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New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620637: New Egyptian architecture: mosque in Alexandria, white convent, and tombs of the caliphs, Cairo. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843.
Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843.

FLO4620299: Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i i Popoli), 1843. / Bridgeman Images

Costumes of the Tswana or Batswana (Bechuana), South Africa. Woman with baby on her back, man smoking hookah pipe of bamboo and cowhorn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the Tswana or Batswana (Bechuana), South Africa. Woman with baby on her back, man smoking hookah pipe of bamboo and cowhorn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620330: Costumes of the Tswana or Batswana (Bechuana), South Africa. Woman with baby on her back, man smoking hookah pipe of bamboo and cowhorn. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian gods in the Graeco-Roman style: Isis from a Greek temple 1, Isis with snake from a Roman temple, and Serapis with snake from a Greek temple 3. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian gods in the Graeco-Roman style: Isis from a Greek temple 1, Isis with snake from a Roman temple, and Serapis with snake from a Greek temple 3. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620497: Egyptian gods in the Graeco-Roman style: Isis from a Greek temple 1, Isis with snake from a Roman temple, and Serapis with snake from a Greek temple 3. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620561: Interior of the Temple of Hathor, at Dendera (Tentyra), with columns of carved and painted hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Elevation of the Temple of Edfu (Apollonopolis Magna), Egypt, with carved hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Elevation of the Temple of Edfu (Apollonopolis Magna), Egypt, with carved hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620611: Elevation of the Temple of Edfu (Apollonopolis Magna), Egypt, with carved hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620619: Egyptian architecture: pyramids of Giza, Sphinx and sarcophagus with hieroglyphs. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620635: Egyptian fishing boats, rowboats and canoes on the Nile in front of the Temple of Edfu. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Compression car: Ricard Sculpture, 1962 (sculpture)
Compression car: Ricard Sculpture, 1962 (sculpture)

LRI4620661: Compression car: Ricard Sculpture, 1962 (sculpture), Cesar (Cesar Baldaccini) (1921-98) / Bridgeman Images

Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620702: Room decorated in the Egyptian style, with man seated on a carpet, servants bringing drinks, grandfather clock, cushions and curtains. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620754: Sea battle between the Roman and Carthaginian warships with various battering rams and prows, including a centaur. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620769: The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Portraits of Benjamin Franklin and George Washington. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Portraits of Benjamin Franklin and George Washington. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621825: Portraits of Benjamin Franklin and George Washington. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Tools of the Canadian natives: clam shell 1, wampun 2, wampun bead 3, belt that hangs to mid-thigh 4, moccasin 5, dish 6, and spear 7. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Tools of the Canadian natives: clam shell 1, wampun 2, wampun bead 3, belt that hangs to mid-thigh 4, moccasin 5, dish 6, and spear 7. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621891: Tools of the Canadian natives: clam shell 1, wampun 2, wampun bead 3, belt that hangs to mid-thigh 4, moccasin 5, dish 6, and spear 7. Handcoloured copperplate engraving from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Figures representing Aztec kings of Mexico. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Figures representing Aztec kings of Mexico. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622037: Figures representing Aztec kings of Mexico. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

South-east view of the Kailasa temple, Ellora rock cut temple caves, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
South-east view of the Kailasa temple, Ellora rock cut temple caves, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623819: South-east view of the Kailasa temple, Ellora rock cut temple caves, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Entrance to the Kailasa temple, Ellora rock cut temple caves, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Entrance to the Kailasa temple, Ellora rock cut temple caves, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623846: Entrance to the Kailasa temple, Ellora rock cut temple caves, India. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Carved pillars in the Thirumalai Nayak Palace, ancient residence of Raja Raja Thirumalai sowri at Madurai, India. Copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Carved pillars in the Thirumalai Nayak Palace, ancient residence of Raja Raja Thirumalai sowri at Madurai, India. Copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623862: Carved pillars in the Thirumalai Nayak Palace, ancient residence of Raja Raja Thirumalai sowri at Madurai, India. Copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Neptune view of Triton, its largest satellite - Artist view - Neptune view of Triton, its largest satellite - Vue d'artiste
Neptune view of Triton, its largest satellite - Artist view - Neptune view of Triton, its largest satellite - Vue d'artiste

PIX4624002: Neptune view of Triton, its largest satellite - Artist view - Neptune view of Triton, its largest satellite - Vue d'artiste, Dixon, Don (b.1951) / Bridgeman Images

Neptune seen from its satellite Triton - Illustration - Neptune as seen from Triton - Illustratio
Neptune seen from its satellite Triton - Illustration - Neptune as seen from Triton - Illustratio

PIX4624077: Neptune seen from its satellite Triton - Illustration - Neptune as seen from Triton - Illustratio, Bergeron, Joe / Bridgeman Images

Costume of the chancellors, mandarins, courtiers and writers of Tonkin, Vietnam, circa 1800
Costume of the chancellors, mandarins, courtiers and writers of Tonkin, Vietnam, circa 1800

FLO4624113: Costume of the chancellors, mandarins, courtiers and writers of Tonkin, Vietnam, circa 1800 / Bridgeman Images

Worshippers making offerings to a statue of Buddha or Fo in a banyan tree, Vietnam. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Worshippers making offerings to a statue of Buddha or Fo in a banyan tree, Vietnam. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624148: Worshippers making offerings to a statue of Buddha or Fo in a banyan tree, Vietnam. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Dance of the Flyers (Danza de los Voladores) or Pole Flying (Palo Volador), ancient Mesoamerican ceremony. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Dance of the Flyers (Danza de los Voladores) or Pole Flying (Palo Volador), ancient Mesoamerican ceremony. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622157: Dance of the Flyers (Danza de los Voladores) or Pole Flying (Palo Volador), ancient Mesoamerican ceremony. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Temazcalli or hypocaust lodges, with section showing naked men inside performing a purification ritual in the underfloor-heated house, Mesoamerica. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Temazcalli or hypocaust lodges, with section showing naked men inside performing a purification ritual in the underfloor-heated house, Mesoamerica. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622166: Temazcalli or hypocaust lodges, with section showing naked men inside performing a purification ritual in the underfloor-heated house, Mesoamerica. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Armor and weapons of the Mexicans (Aztecs). Shields or Chimalli, armor shirts or Ichcahuipilli, helmets decorated with animal heads and feathers. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Armor and weapons of the Mexicans (Aztecs). Shields or Chimalli, armor shirts or Ichcahuipilli, helmets decorated with animal heads and feathers. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622198: Armor and weapons of the Mexicans (Aztecs). Shields or Chimalli, armor shirts or Ichcahuipilli, helmets decorated with animal heads and feathers. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Principle members of a Chinese imperial procession including flag bearers, porters of carved wooden insignia, cavalry, musicians, and parasol bearers. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Principle members of a Chinese imperial procession including flag bearers, porters of carved wooden insignia, cavalry, musicians, and parasol bearers. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622313: Principle members of a Chinese imperial procession including flag bearers, porters of carved wooden insignia, cavalry, musicians, and parasol bearers. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The family Fluxus, 20th century ( polaroid on wood)
The family Fluxus, 20th century ( polaroid on wood)

LRI4619038: The family Fluxus, 20th century ( polaroid on wood), Ben, (Benjamin Vautier) (b.1935-2024) / Bridgeman Images

A young writer reading his play to a group of chattering veteran actors. Bernard Blackmantle reading his Play in the Green Room of the Covent Garden Theatre. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
A young writer reading his play to a group of chattering veteran actors. Bernard Blackmantle reading his Play in the Green Room of the Covent Garden Theatre. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619074: A young writer reading his play to a group of chattering veteran actors. Bernard Blackmantle reading his Play in the Green Room of the Covent Garden Theatre. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Regency gentlemen fighting a duel with pistols in Hyde Park. The Point of Honor decided on the Leaden argument of a Love Affair. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Regency gentlemen fighting a duel with pistols in Hyde Park. The Point of Honor decided on the Leaden argument of a Love Affair. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619169: Regency gentlemen fighting a duel with pistols in Hyde Park. The Point of Honor decided on the Leaden argument of a Love Affair. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Regency gentlemen visiting the Royal Wells spa, Cheltenham, and observing the sick and lame at the gate. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Regency gentlemen visiting the Royal Wells spa, Cheltenham, and observing the sick and lame at the gate. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619212: Regency gentlemen visiting the Royal Wells spa, Cheltenham, and observing the sick and lame at the gate. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Regency gentlemen gambling on the card game Hazard at Brooks club. The Great Subscription Room at Brooks, or Opposition Members engaged upon Hazard-ous Points. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Regency gentlemen gambling on the card game Hazard at Brooks club. The Great Subscription Room at Brooks, or Opposition Members engaged upon Hazard-ous Points. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619219: Regency gentlemen gambling on the card game Hazard at Brooks club. The Great Subscription Room at Brooks, or Opposition Members engaged upon Hazard-ous Points. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

Fougere: hemionitis palm - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Starfern or palmated hemionitis, Hemionitis palmata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823
Fougere: hemionitis palm - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Starfern or palmated hemionitis, Hemionitis palmata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619438: Fougere: hemionitis palm - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Starfern or palmated hemionitis, Hemionitis palmata - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images

View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621870: View of a hotel in Philadelphia, Pennsylvania, 18th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Basalt cliffs in Mexico City. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.
Basalt cliffs in Mexico City. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.

FLO4622003: Basalt cliffs in Mexico City. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841. / Bridgeman Images

Houses of the Nubians, early 19th century. Natives smoking pipes and sitting in the shade under palm trees. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Houses of the Nubians, early 19th century. Natives smoking pipes and sitting in the shade under palm trees. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619772: Houses of the Nubians, early 19th century. Natives smoking pipes and sitting in the shade under palm trees. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619850: Abyssinians relaxing with Nathaniel Pierce (in yellow skirt), a British sailor who deserted from ship The Antelope and went native. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images


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