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Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591669: Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591669

Types of hygrometers, 18th century, to measure moisture content. Jean-Andre De Luc's whalebone hygrometer, and others by Horace-Benedict de Saussure, Benjamin Meggot Forster, Henry Kater and the Hungarian Machine. Copperplate engraving by Sidney Hall from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4591502: Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

ID: FLO4591502

Henry Maudslay's revolutionary screw-cutting lathe, 1800. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591548: Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

ID: FLO4591548

Water-powered mills: common breast mill 1, Dr. Barker's mill 3 and the portable or hand mill 4. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591615: Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591615

Plan and elevation of an iron forge, with chafery, finery, blowing engine, and balling or pudding furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591908: Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591908

Furnace for enamelling watch dial plates and Henry Bone (1755-1834)'s enamelling furnace. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591951: Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4591951

Plans and sections of a deviling machine, used for tearing rags in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591881: Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591881

Anatomy of the human eye, showing socket, surface of the eyeball, retina, etc. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591943: Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591943

Plans and elevations of a garden conservatory and greenhouse, 18th century. Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592156: Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

ID: FLO4592156

Electrical experiments, including an flammable air pistol, Alessandro Volta (1845-1927)'s flammable air lamp, and electrophorus or capacitive generator. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4592182: Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

ID: FLO4592182

Electrical machines by Dr. Martinus Van Marum (1750-1837), Father John Baptist Beccaria (1710-1781), Edward Nairne (1726-1806), and a common machine. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4592303: Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

ID: FLO4592303

Engines for sharpening cutters by the ingenious mechanic and clockmaker Samuel Rehe (1735-1799) of London, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

Jason facing his uncle Pelias, 1st century (fresco)
Jason facing his uncle Pelias, 1st century (fresco)

LRI4592335: Jason facing his uncle Pelias, 1st century (fresco), Roman, (1st century AD) / Bridgeman Images

ID: LRI4592335

Jason facing his uncle Pelias, 1st century (fresco)

Roman, (1st century AD)

Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine). Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.
Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine). Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

FLO4592375: Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine). Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803. / Bridgeman Images

ID: FLO4592375

Bleaching equipment, 18th century, with bucking tub of lye and tank of oxy-muriatic acid (chlorine). Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591962: Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4591962

Anatomy of the human eye showing eyeball, cornea, lens, optic nerve, etc.CopperPlate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.
Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

FLO4592211: Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803. / Bridgeman Images

ID: FLO4592211

Robert Salmon (1763-1821)'s weighing machine or Poidometer, 18th century. Illustration and copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1803.

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4592222: Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4592222

Electrical equipment, 18th century. Medical machine for electrifying the teeth, thunder house, torpedo, brush, and connecting frame of the Teylerian battery. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4592253: Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

ID: FLO4592253

Cutting engines, 18th century, including a rose engine lathe or figure lathe made by Holtzapffell & Deyerlien. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4592322: Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

ID: FLO4592322

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592425: Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

ID: FLO4592425

Face-turning lathe and riveting hammer, Block Machinery at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4592439: Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

ID: FLO4592439

Sawing machine at Portsmouth naval harbour, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

Cross-leaved marcetia, Marcetia decussata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Cross-leaved marcetia, Marcetia decussata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599057: Cross-leaved marcetia, Marcetia decussata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599057

Cross-leaved marcetia, Marcetia decussata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Variete de begonia - Begonia gracilis, native to Mexico (Von Martius' elephant's ear, Begonia martiana). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Variete de begonia - Begonia gracilis, native to Mexico (Von Martius' elephant's ear, Begonia martiana). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599096: Variete de begonia - Begonia gracilis, native to Mexico (Von Martius' elephant's ear, Begonia martiana). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599096

Variete de begonia - Begonia gracilis, native to Mexico (Von Martius' elephant's ear, Begonia martiana). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Flame Buttercup - Lesser spearwort or banewort, Ranunculus flammula, and meadow buttercup, Ranunculus acris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Flame Buttercup - Lesser spearwort or banewort, Ranunculus flammula, and meadow buttercup, Ranunculus acris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599099: Flame Buttercup - Lesser spearwort or banewort, Ranunculus flammula, and meadow buttercup, Ranunculus acris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599099

Flame Buttercup - Lesser spearwort or banewort, Ranunculus flammula, and meadow buttercup, Ranunculus acris. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Purgative Buckthorn, Cathartic Buckthorn, Rhamnus cathartica (Buckthorn tree, Rhamnus catharticus), with leaf, berry, seed and branch. After an illustration by G. Reid in Churchill and Stephenson's “Medical Botany.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Purgative Buckthorn, Cathartic Buckthorn, Rhamnus cathartica (Buckthorn tree, Rhamnus catharticus), with leaf, berry, seed and branch. After an illustration by G. Reid in Churchill and Stephenson's “Medical Botany.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599105: Purgative Buckthorn, Cathartic Buckthorn, Rhamnus cathartica (Buckthorn tree, Rhamnus catharticus), with leaf, berry, seed and branch. After an illustration by G. Reid in Churchill and Stephenson's “Medical Botany.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599105

Purgative Buckthorn, Cathartic Buckthorn, Rhamnus cathartica (Buckthorn tree, Rhamnus catharticus), with leaf, berry, seed and branch. After an illustration by G. Reid in Churchill and Stephenson's “Medical Botany.”” Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Bearded darnel or poison darnel, Lolium temulentum, with stalk, leaf, roots and seed. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Bearded darnel or poison darnel, Lolium temulentum, with stalk, leaf, roots and seed. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599236: Bearded darnel or poison darnel, Lolium temulentum, with stalk, leaf, roots and seed. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599236

Bearded darnel or poison darnel, Lolium temulentum, with stalk, leaf, roots and seed. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Macleania has long flowers - Long-flowered macleania, Macleania insignis (Macleania longiflora). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Macleania has long flowers - Long-flowered macleania, Macleania insignis (Macleania longiflora). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4598939: Macleania has long flowers - Long-flowered macleania, Macleania insignis (Macleania longiflora). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4598939

Macleania has long flowers - Long-flowered macleania, Macleania insignis (Macleania longiflora). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Amanite kills fly or fake oronge - Fly agaric mushroom, Amanita muscaria, with section through mushroom. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Amanite kills fly or fake oronge - Fly agaric mushroom, Amanita muscaria, with section through mushroom. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599167: Amanite kills fly or fake oronge - Fly agaric mushroom, Amanita muscaria, with section through mushroom. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599167

Amanite kills fly or fake oronge - Fly agaric mushroom, Amanita muscaria, with section through mushroom. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Opium poppy, Garden poppy - Opium poppy, Papaver somniforum, with flower, leaf, seedpod. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Opium poppy, Garden poppy - Opium poppy, Papaver somniforum, with flower, leaf, seedpod. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599200: Opium poppy, Garden poppy - Opium poppy, Papaver somniforum, with flower, leaf, seedpod. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599200

Opium poppy, Garden poppy - Opium poppy, Papaver somniforum, with flower, leaf, seedpod. Handcoloured zincograph by Chabots drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. Inaugurated in 1977, the Georges Pompidou Centre houses the National Museum of Modern Art, the Industrial Creation Centre, the Department of Cultural Development and the Public Information Library (BPI). In the foreground, inaugurated in March 1983, the fountain in tribute to Igor Stravinsky, consists of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. Photography 10/06/98.
Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. Inaugurated in 1977, the Georges Pompidou Centre houses the National Museum of Modern Art, the Industrial Creation Centre, the Department of Cultural Development and the Public Information Library (BPI). In the foreground, inaugurated in March 1983, the fountain in tribute to Igor Stravinsky, consists of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. Photography 10/06/98.

TEC4601118: Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. Inaugurated in 1977, the Georges Pompidou Centre houses the National Museum of Modern Art, the Industrial Creation Centre, the Department of Cultural Development and the Public Information Library (BPI). In the foreground, inaugurated in March 1983, the fountain in tribute to Igor Stravinsky, consists of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. Photography 10/06/98., Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002) / Bridgeman Images

ID: TEC4601118

Fontaine Stravinski (Stravinsky) and Centre Pompidou, Paris. Inaugurated in 1977, the Georges Pompidou Centre houses the National Museum of Modern Art, the Industrial Creation Centre, the Department of Cultural Development and the Public Information Library (BPI). In the foreground, inaugurated in March 1983, the fountain in tribute to Igor Stravinsky, consists of aluminum and steel sculptures painted in black and electric motors by Jean Tinguely (1925-1991). The figures of Niki de Saint-Phalle (Saint Phalle) (1930-2002) are made of polyester. Photography 10/06/98.

Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002)

View of the fountain Stravinski Fountain (Stravinsky) (or fountain of automatons), at night, from the Georges Pompidou center, Paris 4th arrondissement. Inaugulated in 1983, works by Jeantinguely and Niki de Saint-Phalle (Saint Phalle).
View of the fountain Stravinski Fountain (Stravinsky) (or fountain of automatons), at night, from the Georges Pompidou center, Paris 4th arrondissement. Inaugulated in 1983, works by Jeantinguely and Niki de Saint-Phalle (Saint Phalle).

TEC4601136: View of the fountain Stravinski Fountain (Stravinsky) (or fountain of automatons), at night, from the Georges Pompidou center, Paris 4th arrondissement. Inaugulated in 1983, works by Jeantinguely and Niki de Saint-Phalle (Saint Phalle)., Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002) / Bridgeman Images

ID: TEC4601136

View of the fountain Stravinski Fountain (Stravinsky) (or fountain of automatons), at night, from the Georges Pompidou center, Paris 4th arrondissement. Inaugulated in 1983, works by Jeantinguely and Niki de Saint-Phalle (Saint Phalle).

Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002)

Mandan medicine man Wak-a-dah-ha-hee, White Buffalo's Hair, performing a rain dance, and Mandan warriors playing Thung-kee, a game of skill played with a ring and sticks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan medicine man Wak-a-dah-ha-hee, White Buffalo's Hair, performing a rain dance, and Mandan warriors playing Thung-kee, a game of skill played with a ring and sticks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601326: Mandan medicine man Wak-a-dah-ha-hee, White Buffalo's Hair, performing a rain dance, and Mandan warriors playing Thung-kee, a game of skill played with a ring and sticks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601326

Mandan medicine man Wak-a-dah-ha-hee, White Buffalo's Hair, performing a rain dance, and Mandan warriors playing Thung-kee, a game of skill played with a ring and sticks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Mandan second chief Mah-to-toh-pa, Four Bears, in sheepskin shirt edged with scalps and porcupine quills, deerskin leggings, buckskin moccasins, war-eagle feather headdress and bear-claw necklace. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan second chief Mah-to-toh-pa, Four Bears, in sheepskin shirt edged with scalps and porcupine quills, deerskin leggings, buckskin moccasins, war-eagle feather headdress and bear-claw necklace. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601366: Mandan second chief Mah-to-toh-pa, Four Bears, in sheepskin shirt edged with scalps and porcupine quills, deerskin leggings, buckskin moccasins, war-eagle feather headdress and bear-claw necklace. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601366

Mandan second chief Mah-to-toh-pa, Four Bears, in sheepskin shirt edged with scalps and porcupine quills, deerskin leggings, buckskin moccasins, war-eagle feather headdress and bear-claw necklace. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601421: Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601421

Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601462: Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601462

Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Sioux chiefs and medicine men dancing for George Catlin to a chorus of women singers and drummers. In the background, decorated teepees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux chiefs and medicine men dancing for George Catlin to a chorus of women singers and drummers. In the background, decorated teepees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601591: Sioux chiefs and medicine men dancing for George Catlin to a chorus of women singers and drummers. In the background, decorated teepees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

ID: FLO4601591

Sioux chiefs and medicine men dancing for George Catlin to a chorus of women singers and drummers. In the background, decorated teepees. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Ipeca, ipecacuana - Ipecacuanha, Carapichea ipecacuanha (Ipecacuan, Cephaelis ipecacuanha). Taken from “” Medical Botany”” by John Stephenson and James Morss Churchill. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Ipeca, ipecacuana - Ipecacuanha, Carapichea ipecacuanha (Ipecacuan, Cephaelis ipecacuanha). Taken from “” Medical Botany”” by John Stephenson and James Morss Churchill. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599590: Ipeca, ipecacuana - Ipecacuanha, Carapichea ipecacuanha (Ipecacuan, Cephaelis ipecacuanha). Taken from “” Medical Botany”” by John Stephenson and James Morss Churchill. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4599590

Ipeca, ipecacuana - Ipecacuanha, Carapichea ipecacuanha (Ipecacuan, Cephaelis ipecacuanha). Taken from “” Medical Botany”” by John Stephenson and James Morss Churchill. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).


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