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Camp Militaire Gallieni de Maisons-Laffitte dans les Yvelines (Military camp in Maisons laffitte, Yvelines) Postcard 1910
Camp Militaire Gallieni de Maisons-Laffitte dans les Yvelines (Military camp in Maisons laffitte, Yvelines) Postcard 1910

ELD4964471: Camp Militaire Gallieni de Maisons-Laffitte dans les Yvelines (Military camp in Maisons laffitte, Yvelines) Postcard 1910 / Bridgeman Images

View on the canal des moulins in Strasbourg, Alsace Postcard 1905
View on the canal des moulins in Strasbourg, Alsace Postcard 1905

ELD4964484: View on the canal des moulins in Strasbourg, Alsace Postcard 1905 / Bridgeman Images

Troglodyte dwelling in the cliffs of Dieppe, Seine Maritime, Normandy (troglodyte dwelling in the cliffs of Dieppe, Normandy) Postcard 1905
Troglodyte dwelling in the cliffs of Dieppe, Seine Maritime, Normandy (troglodyte dwelling in the cliffs of Dieppe, Normandy) Postcard 1905

ELD4964556: Troglodyte dwelling in the cliffs of Dieppe, Seine Maritime, Normandy (troglodyte dwelling in the cliffs of Dieppe, Normandy) Postcard 1905 / Bridgeman Images

View of the Quai de la Petite-France in Strasbourg, Alsace Postcard 1910
View of the Quai de la Petite-France in Strasbourg, Alsace Postcard 1910

ELD4964562: View of the Quai de la Petite-France in Strasbourg, Alsace Postcard 1910 / Bridgeman Images

View of Pornichet beach a maree basse en Loire-Atlantique (Pornichet beach) Postcard 1910
View of Pornichet beach a maree basse en Loire-Atlantique (Pornichet beach) Postcard 1910

ELD4964580: View of Pornichet beach a maree basse en Loire-Atlantique (Pornichet beach) Postcard 1910 / Bridgeman Images

View of a street of the Kasbah in Algiers, Algeria Postcard ca. 1905
View of a street of the Kasbah in Algiers, Algeria Postcard ca. 1905

ELD4964647: View of a street of the Kasbah in Algiers, Algeria Postcard ca. 1905 / Bridgeman Images

French colonial Empire: colonies of Oceania, French Polynesia, Protectorate of Tahiti (otaheiti) (French possessions and colonies: french oceania, tahiti) Chromolithograph of the end of the 19th century
French colonial Empire: colonies of Oceania, French Polynesia, Protectorate of Tahiti (otaheiti) (French possessions and colonies: french oceania, tahiti) Chromolithograph of the end of the 19th century

ELD4964748: French colonial Empire: colonies of Oceania, French Polynesia, Protectorate of Tahiti (otaheiti) (French possessions and colonies: french oceania, tahiti) Chromolithograph of the end of the 19th century / Bridgeman Images

French possessions and colonies: french india, Pondichery and Chandernagor. End of the 19th century (chromolithograph)
French possessions and colonies: french india, Pondichery and Chandernagor. End of the 19th century (chromolithograph)

ELD4964776: French possessions and colonies: french india, Pondichery and Chandernagor. End of the 19th century (chromolithograph) / Bridgeman Images

Portrait of Charles IX (1550-1574) at the castle of Amboise in Indre and Loire where the peace and the edit of Amboise took place in 1563. End of the 19th century (chromolithograph)
Portrait of Charles IX (1550-1574) at the castle of Amboise in Indre and Loire where the peace and the edit of Amboise took place in 1563. End of the 19th century (chromolithograph)

ELD4964819: Portrait of Charles IX (1550-1574) at the castle of Amboise in Indre and Loire where the peace and the edit of Amboise took place in 1563. End of the 19th century (chromolithograph) / Bridgeman Images

Portrait of Francois I (1494-1547) at the Chateau de Chambord. End of the 19th century (chromolithograph)
Portrait of Francois I (1494-1547) at the Chateau de Chambord. End of the 19th century (chromolithograph)

ELD4964823: Portrait of Francois I (1494-1547) at the Chateau de Chambord. End of the 19th century (chromolithograph) / Bridgeman Images

Portrait of King Louis XII at the Castle of Blois. Late 19th century (chromolithograph)
Portrait of King Louis XII at the Castle of Blois. Late 19th century (chromolithograph)

ELD4964860: Portrait of King Louis XII at the Castle of Blois. Late 19th century (chromolithograph) / Bridgeman Images

Portrait of Louis XIII (1601-1643) King of France at the castle of Pierrefonds in 1617 by richelieu. End of the 19th century (chromolithograph)
Portrait of Louis XIII (1601-1643) King of France at the castle of Pierrefonds in 1617 by richelieu. End of the 19th century (chromolithograph)

ELD4964862: Portrait of Louis XIII (1601-1643) King of France at the castle of Pierrefonds in 1617 by richelieu. End of the 19th century (chromolithograph) / Bridgeman Images

Working animals: Indian elephants used for the removal of tree trunks - Ceylon Postcard 1908
Working animals: Indian elephants used for the removal of tree trunks - Ceylon Postcard 1908

ELD4964967: Working animals: Indian elephants used for the removal of tree trunks - Ceylon Postcard 1908 / Bridgeman Images

Expression of the French language: lighting under the bushel. Late 19th century (chromolithograph)
Expression of the French language: lighting under the bushel. Late 19th century (chromolithograph)

ELD4964979: Expression of the French language: lighting under the bushel. Late 19th century (chromolithograph) / Bridgeman Images

French expression meaning to go the “” extra mile”. Chromolithograph de la fin du 19eme cecle
French expression meaning to go the “” extra mile”. Chromolithograph de la fin du 19eme cecle

ELD4964984: French expression meaning to go the “” extra mile”. Chromolithograph de la fin du 19eme cecle / Bridgeman Images

Exit des travailleurs de l'arsenal militaire de Brest, Finistere Bretagne (Workers leaving the arsenal of Brest) Postcard ca. 1905
Exit des travailleurs de l'arsenal militaire de Brest, Finistere Bretagne (Workers leaving the arsenal of Brest) Postcard ca. 1905

ELD4965053: Exit des travailleurs de l'arsenal militaire de Brest, Finistere Bretagne (Workers leaving the arsenal of Brest) Postcard ca. 1905 / Bridgeman Images

View of a steam machine in the Michelin factory in Clermont-Ferrand, beginning 20th century (View of the Michelin tyres factories in France) Postcard around 1910
View of a steam machine in the Michelin factory in Clermont-Ferrand, beginning 20th century (View of the Michelin tyres factories in France) Postcard around 1910

ELD4965089: View of a steam machine in the Michelin factory in Clermont-Ferrand, beginning 20th century (View of the Michelin tyres factories in France) Postcard around 1910 / Bridgeman Images

View of a street of the Kasbah in Algiers, Algeria Postcard ca. 1905
View of a street of the Kasbah in Algiers, Algeria Postcard ca. 1905

ELD4965108: View of a street of the Kasbah in Algiers, Algeria Postcard ca. 1905 / Bridgeman Images

View of the Michelin factory in Clermont-Ferrand, beginning 20th century (View over the Michelin tyres factories in France) Postcard around 1910
View of the Michelin factory in Clermont-Ferrand, beginning 20th century (View over the Michelin tyres factories in France) Postcard around 1910

ELD4965211: View of the Michelin factory in Clermont-Ferrand, beginning 20th century (View over the Michelin tyres factories in France) Postcard around 1910 / Bridgeman Images

Armee francaise: cuirassier 1812 (French army: cuirassier 1812) Chromolithograph of the end of the 19th century
Armee francaise: cuirassier 1812 (French army: cuirassier 1812) Chromolithograph of the end of the 19th century

ELD4965247: Armee francaise: cuirassier 1812 (French army: cuirassier 1812) Chromolithograph of the end of the 19th century / Bridgeman Images

French army: rifleman of the Regiment du roi 1680 Chromolithograph of the late 19th century
French army: rifleman of the Regiment du roi 1680 Chromolithograph of the late 19th century

ELD4965255: French army: rifleman of the Regiment du roi 1680 Chromolithograph of the late 19th century / Bridgeman Images

French army: infantry officer 1680. Late 19th century (chromolithograph)
French army: infantry officer 1680. Late 19th century (chromolithograph)

ELD4965270: French army: infantry officer 1680. Late 19th century (chromolithograph) / Bridgeman Images

Arrivee du lait aux factories de Henri Nestle, now the largest food company in the world, in Vevey, Switzerland 1880 ca - Photograph
Arrivee du lait aux factories de Henri Nestle, now the largest food company in the world, in Vevey, Switzerland 1880 ca - Photograph

ELD4965279: Arrivee du lait aux factories de Henri Nestle, now the largest food company in the world, in Vevey, Switzerland 1880 ca - Photograph / Bridgeman Images

Air view of the factories Nestle in Boue, Aisne, France, c.1950 (b/w photo)
Air view of the factories Nestle in Boue, Aisne, France, c.1950 (b/w photo)

ELD4965354: Air view of the factories Nestle in Boue, Aisne, France, c.1950 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

Ancient Rome: Law, Punishment of traitors, Throw from the Tarpeian Rock in Rome (Italy) Engraving from “Rom” by Wilhelm Wagner, 1862
Ancient Rome: Law, Punishment of traitors, Throw from the Tarpeian Rock in Rome (Italy) Engraving from “Rom” by Wilhelm Wagner, 1862

ELD4965482: Ancient Rome: Law, Punishment of traitors, Throw from the Tarpeian Rock in Rome (Italy) Engraving from “Rom” by Wilhelm Wagner, 1862 / Bridgeman Images

Roman Antiquite: The Capture of Veies by the Romans of Camille in 396 BC (the battle of Veii led by Marcus Furius Camillus elected dictator 396 BC) Engraving from “” Rom” by Wilhelm Wagner, 1862
Roman Antiquite: The Capture of Veies by the Romans of Camille in 396 BC (the battle of Veii led by Marcus Furius Camillus elected dictator 396 BC) Engraving from “” Rom” by Wilhelm Wagner, 1862

ELD4965511: Roman Antiquite: The Capture of Veies by the Romans of Camille in 396 BC (the battle of Veii led by Marcus Furius Camillus elected dictator 396 BC) Engraving from “” Rom” by Wilhelm Wagner, 1862 / Bridgeman Images

Portrait of the Spanish impostor Gabriel Espinosa (Spinosa) (16th century) presented a Maria Ana de Austria y de Mendoza (Gabriel de Espinosa Spanish impostor - He was the protagonist of the incident known as the “” baker of Madrigal””, which consisted of the impersonation of the late King Sebastian of Portugal, for which he was executed - here he's introduced Maria Ana de Austria) Engraving from “Conspirators and Political Executions” by White, 1846
Portrait of the Spanish impostor Gabriel Espinosa (Spinosa) (16th century) presented a Maria Ana de Austria y de Mendoza (Gabriel de Espinosa Spanish impostor - He was the protagonist of the incident known as the “” baker of Madrigal””, which consisted of the impersonation of the late King Sebastian of Portugal, for which he was executed - here he's introduced Maria Ana de Austria) Engraving from “Conspirators and Political Executions” by White, 1846

ELD4965518: Portrait of the Spanish impostor Gabriel Espinosa (Spinosa) (16th century) presented a Maria Ana de Austria y de Mendoza (Gabriel de Espinosa Spanish impostor - He was the protagonist of the incident known as the “” baker of Madrigal””, which consisted of the impersonation of the late King Sebastian of Portugal, for which he was executed - here he's introduced Maria Ana de Austria) Engraving from “Conspirators and Political Executions” by White, 1846 / Bridgeman Images

Roman Antiquite: Horatius Cocles (Horatius Le Borgne), legendary heros defending the only bridge that crossed the Tiber, while the young Roman Republic was threatened by the Etrusque Lars Porsenna, 507 BC (Horatius Cocles, a mythological hero, who was told to have defended alone a bridge against the Etruscans) Engraving from “Rom”” by Wilhelm Wagner, 1862
Roman Antiquite: Horatius Cocles (Horatius Le Borgne), legendary heros defending the only bridge that crossed the Tiber, while the young Roman Republic was threatened by the Etrusque Lars Porsenna, 507 BC (Horatius Cocles, a mythological hero, who was told to have defended alone a bridge against the Etruscans) Engraving from “Rom”” by Wilhelm Wagner, 1862

ELD4965521: Roman Antiquite: Horatius Cocles (Horatius Le Borgne), legendary heros defending the only bridge that crossed the Tiber, while the young Roman Republic was threatened by the Etrusque Lars Porsenna, 507 BC (Horatius Cocles, a mythological hero, who was told to have defended alone a bridge against the Etruscans) Engraving from “Rom”” by Wilhelm Wagner, 1862 / Bridgeman Images

Vegetable mite. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Vegetating mite. Acarus vegetans. Nothing more than the larva or young of the acarus coleoptratorum or common beetle acarus.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Vegetable mite. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Vegetating mite. Acarus vegetans. Nothing more than the larva or young of the acarus coleoptratorum or common beetle acarus.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974687: Vegetable mite. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Vegetating mite. Acarus vegetans. Nothing more than the larva or young of the acarus coleoptratorum or common beetle acarus.” Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Striped mouse, African rodent. Copper engraving, illustration by Frederick Polydor Nodder (1751-1801) and George Shaw for the naturalist collection, published in 1790 by George Shaw. Typical Striped Grad Mouse. Lemniscomys striatus. Illustration signed SN (George Shaw and Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).
Striped mouse, African rodent. Copper engraving, illustration by Frederick Polydor Nodder (1751-1801) and George Shaw for the naturalist collection, published in 1790 by George Shaw. Typical Striped Grad Mouse. Lemniscomys striatus. Illustration signed SN (George Shaw and Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974689: Striped mouse, African rodent. Copper engraving, illustration by Frederick Polydor Nodder (1751-1801) and George Shaw for the naturalist collection, published in 1790 by George Shaw. Typical Striped Grad Mouse. Lemniscomys striatus. Illustration signed SN (George Shaw and Frederick Nodder). Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Draco lezard or flying dragon. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Flying dragon, a type of gliding lizard. Draco Volans. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).
Draco lezard or flying dragon. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Flying dragon, a type of gliding lizard. Draco Volans. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974690: Draco lezard or flying dragon. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Flying dragon, a type of gliding lizard. Draco Volans. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Hybrid duck, a cross between musk and mallard duck. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by Maria Sibylla Merian, for the naturalist collection, published in 1790 by George Shaw. Merian duck. Anas merianae. A hybrid between the Muscovy duck Cairo moschata and the domestic mallard Anas platyrhynchos. Illustration copied from drawing by Maria Sibylla Merian. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).
Hybrid duck, a cross between musk and mallard duck. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by Maria Sibylla Merian, for the naturalist collection, published in 1790 by George Shaw. Merian duck. Anas merianae. A hybrid between the Muscovy duck Cairo moschata and the domestic mallard Anas platyrhynchos. Illustration copied from drawing by Maria Sibylla Merian. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4974691: Hybrid duck, a cross between musk and mallard duck. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by Maria Sibylla Merian, for the naturalist collection, published in 1790 by George Shaw. Merian duck. Anas merianae. A hybrid between the Muscovy duck Cairo moschata and the domestic mallard Anas platyrhynchos. Illustration copied from drawing by Maria Sibylla Merian. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

Woman in fancy dress called the moon (la lune) with hat with shooting stars, grey dress and veils of stars and roses. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress called the moon (la lune) with hat with shooting stars, grey dress and veils of stars and roses. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4974699: Woman in fancy dress called the moon (la lune) with hat with shooting stars, grey dress and veils of stars and roses. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

Types of leaves of plants. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Types of leaves of plants. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4974700: Types of leaves of plants. Handcoloured copperplate engraving after Sydenham Edwards from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Indulgence granted by the Archbishop of Armagh Rowland Jorse 1312 with his seal showing him in religious robes with crozier. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.
Indulgence granted by the Archbishop of Armagh Rowland Jorse 1312 with his seal showing him in religious robes with crozier. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.

FLO4974705: Indulgence granted by the Archbishop of Armagh Rowland Jorse 1312 with his seal showing him in religious robes with crozier. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images

Various personal seals from the time of Henry VII and Henry VII, and a promisory deed by Robert Batheman from 1308. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.
Various personal seals from the time of Henry VII and Henry VII, and a promisory deed by Robert Batheman from 1308. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.

FLO4974708: Various personal seals from the time of Henry VII and Henry VII, and a promisory deed by Robert Batheman from 1308. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images


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