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Illustration for 'Les Poetes de Sept Ans' by Arthur Rimbaud (1854-91) (litho) (b/w photo)
Illustration for 'Les Poetes de Sept Ans' by Arthur Rimbaud (1854-91) (litho) (b/w photo)

CHT163722: Illustration for 'Les Poetes de Sept Ans' by Arthur Rimbaud (1854-91) (litho) (b/w photo), Hugo, Valentine (nee Gross) (1890-1968) / Bridgeman Images

John II the Good (1319-64) King of France, from 'Les Augustes Representations de tous les Rois de France depuis Pharamond jusqu'a Louis XIV', Paris, 1679 (engraving) (b/w photo)
John II the Good (1319-64) King of France, from 'Les Augustes Representations de tous les Rois de France depuis Pharamond jusqu'a Louis XIV', Paris, 1679 (engraving) (b/w photo)

CHT163779: John II the Good (1319-64) King of France, from 'Les Augustes Representations de tous les Rois de France depuis Pharamond jusqu'a Louis XIV', Paris, 1679 (engraving) (b/w photo), de Larmessin (family of engravers) (1600-1799) / Bridgeman Images

Soup Kitchen in Paris, c. 1860 (engraving) (b/w photo)
Soup Kitchen in Paris, c. 1860 (engraving) (b/w photo)

CHT163849: Soup Kitchen in Paris, c. 1860 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

Portrait of a Man (oil on canvas) (b/w photo)
Portrait of a Man (oil on canvas) (b/w photo)

XIR164719: Portrait of a Man (oil on canvas) (b/w photo), Lancret, Nicolas (1690-1743) (attr. to) / Bridgeman Images

Le Comte de Merles, Charles Louis de Merles de Beauchamp, 1768 (w/c on paper)
Le Comte de Merles, Charles Louis de Merles de Beauchamp, 1768 (w/c on paper)

CND164166: Le Comte de Merles, Charles Louis de Merles de Beauchamp, 1768 (w/c on paper), Carmontelle, Louis Carrogis (1717-1806) / Bridgeman Images

Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo)
Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo)

CHT164271: Lady Sandhurst and Elena Petrovna Blavatsky (1831-91), celebrities of spiritualist evocation (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

'Worker's Handbook' issued by Mairie of Dampmart to Felix Auger (b.1850), 1864 (pen & ink on paper)
'Worker's Handbook' issued by Mairie of Dampmart to Felix Auger (b.1850), 1864 (pen & ink on paper)

CHT164288: 'Worker's Handbook' issued by Mairie of Dampmart to Felix Auger (b.1850), 1864 (pen & ink on paper), French School, (19th century) / Bridgeman Images

Flowers in a Vase and Cornucopiae, architectural decoration (stone) (b/w photo)
Flowers in a Vase and Cornucopiae, architectural decoration (stone) (b/w photo)

XIR164879: Flowers in a Vase and Cornucopiae, architectural decoration (stone) (b/w photo), French School, (18th century) / Bridgeman Images

Le Pont Marie, Paris (oil on canvas)
Le Pont Marie, Paris (oil on canvas)

GEN164936: Le Pont Marie, Paris (oil on canvas), Genin, Lucien (1894-1953) / Bridgeman Images

The Crowd acclaiming the reservists departure, boulevard Poissonniere, Paris, August 1914 (b/w photo)
The Crowd acclaiming the reservists departure, boulevard Poissonniere, Paris, August 1914 (b/w photo)

LRS164473: The Crowd acclaiming the reservists departure, boulevard Poissonniere, Paris, August 1914 (b/w photo), Moreau, Jacques (b.1887) / Bridgeman Images

Portrait of Emile Zola (1840-1902) (b/w photo)
Portrait of Emile Zola (1840-1902) (b/w photo)

LRS164506: Portrait of Emile Zola (1840-1902) (b/w photo), Benque Studio (fl.1880) / Bridgeman Images

View of the Abbey of Saint-Germain-des-Pres before 1640, engraved by Antoine Herisset (1685-1769) (engraving) (b/w photo)
View of the Abbey of Saint-Germain-des-Pres before 1640, engraved by Antoine Herisset (1685-1769) (engraving) (b/w photo)

XIR162663: View of the Abbey of Saint-Germain-des-Pres before 1640, engraved by Antoine Herisset (1685-1769) (engraving) (b/w photo), Chaufourier, Jean (1679-1757) (after) / Bridgeman Images

The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper)
The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper)

CHT163052: The Cat Which is Like Nothing on the Earth, handwritten page of the collection of poems 'La Menagerie de Tristan' by Robert Desnos, 1932 (pen and ink on paper), Desnos, Robert (1900-45) / Bridgeman Images

First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707)
First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707)

CHT163070: First and last pages from 'Stolen! An unpublished short story' by Eugene Grindel, the artist's real name, 1907 (pencil on paper) (detail of 178706 and 178707), Eluard, Paul (1895-1952) / Bridgeman Images

Jacques and the fairy, illustration for the tale 'Jacques et ses Trois Voyages', c.1860 (colour engraving)
Jacques and the fairy, illustration for the tale 'Jacques et ses Trois Voyages', c.1860 (colour engraving)

CHT163118: Jacques and the fairy, illustration for the tale 'Jacques et ses Trois Voyages', c.1860 (colour engraving), French School, (19th century) / Bridgeman Images

The Ancient Theatre of Orange (Vaucluse, France), side face, 1876 (w/c on paper)
The Ancient Theatre of Orange (Vaucluse, France), side face, 1876 (w/c on paper)

CHT163203: The Ancient Theatre of Orange (Vaucluse, France), side face, 1876 (w/c on paper), French School, (19th century) / Bridgeman Images

'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho)
'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho)

CHT163221: 'I have become terribly powerful... Sir is very proud of his uniform', cartoon for 'Vues de Paris, Esquisses morales et philosophiques' by Francois Seraphin Delpech (1778-1825) early 19th century (colour litho), Monnier, Henri Bonaventure (1779-1877) (after) / Bridgeman Images

Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving)
Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving)

CHT163224: Robinson reading the Bible to Friday, illustration for a French edition of 'Robinson Crusoe' by Daniel Defoe (1660-1731), published by Hachette, 1930 (colour engraving), Lorioux, Felix (1872-1964) / Bridgeman Images

Geranium Robertianum (w/c)
Geranium Robertianum (w/c)

CHT163251: Geranium Robertianum (w/c), Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

The Pont-Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with the Collège des Quatre-Nations, the Grande Galerie and the Louvre, c.1669 (oil on canvas)
The Pont-Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with the Collège des Quatre-Nations, the Grande Galerie and the Louvre, c.1669 (oil on canvas)

XIR163287: The Pont-Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with the Collège des Quatre-Nations, the Grande Galerie and the Louvre, c.1669 (oil on canvas), French School, (17th century) / Bridgeman Images

Ms 3878 The Creation of Eve, The Temptation and The Expulsion of Adam and Eve, from 'Des cas des nobles hommes et femmes', by Giovanni Boccaccio (1313-75) (vellum)
Ms 3878 The Creation of Eve, The Temptation and The Expulsion of Adam and Eve, from 'Des cas des nobles hommes et femmes', by Giovanni Boccaccio (1313-75) (vellum)

BMR163346: Ms 3878 The Creation of Eve, The Temptation and The Expulsion of Adam and Eve, from 'Des cas des nobles hommes et femmes', by Giovanni Boccaccio (1313-75) (vellum), French School, (15th century) / Bridgeman Images

Lid Panel of Piay's Mummy, c.1279-1213 BC (painted wood, stucco)
Lid Panel of Piay's Mummy, c.1279-1213 BC (painted wood, stucco)

JHG163427: Lid Panel of Piay's Mummy, c.1279-1213 BC (painted wood, stucco), Egyptian, New Kingdom (c.1567-1085 BC) / Bridgeman Images

Postcard depicting Colette and her husband Willy (b/w photo)
Postcard depicting Colette and her husband Willy (b/w photo)

CHT163515: Postcard depicting Colette and her husband Willy (b/w photo), Gerschel, Charles (1871-1948) / Bridgeman Images

Joseph Pinetti (1750-1800), illustration from 'Amusements physiques' by L.S. Thiery, 1784 (engraving) (b/w photo)
Joseph Pinetti (1750-1800), illustration from 'Amusements physiques' by L.S. Thiery, 1784 (engraving) (b/w photo)

CHT163580: Joseph Pinetti (1750-1800), illustration from 'Amusements physiques' by L.S. Thiery, 1784 (engraving) (b/w photo), French School, (18th century) / Bridgeman Images

Aleksandr Nikolaievitch Skriabine (1872-1915), illustration from 'L'Histoire de la Musique en Russie' by Albert Soubies, published in Paris, 1898 (engraving) (b/w photo)
Aleksandr Nikolaievitch Skriabine (1872-1915), illustration from 'L'Histoire de la Musique en Russie' by Albert Soubies, published in Paris, 1898 (engraving) (b/w photo)

CHT163619: Aleksandr Nikolaievitch Skriabine (1872-1915), illustration from 'L'Histoire de la Musique en Russie' by Albert Soubies, published in Paris, 1898 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

Caricature of Vicomte Ferdinand Marie de Lesseps (1805-94) from 'Punch' magazine, London, 26th November 1892 (engraving) (b/w photo)
Caricature of Vicomte Ferdinand Marie de Lesseps (1805-94) from 'Punch' magazine, London, 26th November 1892 (engraving) (b/w photo)

CHT163664: Caricature of Vicomte Ferdinand Marie de Lesseps (1805-94) from 'Punch' magazine, London, 26th November 1892 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Manuscript on the advances made in pure analysis, c.1830 (pen and ink on paper) (b/w photo)
Manuscript on the advances made in pure analysis, c.1830 (pen and ink on paper) (b/w photo)

BLT163745: Manuscript on the advances made in pure analysis, c.1830 (pen and ink on paper) (b/w photo), Galois, Evariste (1811-32) / Bridgeman Images

Title page for 'Fables' by Jean-Pierre Claris de Florian (1755-94) from 'Le Miroir de la Verite' (engraving) (b/w photo)
Title page for 'Fables' by Jean-Pierre Claris de Florian (1755-94) from 'Le Miroir de la Verite' (engraving) (b/w photo)

CHT163766: Title page for 'Fables' by Jean-Pierre Claris de Florian (1755-94) from 'Le Miroir de la Verite' (engraving) (b/w photo), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)

CHT163863: Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo), Bellenger, Albert (b. 1846) / Bridgeman Images

Fernand Pelloutier (1867-1901) (b/w photo)
Fernand Pelloutier (1867-1901) (b/w photo)

CHT163881: Fernand Pelloutier (1867-1901) (b/w photo), French School, (19th century) / Bridgeman Images

The Tour de France, from 'Le Monde Illustre', 11th July 1903 (b/w photo)
The Tour de France, from 'Le Monde Illustre', 11th July 1903 (b/w photo)

CHT163902: The Tour de France, from 'Le Monde Illustre', 11th July 1903 (b/w photo), French Photographer, (20th century) / Bridgeman Images

'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving)
'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving)

CHT163987: 'What is Reaped is What One Has Sown', advertisement for Vilmorin Seeds, with an History of the Vilmorin company, 1934 (colour engraving), French School, (20th century) / Bridgeman Images

View of the Jardin du Roi in Paris from the bridge of Austerlitz, engraved by Claude Fortier (1775-1835) (colour engraving)
View of the Jardin du Roi in Paris from the bridge of Austerlitz, engraved by Claude Fortier (1775-1835) (colour engraving)

CHT163999: View of the Jardin du Roi in Paris from the bridge of Austerlitz, engraved by Claude Fortier (1775-1835) (colour engraving), Courvoisier-Voisin, Henri (1757-1830) (after) / Bridgeman Images

Handwritten pages from 'Romances Sans Paroles' with crossed out dedication to Arthur Rimbaud, 1873 (pen & ink on paper)
Handwritten pages from 'Romances Sans Paroles' with crossed out dedication to Arthur Rimbaud, 1873 (pen & ink on paper)

CHT164045: Handwritten pages from 'Romances Sans Paroles' with crossed out dedication to Arthur Rimbaud, 1873 (pen & ink on paper), Verlaine, Paul (1844-96) / Bridgeman Images

The 'Mouleur', worker employed to control and measure wood sales, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)
The 'Mouleur', worker employed to control and measure wood sales, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper)

CHT164102: The 'Mouleur', worker employed to control and measure wood sales, from 'Ordonnances Royaux de la Juridiction de la Prevote des Marchands de la Ville de Paris', 1528 (w/c & gouache on paper), Verard, Antoine (1450-1519) (attr. to) / Bridgeman Images

Front cover of the magazine 'Le Theatre' depicting Jean de Reszke, 11 February 1902 (print)
Front cover of the magazine 'Le Theatre' depicting Jean de Reszke, 11 February 1902 (print)

CHT164105: Front cover of the magazine 'Le Theatre' depicting Jean de Reszke, 11 February 1902 (print), Nadar, Paul (1856-1939) / Bridgeman Images


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