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Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632695: Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632695

Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today
Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today

PIX4632734: Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4632734

Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today

Dixon, Don (b.1951)

Tapir, Tapirus terrestris. Vulnerable. Illustration copied from Thomas Pennant. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Tapir, Tapirus terrestris. Vulnerable. Illustration copied from Thomas Pennant. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4640868: Tapir, Tapirus terrestris. Vulnerable. Illustration copied from Thomas Pennant. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

ID: FLO4640868

Tapir, Tapirus terrestris. Vulnerable. Illustration copied from Thomas Pennant. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

Pyxide in bucchero. Iron age, 9th-3rd century BC (ceramic)
Pyxide in bucchero. Iron age, 9th-3rd century BC (ceramic)

LRI4640970: Pyxide in bucchero. Iron age, 9th-3rd century BC (ceramic), Iron Age / Bridgeman Images

ID: LRI4640970

Pyxide in bucchero. Iron age, 9th-3rd century BC (ceramic)

Iron Age

Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4641174: Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

ID: FLO4641174

Field bindweed, Convolvulus arvensis. (Small bindweed, Smilax lenis minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4641183: Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

ID: FLO4641183

Wood boring beetle, and damage to wood. (Goat beetle). Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum
A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum

LRI4641233: A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum, Lucanian School, (4th century BC) / Bridgeman Images

ID: LRI4641233

A group of dancers during a funeral rite Lucanian fresco from the 4th century BC, from the necropolis of Paestum, Italy. Museo nazionale archeologico, Paestum

Lucanian School, (4th century BC)

A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum
A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum

LRI4641280: A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum, Lucanian School, (4th century BC) / Bridgeman Images

ID: LRI4641280

A warrior with a spear and a shield Lucanian fresco from the 4th century BC, from the Tomb of the Horseman, site of Paestum, Italy. Museo nazionale archeologico, Paestum

Lucanian School, (4th century BC)

Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.
Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.

FLO4641288: Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802. / Bridgeman Images

ID: FLO4641288

Green-winged pytilia (green goldfinch), Pytilia melba. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.

Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641337: Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

ID: FLO4641337

Banksia multifolia, unknown species of Banksia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.
Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

FLO4641377: Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800. / Bridgeman Images

ID: FLO4641377

Painted bunting, Passerina ciris, from North America. (Painted finch, Emberiza ciris) A male bird in its perfect state drawn from life. Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1800.

Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607408: Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

ID: FLO4607408

Spring bittervetch, Lathyrus vernus. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system
A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system

PIX4607428: A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system, Bergeron, Joe / Bridgeman Images

ID: PIX4607428

A probe explores Europe's underground ocean - Illustration - Europa Submersible Probe - Illustration - Artist's view of a space probe exploring Europe's underground ocean. Ice covers the surface of this Jupiter satellite; it is believed that under the tens of km thick of this ice, water in the liquid state could exist. A remote - controlled submersible probe pokes around beneath the icy mantle of Europa. The probe is designed to fit down a narrow hole, with the lights mounted on deployable rods, and small motorized wheels mounted on the fairings (hard to see here). Antennae trail behind. Power and warmth are provided by a SNAP generator near the rear. Stereo cameras are in front. Water intakes for chemical analysis are behind the front fairing. Attitude control is provided by small thrusters. Main propulsion comes from a small propellor equipped with a Kort nozzle. The oceans of Europa and the other Galilean moons could prove to be the most surprising environments in the solar system

Bergeron, Joe

Lucrece's death (Detrempe on wood, 1452-1453)
Lucrece's death (Detrempe on wood, 1452-1453)

LRI4607528: Lucrece's death (Detrempe on wood, 1452-1453), Lippi, Filippino (c.1457-1504) / Bridgeman Images

ID: LRI4607528

Lucrece's death (Detrempe on wood, 1452-1453)

Lippi, Filippino (c.1457-1504)

Cadmos (Kadmos) and Harmony Transforms into Snakes - Cadmus and Hermione metamorphosed into serpents from Ovid's Metamorphoses. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Cadmos (Kadmos) and Harmony Transforms into Snakes - Cadmus and Hermione metamorphosed into serpents from Ovid's Metamorphoses. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607714: Cadmos (Kadmos) and Harmony Transforms into Snakes - Cadmus and Hermione metamorphosed into serpents from Ovid's Metamorphoses. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607714

Cadmos (Kadmos) and Harmony Transforms into Snakes - Cadmus and Hermione metamorphosed into serpents from Ovid's Metamorphoses. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Hercules stifles Ante who opposes his passage in Africa -Hercules overcoming Antaeus who opposes his passage into Africa. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Hercules stifles Ante who opposes his passage in Africa -Hercules overcoming Antaeus who opposes his passage into Africa. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607780: Hercules stifles Ante who opposes his passage in Africa -Hercules overcoming Antaeus who opposes his passage into Africa. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607780

Hercules stifles Ante who opposes his passage in Africa -Hercules overcoming Antaeus who opposes his passage into Africa. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Orphee seduces animals, rocks and trees with her cat and lyre - Orpheus, by his voice and lyre, attracts the attention of the animals, rocks and trees. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Orphee seduces animals, rocks and trees with her cat and lyre - Orpheus, by his voice and lyre, attracts the attention of the animals, rocks and trees. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607799: Orphee seduces animals, rocks and trees with her cat and lyre - Orpheus, by his voice and lyre, attracts the attention of the animals, rocks and trees. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607799

Orphee seduces animals, rocks and trees with her cat and lyre - Orpheus, by his voice and lyre, attracts the attention of the animals, rocks and trees. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590345: Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590345

Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590485: Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590485

Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590602: Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

ID: FLO4590602

Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590664: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4590664

Terracotta plate representing animals, 600-590 BC

Etruscan, (6th century BC)

Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster
Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster

PIX4590807: Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster / Bridgeman Images

ID: PIX4590807

Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster

Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.
Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.

FLO4590850: Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805. / Bridgeman Images

ID: FLO4590850

Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.

Virgin and Child between St. Nicholas and St. Elijah. Central panel, Altarpiece of Carmel (Tempera on wood, 1328-1329)
Virgin and Child between St. Nicholas and St. Elijah. Central panel, Altarpiece of Carmel (Tempera on wood, 1328-1329)

LRI4607944: Virgin and Child between St. Nicholas and St. Elijah. Central panel, Altarpiece of Carmel (Tempera on wood, 1328-1329), Lorenzetti, Pietro (c.1280-1348) / Bridgeman Images

ID: LRI4607944

Virgin and Child between St. Nicholas and St. Elijah. Central panel, Altarpiece of Carmel (Tempera on wood, 1328-1329)

Lorenzetti, Pietro (c.1280-1348)

Edward Russell, 1st Earl of Orford, Admiral of the Fleet, 1653-1727, in oval, above vignette of a naval battle. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Edward Russell, 1st Earl of Orford, Admiral of the Fleet, 1653-1727, in oval, above vignette of a naval battle. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607965: Edward Russell, 1st Earl of Orford, Admiral of the Fleet, 1653-1727, in oval, above vignette of a naval battle. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4607965

Edward Russell, 1st Earl of Orford, Admiral of the Fleet, 1653-1727, in oval, above vignette of a naval battle. Copperplate engraving by Thomas Cook from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608006: Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608006

Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608023: Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

ID: FLO4608023

Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.
British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

FLO4608252: British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images

ID: FLO4608252

British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4590969: Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

ID: FLO4590969

Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810
John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810

FLO4591145: John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810 / Bridgeman Images

ID: FLO4591145

John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810

Coach suspension: view of the fore wheels of a crane-necked carriage and Mr. Jacobs' contrivance for the forewheels of a coach. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Coach suspension: view of the fore wheels of a crane-necked carriage and Mr. Jacobs' contrivance for the forewheels of a coach. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4591221: Coach suspension: view of the fore wheels of a crane-necked carriage and Mr. Jacobs' contrivance for the forewheels of a coach. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

ID: FLO4591221

Coach suspension: view of the fore wheels of a crane-necked carriage and Mr. Jacobs' contrivance for the forewheels of a coach. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

Anatomy of human musculature showing outer muscles from the front, 1820 (copperplate engraving)
Anatomy of human musculature showing outer muscles from the front, 1820 (copperplate engraving)

FLO4591432: Anatomy of human musculature showing outer muscles from the front, 1820 (copperplate engraving) / Bridgeman Images

ID: FLO4591432

Anatomy of human musculature showing outer muscles from the front, 1820 (copperplate engraving)

Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.
Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

FLO4608348: Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images

ID: FLO4608348

Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century)
Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century)

LRI4608477: Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century), D'Oggiono, Marco (1470-1549) / Bridgeman Images

ID: LRI4608477

Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century)

D'Oggiono, Marco (1470-1549)

Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608565: Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

ID: FLO4608565

Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608628: Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

ID: FLO4608628

Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.


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