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Adoration of the Magi - Altarpiece of San Donato (oil on panel, 1496)
Adoration of the Magi - Altarpiece of San Donato (oil on panel, 1496)

LRI4607526: Adoration of the Magi - Altarpiece of San Donato (oil on panel, 1496), Lippi, Filippino (c.1457-1504) / Bridgeman Images

Slender Canadian columbine. Aquilegia canadensis gracilis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Slender Canadian columbine. Aquilegia canadensis gracilis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607562: Slender Canadian columbine. Aquilegia canadensis gracilis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

Round-leaved cyclamen, Cyclamen coum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Round-leaved cyclamen, Cyclamen coum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607605: Round-leaved cyclamen, Cyclamen coum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607839: Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Virgin and Child (tempera and gold leaf on wood, c. 1335)
Virgin and Child (tempera and gold leaf on wood, c. 1335)

LRI4607899: Virgin and Child (tempera and gold leaf on wood, c. 1335), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images

John Hampden, English Parliamentarian, in oval above vignette of his death at the Battle of Chalgrove Field. Copperplate engraving by Robert Pollard from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
John Hampden, English Parliamentarian, in oval above vignette of his death at the Battle of Chalgrove Field. Copperplate engraving by Robert Pollard from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608095: John Hampden, English Parliamentarian, in oval above vignette of his death at the Battle of Chalgrove Field. Copperplate engraving by Robert Pollard from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Portrait of Sir Anthony Ashley Cooper, 1st Earl of Shaftesbury, English politician, 1621-1683. In an oval, with putto, sword and bell. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Portrait of Sir Anthony Ashley Cooper, 1st Earl of Shaftesbury, English politician, 1621-1683. In an oval, with putto, sword and bell. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608177: Portrait of Sir Anthony Ashley Cooper, 1st Earl of Shaftesbury, English politician, 1621-1683. In an oval, with putto, sword and bell. Copperplate engraving by Ryder from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Portrait of Sir Samuel Garth, English physician and poet, 1661-1719. Vignette of a scientist in a laboratory. Copperplate engraving by Thomas Cook after a painting by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Portrait of Sir Samuel Garth, English physician and poet, 1661-1719. Vignette of a scientist in a laboratory. Copperplate engraving by Thomas Cook after a painting by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608180: Portrait of Sir Samuel Garth, English physician and poet, 1661-1719. Vignette of a scientist in a laboratory. Copperplate engraving by Thomas Cook after a painting by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Still Life 1926 Painting by Mino Maccari (1840-1919) 20th century Sun. 46 x 56.5 cm Florence, Galleria d'Arte Moderna
Still Life 1926 Painting by Mino Maccari (1840-1919) 20th century Sun. 46 x 56.5 cm Florence, Galleria d'Arte Moderna

LRI4608228: Still Life 1926 Painting by Mino Maccari (1840-1919) 20th century Sun. 46 x 56.5 cm Florence, Galleria d'Arte Moderna, Maccari, Mino (1898-1989) / Bridgeman Images

Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608006: Frederick Hermann, 1st Duke of Schomberg, 1616-1690, within oval in suit of armour, above vignette of his death at the Battle of the Boyne. Copperplate engraving by Ryder after a portrait by Sir Godfrey Kneller from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4608023: Rene Descartes, English philosopher and writer. Copperplate engraving by Joshua Collyer from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.
British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

FLO4608252: British antiquite (pre-Roman period, before 1st century): great Breton festival in Stonehenge (England), druidic ceremony on the eve of May, the stones are covered with veils in the effigy of the Dragon King - Forte Water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from original Costume of British Islanders, by Samuel Meyrick (1783-1848), 1821 - Grand Conventional Festival of the Britons at Stonehenge, Pre-Roman era. Druidic Helio-arkite ceremony on May eve, the stones covered with veils depicting the dragon king. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images

King George III of Great Britain. Copperplate engraving by William Walker from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1775.
King George III of Great Britain. Copperplate engraving by William Walker from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1775.

FLO4608083: King George III of Great Britain. Copperplate engraving by William Walker from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1775. / Bridgeman Images

Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.
Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

FLO4608348: Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images

Marriage of Napoleon Bonaparte and Josephine de Beauharnais at Notre Dame, 1804. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Marriage of Napoleon Bonaparte and Josephine de Beauharnais at Notre Dame, 1804. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608480: Marriage of Napoleon Bonaparte and Josephine de Beauharnais at Notre Dame, 1804. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Black flowered gonolobus, Gonolobus niger. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Black flowered gonolobus, Gonolobus niger. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608704: Black flowered gonolobus, Gonolobus niger. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Pitcairnia bifrons (Bracteated pitcairnia, Pitcairnia bracteata). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Pitcairnia bifrons (Bracteated pitcairnia, Pitcairnia bracteata). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608775: Pitcairnia bifrons (Bracteated pitcairnia, Pitcairnia bracteata). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

The Pretenders (oil on canvas, 1932)
The Pretenders (oil on canvas, 1932)

LRI4608790: The Pretenders (oil on canvas, 1932), Masson, André (1896-1987) / Bridgeman Images

Rhipsalis pachyptera. (Wing-stemmed cactus, Cactus alatus.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Rhipsalis pachyptera. (Wing-stemmed cactus, Cactus alatus.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608802: Rhipsalis pachyptera. (Wing-stemmed cactus, Cactus alatus.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Cempedak, Artocarpus integer. (Jack tree or whole-leaved breadfruit, Artocarpus integrifolia.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Cempedak, Artocarpus integer. (Jack tree or whole-leaved breadfruit, Artocarpus integrifolia.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608852: Cempedak, Artocarpus integer. (Jack tree or whole-leaved breadfruit, Artocarpus integrifolia.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Green-tip forest lily, Clivia nobilis (Handsome-flowered imatophyllum, Imatophyllum aitoni). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Green-tip forest lily, Clivia nobilis (Handsome-flowered imatophyllum, Imatophyllum aitoni). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608882: Green-tip forest lily, Clivia nobilis (Handsome-flowered imatophyllum, Imatophyllum aitoni). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century)
Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century)

LRI4608477: Saint Anthony of Padua presenting Giulia Trivulzio. Detail( Tempera on wood, 16th century), D'Oggiono, Marco (1470-1549) / Bridgeman Images

Coriander and Oenanthe fake locage. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Coriander, Coriandrum sativum and Pimpinell dropwort. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.
Coriander and Oenanthe fake locage. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Coriander, Coriandrum sativum and Pimpinell dropwort. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653.

FLO4608666: Coriander and Oenanthe fake locage. Coloriee copper engraving, in herbarium of English medicinal plants (published by Joshua Hamilton in 1792) by Nicolas Culpeper (1616-1654), English herbalist, botanist, and astrologer. Coriander, Coriandrum sativum and Pimpinell dropwort. Handcoloured copperplate engraving from Joshua Hamilton's “Culpeper's English Family Physician” 1792. Nicholas Culpeper (1616-1654) was an English botanist, herbalist and astrologer famous for his “” Complete Herbal””” of 1653. / Bridgeman Images

Napoleon Bonapart's first interview with his second wife, Maria Louise, Duchess of Palma, at Compiegne, 1810. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonapart's first interview with his second wife, Maria Louise, Duchess of Palma, at Compiegne, 1810. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608700: Napoleon Bonapart's first interview with his second wife, Maria Louise, Duchess of Palma, at Compiegne, 1810. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Zygosepalum labiosum orchid (Rostrate zygopetalon, Zygopetalum rostratum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Zygosepalum labiosum orchid (Rostrate zygopetalon, Zygopetalum rostratum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608803: Zygosepalum labiosum orchid (Rostrate zygopetalon, Zygopetalum rostratum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Cabbage palm, Cordyline australis. (White-flowered New Zealand dracaena, Dracaena australis.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Cabbage palm, Cordyline australis. (White-flowered New Zealand dracaena, Dracaena australis.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608853: Cabbage palm, Cordyline australis. (White-flowered New Zealand dracaena, Dracaena australis.) Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Markea viridiflora (Solandra viridiflora). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817.
Markea viridiflora (Solandra viridiflora). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817.

FLO4608919: Markea viridiflora (Solandra viridiflora). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817. / Bridgeman Images

Studying of the head of a screaming man.16th century (Drawing)
Studying of the head of a screaming man.16th century (Drawing)

LRI4608979: Studying of the head of a screaming man.16th century (Drawing), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608565: Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608628: Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608720: Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608771: Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608892: Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Alpine clematis, Clematis alpina (Atragene sibirica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817.
Alpine clematis, Clematis alpina (Atragene sibirica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817.

FLO4608996: Alpine clematis, Clematis alpina (Atragene sibirica). Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1817. / Bridgeman Images

Alpine anemone, Anemone alpina L. var. major. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.
Alpine anemone, Anemone alpina L. var. major. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609028: Alpine anemone, Anemone alpina L. var. major. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

Mountain bugbane or mountain black-cohosh, Actaea podocarpa [Cimicifuga cordifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.
Mountain bugbane or mountain black-cohosh, Actaea podocarpa [Cimicifuga cordifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609170: Mountain bugbane or mountain black-cohosh, Actaea podocarpa [Cimicifuga cordifolia). Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images


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