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Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris.
Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris.

LSE4318980: Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318980

Shoes Nationales, Otto von Bismarck (1815-1898) exchanging his boots for the clogs of the Moselle. Cover in “” L'Eclipse”” by Gill, August 1st, 1870, Paris.

Gill, Andre (1840-85)

Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal)
Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal)

LSE4317501: Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal), Orley, Bernart van (c.1488-1541) (attr. to) / Bridgeman Images

ID: LSE4317501

Oedipus cycle: Oedipus at Thebes - Oedipus consults the Delphic oracle and learns of his fate - On the left, on his way to Beotia, he meets Laios and kills him - On the right, the inhabitants of Thebes are frightened and prevented from entering the city by the sphinx - Tapestry, (412 x 430 cm), carton attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and to the workshop of Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian art, 16th century - Musee de Lamego (Portugal)

Orley, Bernart van (c.1488-1541) (attr. to)

Vineyard in Champagne-Ardenne - France - Murigny
Vineyard in Champagne-Ardenne - France - Murigny

LSE4319962: Vineyard in Champagne-Ardenne - France - Murigny / Bridgeman Images

ID: LSE4319962

Vineyard in Champagne-Ardenne - France - Murigny

Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836.
Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836.

LSE4318199: Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4318199

Portrait of James Watt (1736-1819), Scottish engineer and mechanic. in “” Portraits des Hommes Useful”, 1833-1836.

French School, (19th century)

L'eclipse politique, swings on a thread between censorship and surety. in “” L'Eclipse”” by A. Le Petiter, October 1, 1871, Paris.
L'eclipse politique, swings on a thread between censorship and surety. in “” L'Eclipse”” by A. Le Petiter, October 1, 1871, Paris.

LSE4319114: L'eclipse politique, swings on a thread between censorship and surety. in “” L'Eclipse”” by A. Le Petiter, October 1, 1871, Paris., Le Petit, Alfred (1841-1909) / Bridgeman Images

ID: LSE4319114

L'eclipse politique, swings on a thread between censorship and surety. in “” L'Eclipse”” by A. Le Petiter, October 1, 1871, Paris.

Le Petit, Alfred (1841-1909)

Vineyard in Champagne-Ardenne - Champagne Ardenne vineyard landscape, France - Tournerie (360 degrees panorama)
Vineyard in Champagne-Ardenne - Champagne Ardenne vineyard landscape, France - Tournerie (360 degrees panorama)

LSE4319791: Vineyard in Champagne-Ardenne - Champagne Ardenne vineyard landscape, France - Tournerie (360 degrees panorama) / Bridgeman Images

ID: LSE4319791

Vineyard in Champagne-Ardenne - Champagne Ardenne vineyard landscape, France - Tournerie (360 degrees panorama)

Abel. In the Old Testament, son of Adam and Eve (Book of Genesis). Engraving in
Abel. In the Old Testament, son of Adam and Eve (Book of Genesis). Engraving in

LSE4319174: Abel. In the Old Testament, son of Adam and Eve (Book of Genesis). Engraving in "Great album of images en couleur pour l'explanation du catechisme approves by his eminance Cardinal Perraud", by Abbe Mouterde, beginning 20th century. Private Collection, French School, (20th century) / Bridgeman Images

ID: LSE4319174

Abel. In the Old Testament, son of Adam and Eve (Book of Genesis). Engraving in "Great album of images en couleur pour l'explanation du catechisme approves by his eminance Cardinal Perraud", by Abbe Mouterde, beginning 20th century. Private Collection

French School, (20th century)

The road song, for the drug Iodex. Around 1950 (illustration)
The road song, for the drug Iodex. Around 1950 (illustration)

GEG7139491: The road song, for the drug Iodex. Around 1950 (illustration), Lissac, Pierre (1878-1955) / Bridgeman Images

ID: GEG7139491

The road song, for the drug Iodex. Around 1950 (illustration)

Lissac, Pierre (1878-1955)

Vineyard in Champagne-Ardenne - France - Chavot
Vineyard in Champagne-Ardenne - France - Chavot

LSE4319994: Vineyard in Champagne-Ardenne - France - Chavot / Bridgeman Images

ID: LSE4319994

Vineyard in Champagne-Ardenne - France - Chavot

Vineyard in Champagne-Ardenne - France - Mailly
Vineyard in Champagne-Ardenne - France - Mailly

LSE4319919: Vineyard in Champagne-Ardenne - France - Mailly / Bridgeman Images

ID: LSE4319919

Vineyard in Champagne-Ardenne - France - Mailly

Vineyard in Champagne-Ardenne - France - Murigny
Vineyard in Champagne-Ardenne - France - Murigny

LSE4319978: Vineyard in Champagne-Ardenne - France - Murigny / Bridgeman Images

ID: LSE4319978

Vineyard in Champagne-Ardenne - France - Murigny

Advertising
Advertising

LSE4318502: Advertising "Twin Gramophone Records" in Bengali, Indian brand. Emaillee plate, Coll. Ray, India, beginning of the 20th century., Indian School, (20th century) / Bridgeman Images

ID: LSE4318502

Advertising "Twin Gramophone Records" in Bengali, Indian brand. Emaillee plate, Coll. Ray, India, beginning of the 20th century.

Indian School, (20th century)

The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris.
The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris.

LSE4318650: The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318650

The Grape of 1868, evocation of exceptional harvest. Cover in “” L'Eclipse”” by Gill, September 27, 1868, Paris.

Gill, Andre (1840-85)

Portrait of Carlo Albani. Painting by Pier Leone Ghezzi (1674-1755), oil on canvas, circa 1708. At Italian 18th century. Staatsgalerie, Stuttgart (Germany).
Portrait of Carlo Albani. Painting by Pier Leone Ghezzi (1674-1755), oil on canvas, circa 1708. At Italian 18th century. Staatsgalerie, Stuttgart (Germany).

LSE4315863: Portrait of Carlo Albani. Painting by Pier Leone Ghezzi (1674-1755), oil on canvas, circa 1708. At Italian 18th century. Staatsgalerie, Stuttgart (Germany)., Ghezzi, Pier Leone (1674-1755) / Bridgeman Images

ID: LSE4315863

Portrait of Carlo Albani. Painting by Pier Leone Ghezzi (1674-1755), oil on canvas, circa 1708. At Italian 18th century. Staatsgalerie, Stuttgart (Germany).

Ghezzi, Pier Leone (1674-1755)

Vineyard in Champagne-Ardenne - France - Rilly la Montagne (Rilly-la-Montagne)
Vineyard in Champagne-Ardenne - France - Rilly la Montagne (Rilly-la-Montagne)

LSE4319913: Vineyard in Champagne-Ardenne - France - Rilly la Montagne (Rilly-la-Montagne) / Bridgeman Images

ID: LSE4319913

Vineyard in Champagne-Ardenne - France - Rilly la Montagne (Rilly-la-Montagne)

Vineyard in Champagne-Ardenne - France - Cormoyeux
Vineyard in Champagne-Ardenne - France - Cormoyeux

LSE4319810: Vineyard in Champagne-Ardenne - France - Cormoyeux / Bridgeman Images

ID: LSE4319810

Vineyard in Champagne-Ardenne - France - Cormoyeux

On holidays of the Legislative Corps, deputes of the National Assembly leave the Palais Bourbon. Cover in “” L'Eclipse”” by Gill, August 2, 1868, Paris.
On holidays of the Legislative Corps, deputes of the National Assembly leave the Palais Bourbon. Cover in “” L'Eclipse”” by Gill, August 2, 1868, Paris.

LSE4318619: On holidays of the Legislative Corps, deputes of the National Assembly leave the Palais Bourbon. Cover in “” L'Eclipse”” by Gill, August 2, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318619

On holidays of the Legislative Corps, deputes of the National Assembly leave the Palais Bourbon. Cover in “” L'Eclipse”” by Gill, August 2, 1868, Paris.

Gill, Andre (1840-85)

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) when laying the first stone of the monument to free labor, Moscow, May 1, 1920 -
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) when laying the first stone of the monument to free labor, Moscow, May 1, 1920 -

LSE4317957: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) when laying the first stone of the monument to free labor, Moscow, May 1, 1920 -, Russian Photographer, (20th century) / Bridgeman Images

ID: LSE4317957

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) when laying the first stone of the monument to free labor, Moscow, May 1, 1920 -

Russian Photographer, (20th century)

The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary.
The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary.

LSE4315329: The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary., Szinyei Merse, Pal (1845-1920) / Bridgeman Images

ID: LSE4315329

The lark. Painting by Pal Szinyei Merse (1845-1920), Oil On Canvas, 1882. Hungarian art, 19th century. Magyar Nemzeti Galleria, Budapest, Hungary.

Szinyei Merse, Pal (1845-1920)

Henri Rochefort (1831-1913), French journalist, writer and politician. Cover in “” L'Eclipse”” by Gill, June 7, 1868, Paris.
Henri Rochefort (1831-1913), French journalist, writer and politician. Cover in “” L'Eclipse”” by Gill, June 7, 1868, Paris.

LSE4318596: Henri Rochefort (1831-1913), French journalist, writer and politician. Cover in “” L'Eclipse”” by Gill, June 7, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318596

Henri Rochefort (1831-1913), French journalist, writer and politician. Cover in “” L'Eclipse”” by Gill, June 7, 1868, Paris.

Gill, Andre (1840-85)

Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836.
Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836.

LSE4317637: Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4317637

Portrait of Bartolome de Las Casas (1472-1566), Spanish Dominican brother and eveque of Chiapas. in “” Portraits of Useful Men””, 1833-1836.

French School, (19th century)

Madonna of humility. Painting by Giovanni Da Bologna (active second half of the 14th century) tempera on poplar, circa 1395. Italian art, 14th century, trecento. Staatsgalerie, Stuttgart (Germany).
Madonna of humility. Painting by Giovanni Da Bologna (active second half of the 14th century) tempera on poplar, circa 1395. Italian art, 14th century, trecento. Staatsgalerie, Stuttgart (Germany).

LSE4315789: Madonna of humility. Painting by Giovanni Da Bologna (active second half of the 14th century) tempera on poplar, circa 1395. Italian art, 14th century, trecento. Staatsgalerie, Stuttgart (Germany)., Giambologna (Giovanni da Bologna), (1529-1608) / Bridgeman Images

ID: LSE4315789

Madonna of humility. Painting by Giovanni Da Bologna (active second half of the 14th century) tempera on poplar, circa 1395. Italian art, 14th century, trecento. Staatsgalerie, Stuttgart (Germany).

Giambologna (Giovanni da Bologna), (1529-1608)

Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea).
Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea).

LSE4316384: Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea)., Korean School / Bridgeman Images

ID: LSE4316384

Arhat. Polychrome carved wood, Joseon period (Choson), 14th-20th century, ritual object of the Kim Chong Hak collection. National Museum of Korea, Seoul (South Korea).

Korean School

Five billion! , Eugene Rouher (1814-1884) before the bust of Napoleon III (1808-1873) and the loan of five billion for Prussia. Cover in “” L'Eclipse”” by Alfred Le petit, July 9, 1871, Paris.
Five billion! , Eugene Rouher (1814-1884) before the bust of Napoleon III (1808-1873) and the loan of five billion for Prussia. Cover in “” L'Eclipse”” by Alfred Le petit, July 9, 1871, Paris.

LSE4319027: Five billion! , Eugene Rouher (1814-1884) before the bust of Napoleon III (1808-1873) and the loan of five billion for Prussia. Cover in “” L'Eclipse”” by Alfred Le petit, July 9, 1871, Paris., Le Petit, Alfred (1841-1909) / Bridgeman Images

ID: LSE4319027

Five billion! , Eugene Rouher (1814-1884) before the bust of Napoleon III (1808-1873) and the loan of five billion for Prussia. Cover in “” L'Eclipse”” by Alfred Le petit, July 9, 1871, Paris.

Le Petit, Alfred (1841-1909)

The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic).
The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic).

LSE4315644: The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic)., Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

ID: LSE4315644

The old fool. Painting by Lucas Cranach the former (1472-1553), circa 1530. Flemish art 16th century. National Gallery, Sternberg Palace, Prague (Czech Republic).

Cranach, Lucas the Elder (1472-1553)

Emile Ollivier (1825-1913), French politician. Cover in “” L'Eclipse”” by Gill, February 16, 1868, Paris.
Emile Ollivier (1825-1913), French politician. Cover in “” L'Eclipse”” by Gill, February 16, 1868, Paris.

LSE4318550: Emile Ollivier (1825-1913), French politician. Cover in “” L'Eclipse”” by Gill, February 16, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4318550

Emile Ollivier (1825-1913), French politician. Cover in “” L'Eclipse”” by Gill, February 16, 1868, Paris.

Gill, Andre (1840-85)

The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945.
The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945.

LSE4316642: The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316642

The youth of the military preparation received their flag from Mr. Alexandre Bachelet (1866-1945). General view. Photography 7/05/1945.

Unknown photographer, (20th century)

Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau.
Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau.

LSE4315614: Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau., Roll, Alfred (1846-1919) / Bridgeman Images

ID: LSE4315614

Marianne Offrey, green screaming. Painting by Alfred Roll (1846-1919), oil on canvas, before 1885. Museum of Fine Arts in Pau.

Roll, Alfred (1846-1919)

Portrait of Jacques Constantin Perier (1742-1818), French mechanic engineer. in “” Portraits des Hommes Useful”, 1833-1836, Paris.
Portrait of Jacques Constantin Perier (1742-1818), French mechanic engineer. in “” Portraits des Hommes Useful”, 1833-1836, Paris.

LSE4318170: Portrait of Jacques Constantin Perier (1742-1818), French mechanic engineer. in “” Portraits des Hommes Useful”, 1833-1836, Paris., French School, (19th century) / Bridgeman Images

ID: LSE4318170

Portrait of Jacques Constantin Perier (1742-1818), French mechanic engineer. in “” Portraits des Hommes Useful”, 1833-1836, Paris.

French School, (19th century)

Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands).
Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands).

LSE4315672: Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands)., Boucher, Francois (1703-70) / Bridgeman Images

ID: LSE4315672

Chinoiserie. Artwork by Francois Boucher (1703-1770), oil on paper maroufle on canvas, circa 1750. Art francais 18th century. Museum of Fine Arts Rotterdam (Netherlands).

Boucher, Francois (1703-70)

Portrait of Rene Descartes (1596-1650), French philosopher and scientist. in “” Portraits des Hommes Useful”, 1833-1836.
Portrait of Rene Descartes (1596-1650), French philosopher and scientist. in “” Portraits des Hommes Useful”, 1833-1836.

LSE4316978: Portrait of Rene Descartes (1596-1650), French philosopher and scientist. in “” Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

ID: LSE4316978

Portrait of Rene Descartes (1596-1650), French philosopher and scientist. in “” Portraits des Hommes Useful”, 1833-1836.

French School, (19th century)

Portrait of Jules Eugene Lenepveu (1819-1898), French painter.
Portrait of Jules Eugene Lenepveu (1819-1898), French painter.

LSE4315588: Portrait of Jules Eugene Lenepveu (1819-1898), French painter., French Photographer, (19th century) / Bridgeman Images

ID: LSE4315588

Portrait of Jules Eugene Lenepveu (1819-1898), French painter.

French Photographer, (19th century)

Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy
Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy

LSE4319643: Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy, Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4319643

Former voto (ex voto) sailor, popular offer as a pledge of devotion and gratitude of the sailor surviving to the dangers of the sea coming from the Church of the Blessed Virgin of the Arch of Naples (Madonna dell'arco) 19th century Italy

Unknown Artist, (19th century)

The Republic “Between pear and cheese””. Cover in “” L'Eclipse”” by Gill, December 24, 1871, Paris.
The Republic “Between pear and cheese””. Cover in “” L'Eclipse”” by Gill, December 24, 1871, Paris.

LSE4319780: The Republic “Between pear and cheese””. Cover in “” L'Eclipse”” by Gill, December 24, 1871, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319780

The Republic “Between pear and cheese””. Cover in “” L'Eclipse”” by Gill, December 24, 1871, Paris.

Gill, Andre (1840-85)

People of pen and sword: Louis Leon Faidherbe (1818-1889), French military, Camille Cremer (1840-1876), French general, and Philippe Toussaint Joseph Bordone (1821-1892), physician and military. Cover in “” L'Eclipse”” by Gill, October 8, 1871, Paris.
People of pen and sword: Louis Leon Faidherbe (1818-1889), French military, Camille Cremer (1840-1876), French general, and Philippe Toussaint Joseph Bordone (1821-1892), physician and military. Cover in “” L'Eclipse”” by Gill, October 8, 1871, Paris.

LSE4319112: People of pen and sword: Louis Leon Faidherbe (1818-1889), French military, Camille Cremer (1840-1876), French general, and Philippe Toussaint Joseph Bordone (1821-1892), physician and military. Cover in “” L'Eclipse”” by Gill, October 8, 1871, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4319112

People of pen and sword: Louis Leon Faidherbe (1818-1889), French military, Camille Cremer (1840-1876), French general, and Philippe Toussaint Joseph Bordone (1821-1892), physician and military. Cover in “” L'Eclipse”” by Gill, October 8, 1871, Paris.

Gill, Andre (1840-85)

A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944.
A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944.

LSE4316845: A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4316845

A review of French detachments, General Alphonse June (1888-1967) has just received Mr. Alexander Bogomolov (1900-1969), ambassador of the USSR and accompanies him to the podium, Campo Square, Siena, Italy. Photograph, July 14, 1944.

Unknown photographer, (20th century)


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