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Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590163: Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Amphora with geometric figures, c.700 BC (terracotta)
Amphora with geometric figures, c.700 BC (terracotta)

LRI4590259: Amphora with geometric figures, c.700 BC (terracotta), Etruscan, (8th century BC) / Bridgeman Images

Various jugs, cups and vases. 320-280 BC (terracotta)
Various jugs, cups and vases. 320-280 BC (terracotta)

LRI4590364: Various jugs, cups and vases. 320-280 BC (terracotta), Etruscan (3rd century BC) / Bridgeman Images

Terracotta amphora representing centaurs, 330-310 BC
Terracotta amphora representing centaurs, 330-310 BC

LRI4590499: Terracotta amphora representing centaurs, 330-310 BC, Etruscan, (4th century BC) / Bridgeman Images

Terracotta stamnos representing Ariadne and Dionysus, 380-360 BC
Terracotta stamnos representing Ariadne and Dionysus, 380-360 BC

LRI4590516: Terracotta stamnos representing Ariadne and Dionysus, 380-360 BC, Etruscan, (4th century BC) / Bridgeman Images

Sections through furnaces for the reduction of antimony. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1802.
Sections through furnaces for the reduction of antimony. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1802.

FLO4590732: Sections through furnaces for the reduction of antimony. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1802. / Bridgeman Images

Woulfe's apparatus for washing gases or saturating liquids. Peter Woulfe (1727-1803) was an Irish chemist, mineralogist and alchemist. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803
Woulfe's apparatus for washing gases or saturating liquids. Peter Woulfe (1727-1803) was an Irish chemist, mineralogist and alchemist. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803

FLO4590771: Woulfe's apparatus for washing gases or saturating liquids. Peter Woulfe (1727-1803) was an Irish chemist, mineralogist and alchemist. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803 / Bridgeman Images

Cross-sections and plans of blast furnaces, early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1804.
Cross-sections and plans of blast furnaces, early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1804.

FLO4590774: Cross-sections and plans of blast furnaces, early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1804. / Bridgeman Images

Portable eight-day clock mechanism, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Portable eight-day clock mechanism, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4590817: Portable eight-day clock mechanism, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Section and elevation of laboratory chemical apparatus, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by W. Duesbury from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Section and elevation of laboratory chemical apparatus, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by W. Duesbury from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4590903: Section and elevation of laboratory chemical apparatus, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by W. Duesbury from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Anatomy of human musculature, 1820 (copperplate engraving)
Anatomy of human musculature, 1820 (copperplate engraving)

FLO4590988: Anatomy of human musculature, 1820 (copperplate engraving) / Bridgeman Images

Ancient altars, ark of the Covenant, Chinese musical instrument Ching and King, John Napier's calculating bones, and ancient arithmetical characters. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient altars, ark of the Covenant, Chinese musical instrument Ching and King, John Napier's calculating bones, and ancient arithmetical characters. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591091: Ancient altars, ark of the Covenant, Chinese musical instrument Ching and King, John Napier's calculating bones, and ancient arithmetical characters. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Tartar woman riding on a one-wheel barrow drawn by servants. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Tartar woman riding on a one-wheel barrow drawn by servants. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590144: Tartar woman riding on a one-wheel barrow drawn by servants. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese paper making: young bamboo shoots are stripped of their bark, beaten and soaked in river water for a fortnight. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese paper making: young bamboo shoots are stripped of their bark, beaten and soaked in river water for a fortnight. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590195: Chinese paper making: young bamboo shoots are stripped of their bark, beaten and soaked in river water for a fortnight. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590223: Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta krater representing sphinxes,  580-560 BC
Terracotta krater representing sphinxes,  580-560 BC

LRI4590291: Terracotta krater representing sphinxes, 580-560 BC, Etruscan, (6th century BC) / Bridgeman Images

Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590345: Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590485: Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590602: Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta plate representing animals,  600-590 BC
Terracotta plate representing animals,  600-590 BC

LRI4590668: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590681: Block machinery or lathe at Portsmouth naval docks, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Anatomy of human internal organs from the back showing stomach, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of human internal organs from the back showing stomach, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590759: Anatomy of human internal organs from the back showing stomach, liver, intestines, gallbladder, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Human skeleton from the back. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Human skeleton from the back. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590971: Human skeleton from the back. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591071: Gem and cameo engraving tools and equipment. Copperplate engraving by William Blake and Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819., Blake, William (1757-1827) / Bridgeman Images

Elevations and plans of the Eddystone Rock lighthouse, built with dovetailed granite and blocks by John Smeaton in 1759. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Elevations and plans of the Eddystone Rock lighthouse, built with dovetailed granite and blocks by John Smeaton in 1759. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591503: Elevations and plans of the Eddystone Rock lighthouse, built with dovetailed granite and blocks by John Smeaton in 1759. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Rolling and slitting mill at Samuel, Aaron and Jonathan Walker's Iron Works, Rotherham. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Rolling and slitting mill at Samuel, Aaron and Jonathan Walker's Iron Works, Rotherham. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591624: Rolling and slitting mill at Samuel, Aaron and Jonathan Walker's Iron Works, Rotherham. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Canal swing bridge and canal navigator's tools including barow, grafting tool, shovel, scoop and horsing-block. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.
Canal swing bridge and canal navigator's tools including barow, grafting tool, shovel, scoop and horsing-block. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.

FLO4591848: Canal swing bridge and canal navigator's tools including barow, grafting tool, shovel, scoop and horsing-block. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806. / Bridgeman Images

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590664: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster
Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster

PIX4590807: Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster / Bridgeman Images

Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.
Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.

FLO4590850: Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805. / Bridgeman Images

Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4590969: Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810
John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810

FLO4591145: John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810 / Bridgeman Images

Mr. Dixon's machine for boring cylinders at the Falcon Iron Foundry. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Mr. Dixon's machine for boring cylinders at the Falcon Iron Foundry. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4591295: Mr. Dixon's machine for boring cylinders at the Falcon Iron Foundry. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

Dynamometers for measuring force or torque designed by McDougale and Robert Salmon. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Dynamometers for measuring force or torque designed by McDougale and Robert Salmon. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591376: Dynamometers for measuring force or torque designed by McDougale and Robert Salmon. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Friction and fulling mill for scouring cloth. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.
Friction and fulling mill for scouring cloth. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.

FLO4591383: Friction and fulling mill for scouring cloth. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images

Robert Salmon's portable thrashing mill. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Robert Salmon's portable thrashing mill. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591426: Robert Salmon's portable thrashing mill. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images


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