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The Pagoda of the Brihadesvara Temple (or Rajarajeshvaram Temple) in Tanjavur, Tanjore, India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Brihadeeswara Temple in Thanjavur, India. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Pagoda of the Brihadesvara Temple (or Rajarajeshvaram Temple) in Tanjavur, Tanjore, India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Brihadeeswara Temple in Thanjavur, India. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634049: The Pagoda of the Brihadesvara Temple (or Rajarajeshvaram Temple) in Tanjavur, Tanjore, India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Brihadeeswara Temple in Thanjavur, India. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Banks of the Bahamas seen from space - Great Bahamas Bank: Image obtained on 5 February 2014 by the Landsat-8 satellite. Underwater structures of the Great Bahamas Bank are pictured in this image from the Landsat-8 satellite on 5 February 2014. Sitting north of Cuba, the bank is made of limestone - mainly from the skeletal fragments of marine organisms - that has been accumulating for over 100 million years. Currents sculpted these underwater sediments into the wavy pattern we see along the bottom of the image, just a few meters deep. We can clearly see where the shallow waters drop off into the deep, dark water of an area known as the Tongue of the Ocean. With depths of up to about 4000 m, this trench surrounded by islands, reefs and shoals has an opening to the Atlantic Ocean at its northern end (not pictured). Over the deep Tongue we can see a few sparse clouds
Banks of the Bahamas seen from space - Great Bahamas Bank: Image obtained on 5 February 2014 by the Landsat-8 satellite. Underwater structures of the Great Bahamas Bank are pictured in this image from the Landsat-8 satellite on 5 February 2014. Sitting north of Cuba, the bank is made of limestone - mainly from the skeletal fragments of marine organisms - that has been accumulating for over 100 million years. Currents sculpted these underwater sediments into the wavy pattern we see along the bottom of the image, just a few meters deep. We can clearly see where the shallow waters drop off into the deep, dark water of an area known as the Tongue of the Ocean. With depths of up to about 4000 m, this trench surrounded by islands, reefs and shoals has an opening to the Atlantic Ocean at its northern end (not pictured). Over the deep Tongue we can see a few sparse clouds

PIX4634059: Banks of the Bahamas seen from space - Great Bahamas Bank: Image obtained on 5 February 2014 by the Landsat-8 satellite. Underwater structures of the Great Bahamas Bank are pictured in this image from the Landsat-8 satellite on 5 February 2014. Sitting north of Cuba, the bank is made of limestone - mainly from the skeletal fragments of marine organisms - that has been accumulating for over 100 million years. Currents sculpted these underwater sediments into the wavy pattern we see along the bottom of the image, just a few meters deep. We can clearly see where the shallow waters drop off into the deep, dark water of an area known as the Tongue of the Ocean. With depths of up to about 4000 m, this trench surrounded by islands, reefs and shoals has an opening to the Atlantic Ocean at its northern end (not pictured). Over the deep Tongue we can see a few sparse clouds / Bridgeman Images

Nacreous clouds - Nacreous clouds - PSC for Polar Stratospheric Cloud observed in Norway. Nacreous cloud (or PSC for polar stratospheric cloud) seen in Norway
Nacreous clouds - Nacreous clouds - PSC for Polar Stratospheric Cloud observed in Norway. Nacreous cloud (or PSC for polar stratospheric cloud) seen in Norway

PIX4634061: Nacreous clouds - Nacreous clouds - PSC for Polar Stratospheric Cloud observed in Norway. Nacreous cloud (or PSC for polar stratospheric cloud) seen in Norway / Bridgeman Images

Hurricane Irma seen by satellite 09/2017 - Hurricane Irma 09/2017: Hurricane Irma on September 6, 2017. Image obtained by the American satellite GOES-16. GOES-16 captured this geocolor image of Hurricane Irma approaching Anguilla at about 7:15 am (eastern), September 6, 2017. Irma's maximum sustained winds remain near 185 mph with higher gusts, making it a category 5 hurricane on the Saffirm-Simpson Hurricane Wind Scale. This image, captured as daylight moves into the area, offers a blend of both, with nighttime features on the left side of the image and daytime on the right
Hurricane Irma seen by satellite 09/2017 - Hurricane Irma 09/2017: Hurricane Irma on September 6, 2017. Image obtained by the American satellite GOES-16. GOES-16 captured this geocolor image of Hurricane Irma approaching Anguilla at about 7:15 am (eastern), September 6, 2017. Irma's maximum sustained winds remain near 185 mph with higher gusts, making it a category 5 hurricane on the Saffirm-Simpson Hurricane Wind Scale. This image, captured as daylight moves into the area, offers a blend of both, with nighttime features on the left side of the image and daytime on the right

PIX4634063: Hurricane Irma seen by satellite 09/2017 - Hurricane Irma 09/2017: Hurricane Irma on September 6, 2017. Image obtained by the American satellite GOES-16. GOES-16 captured this geocolor image of Hurricane Irma approaching Anguilla at about 7:15 am (eastern), September 6, 2017. Irma's maximum sustained winds remain near 185 mph with higher gusts, making it a category 5 hurricane on the Saffirm-Simpson Hurricane Wind Scale. This image, captured as daylight moves into the area, offers a blend of both, with nighttime features on the left side of the image and daytime on the right / Bridgeman Images

Evolution of the Universe - Artist's view representing the Big Bang and the movement of expansion of the Universe
Evolution of the Universe - Artist's view representing the Big Bang and the movement of expansion of the Universe

PIX4634103: Evolution of the Universe - Artist's view representing the Big Bang and the movement of expansion of the Universe / Bridgeman Images

Elephant hunting in Bago (Burma) (Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Elephant hunting in Pegu (Bago) in Burma. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Elephant hunting in Bago (Burma) (Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Elephant hunting in Pegu (Bago) in Burma. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634110: Elephant hunting in Bago (Burma) (Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Elephant hunting in Pegu (Bago) in Burma. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Artist's view of the Big Bang - Big Bang artwork - Artist's view representing the Big Bang and galaxies
Artist's view of the Big Bang - Big Bang artwork - Artist's view representing the Big Bang and galaxies

PIX4634235: Artist's view of the Big Bang - Big Bang artwork - Artist's view representing the Big Bang and galaxies / Bridgeman Images

A ruined temple in Java (Indonesia), with the Sanskrit and Burmese alphabets, as well as the Balinese script. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple ruins on Java, Indonesia. Examples of Asian languages including Sanskrit and Burmese alphabets, and Balinese writing. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A ruined temple in Java (Indonesia), with the Sanskrit and Burmese alphabets, as well as the Balinese script. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple ruins on Java, Indonesia. Examples of Asian languages including Sanskrit and Burmese alphabets, and Balinese writing. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634247: A ruined temple in Java (Indonesia), with the Sanskrit and Burmese alphabets, as well as the Balinese script. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple ruins on Java, Indonesia. Examples of Asian languages including Sanskrit and Burmese alphabets, and Balinese writing. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

The Universe in a Hand - Artist's View - Universe in Hand: Artist's view representing the universe measuring only 10 centimetres in diameter before inflation. The universe is shown when it was only 10 centimeters in diameter, 10 ^ -32 seconds after the Big Bang.
The Universe in a Hand - Artist's View - Universe in Hand: Artist's view representing the universe measuring only 10 centimetres in diameter before inflation. The universe is shown when it was only 10 centimeters in diameter, 10 ^ -32 seconds after the Big Bang.

PIX4634248: The Universe in a Hand - Artist's View - Universe in Hand: Artist's view representing the universe measuring only 10 centimetres in diameter before inflation. The universe is shown when it was only 10 centimeters in diameter, 10 ^ -32 seconds after the Big Bang., Dixon, Don (b.1951) / Bridgeman Images

Distance Scale in the Universe - Representation of the Big Bang to the Sun. Each graduation on the scale indicates the distance in light-years. The scale ranges from O light-years to the right, Earth's position, to 10 billion light-years to the left. The Big Bang is about 14 billion light years ago
Distance Scale in the Universe - Representation of the Big Bang to the Sun. Each graduation on the scale indicates the distance in light-years. The scale ranges from O light-years to the right, Earth's position, to 10 billion light-years to the left. The Big Bang is about 14 billion light years ago

PIX4634276: Distance Scale in the Universe - Representation of the Big Bang to the Sun. Each graduation on the scale indicates the distance in light-years. The scale ranges from O light-years to the right, Earth's position, to 10 billion light-years to the left. The Big Bang is about 14 billion light years ago / Bridgeman Images

Cosmological diffuse background fluctuations/WMAP - Cosmological diffuse background fluctuations/WMAP - Map of temperature fluctuations of cosmological diffuse background seen by the WMAP satellite in 2003
Cosmological diffuse background fluctuations/WMAP - Cosmological diffuse background fluctuations/WMAP - Map of temperature fluctuations of cosmological diffuse background seen by the WMAP satellite in 2003

PIX4634315: Cosmological diffuse background fluctuations/WMAP - Cosmological diffuse background fluctuations/WMAP - Map of temperature fluctuations of cosmological diffuse background seen by the WMAP satellite in 2003 / Bridgeman Images

Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632125: Costume of a Cent-Suisse, elite infantry guard, in Henri IV by Saint-Hilaire and Michel Delaporte, Cirque Olympique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Belgian actress Eugenie Doche as Pierrette in Le Bonhomme Job by Emile Souvestre, Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Belgian actress Eugenie Doche as Pierrette in Le Bonhomme Job by Emile Souvestre, Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632149: Belgian actress Eugenie Doche as Pierrette in Le Bonhomme Job by Emile Souvestre, Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Apollo 11: Earth - Apollo 11: Earth - The Earth seen by Apollo 11 in July 1969. Africa and Europe. Earth as seen from Apollo 11 in July 1969. Africa and Europe
Apollo 11: Earth - Apollo 11: Earth - The Earth seen by Apollo 11 in July 1969. Africa and Europe. Earth as seen from Apollo 11 in July 1969. Africa and Europe

PIX4632173: Apollo 11: Earth - Apollo 11: Earth - The Earth seen by Apollo 11 in July 1969. Africa and Europe. Earth as seen from Apollo 11 in July 1969. Africa and Europe / Bridgeman Images

The Earth seen by Apollo 11 in July 1969. - One - third of the Earth's sphere illuminated, Earth's terminator, sunglint, a portion of East Africa, as photographed from the Apollo 11 spacecraft during its lunar landing mission
The Earth seen by Apollo 11 in July 1969. - One - third of the Earth's sphere illuminated, Earth's terminator, sunglint, a portion of East Africa, as photographed from the Apollo 11 spacecraft during its lunar landing mission

PIX4632180: The Earth seen by Apollo 11 in July 1969. - One - third of the Earth's sphere illuminated, Earth's terminator, sunglint, a portion of East Africa, as photographed from the Apollo 11 spacecraft during its lunar landing mission / Bridgeman Images

Baritone singer Prosper Alphonse Bussine as Jacques I in the comic opera Gibby la Cornemuse by Clapisson, Theatre de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Baritone singer Prosper Alphonse Bussine as Jacques I in the comic opera Gibby la Cornemuse by Clapisson, Theatre de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632187: Baritone singer Prosper Alphonse Bussine as Jacques I in the comic opera Gibby la Cornemuse by Clapisson, Theatre de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Earth seen by Apollo 13 - Apollo 13: Earth - 04/1970 - Earth seen by Apollo 13 in April 1970. Earth as seen from Apollo 13 in April 1970. North America
Earth seen by Apollo 13 - Apollo 13: Earth - 04/1970 - Earth seen by Apollo 13 in April 1970. Earth as seen from Apollo 13 in April 1970. North America

PIX4632210: Earth seen by Apollo 13 - Apollo 13: Earth - 04/1970 - Earth seen by Apollo 13 in April 1970. Earth as seen from Apollo 13 in April 1970. North America / Bridgeman Images

Earth/Stars background - Photomontage of the Earth with a star background
Earth/Stars background - Photomontage of the Earth with a star background

PIX4632228: Earth/Stars background - Photomontage of the Earth with a star background / Bridgeman Images

Earth/Stars background - Photomontage of the Earth with a star background
Earth/Stars background - Photomontage of the Earth with a star background

PIX4632243: Earth/Stars background - Photomontage of the Earth with a star background / Bridgeman Images

Cloudless Earth - Mosaic of Earth images collected by Terra/MODIS, Landsat - 1/MSS, Landsat - 5/TM and Landsat - 7/ETM+between 1972 and 2001
Cloudless Earth - Mosaic of Earth images collected by Terra/MODIS, Landsat - 1/MSS, Landsat - 5/TM and Landsat - 7/ETM+between 1972 and 2001

PIX4632253: Cloudless Earth - Mosaic of Earth images collected by Terra/MODIS, Landsat - 1/MSS, Landsat - 5/TM and Landsat - 7/ETM+between 1972 and 2001 / Bridgeman Images

Earth by Satellite 2004 - Terra/MODIS (Moderate Resolution Imaging Spectroradiometer) in July 2004
Earth by Satellite 2004 - Terra/MODIS (Moderate Resolution Imaging Spectroradiometer) in July 2004

PIX4632309: Earth by Satellite 2004 - Terra/MODIS (Moderate Resolution Imaging Spectroradiometer) in July 2004 / Bridgeman Images

La terre vue par satellite en October 2004 - Mosaic of satellite data taken from a NASA sensor called the Moderate Resolution Imaging Spectroradiometer (MODIS) that flies board NASA's Terra satellite
La terre vue par satellite en October 2004 - Mosaic of satellite data taken from a NASA sensor called the Moderate Resolution Imaging Spectroradiometer (MODIS) that flies board NASA's Terra satellite

PIX4632316: La terre vue par satellite en October 2004 - Mosaic of satellite data taken from a NASA sensor called the Moderate Resolution Imaging Spectroradiometer (MODIS) that flies board NASA's Terra satellite / Bridgeman Images

Earth by satellite - Earth by satellite - Bathymetric and topographic map of the Earth. February month. Planisphere showing Earth in February
Earth by satellite - Earth by satellite - Bathymetric and topographic map of the Earth. February month. Planisphere showing Earth in February

PIX4632360: Earth by satellite - Earth by satellite - Bathymetric and topographic map of the Earth. February month. Planisphere showing Earth in February / Bridgeman Images

English actress Rose Marie Cizos or Rose Cheri in Irene ou Le Magnetisme by Eugene Scribe and Lockroy, Theatre du Gymnasium Dramatique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
English actress Rose Marie Cizos or Rose Cheri in Irene ou Le Magnetisme by Eugene Scribe and Lockroy, Theatre du Gymnasium Dramatique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632361: English actress Rose Marie Cizos or Rose Cheri in Irene ou Le Magnetisme by Eugene Scribe and Lockroy, Theatre du Gymnasium Dramatique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

Mademoiselle Payre as Beppe in the verse drama Karel Dujardin by the Marquis de Belloy, Theatre de l'Odeon, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Mademoiselle Payre as Beppe in the verse drama Karel Dujardin by the Marquis de Belloy, Theatre de l'Odeon, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632371: Mademoiselle Payre as Beppe in the verse drama Karel Dujardin by the Marquis de Belloy, Theatre de l'Odeon, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Bathymetric and Topographic Map of the Earth. - Bathymetric and Topographic Map of the Earth. - Bathymetric and Topographic Map of the Earth. Image made from radar data. The topography of the seabed was obtained from boat surveys, as well as from data obtained from ERS-1, ERS-2 and Geosat satellites. Altimetric data on the continents come from observations from the ERS-1 satellite. The color code is shown at the bottom of the image: from purple (- 8000m) to white (+ 3000m to+8000m); green 0 to 400 meters altitude
Bathymetric and Topographic Map of the Earth. - Bathymetric and Topographic Map of the Earth. - Bathymetric and Topographic Map of the Earth. Image made from radar data. The topography of the seabed was obtained from boat surveys, as well as from data obtained from ERS-1, ERS-2 and Geosat satellites. Altimetric data on the continents come from observations from the ERS-1 satellite. The color code is shown at the bottom of the image: from purple (- 8000m) to white (+ 3000m to+8000m); green 0 to 400 meters altitude

PIX4632384: Bathymetric and Topographic Map of the Earth. - Bathymetric and Topographic Map of the Earth. - Bathymetric and Topographic Map of the Earth. Image made from radar data. The topography of the seabed was obtained from boat surveys, as well as from data obtained from ERS-1, ERS-2 and Geosat satellites. Altimetric data on the continents come from observations from the ERS-1 satellite. The color code is shown at the bottom of the image: from purple (- 8000m) to white (+ 3000m to+8000m); green 0 to 400 meters altitude / Bridgeman Images

Earth by satellite: the four seasons - Earth by satellite - The four seasons - The Earth seen from top to bottom, in March 2004, June 2004, September 2004 and December 2004. These images show seasonal changes on the surface of the planet (except for poles). Bathymetric and topographic maps of the Earth based on data obtained from the Terra satellite and its MODIS (Moderate Resolution Imaging Spectroradiometer) instrument. Earth from top to bottom in March 2004, June 2004, September 2004 and December 2004. These images show the seasonal changes on earth surface (except for North and South poles). Image made with datas from MODIS instrument on Terra satellite
Earth by satellite: the four seasons - Earth by satellite - The four seasons - The Earth seen from top to bottom, in March 2004, June 2004, September 2004 and December 2004. These images show seasonal changes on the surface of the planet (except for poles). Bathymetric and topographic maps of the Earth based on data obtained from the Terra satellite and its MODIS (Moderate Resolution Imaging Spectroradiometer) instrument. Earth from top to bottom in March 2004, June 2004, September 2004 and December 2004. These images show the seasonal changes on earth surface (except for North and South poles). Image made with datas from MODIS instrument on Terra satellite

PIX4632392: Earth by satellite: the four seasons - Earth by satellite - The four seasons - The Earth seen from top to bottom, in March 2004, June 2004, September 2004 and December 2004. These images show seasonal changes on the surface of the planet (except for poles). Bathymetric and topographic maps of the Earth based on data obtained from the Terra satellite and its MODIS (Moderate Resolution Imaging Spectroradiometer) instrument. Earth from top to bottom in March 2004, June 2004, September 2004 and December 2004. These images show the seasonal changes on earth surface (except for North and South poles). Image made with datas from MODIS instrument on Terra satellite / Bridgeman Images

The Earth seen by the Envisat satellite - Mosaic of images obtained by the MERIS instrument on the European Envisat satellite
The Earth seen by the Envisat satellite - Mosaic of images obtained by the MERIS instrument on the European Envisat satellite

PIX4632398: The Earth seen by the Envisat satellite - Mosaic of images obtained by the MERIS instrument on the European Envisat satellite / Bridgeman Images

Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003
Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003

PIX4632404: Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003 / Bridgeman Images

Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation
Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation

PIX4632435: Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation / Bridgeman Images

Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite
Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite

PIX4632459: Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite / Bridgeman Images

Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole
Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole

PIX4632500: Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole / Bridgeman Images

English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632504: English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas
Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas

PIX4632538: Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas / Bridgeman Images

English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632552: English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632567: English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images


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