ID: COU5948342

Standing female figure, 1675-99 (traces of black chalk or charcoal, pen & brown ink, and brown wash on laid paper, laid down and hinged at the left to a historic support)

Spanish School, (17th century)

ID: COU5948508

Box or inkwell, missing cover, 1300-c.1330 (metalworked brass and silver inlay) [see 5948512]

Mamluk Sultanate school, (14th century)

ID: COU5948490

Relief depicting the adoration of the Shepherds, c.1700 (carved ivory)

Stainhart, Dominicus (1655-1712) & Stainhart, Franz (1651-95) (circle of)

ID: COU5948475

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

French School, (14th century)

ID: COU5948323

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

March, Esteban (c.1590-d.c.1660) (circle of)

ID: COU5948374

Sketch for a family portrait group (verso), 1730 (pen & brown ink over traces of graphite, on laid paper) [see 5948373]

Vanderbank, John (1694-1739)

ID: COU5948331

Design for an upright decorative panel with three angels holding a garland, 17th century (pen & dark brown ink on laid paper)

Herrera Barnuevo, Sebastian de (1619-71) (attr.to)

ID: COU5948438

Villefranche-sur-Mer, 19th century (graphite, pen and brown ink, brown wash, watercolour and white bodycolour on wove paper, inlaid into a wash border mount)

Lear, Edward (1812-88)

ID: COU5948519

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

Mamluk Sultanate school, (15th-16th century)

ID: COU5948343

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

Tovar, Alonso Miguel de (1678-1758)

ID: COU5948424

Terrace in an Italian Garden, c.1760 (red chalk on paper)

Robert, Hubert (1733-1808)

ID: COU5948483

Scenes from Christ's Passion on a box with hipped roof, 15th century (carved ivory & bone on wood with marquetry base and ivory feet)

Flemish or Burgundian school, (15th century)

ID: COU5948367

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

ID: COU5948528

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

Venetian School, (16th century)

ID: COU5948429

Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)

Savery, Roelandt Jacobsz. (1576-1639)

ID: COU5948312

Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)

Pereda y Salgado, Antonio (1611-78) (attr.to)

ID: COU5948388

Study for Portrait of Emily Tennyson, 1862 (graphite & grey wash on cream wove paper)

Watts, George Frederic (1817-1904)

ID: COU5948433

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

Tintoretto, Jacopo Robusti (1518-94)

ID: COU5948398

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

ID: COU5948377

Man of Sorrows - Ecce Homo, 1585-1630 (traces of black chalk, pen & brown ink, brown wash on laid paper)

Clerck, Hendrik de (1570-1629)

ID: COU5948395

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

ID: COU5948382

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

Valencia, Felipe Gómez de (c.1634-1679/94)

ID: COU5948484

Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)

Embriachi workshop (14th-15th century)

ID: COU5948478

Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)

Northern French school, (14th century)

ID: COU5948502

Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)

Venetian School, (16th century)

ID: COU5948379

Study of a male nude for 'Faithful until Death' (recto), c.1865 (black chalk on laid paper) [see 5948378]

Poynter, Edward John (1836-1919)

ID: COU5948404

Pierrot with mandolin, 1894 (pen & black ink on paper, laid down on a green support)

Beardsley, Aubrey (1872-98)

ID: COU5948534

Grande Danseuse A, c.1911 (bronze) [see 5948535]

Rodin, Auguste (1840-1917)

ID: COU5948418

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

Caravaggio, Polidoro da (1490/1500-1543)

ID: COU5948372

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

Bazzicaluva, Ercole Frigoni (1607-after c.1661)

ID: COU5948384

Imaginary coastal scene with fishing vessels, 1575-1633 (traces of black chalk, pen & brown ink, brown, yellow and blue wash, blue bodycolour on laid paper, with brown ink framing lines partly trimmed away, laid down on Japanese tissue)

Keuninck, Kerstiaen de (c.1560-1633)

ID: RTG5948616

Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora, in the urban area, Virgin with Child, 13th century fresco (photo)

ID: RTG5948690

Mottola, Taranto, Puglia, Italy, Rock church of Santa Margherita, interior (photo)

ID: RTG5948750

Mottola, Taranto, Puglia, Italy, Rock church of St. Nicholas, exterior (photo)

ID: COU5948314

Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]

Cano, Alonso (1601-67) (attr. to)

ID: RTG5948664

Mottola, Taranto, Puglia, Italy, Rock church of Santa Margherita, Fresco of San Giorgio a Cavallo (photo)