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Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688614: Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688614

Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688618: Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688618

Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Bronze wristlets, 680-670 BC
Bronze wristlets, 680-670 BC

LRI4688972: Bronze wristlets, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688972

Bronze wristlets, 680-670 BC

Etruscan, (7th century BC)

Portrait medallions of Sir William Herschel, Ferdinand, King of Two Sicilies, and Governor William Franklin. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait medallions of Sir William Herschel, Ferdinand, King of Two Sicilies, and Governor William Franklin. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689001: Portrait medallions of Sir William Herschel, Ferdinand, King of Two Sicilies, and Governor William Franklin. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689001

Portrait medallions of Sir William Herschel, Ferdinand, King of Two Sicilies, and Governor William Franklin. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688651: Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688651

Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689011: Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689011

Basalt portrait of Voltaire. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688788: Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688788

Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Etruscan art: three types of bronze fibules from the tomb 59 by Poggio Selciatello, Pian della Regina, Tarquinia - 9th century BC - Dim 3,8 cm 3,3 cm and 3,5 cm - (Etruscan art: three kinds of fibula from tomb 59 in Poggio Selciatello, Pian della Regina, Tarquinia - 8th century BC) Florence Museo Cheologico, inv 83533 d1, d1 e d3
Etruscan art: three types of bronze fibules from the tomb 59 by Poggio Selciatello, Pian della Regina, Tarquinia - 9th century BC - Dim 3,8 cm 3,3 cm and 3,5 cm - (Etruscan art: three kinds of fibula from tomb 59 in Poggio Selciatello, Pian della Regina, Tarquinia - 8th century BC) Florence Museo Cheologico, inv 83533 d1, d1 e d3

LRI4688815: Etruscan art: three types of bronze fibules from the tomb 59 by Poggio Selciatello, Pian della Regina, Tarquinia - 9th century BC - Dim 3,8 cm 3,3 cm and 3,5 cm - (Etruscan art: three kinds of fibula from tomb 59 in Poggio Selciatello, Pian della Regina, Tarquinia - 8th century BC) Florence Museo Cheologico, inv 83533 d1, d1 e d3, Etruscan / Bridgeman Images

ID: LRI4688815

Etruscan art: three types of bronze fibules from the tomb 59 by Poggio Selciatello, Pian della Regina, Tarquinia - 9th century BC - Dim 3,8 cm 3,3 cm and 3,5 cm - (Etruscan art: three kinds of fibula from tomb 59 in Poggio Selciatello, Pian della Regina, Tarquinia - 8th century BC) Florence Museo Cheologico, inv 83533 d1, d1 e d3

Etruscan

Anne of Denmark - Anne of Denmark, queen consort and wife of King James I of England. Steel engraving by W.H. Mote after a portrait by H. Warren from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Anne of Denmark - Anne of Denmark, queen consort and wife of King James I of England. Steel engraving by W.H. Mote after a portrait by H. Warren from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688875: Anne of Denmark - Anne of Denmark, queen consort and wife of King James I of England. Steel engraving by W.H. Mote after a portrait by H. Warren from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688875

Anne of Denmark - Anne of Denmark, queen consort and wife of King James I of England. Steel engraving by W.H. Mote after a portrait by H. Warren from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Etruscan art: small sculpted bronze group belonging to a helmet. 475-450 BC. Museo archeologico Florence Italy - Etruscan art: small bronze group, helmet's attachment. 475-450 BC. Museum of Archaeology, Florence, Italy
Etruscan art: small sculpted bronze group belonging to a helmet. 475-450 BC. Museo archeologico Florence Italy - Etruscan art: small bronze group, helmet's attachment. 475-450 BC. Museum of Archaeology, Florence, Italy

LRI4688893: Etruscan art: small sculpted bronze group belonging to a helmet. 475-450 BC. Museo archeologico Florence Italy - Etruscan art: small bronze group, helmet's attachment. 475-450 BC. Museum of Archaeology, Florence, Italy, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4688893

Etruscan art: small sculpted bronze group belonging to a helmet. 475-450 BC. Museo archeologico Florence Italy - Etruscan art: small bronze group, helmet's attachment. 475-450 BC. Museum of Archaeology, Florence, Italy

Etruscan, (5th century BC)

Damask rose, Rosa damascena, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Damask rose, Rosa damascena, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688909: Damask rose, Rosa damascena, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688909

Damask rose, Rosa damascena, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688944: Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688944

Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Suicide of Ajax (bronze)
Suicide of Ajax (bronze)

LRI4688977: Suicide of Ajax (bronze), Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4688977

Suicide of Ajax (bronze)

Etruscan, (5th century BC)

Earthenware olla, 680-670 BC
Earthenware olla, 680-670 BC

LRI4688987: Earthenware olla, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688987

Earthenware olla, 680-670 BC

Etruscan, (7th century BC)

Portrait medallions of Sir Joshua Reynolds, Edward Bourne (bricklayer at Etruria, Wedgwood factory) and Sir William Hamilton. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait medallions of Sir Joshua Reynolds, Edward Bourne (bricklayer at Etruria, Wedgwood factory) and Sir William Hamilton. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688996: Portrait medallions of Sir Joshua Reynolds, Edward Bourne (bricklayer at Etruria, Wedgwood factory) and Sir William Hamilton. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688996

Portrait medallions of Sir Joshua Reynolds, Edward Bourne (bricklayer at Etruria, Wedgwood factory) and Sir William Hamilton. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Gold cup with handles small sphinxes, from the Bernardini tomb of Palestrina, 675-650 BC
Gold cup with handles small sphinxes, from the Bernardini tomb of Palestrina, 675-650 BC

LRI4689016: Gold cup with handles small sphinxes, from the Bernardini tomb of Palestrina, 675-650 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689016

Gold cup with handles small sphinxes, from the Bernardini tomb of Palestrina, 675-650 BC

Etruscan, (7th century BC)

John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689062: John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689062

John Flaxman's wine vase decorated with grape foliage, and a satyr grasping a ram's head. Chromolithograph W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689127: Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689127

Medallion portrait of Joseph Priestley, clergy and physical scientist. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Plaque depicting Diana visiting Endymion. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque depicting Diana visiting Endymion. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689142: Plaque depicting Diana visiting Endymion. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689142

Plaque depicting Diana visiting Endymion. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Large vase in crystalline agate decorated with animal heads. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Large vase in crystalline agate decorated with animal heads. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689167: Large vase in crystalline agate decorated with animal heads. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689167

Large vase in crystalline agate decorated with animal heads. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: “” bronze and wood”” From Populonia, Porcareccia, Tomb of the Flabelli - 600-550 BC (Etruscan art: bronze and wooden grater 600-550 BC) Florence Museo Archeologico, inv 89300
Etruscan civilization: “” bronze and wood”” From Populonia, Porcareccia, Tomb of the Flabelli - 600-550 BC (Etruscan art: bronze and wooden grater 600-550 BC) Florence Museo Archeologico, inv 89300

LRI4689273: Etruscan civilization: “” bronze and wood”” From Populonia, Porcareccia, Tomb of the Flabelli - 600-550 BC (Etruscan art: bronze and wooden grater 600-550 BC) Florence Museo Archeologico, inv 89300, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689273

Etruscan civilization: “” bronze and wood”” From Populonia, Porcareccia, Tomb of the Flabelli - 600-550 BC (Etruscan art: bronze and wooden grater 600-550 BC) Florence Museo Archeologico, inv 89300

Etruscan, (6th century BC)

Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689308: Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689308

Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4, and King and Queen by another unknown artist 5,7. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: bronze tripod from Spina, Valle Trebba, tomb 128, Italy - Dim 51 cm 500-480 BC (Etruscan art: bronze tripod) 500-480 BC Florence, Museo Archeologico, inv 2899
Etruscan civilization: bronze tripod from Spina, Valle Trebba, tomb 128, Italy - Dim 51 cm 500-480 BC (Etruscan art: bronze tripod) 500-480 BC Florence, Museo Archeologico, inv 2899

LRI4689363: Etruscan civilization: bronze tripod from Spina, Valle Trebba, tomb 128, Italy - Dim 51 cm 500-480 BC (Etruscan art: bronze tripod) 500-480 BC Florence, Museo Archeologico, inv 2899, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689363

Etruscan civilization: bronze tripod from Spina, Valle Trebba, tomb 128, Italy - Dim 51 cm 500-480 BC (Etruscan art: bronze tripod) 500-480 BC Florence, Museo Archeologico, inv 2899

Etruscan, (5th century BC)

Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562
Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562

LRI4689424: Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689424

Etruscan civilization: bronze warrior statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 562

Etruscan, (6th century BC)

Rosier hundred leaves with simple flowers - Eau forte de Chapuy, from an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Single-flowered cabbage rose, Rosa centifolia variety (Rosa centifolia simplex) - Handcolored stipple copperplate engraving by Chapuy after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Didot, Paris, 1817
Rosier hundred leaves with simple flowers - Eau forte de Chapuy, from an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Single-flowered cabbage rose, Rosa centifolia variety (Rosa centifolia simplex) - Handcolored stipple copperplate engraving by Chapuy after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Didot, Paris, 1817

FLO4689431: Rosier hundred leaves with simple flowers - Eau forte de Chapuy, from an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Single-flowered cabbage rose, Rosa centifolia variety (Rosa centifolia simplex) - Handcolored stipple copperplate engraving by Chapuy after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Didot, Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689431

Rosier hundred leaves with simple flowers - Eau forte de Chapuy, from an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Single-flowered cabbage rose, Rosa centifolia variety (Rosa centifolia simplex) - Handcolored stipple copperplate engraving by Chapuy after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Didot, Paris, 1817

Redouté, Pierre Joseph (1759-1840)

Etruscan civilization: bronze situle from the necropolis of San Cerbone, tomb 13, Populonia Italy 5th century BC (Etruscan art: bronze situla) 5th century BC Florence, Museo Archeologico, inv 11817
Etruscan civilization: bronze situle from the necropolis of San Cerbone, tomb 13, Populonia Italy 5th century BC (Etruscan art: bronze situla) 5th century BC Florence, Museo Archeologico, inv 11817

LRI4689478: Etruscan civilization: bronze situle from the necropolis of San Cerbone, tomb 13, Populonia Italy 5th century BC (Etruscan art: bronze situla) 5th century BC Florence, Museo Archeologico, inv 11817, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689478

Etruscan civilization: bronze situle from the necropolis of San Cerbone, tomb 13, Populonia Italy 5th century BC (Etruscan art: bronze situla) 5th century BC Florence, Museo Archeologico, inv 11817

Etruscan, (5th century BC)

The main perfumes of the Hebreus: cinnamon, balm of Galaad (or Judee), nard and valerian - Chromolithography from a 12th century Persian manuscript from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The principal perfumes of the Hebrews: cinnamon Cinnamon Namomum verum, balsam of Gilead Commiphora gileadensis, nard and Indian nard, Nardostachys jatamansi - After a 12th century Persian manuscript - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870
The main perfumes of the Hebreus: cinnamon, balm of Galaad (or Judee), nard and valerian - Chromolithography from a 12th century Persian manuscript from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The principal perfumes of the Hebrews: cinnamon Cinnamon Namomum verum, balsam of Gilead Commiphora gileadensis, nard and Indian nard, Nardostachys jatamansi - After a 12th century Persian manuscript - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

FLO4689547: The main perfumes of the Hebreus: cinnamon, balm of Galaad (or Judee), nard and valerian - Chromolithography from a 12th century Persian manuscript from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The principal perfumes of the Hebrews: cinnamon Cinnamon Namomum verum, balsam of Gilead Commiphora gileadensis, nard and Indian nard, Nardostachys jatamansi - After a 12th century Persian manuscript - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870 / Bridgeman Images

ID: FLO4689547

The main perfumes of the Hebreus: cinnamon, balm of Galaad (or Judee), nard and valerian - Chromolithography from a 12th century Persian manuscript from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - The principal perfumes of the Hebrews: cinnamon Cinnamon Namomum verum, balsam of Gilead Commiphora gileadensis, nard and Indian nard, Nardostachys jatamansi - After a 12th century Persian manuscript - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

Etruscan civilization: bronze mirror - 4th century BC From Tuscania, Italy Diam 12,3 cm (Etruscan art: bronze mirror, 4th century BC) Florence, Museo Archeologico, inv 77759
Etruscan civilization: bronze mirror - 4th century BC From Tuscania, Italy Diam 12,3 cm (Etruscan art: bronze mirror, 4th century BC) Florence, Museo Archeologico, inv 77759

LRI4689590: Etruscan civilization: bronze mirror - 4th century BC From Tuscania, Italy Diam 12,3 cm (Etruscan art: bronze mirror, 4th century BC) Florence, Museo Archeologico, inv 77759, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689590

Etruscan civilization: bronze mirror - 4th century BC From Tuscania, Italy Diam 12,3 cm (Etruscan art: bronze mirror, 4th century BC) Florence, Museo Archeologico, inv 77759

Etruscan, (4th century BC)

Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689093: Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689093

Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689157: Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689157

Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461
Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461

LRI4689174: Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689174

Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461

Etruscan, (4th century BC)

Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689198: Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689198

Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689205: Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689205

Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651
Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651

LRI4689215: Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689215

Etruscan civilization: Symposium accessory in silver ceramic from a tomb of Poggio Sala, Italy 4th century BC Dim 23 cm (accessory for the symposium) 4th century BC Florence, Museo Archeologico, inv 77651

Etruscan, (4th century BC)

Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689270: Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689270

Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: kantharos (canthare) de bucchero noir - 6th century BC (Etruscan art: bucchero cantharus) 6th century BC Florence, Museo Archeologico, inv 2891
Etruscan civilization: kantharos (canthare) de bucchero noir - 6th century BC (Etruscan art: bucchero cantharus) 6th century BC Florence, Museo Archeologico, inv 2891

LRI4689339: Etruscan civilization: kantharos (canthare) de bucchero noir - 6th century BC (Etruscan art: bucchero cantharus) 6th century BC Florence, Museo Archeologico, inv 2891, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689339

Etruscan civilization: kantharos (canthare) de bucchero noir - 6th century BC (Etruscan art: bucchero cantharus) 6th century BC Florence, Museo Archeologico, inv 2891

Etruscan, (6th century BC)


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