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Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671459: Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671459

Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671550: Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671550

Alexandrian senna, Senna alexandrina (Senna, Cassia senna). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671645: Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671645

Fig, Ficus carica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671747: Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

ID: FLO4671747

Woman on a horse with whip and silver spurs, delivering a lecture on magnetism with a magnet and iron dish, accompanied by a drummer. Entertainers near Orleans cathedral, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671964: Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671964

Woman in large striped hat-hat over a gauze night cap, and woman in black felt hat with feather trim, ribbons and plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4672014: Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4672014

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672060: King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672060

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671612: Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671612

Virginia snakeroot, Aristolochia serpentaria. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671738: Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671738

Hat a l'Iphigenie, a pouf in white gauze with flowers inspired by the 1779 opera by Gluck, and hat a la Colette, straw hat decorated with ribbons. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671886: Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671886

Fashionable armchairs of 1788: a bergere in striped silk and carved walnut, and a armchair in Aubusson tapestry and carved walnut. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671924: Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671924

Woman in a pierrot jacket and petticoat in striped satin, hat-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671972: Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671972

Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M. Depain of the rue du Theatre-Francais. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671987: Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671987

Fashionable hats of 1788. Straw hat with violet ribbons and plumes, a pouf a la preresse with blue gauze and taffeta ribbon diadem, and a straw hat with pink taffeta, black ribbons and flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4672013: Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4672013

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671577: Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671577

Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671610: Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671610

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671621: Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671621

Colocynth or bitter apple, Citrullus colocynthis (Cucumis colocynthus). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671643: Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671643

Bladderwrack, Fucus vesiculosus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671743: Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

ID: FLO4671743

Fashionable woman near the Palais Royale, Paris, circa 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671778: Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671778

Silver salt cellar showing the arcades of the Palais Royal, designed by Grancher, jeweller at Pete-Dunkirk. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671811: Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671811

Marie Antoinette's sleigh, a carriage mounted on skis. Marie Antoinette raced Madame de Lamballe around Versailles. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671827: Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671827

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671868: Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671868

Two-person horse-drawn carriage called a vis-a-vis a l'anglais, English face to face. Built by M. Herve, master carriage builder of rue Feydeau. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672172: Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672172

Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672192: Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672192

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672216: Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672216

Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672457: Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672457

Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672143: Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672143

Blanche de la Tour (1342-1342), daughter of Edward III (1312-1377). Dead child represented by a young woman after her monument in St Edward's Chapel in Westminster (England). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672832: Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672832

Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672922: Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672922

Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672977: Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672977

Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673028: Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673028

Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673055: Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673055

Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672626: Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672626

Back and torso muscles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672925: Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672925

Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673214: Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673214

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)


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