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Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854.
Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854.

FLO4648884: Hybrid white rose, Imperatrice Eugenie, Empress Eugenie. Chromolithograph drawn and lithographed by L. Stroobant for “L'Illustration Horticole,”” Ghent, 1860. Ambroise Verschaffelt (1825 € ¿1886) was a distinguished Belgian horticulturist and author. He founded the L'Illustration Horticole at Ghent in 1854. / Bridgeman Images

Baroness Prevost rose, hybrid raised by Monsieur Desprez at Yebles near Melun in 1843. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
Baroness Prevost rose, hybrid raised by Monsieur Desprez at Yebles near Melun in 1843. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649048: Baroness Prevost rose, hybrid raised by Monsieur Desprez at Yebles near Melun in 1843. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

Jules Margottin rose, hybrid raised by Monsieur Margottin of Bourg-la-Reine in 1853. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
Jules Margottin rose, hybrid raised by Monsieur Margottin of Bourg-la-Reine in 1853. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649082: Jules Margottin rose, hybrid raised by Monsieur Margottin of Bourg-la-Reine in 1853. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901
Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901

FLO4648735: Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901 / Bridgeman Images

La Biche rose, variety of white noisette, raised by Monsieur Toullier of Reuil in 1832. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
La Biche rose, variety of white noisette, raised by Monsieur Toullier of Reuil in 1832. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649156: La Biche rose, variety of white noisette, raised by Monsieur Toullier of Reuil in 1832. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

Astronaut Lisa Nowak - mission STS-121 - Astronaut Lisa Nowak floats weightlessly in space shuttle Discovery. Mission STS-121 - 4 to 17 July 2006
Astronaut Lisa Nowak - mission STS-121 - Astronaut Lisa Nowak floats weightlessly in space shuttle Discovery. Mission STS-121 - 4 to 17 July 2006

PIX4648937: Astronaut Lisa Nowak - mission STS-121 - Astronaut Lisa Nowak floats weightlessly in space shuttle Discovery. Mission STS-121 - 4 to 17 July 2006 / Bridgeman Images

Elisa Boelle rose, hybrid rose raised by Monsieur Guillot Jr. of Lyon in 1869. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
Elisa Boelle rose, hybrid rose raised by Monsieur Guillot Jr. of Lyon in 1869. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649193: Elisa Boelle rose, hybrid rose raised by Monsieur Guillot Jr. of Lyon in 1869. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

Prehistory: flint scrapers. Neolithic era. From Umbria. Perugia, Museo Archeologico Nazionale dell'Umbria
Prehistory: flint scrapers. Neolithic era. From Umbria. Perugia, Museo Archeologico Nazionale dell'Umbria

LRI4649246: Prehistory: flint scrapers. Neolithic era. From Umbria. Perugia, Museo Archeologico Nazionale dell'Umbria, Prehistoric / Bridgeman Images

Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901
Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901

FLO4648665: Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901 / Bridgeman Images

Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901
Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901

FLO4648808: Handcoloured print by Kono Bairei for 'One Hundred Varieties of Flowers', Tokyo, Yamada, 1901 / Bridgeman Images

Benkeisou or garden stonecrop, Hylotelephium erythrostictum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Benkeisou or garden stonecrop, Hylotelephium erythrostictum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648836: Benkeisou or garden stonecrop, Hylotelephium erythrostictum. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century)
Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century)

LRI4649093: Regate at the Ponte di Rialto in Venice, detail of the docks (Painting, 16th century), Heintz, Joseph (1564-1609) / Bridgeman Images

Madame Edouard Ory rose, hybrid of the moss rose, Rosa muscosa, raised by Monsieur Robert of Angers in 1854. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
Madame Edouard Ory rose, hybrid of the moss rose, Rosa muscosa, raised by Monsieur Robert of Angers in 1854. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649309: Madame Edouard Ory rose, hybrid of the moss rose, Rosa muscosa, raised by Monsieur Robert of Angers in 1854. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

The dhole, Asian cuon or Asian wild dog, Cuon alpinus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, edition W. H Lizars, Edinburgh, Scotland, 1839
The dhole, Asian cuon or Asian wild dog, Cuon alpinus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, edition W. H Lizars, Edinburgh, Scotland, 1839

FLO4649476: The dhole, Asian cuon or Asian wild dog, Cuon alpinus - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, edition W. H Lizars, Edinburgh, Scotland, 1839 / Bridgeman Images

Cape lion. Lithograph of William Lizars, based on a drawing by Charles Hamilton Smith, for “” Bibliotheque naturaliste, mammals, les felins”, by Sir William Jardine, published in 1834 in Edinburgh (Scotland).
Cape lion. Lithograph of William Lizars, based on a drawing by Charles Hamilton Smith, for “” Bibliotheque naturaliste, mammals, les felins”, by Sir William Jardine, published in 1834 in Edinburgh (Scotland).

FLO4649697: Cape lion. Lithograph of William Lizars, based on a drawing by Charles Hamilton Smith, for “” Bibliotheque naturaliste, mammals, les felins”, by Sir William Jardine, published in 1834 in Edinburgh (Scotland). / Bridgeman Images

Fox or Wood Dog, Extirpated Species, Thous acmon - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839
Fox or Wood Dog, Extirpated Species, Thous acmon - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839

FLO4649556: Fox or Wood Dog, Extirpated Species, Thous acmon - Lithograph by Colonel Charles Hamilton Smith to illustrate Naturalist's Library: Dogs by Sir William Jardine, W. H Lizars Edition, Edinburgh, Scotland, 1839 / Bridgeman Images

Married woman of Coburg, Franconia, Germany, 19th century. She wears an embroidered cap of pleated chiffon, and a full cape of rich cloth, decorated with gold braid. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Married woman of Coburg, Franconia, Germany, 19th century. She wears an embroidered cap of pleated chiffon, and a full cape of rich cloth, decorated with gold braid. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658222: Married woman of Coburg, Franconia, Germany, 19th century. She wears an embroidered cap of pleated chiffon, and a full cape of rich cloth, decorated with gold braid. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Straw hat merchant - Straw hat seller, Paris, early 19th century, in white dress with frilled cuffs and hem, lace collar and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Straw hat merchant - Straw hat seller, Paris, early 19th century, in white dress with frilled cuffs and hem, lace collar and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658394: Straw hat merchant - Straw hat seller, Paris, early 19th century, in white dress with frilled cuffs and hem, lace collar and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Bouquetiere - Flower seller, Paris, early 19th century, in red dress, white apron and bonnet, carrying a basket of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Bouquetiere - Flower seller, Paris, early 19th century, in red dress, white apron and bonnet, carrying a basket of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658402: Bouquetiere - Flower seller, Paris, early 19th century, in red dress, white apron and bonnet, carrying a basket of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Blythh's or Papuan hornbill, Rhyticeros plicatus (Wreathed hornbill, Buceros plicatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.
Blythh's or Papuan hornbill, Rhyticeros plicatus (Wreathed hornbill, Buceros plicatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.

FLO4659240: Blythh's or Papuan hornbill, Rhyticeros plicatus (Wreathed hornbill, Buceros plicatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822., Latham, John (1740-1837) / Bridgeman Images

Roman art: cockfighting. Mosaic from Pompei. 4th style. Museo Archeologico Nazionale, Naples
Roman art: cockfighting. Mosaic from Pompei. 4th style. Museo Archeologico Nazionale, Naples

LRI4659468: Roman art: cockfighting. Mosaic from Pompei. 4th style. Museo Archeologico Nazionale, Naples, Roman, (1st century AD) / Bridgeman Images

Roman art: funerary altar representing two dancing menades. Low relief. Rome, Museo Nazionale Romano
Roman art: funerary altar representing two dancing menades. Low relief. Rome, Museo Nazionale Romano

LRI4659560: Roman art: funerary altar representing two dancing menades. Low relief. Rome, Museo Nazionale Romano, Roman / Bridgeman Images

Roman art: representation of Cronos (Saturn). Detail. Fresco from the Casa dei Dioscuri in Pompei. Dim. 68x41 cm Museo Archeologico Nazionale, Naples
Roman art: representation of Cronos (Saturn). Detail. Fresco from the Casa dei Dioscuri in Pompei. Dim. 68x41 cm Museo Archeologico Nazionale, Naples

LRI4659499: Roman art: representation of Cronos (Saturn). Detail. Fresco from the Casa dei Dioscuri in Pompei. Dim. 68x41 cm Museo Archeologico Nazionale, Naples, Roman, (1st century AD) / Bridgeman Images

Tufted cocks, Lophornis ornatus (Tufted-necked hummingbirds, Trochilus ornatus). Male and female. Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.
Tufted cocks, Lophornis ornatus (Tufted-necked hummingbirds, Trochilus ornatus). Male and female. Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822.

FLO4659541: Tufted cocks, Lophornis ornatus (Tufted-necked hummingbirds, Trochilus ornatus). Male and female. Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822., Latham, John (1740-1837) / Bridgeman Images

the Fanciulla d'Anzio (the Maiden of Anzio). Roman marble sculpture after a Greek bronze original from 240-230 BC. Early 2nd century BC. Dim. 174 cm Rome, Museo Nazionale Romano
the Fanciulla d'Anzio (the Maiden of Anzio). Roman marble sculpture after a Greek bronze original from 240-230 BC. Early 2nd century BC. Dim. 174 cm Rome, Museo Nazionale Romano

LRI4659569: the Fanciulla d'Anzio (the Maiden of Anzio). Roman marble sculpture after a Greek bronze original from 240-230 BC. Early 2nd century BC. Dim. 174 cm Rome, Museo Nazionale Romano, Roman, (2nd century) / Bridgeman Images

Roman art: a hunter attacked by a lioness protects himself with his shield. Detail of mosaic of “” The big hunting part”” 315-350 AD. Piazza Armerina, Villa Romana del Casale
Roman art: a hunter attacked by a lioness protects himself with his shield. Detail of mosaic of “” The big hunting part”” 315-350 AD. Piazza Armerina, Villa Romana del Casale

LRI4658073: Roman art: a hunter attacked by a lioness protects himself with his shield. Detail of mosaic of “” The big hunting part”” 315-350 AD. Piazza Armerina, Villa Romana del Casale, Roman, (4th century AD) / Bridgeman Images

Woman of Majorca, Spain, 19th century. She is in mourning, and wears a black cornette (veil, wimple and fichu) and long black dress. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Majorca, Spain, 19th century. She is in mourning, and wears a black cornette (veil, wimple and fichu) and long black dress. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658136: Woman of Majorca, Spain, 19th century. She is in mourning, and wears a black cornette (veil, wimple and fichu) and long black dress. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Servant girl of Coburg, Franconia, Germany, 19th century. She wears her hair is tied up in a bun, laced bodice with ribbons, short sleeves, and full pleated petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Servant girl of Coburg, Franconia, Germany, 19th century. She wears her hair is tied up in a bun, laced bodice with ribbons, short sleeves, and full pleated petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658228: Servant girl of Coburg, Franconia, Germany, 19th century. She wears her hair is tied up in a bun, laced bodice with ribbons, short sleeves, and full pleated petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Young woman of the vallee d'Aure, France, 19th century. She wears the Pyrenean capulet or hood over her head and shoulders, fichu, apron and petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Young woman of the vallee d'Aure, France, 19th century. She wears the Pyrenean capulet or hood over her head and shoulders, fichu, apron and petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658293: Young woman of the vallee d'Aure, France, 19th century. She wears the Pyrenean capulet or hood over her head and shoulders, fichu, apron and petticoats. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658072: Woman of Madrid, Spain, 19th century. She wears the traditional black mantilla veil and basquina dress over a white petticoat and carries a fan. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Merchant de plaisir - Biscuit or cookie seller, Paris, early 19th century, in white bodice and bonnet, over blue petticoat and scarlet apron - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Merchant de plaisir - Biscuit or cookie seller, Paris, early 19th century, in white bodice and bonnet, over blue petticoat and scarlet apron - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658449: Merchant de plaisir - Biscuit or cookie seller, Paris, early 19th century, in white bodice and bonnet, over blue petticoat and scarlet apron - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Dancer of Madrid, Spain, 19th century. In a dress for the fandango or bolero with short petticoat, tight corset, and hair tied up in ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Dancer of Madrid, Spain, 19th century. In a dress for the fandango or bolero with short petticoat, tight corset, and hair tied up in ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658100: Dancer of Madrid, Spain, 19th century. In a dress for the fandango or bolero with short petticoat, tight corset, and hair tied up in ribbons. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Woman of Valencia, Spain, 19th century. She wears a veil hanging from her bignon hair, a tight corset, lace sleeves, decorated petticoats, see-through apron, and carries a basket. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Valencia, Spain, 19th century. She wears a veil hanging from her bignon hair, a tight corset, lace sleeves, decorated petticoats, see-through apron, and carries a basket. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.

FLO4658122: Woman of Valencia, Spain, 19th century. She wears a veil hanging from her bignon hair, a tight corset, lace sleeves, decorated petticoats, see-through apron, and carries a basket. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827., Gatine, Georges Jacques (1773-1831) / Bridgeman Images

Florist, Paris, early 19th century, in bonnet, lace collar, shawl and dark blue coat, carrying a box of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Florist, Paris, early 19th century, in bonnet, lace collar, shawl and dark blue coat, carrying a box of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823

FLO4658621: Florist, Paris, early 19th century, in bonnet, lace collar, shawl and dark blue coat, carrying a box of flowers - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823 / Bridgeman Images

Crimson-bellied flycatcher, Muscicapa coccinigastra. Unknown species of bird copied from an illustration by the Port Jackson Painter. Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1823.
Crimson-bellied flycatcher, Muscicapa coccinigastra. Unknown species of bird copied from an illustration by the Port Jackson Painter. Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1823.

FLO4658664: Crimson-bellied flycatcher, Muscicapa coccinigastra. Unknown species of bird copied from an illustration by the Port Jackson Painter. Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1823., Latham, John (1740-1837) / Bridgeman Images

Bornean orangutan, Pongo pygmaeus. Endangered. (Orangutan, Pithecus satyrus). Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838.
Bornean orangutan, Pongo pygmaeus. Endangered. (Orangutan, Pithecus satyrus). Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838.

FLO4659790: Bornean orangutan, Pongo pygmaeus. Endangered. (Orangutan, Pithecus satyrus). Handcoloured copperplate engraving from Rene Primevere Lesson's Complements de Buffon, Pourrat Freres, Paris, 1838. / Bridgeman Images


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