CHT163722:
Illustration for 'Les Poetes de Sept Ans' by Arthur Rimbaud (1854-91) (litho) (b/w photo), Hugo, Valentine (nee Gross) (1890-1968) / Bridgeman Images
ID: CHT163722
Illustration for 'Les Poetes de Sept Ans' by Arthur Rimbaud (1854-91) (litho) (b/w photo)
Hugo, Valentine (nee Gross) (1890-1968)
CHT163779:
John II the Good (1319-64) King of France, from 'Les Augustes Representations de tous les Rois de France depuis Pharamond jusqu'a Louis XIV', Paris, 1679 (engraving) (b/w photo), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images
ID: CHT163779
John II the Good (1319-64) King of France, from 'Les Augustes Representations de tous les Rois de France depuis Pharamond jusqu'a Louis XIV', Paris, 1679 (engraving) (b/w photo)
de Larmessin (family of engravers) (1600-1799)
CHT163849:
Soup Kitchen in Paris, c. 1860 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images
ID: CHT163849
Soup Kitchen in Paris, c. 1860 (engraving) (b/w photo)
French School, (19th century)
XIR164719:
Portrait of a Man (oil on canvas) (b/w photo), Lancret, Nicolas (1690-1743) (attr. to) / Bridgeman Images
ID: XIR164719
Portrait of a Man (oil on canvas) (b/w photo)
Lancret, Nicolas (1690-1743) (attr. to)
CND164166:
Le Comte de Merles, Charles Louis de Merles de Beauchamp, 1768 (w/c on paper), Carmontelle, Louis Carrogis (1717-1806) / Bridgeman Images
ID: CND164166
Le Comte de Merles, Charles Louis de Merles de Beauchamp, 1768 (w/c on paper)
Carmontelle, Louis Carrogis (1717-1806)
CHT164271:
Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo), French School, (19th century) / Bridgeman Images
ID: CHT164271
Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo)
French School, (19th century)
CHT164288:
'Worker's Handbook' issued by Mairie of Dampmart to Felix Auger (b.1850), 1864 (pen & ink on paper), French School, (19th century) / Bridgeman Images
ID: CHT164288
'Worker's Handbook' issued by Mairie of Dampmart to Felix Auger (b.1850), 1864 (pen & ink on paper)
French School, (19th century)
XIR164879:
Flowers in a Vase and Cornucopiae, architectural decoration (stone) (b/w photo), French School, (18th century) / Bridgeman Images
ID: XIR164879
Flowers in a Vase and Cornucopiae, architectural decoration (stone) (b/w photo)
French School, (18th century)
GEN164936:
Le Pont Marie, Paris (oil on canvas), Genin, Lucien (1894-1953) / Bridgeman Images
ID: GEN164936
Le Pont Marie, Paris (oil on canvas)
Genin, Lucien (1894-1953)
LRS164473:
The Crowd acclaiming the reservists departure, boulevard Poissonniere, Paris, August 1914 (b/w photo), Moreau, Jacques (b.1887) / Bridgeman Images
ID: LRS164473
The Crowd acclaiming the reservists departure, boulevard Poissonniere, Paris, August 1914 (b/w photo)
Moreau, Jacques (b.1887)
LRS164506:
Portrait of Emile Zola (1840-1902) (b/w photo), Benque Studio (fl.1880) / Bridgeman Images
ID: LRS164506
Portrait of Emile Zola (1840-1902) (b/w photo)
Benque Studio (fl.1880)
XIR162663:
View of the Abbey of Saint-Germain-des-Pres before 1640, engraved by Antoine Herisset (1685-1769) (engraving) (b/w photo), Chaufourier, Jean (1679-1757) (after) / Bridgeman Images
ID: XIR162663
View of the Abbey of Saint-Germain-des-Pres before 1640, engraved by Antoine Herisset (1685-1769) (engraving) (b/w photo)
Chaufourier, Jean (1679-1757) (after)
CHT163052:
The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper), Desnos, Robert (1900-45) / Bridgeman Images
ID: CHT163052
The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper)
Desnos, Robert (1900-45)
CHT163070:
First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707), Eluard, Paul (1895-1952) / Bridgeman Images
ID: CHT163070
First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707)
Eluard, Paul (1895-1952)
CHT163118:
Jacques and the fairy, illustration for the tale 'Jacques et ses Trois Voyages', c.1860 (colour engraving), French School, (19th century) / Bridgeman Images
ID: CHT163118
Jacques and the fairy, illustration for the tale 'Jacques et ses Trois Voyages', c.1860 (colour engraving)
French School, (19th century)
CHT163203:
The Ancient Theatre of Orange (Vaucluse, France), side face, 1876 (w/c on paper), French School, (19th century) / Bridgeman Images
ID: CHT163203
The Ancient Theatre of Orange (Vaucluse, France), side face, 1876 (w/c on paper)
French School, (19th century)
CHT163221:
'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho), Monnier, Henri Bonaventure (1779-1877) (after) / Bridgeman Images
ID: CHT163221
'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho)
Monnier, Henri Bonaventure (1779-1877) (after)
CHT163224:
Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving), Lorioux, Felix (1872-1964) / Bridgeman Images
ID: CHT163224
Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving)
Lorioux, Felix (1872-1964)
CHT163251:
Geranium Robertianum (w/c), Redouté, Pierre Joseph (1759-1840) / Bridgeman Images
ID: CHT163251
Geranium Robertianum (w/c)
Redouté, Pierre Joseph (1759-1840)
XIR163287:
The Pont-Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with the Collège des Quatre-Nations, the Grande Galerie and the Louvre, c.1669 (oil on canvas), French School, (17th century) / Bridgeman Images
ID: XIR163287
The Pont-Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with the Collège des Quatre-Nations, the Grande Galerie and the Louvre, c.1669 (oil on canvas)
French School, (17th century)
BMR163346:
Ms 3878 The Creation of Eve, The Temptation and The Expulsion of Adam and Eve, from 'Des cas des nobles hommes et femmes', by Giovanni Boccaccio (1313-75) (vellum), French School, (15th century) / Bridgeman Images
ID: BMR163346
Ms 3878 The Creation of Eve, The Temptation and The Expulsion of Adam and Eve, from 'Des cas des nobles hommes et femmes', by Giovanni Boccaccio (1313-75) (vellum)
French School, (15th century)
JHG163427:
Lid Panel of Piay's Mummy, c.1279-1213 BC (painted wood, stucco), Egyptian, New Kingdom (c.1567-1085 BC) / Bridgeman Images
ID: JHG163427
Lid Panel of Piay's Mummy, c.1279-1213 BC (painted wood, stucco)
Egyptian, New Kingdom (c.1567-1085 BC)
CHT163515:
Postcard depicting Colette and her husband Willy (b/w photo), Gerschel, Charles (1871-1948) / Bridgeman Images
ID: CHT163515
Postcard depicting Colette and her husband Willy (b/w photo)
Gerschel, Charles (1871-1948)
CHT163580:
Joseph Pinetti (1750-1800), illustration from 'Amusements physiques' by L.S. Thiery, 1784 (engraving) (b/w photo), French School, (18th century) / Bridgeman Images
ID: CHT163580
Joseph Pinetti (1750-1800), illustration from 'Amusements physiques' by L.S. Thiery, 1784 (engraving) (b/w photo)
French School, (18th century)
CHT163619:
Aleksandr Nikolaievitch Skriabine (1872-1915), illustration from 'L'Histoire de la Musique en Russie' by Albert Soubies, published in Paris, 1898 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images
ID: CHT163619
Aleksandr Nikolaievitch Skriabine (1872-1915), illustration from 'L'Histoire de la Musique en Russie' by Albert Soubies, published in Paris, 1898 (engraving) (b/w photo)
French School, (19th century)
CHT163664:
Caricature of Vicomte Ferdinand Marie de Lesseps (1805-94) from 'Punch' magazine, London, 26th November 1892 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: CHT163664
Caricature of Vicomte Ferdinand Marie de Lesseps (1805-94) from 'Punch' magazine, London, 26th November 1892 (engraving) (b/w photo)
English School, (19th century)
BLT163745:
Manuscript on the advances made in pure analysis, c.1830 (pen and ink on paper) (b/w photo), Galois, Evariste (1811-32) / Bridgeman Images
ID: BLT163745
Manuscript on the advances made in pure analysis, c.1830 (pen and ink on paper) (b/w photo)
Galois, Evariste (1811-32)
CHT163766:
Title page for 'Fables' by Jean-Pierre Claris de Florian (1755-94) from 'Le Miroir de la Verite' (engraving) (b/w photo), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images
ID: CHT163766
Title page for 'Fables' by Jean-Pierre Claris de Florian (1755-94) from 'Le Miroir de la Verite' (engraving) (b/w photo)
Grandville (Jean Ignace Isidore Gerard) (1803-47)
CHT163863:
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo), Bellenger, Albert (b. 1846) / Bridgeman Images
ID: CHT163863
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)
CHT163902:
The Tour de France, from 'Le Monde Illustre', 11th July 1903 (b/w photo), French Photographer, (20th century) / Bridgeman Images
ID: CHT163902
The Tour de France, from 'Le Monde Illustre', 11th July 1903 (b/w photo)
French Photographer, (20th century)
CHT163987:
'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving), French School, (20th century) / Bridgeman Images
ID: CHT163987
'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving)
French School, (20th century)
CHT163999:
View of the Jardin du Roi in Paris from the bridge of Austerlitz, engraved by Claude Fortier (1775-1835) (colour engraving), Courvoisier-Voisin, Henri (1757-1830) (after) / Bridgeman Images
ID: CHT163999
View of the Jardin du Roi in Paris from the bridge of Austerlitz, engraved by Claude Fortier (1775-1835) (colour engraving)
Courvoisier-Voisin, Henri (1757-1830) (after)
CHT164045:
Handwritten pages from 'Romances Sans Paroles' with crossed out dedication to Arthur Rimbaud, 1873 (pen & ink on paper), Verlaine, Paul (1844-96) / Bridgeman Images
ID: CHT164045
Handwritten pages from 'Romances Sans Paroles' with crossed out dedication to Arthur Rimbaud, 1873 (pen & ink on paper)
Verlaine, Paul (1844-96)
CHT164102:
The 'Mouleur', worker employed to control and measure wood sales, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper), Verard, Antoine (1450-1519) (attr. to) / Bridgeman Images
ID: CHT164102
The 'Mouleur', worker employed to control and measure wood sales, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)
Verard, Antoine (1450-1519) (attr. to)
CHT164105:
Front cover of the magazine 'Le Theatre' depicting Jean de Reszke, 11 February 1902 (print), Nadar, Paul (1856-1939) / Bridgeman Images
ID: CHT164105
Front cover of the magazine 'Le Theatre' depicting Jean de Reszke, 11 February 1902 (print)