque 1, stambecco warship 2, polacca 3, and pink or pinque mechant ship 4. Handcoloured copperplate engraving by Paolo Socroaldi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620852: Naval architecture of the Berbers: barque 1, stambecco warship 2, polacca 3, and pink or pinque mechant ship 4. Handcoloured copperplate engraving by Paolo Socroaldi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621039: Active volcanoes in the area of Turbaco, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621301: The tall Tehuelche people of Patagonia exchanging gifts with short European colonist. The Native Americans wear feather headdresses and fur cloaks. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621356: Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon, Brazil. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621036: Aleutian natives building boats and drying fish at a village in the Nushagak area, Bristol Bay (Porto dei Francesi), Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621168: Ancient Peruvian utensils and tools, including Inca tomb A, B, pendant in gold and silver C, copper axe heads D, mirrors called Inca-rirpo E, F, G, stone axe H, pins I, L, M, clip K, drinking cup for Chicha N, earthenware vase or Guainacaba O, and golden idol Q. Handcoloured copperplate engraving from Giulio Ferrarioy's Costumes Antique and Modern of All Peoples (The Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621195: Ruins of a circular Incan fortress at Canar, Ecuador. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

The visit to the studio (oil on canvas, c.1864)
The visit to the studio (oil on canvas, c.1864)

LRI4621275: The visit to the studio (oil on canvas, c.1864), Lega, Silvestro (1826-95) / Bridgeman Images

Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621353: Native American fishing boats in front of New Eddystone Rock, a pillar of basalt in Alaska. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Men of the Kingdom of Gingiro crossing the Gibe River (Zebee River) in Ethiopia using an inflated cowskin. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Men of the Kingdom of Gingiro crossing the Gibe River (Zebee River) in Ethiopia using an inflated cowskin. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620281: Men of the Kingdom of Gingiro crossing the Gibe River (Zebee River) in Ethiopia using an inflated cowskin. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The King of the Ashanti (Ghana) welcomes an English mission led by Thomas Bowdich, 1817. Drummers and dancers with torches perform in front of nobles under parasols and flags. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The King of the Ashanti (Ghana) welcomes an English mission led by Thomas Bowdich, 1817. Drummers and dancers with torches perform in front of nobles under parasols and flags. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620308: The King of the Ashanti (Ghana) welcomes an English mission led by Thomas Bowdich, 1817. Drummers and dancers with torches perform in front of nobles under parasols and flags. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian gods: bull god Apis 1, cat god Ailuros 2,4, and jackal god Anubis 3,5,6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian gods: bull god Apis 1, cat god Ailuros 2,4, and jackal god Anubis 3,5,6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620459: Egyptian gods: bull god Apis 1, cat god Ailuros 2,4, and jackal god Anubis 3,5,6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood)
Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood)

LRI4620492: Virgin and Child in glory surrounded by Seraphin angels, 1469-70 (detrempe on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

Ancient Egyptian vases, tableware and furniture, including earthenware jars, incense burner, lamps, stool, throne, sofa and box. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Ancient Egyptian vases, tableware and furniture, including earthenware jars, incense burner, lamps, stool, throne, sofa and box. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620659: Ancient Egyptian vases, tableware and furniture, including earthenware jars, incense burner, lamps, stool, throne, sofa and box. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620619: Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620635: Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620702: Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620754: Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.
African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

FLO4620747: African animals including hippopotamus, chameleon, crocodile, snake, etc. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843. / Bridgeman Images

Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.
Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

FLO4620897: Pomp and ceremony of rituals and processions in honour of Osiris, from a bas-relief in Thebes. Handcoloured copperplate engraving by from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843. / Bridgeman Images


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