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Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06.

TEC4688289: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06., Gehry, Frank (1929-2025) / Bridgeman Images

Frieze of the months of main entrance (sculpture, 1220-1230)
Frieze of the months of main entrance (sculpture, 1220-1230)

LRI4688301: Frieze of the months of main entrance (sculpture, 1220-1230), Italian School, (13th century) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688332: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688339: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688349: A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688354: Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688358: A Galla boy of Abyssinia, nine years of age. Handcoloured lithograph by J. Bull after a portrait by d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688377: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688389: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688412: Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688421: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

A-Queen-we-zaints, the Boy Chief, Ojibwe Nation. One of the troupe of nine Ojibwe people who traveled to England in 1844. In feather headdress, buckskin shirt, necklace of teeth, with tomahawk. Handcoloured lithograph by J. Harris after an illustration by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A-Queen-we-zaints, the Boy Chief, Ojibwe Nation. One of the troupe of nine Ojibwe people who traveled to England in 1844. In feather headdress, buckskin shirt, necklace of teeth, with tomahawk. Handcoloured lithograph by J. Harris after an illustration by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688540: A-Queen-we-zaints, the Boy Chief, Ojibwe Nation. One of the troupe of nine Ojibwe people who traveled to England in 1844. In feather headdress, buckskin shirt, necklace of teeth, with tomahawk. Handcoloured lithograph by J. Harris after an illustration by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Tepidarium or warm bath, near the gate to Stabiae. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Tepidarium or warm bath, near the gate to Stabiae. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688285: Tepidarium or warm bath, near the gate to Stabiae. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

Protiro of the Cathedral, end 13th-beginning 14th century
Protiro of the Cathedral, end 13th-beginning 14th century

LRI4688288: Protiro of the Cathedral, end 13th-beginning 14th century, Central Italian School, (13th-14th century) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688353: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688376: Woman of the San people (Bushman), South Africa, 19th century, in hat, fur cloak and robe. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688392: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688459: Native of Madagascar, in tie, collar and fringed cloak. From a portrait of a Malagasy man in London on a mission from Queen Ramavo of Merina. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688576: The Mink, Mi-Meek-ee-Sunk-te-ka, a Mandan or Numakiki girl. She wears a mountainsheep skin dress, ornamented with porcupine quills, beads, and elk's teeth. Handcoloured lithograph after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

View of the Forum, Pompeii. A nobleman is carried in a sedan chair to the steps of the Forum. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
View of the Forum, Pompeii. A nobleman is carried in a sedan chair to the steps of the Forum. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688132: View of the Forum, Pompeii. A nobleman is carried in a sedan chair to the steps of the Forum. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688618: Kamchatkan native, in fur skin coat. Copied from Louis Choris's “” Picturesque Journey.”” Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688689: Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688788: Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

Nacelle from the sanctuary of Gravisca, late 7th century BC (bronze)
Nacelle from the sanctuary of Gravisca, late 7th century BC (bronze)

LRI4688843: Nacelle from the sanctuary of Gravisca, late 7th century BC (bronze), Etruscan, (7th century BC) / Bridgeman Images

Etruscan civilization: bronze plaque referring to the myth of Troilos (Troilus) 520 BC (Etruscan art: bronze plaque referring to Troilus myth, 520 BC) Dim 15x11,7 cm Florence, Museo Archeologico, inv 63588 - Etruscan art: bronze plaque referring to the Troilus myth, 520 BC. 15 x 11,7 cm. Museum of Archaeology, inv 63588, Florence, Italy
Etruscan civilization: bronze plaque referring to the myth of Troilos (Troilus) 520 BC (Etruscan art: bronze plaque referring to Troilus myth, 520 BC) Dim 15x11,7 cm Florence, Museo Archeologico, inv 63588 - Etruscan art: bronze plaque referring to the Troilus myth, 520 BC. 15 x 11,7 cm. Museum of Archaeology, inv 63588, Florence, Italy

LRI4688920: Etruscan civilization: bronze plaque referring to the myth of Troilos (Troilus) 520 BC (Etruscan art: bronze plaque referring to Troilus myth, 520 BC) Dim 15x11,7 cm Florence, Museo Archeologico, inv 63588 - Etruscan art: bronze plaque referring to the Troilus myth, 520 BC. 15 x 11,7 cm. Museum of Archaeology, inv 63588, Florence, Italy, Etruscan, (6th century BC) / Bridgeman Images

Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710
Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710

LRI4689613: Etruscan civilization: bronze plate - 520 BC Dim 27.5 cm Florence, Museo Archeologico, inv 710, Etruscan, (6th century BC) / Bridgeman Images

Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685797: Woman of quality, reign of Charles VII, 1460. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685834: Women of the environs of Paris, reign of Charles VII, 1443. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

View of the Chapel of the Trinity next to Shakespeare's House in Stratford Upon Avon. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity.
View of the Chapel of the Trinity next to Shakespeare's House in Stratford Upon Avon. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity.

FLO4685557: View of the Chapel of the Trinity next to Shakespeare's House in Stratford Upon Avon. Etching by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity. / Bridgeman Images

Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Hippolyte Pauquet after Jacques Collet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Hippolyte Pauquet after Jacques Collet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685964: Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Hippolyte Pauquet after Jacques Collet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685710: Dog and Wolf - Shepherd dog, Canis familiaris, and wolf, Canis lupus. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685762: Guinea pig and capybara - Guinea pig, Cavia porcellus, and capybara, Hydrochoerus hydrochaeris. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685769: Orders of flowers: Siliculosa, Seliquosa, Polygamia, Monogamia, Filicus, Fungi, etc. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Bongare fascie, Bongare annele or bungare - Banded krait, Bungarus fasciatus (Fasciated boa, Boa fasciata). Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Bongare fascie, Bongare annele or bungare - Banded krait, Bungarus fasciatus (Fasciated boa, Boa fasciata). Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685859: Bongare fascie, Bongare annele or bungare - Banded krait, Bungarus fasciatus (Fasciated boa, Boa fasciata). Handcoloured copperplate engraving from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images

Henri d'Albret, grandfather to Henri IV, 1527. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Henri d'Albret, grandfather to Henri IV, 1527. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685895: Henri d'Albret, grandfather to Henri IV, 1527. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Francois (1518-1536), dauphin of Viennese, son of King Francois I, 1534. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Francois (1518-1536), dauphin of Viennese, son of King Francois I, 1534. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685904: Francois (1518-1536), dauphin of Viennese, son of King Francois I, 1534. Handcoloured steel engraving by Hippolyte Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images


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