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Woman of Salamanca, Spain, 18th century, after Jacques Grasset de Saint-Sauveur. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Woman of Salamanca, Spain, 18th century, after Jacques Grasset de Saint-Sauveur. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686569: Woman of Salamanca, Spain, 18th century, after Jacques Grasset de Saint-Sauveur. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history., Grasset de Saint-Sauveur, Jacques (1757-1810) (after) / Bridgeman Images

The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687446: The Alpine Ibex (Capra ibex), a species of wild goat endemic to the Alps, has a sturdy but extremely strong and resistant structure. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687454: The large squirrel on the Malabar coast (Ratufa indica, Sciurus maximus), or giant squirrel from India, omnivorous rodent. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

The musicians of the Armee of Assurbanipal, c.640 BC (limestone)
The musicians of the Armee of Assurbanipal, c.640 BC (limestone)

JLJ4687528: The musicians of the Armee of Assurbanipal, c.640 BC (limestone), Neo-Assyrian, (7th century BC) / Bridgeman Images

Mole rat from South Africa (Georychus capensis, Mus myotalpa maritima). small rodent whose flesh is consumed. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Mole rat from South Africa (Georychus capensis, Mus myotalpa maritima). small rodent whose flesh is consumed. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687572: Mole rat from South Africa (Georychus capensis, Mus myotalpa maritima). small rodent whose flesh is consumed. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686721: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century
Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century

LBY4687709: Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century, Boegly, Luc / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686742: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Variete of leafhopper (Pyrops candelarius) native to Asia. This specimen was drawn from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Variete of leafhopper (Pyrops candelarius) native to Asia. This specimen was drawn from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687742: Variete of leafhopper (Pyrops candelarius) native to Asia. This specimen was drawn from nature by George Edwards (1694-1773). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Pinax decor with a low relief of the kidnapping of Kore (Persephone) by a Dioscure (or by a messenger of the god of Hades), first half 5th century BC (terracotta)
Pinax decor with a low relief of the kidnapping of Kore (Persephone) by a Dioscure (or by a messenger of the god of Hades), first half 5th century BC (terracotta)

LRI4686835: Pinax decor with a low relief of the kidnapping of Kore (Persephone) by a Dioscure (or by a messenger of the god of Hades), first half 5th century BC (terracotta), Greek school, (5th century BC) / Bridgeman Images

Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4679068: Variete d'heliconia (so-called floury) - Plate engraved by S.Watts, based on an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Powdered heliconia, Heliconia farinosa (Heliconia pulverulenta) - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Denham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

View of the Temple of Fortuna Augusta, Pompeii. On the corner of Via del Foro and Via della Fortuna. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
View of the Temple of Fortuna Augusta, Pompeii. On the corner of Via del Foro and Via della Fortuna. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688107: View of the Temple of Fortuna Augusta, Pompeii. On the corner of Via del Foro and Via della Fortuna. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

The Bather, 1807 (oil on canvas)
The Bather, 1807 (oil on canvas)

JLJ4688206: The Bather, 1807 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

The Cougar (Lioness Lookout For A Prey), 1859 (oil on wood)
The Cougar (Lioness Lookout For A Prey), 1859 (oil on wood)

JLJ4688255: The Cougar (Lioness Lookout For A Prey), 1859 (oil on wood), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06.

TEC4688289: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06., Gehry, Frank (1929-2025) / Bridgeman Images

Frieze of the months of main entrance (sculpture, 1220-1230)
Frieze of the months of main entrance (sculpture, 1220-1230)

LRI4688301: Frieze of the months of main entrance (sculpture, 1220-1230), Italian School, (13th century) / Bridgeman Images

Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746.
Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746.

FLO4688307: Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746. / Bridgeman Images

View of the Tower of Winds or Andronicos clock, 1st century BC (photography)
View of the Tower of Winds or Andronicos clock, 1st century BC (photography)

LRI4688333: View of the Tower of Winds or Andronicos clock, 1st century BC (photography), Cyrrhus, Andonicus de (1st century BC) / Bridgeman Images

The Death Of Marc Aurele (121-180), 1835 (oil on canvas)
The Death Of Marc Aurele (121-180), 1835 (oil on canvas)

JLJ4688337: The Death Of Marc Aurele (121-180), 1835 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688350: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

View of the temple of Poseidon, 5th century BC (photography)
View of the temple of Poseidon, 5th century BC (photography)

LRI4688352: View of the temple of Poseidon, 5th century BC (photography), Greek school, (5th century BC) / Bridgeman Images

View of part of the temple of Apollo, around 370-360 BC (photography)
View of part of the temple of Apollo, around 370-360 BC (photography)

LRI4688362: View of part of the temple of Apollo, around 370-360 BC (photography), Greek school, (4th century BC) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688375: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688389: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

View of the four columns of the temple of Apollo, 370 BC (photography)
View of the four columns of the temple of Apollo, 370 BC (photography)

LRI4688411: View of the four columns of the temple of Apollo, 370 BC (photography), Greek school, (4th century BC) / Bridgeman Images

Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688412: Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689029: Plaque depicting an offering to Flora. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Couple of golden earrings, 6th century BC
Couple of golden earrings, 6th century BC

LRI4689043: Couple of golden earrings, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06
Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06

LBY4689058: Kunsthaus (KUB) of Bregenz, Austria. Architect Peter Zumthor, 1994-1997. Photography 16/06/06, Boegly, Luc / Bridgeman Images

Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689093: Vase with reliefs of the nine Muses, nymphs as archers and nymphs. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Musee Guimet, Musee national des arts asians, 6 place d'Iena in Paris 75016. Rehabilitation 2001, architects Henri and Bruno Gaudin. Photography 2001.
Musee Guimet, Musee national des arts asians, 6 place d'Iena in Paris 75016. Rehabilitation 2001, architects Henri and Bruno Gaudin. Photography 2001.

LBY4689135: Musee Guimet, Musee national des arts asians, 6 place d'Iena in Paris 75016. Rehabilitation 2001, architects Henri and Bruno Gaudin. Photography 2001., Gaudin, Henri (1933-2021) & Gaudin, Bruno (b.1970) / Bridgeman Images

Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689157: Three vases in pale grey blue. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461
Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461

LRI4689174: Etruscan civilization: terracotta patch from a tomb of Poggio Sala, Italy 4th century BC Diam 24 cm (clay patera) 4th century BC Florence, Museo Archeologico, inv 4461, Etruscan, (4th century BC) / Bridgeman Images

Cup with red figures, medallion: disc launcher, -500 BC (ceramic)
Cup with red figures, medallion: disc launcher, -500 BC (ceramic)

JLJ4689186: Cup with red figures, medallion: disc launcher, -500 BC (ceramic), Greek school, (5th century BC) / Bridgeman Images

Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689198: Tricolor flowerpot, cup and saucer with fern leaves, and teapot from the Bale service. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689205: Vase with reliefs of Achilles (L), vase with Hercules in the garden of the Hesperides (C), and vase with reliefs designed by Lady Templeton (R). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images


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