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German conductor WOLFGANG SAWALLISCH/WOLFGANG SAWALLISCH, direttore d'ochestra -
German conductor WOLFGANG SAWALLISCH/WOLFGANG SAWALLISCH, direttore d'ochestra -

MME4712701: German conductor WOLFGANG SAWALLISCH/WOLFGANG SAWALLISCH, direttore d'ochestra -, Mencarini, Marcello / Bridgeman Images

ID: MME4712701

German conductor WOLFGANG SAWALLISCH/WOLFGANG SAWALLISCH, direttore d'ochestra -

Mencarini, Marcello

Glaieul - Painted lady gladiolus, Gladiolus splendens (Splendid anisanthus, Anisanthus splendens). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Glaieul - Painted lady gladiolus, Gladiolus splendens (Splendid anisanthus, Anisanthus splendens). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

FLO4713120: Glaieul - Painted lady gladiolus, Gladiolus splendens (Splendid anisanthus, Anisanthus splendens). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854. / Bridgeman Images

ID: FLO4713120

Glaieul - Painted lady gladiolus, Gladiolus splendens (Splendid anisanthus, Anisanthus splendens). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707060: Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707060

Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707147: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707147

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707281: Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707281

Noble anglo high rank saxon with a coat fastened with a buckle (31). This type of coat is worn only by the kingdoms and nobility. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707247

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707301

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707463: Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707463

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges and President of the Italian Republic Sandro Pertini in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges and President of the Italian Republic Sandro Pertini in Rome, 1981.

MME4707480: Portrait of Argentine writer Jorge Luis Borges and President of the Italian Republic Sandro Pertini in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707480

Portrait of Argentine writer Jorge Luis Borges and President of the Italian Republic Sandro Pertini in Rome, 1981.

Mencarini, Marcello

Portrait of the Italian director Marco Ferreri. Venice 1981
Portrait of the Italian director Marco Ferreri. Venice 1981

MME4700665: Portrait of the Italian director Marco Ferreri. Venice 1981, Mencarini, Marcello / Bridgeman Images

ID: MME4700665

Portrait of the Italian director Marco Ferreri. Venice 1981

Mencarini, Marcello

Portrait of the Italian director Marco Ferreri. Venice 1981
Portrait of the Italian director Marco Ferreri. Venice 1981

MME4700707: Portrait of the Italian director Marco Ferreri. Venice 1981, Mencarini, Marcello / Bridgeman Images

ID: MME4700707

Portrait of the Italian director Marco Ferreri. Venice 1981

Mencarini, Marcello

Soul singer Eddie Floyd on stage around 1980.
Soul singer Eddie Floyd on stage around 1980.

MME4700873: Soul singer Eddie Floyd on stage around 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4700873

Soul singer Eddie Floyd on stage around 1980.

Mencarini, Marcello

Portrait of writers Carlo Fruttero and Franco Lucentini around 1985.
Portrait of writers Carlo Fruttero and Franco Lucentini around 1985.

MME4701064: Portrait of writers Carlo Fruttero and Franco Lucentini around 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4701064

Portrait of writers Carlo Fruttero and Franco Lucentini around 1985.

Mencarini, Marcello

Seal of Solomon Multiflora (Polygonatum multiflorum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Seal of Solomon Multiflora (Polygonatum multiflorum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701357: Seal of Solomon Multiflora (Polygonatum multiflorum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

ID: FLO4701357

Seal of Solomon Multiflora (Polygonatum multiflorum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

Double-flowered Narcissus (Narcissus biflorus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Double-flowered Narcissus (Narcissus biflorus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701364: Double-flowered Narcissus (Narcissus biflorus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

ID: FLO4701364

Double-flowered Narcissus (Narcissus biflorus) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

Barberry or winetter (Berberis vulgaris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792
Barberry or winetter (Berberis vulgaris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

FLO4701501: Barberry or winetter (Berberis vulgaris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792 / Bridgeman Images

ID: FLO4701501

Barberry or winetter (Berberis vulgaris) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London (England), 1792

Portrait of the American poet and founder of the Beat Generation Allen Ginsberg in 1980. Rome, Italy
Portrait of the American poet and founder of the Beat Generation Allen Ginsberg in 1980. Rome, Italy

MME4701570: Portrait of the American poet and founder of the Beat Generation Allen Ginsberg in 1980. Rome, Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4701570

Portrait of the American poet and founder of the Beat Generation Allen Ginsberg in 1980. Rome, Italy

Mencarini, Marcello

Deltoid carnation (Dianthus deltoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
Deltoid carnation (Dianthus deltoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4701729: Deltoid carnation (Dianthus deltoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

ID: FLO4701729

Deltoid carnation (Dianthus deltoides) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707693: Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707693

Harold II (Godwinson, King of England 1022-1066) offering his sword to the winner Guy I, Count of Ponthew (died 1010). The Franks, living in the cities, wore a longer tunic, covered in a coat, like Guy I (88). The defeated bearing his guard pointed to the ground, as Harold II executed him (87). The ordinary soldier due Guy I was wearing a shirt with short panties and shoes wearing a sword on the belt and a hat (89). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707530: Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707530

Costume of an anglo saxon eveque (67) with a flat mitre and a butt used in the 10th and 11th century, and of two monks (66 and 68) wearing decorative clothing on the edges of the sleeves and on the back. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of jazz trumpeter Art Farmer around 1980.
Portrait of jazz trumpeter Art Farmer around 1980.

MME4700345: Portrait of jazz trumpeter Art Farmer around 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4700345

Portrait of jazz trumpeter Art Farmer around 1980.

Mencarini, Marcello

Wych elm or Scots elm, Ulmus glabra (Ulmus montana). Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1808.
Wych elm or Scots elm, Ulmus glabra (Ulmus montana). Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1808.

FLO4700463: Wych elm or Scots elm, Ulmus glabra (Ulmus montana). Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1808. / Bridgeman Images

ID: FLO4700463

Wych elm or Scots elm, Ulmus glabra (Ulmus montana). Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1808.

Portrait of the Italian director Marco Ferreri. Venice 1981
Portrait of the Italian director Marco Ferreri. Venice 1981

MME4700681: Portrait of the Italian director Marco Ferreri. Venice 1981, Mencarini, Marcello / Bridgeman Images

ID: MME4700681

Portrait of the Italian director Marco Ferreri. Venice 1981

Mencarini, Marcello

Piotr or Petr Ilyich Tchaikovsky (or Tchaikovsky or Ciajkovskij or Tchaikowsky, 1840 - 1893). Decor by Alexandre Benois (1870-1960).Museo della scala de Milan
Piotr or Petr Ilyich Tchaikovsky (or Tchaikovsky or Ciajkovskij or Tchaikowsky, 1840 - 1893). Decor by Alexandre Benois (1870-1960).Museo della scala de Milan

GIA4700631: Piotr or Petr Ilyich Tchaikovsky (or Tchaikovsky or Ciajkovskij or Tchaikowsky, 1840 - 1893). Decor by Alexandre Benois (1870-1960).Museo della scala de Milan, Benois, Alexander Nikolaivich (1870-1960) / Bridgeman Images

ID: GIA4700631

Piotr or Petr Ilyich Tchaikovsky (or Tchaikovsky or Ciajkovskij or Tchaikowsky, 1840 - 1893). Decor by Alexandre Benois (1870-1960).Museo della scala de Milan

Benois, Alexander Nikolaivich (1870-1960)

Saint Francis of Assises with stigmas. Painting on wood from the 13th century. Florence, Uffizi Gallery.
Saint Francis of Assises with stigmas. Painting on wood from the 13th century. Florence, Uffizi Gallery.

GIA4702380: Saint Francis of Assises with stigmas. Painting on wood from the 13th century. Florence, Uffizi Gallery., Unknown Artist, (13th century) / Bridgeman Images

ID: GIA4702380

Saint Francis of Assises with stigmas. Painting on wood from the 13th century. Florence, Uffizi Gallery.

Unknown Artist, (13th century)

Portrait of Polish pianist Krystian Zimerman in 1994.
Portrait of Polish pianist Krystian Zimerman in 1994.

MME4702622: Portrait of Polish pianist Krystian Zimerman in 1994., Mencarini, Marcello / Bridgeman Images

ID: MME4702622

Portrait of Polish pianist Krystian Zimerman in 1994.

Mencarini, Marcello

Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.
Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

FLO4702275: Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810. / Bridgeman Images

ID: FLO4702275

Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32. Handcoloured copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Chez Collignon, Metz, 1810.

Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -
Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -

MME4735455: Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -, Mencarini, Marcello / Bridgeman Images

ID: MME4735455

Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -

Mencarini, Marcello

Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -
Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -

MME4735458: Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -, Mencarini, Marcello / Bridgeman Images

ID: MME4735458

Venice Lido, Venice Film Festival 1990. Finnish director Aki kaurismaki, in competition with the movie “” I Hired a Contract Killer”/Lido di Venezia, Film Festival di Venezia 1990. He registered Aki Kaurismaki, in concorso con il film “” Ho affittato un killer””” -

Mencarini, Marcello

Botanical: Chicoree - Chicory plant with flowers and leaves, Cichorium intybus. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants.
Botanical: Chicoree - Chicory plant with flowers and leaves, Cichorium intybus. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants.

FLO4735518: Botanical: Chicoree - Chicory plant with flowers and leaves, Cichorium intybus. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants. / Bridgeman Images

ID: FLO4735518

Botanical: Chicoree - Chicory plant with flowers and leaves, Cichorium intybus. Handcoloured copperplate engraving from a drawing by B. Thanner from Johannes Zorn's “” Icons plantarum medicinalium,”” Germany, 1796. Zorn (1739-99) was a German pharmacist and botanist who travelled all over Europe searching for medicinal plants.

Benedict XIV and Cardinal Silvio Valenti Gonzaga (Gonzague). Painting by Giovanni Paolo Pannini (Panini). 18th century. Rome, Museum of Rome
Benedict XIV and Cardinal Silvio Valenti Gonzaga (Gonzague). Painting by Giovanni Paolo Pannini (Panini). 18th century. Rome, Museum of Rome

GIA4735553: Benedict XIV and Cardinal Silvio Valenti Gonzaga (Gonzague). Painting by Giovanni Paolo Pannini (Panini). 18th century. Rome, Museum of Rome, Pannini or Panini, Giovanni Paolo (1691/2-1765) / Bridgeman Images

ID: GIA4735553

Benedict XIV and Cardinal Silvio Valenti Gonzaga (Gonzague). Painting by Giovanni Paolo Pannini (Panini). 18th century. Rome, Museum of Rome

Pannini or Panini, Giovanni Paolo (1691/2-1765)

Clover or nail tree (Syzygium aromatium). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clove tree, Syzygium aromatium. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Clover or nail tree (Syzygium aromatium). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clove tree, Syzygium aromatium. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4735883: Clover or nail tree (Syzygium aromatium). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clove tree, Syzygium aromatium. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4735883

Clover or nail tree (Syzygium aromatium). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Clove tree, Syzygium aromatium. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -
Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -

MME4736079: Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -, Mencarini, Marcello / Bridgeman Images

ID: MME4736079

Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -

Mencarini, Marcello

Euphorbe small cypers (Euphorbia cyparissias). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cypress spurge, Euphorbia cyparissias. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.
Euphorbe small cypers (Euphorbia cyparissias). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cypress spurge, Euphorbia cyparissias. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

FLO4735992: Euphorbe small cypers (Euphorbia cyparissias). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cypress spurge, Euphorbia cyparissias. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796. / Bridgeman Images

ID: FLO4735992

Euphorbe small cypers (Euphorbia cyparissias). Lithograph from “Afbeelding der Artseny-Gewassen” by Johannes Zorn (1739-1799), Netherlands, 1796. Cypress spurge, Euphorbia cyparissias. Handcoloured copperplate botanical engraving from J. Zorn's “Afbeelding der Artseny-Gewassen,” Amsterdam, 1796.

Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -
Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -

MME4736158: Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -, Mencarini, Marcello / Bridgeman Images

ID: MME4736158

Rome, June 3, 2000. Savanna Knoop a.k.a. J.T. Leroy. Knoop pretends to be writer J.T. Leroy, but in 2006, the New York Times reveals that J.T. Leroy does not exist: the true author of his books is writer Laura Albert. Savannah Knoop, the half sister of Albert mate, played this part for years around the world wearing a blonde wig and big sunglasses, to create a problematic character and make believable those tales of prostitution and ill-treatment, presented as autobiographical/Roma, 3 June 2000. Savannah Knoop, a.k.a. lo scrittore J.T. Leroy. Nel 2006 il New York Times riveler che J.T. Leroy in realt non esiste: la vera auteur dei suoi libri et la scrittrice Laura Albert. Savannah Knoop, sorellastra del compagno della Albert, ha recitato la parte per anni in giro per il mondo indossando una parrucca bionda e grandi occhiali da sole, per creare un personaggio problematico e rendere pi credibili quei racconti di prostituzione e maltrattamenti, presentati come autobiografici -

Mencarini, Marcello

Venice Lido, Venice Film Festival 1984. Swedish actor Erland Josephson, member of jury/Lido di Venezia, Mostra del Cinema di Venezia 1984. Attore Erland Josephson, membro della giuria -
Venice Lido, Venice Film Festival 1984. Swedish actor Erland Josephson, member of jury/Lido di Venezia, Mostra del Cinema di Venezia 1984. Attore Erland Josephson, membro della giuria -

MME4736303: Venice Lido, Venice Film Festival 1984. Swedish actor Erland Josephson, member of jury/Lido di Venezia, Mostra del Cinema di Venezia 1984. Attore Erland Josephson, membro della giuria -, Mencarini, Marcello / Bridgeman Images

ID: MME4736303

Venice Lido, Venice Film Festival 1984. Swedish actor Erland Josephson, member of jury/Lido di Venezia, Mostra del Cinema di Venezia 1984. Attore Erland Josephson, membro della giuria -

Mencarini, Marcello


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