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Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)
Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)

LRI4598094: Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography) / Bridgeman Images

Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement.
Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596115: Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

La Fontaine “” Embacle”, boulevard Saint Germain in Paris.
La Fontaine “” Embacle”, boulevard Saint Germain in Paris.

TEC4598111: La Fontaine “” Embacle”, boulevard Saint Germain in Paris. / Bridgeman Images

One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881).
One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881).

TEC4595329: One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881). / Bridgeman Images

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595816: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595849: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.
Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.

TEC4595242: Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. / Bridgeman Images

Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo)
Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo)

LRI4597431: Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo) / Bridgeman Images

Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography)
Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography)

LRI4598977: Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography) / Bridgeman Images

Laduree, 8 rue Royale in Paris. Photography 21/08/07.
Laduree, 8 rue Royale in Paris. Photography 21/08/07.

TEC4596316: Laduree, 8 rue Royale in Paris. Photography 21/08/07. / Bridgeman Images

View of the Jatun Rumiyoc street (1983 - Photography)
View of the Jatun Rumiyoc street (1983 - Photography)

LRI4598829: View of the Jatun Rumiyoc street (1983 - Photography) / Bridgeman Images

Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)
Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)

LRI4599750: Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography) / Bridgeman Images

Aerial view of oil refinery (1983 - Photography)
Aerial view of oil refinery (1983 - Photography)

LRI4598060: Aerial view of oil refinery (1983 - Photography) / Bridgeman Images

Column Morris, boulevard Malesherbes in Paris.
Column Morris, boulevard Malesherbes in Paris.

TEC4596070: Column Morris, boulevard Malesherbes in Paris. / Bridgeman Images

Rue de l'Echaude in Paris 6th arrondissement.
Rue de l'Echaude in Paris 6th arrondissement.

TEC4597797: Rue de l'Echaude in Paris 6th arrondissement. / Bridgeman Images

Avenue des Champs Elysees, Paris 8th arrondissement.
Avenue des Champs Elysees, Paris 8th arrondissement.

TEC4595058: Avenue des Champs Elysees, Paris 8th arrondissement. / Bridgeman Images

Aerial view on the Laguna de los cisnes (1983 - Photography)
Aerial view on the Laguna de los cisnes (1983 - Photography)

LRI4599006: Aerial view on the Laguna de los cisnes (1983 - Photography) / Bridgeman Images

La rue Royale in Paris. Photography 21/08/07.
La rue Royale in Paris. Photography 21/08/07.

TEC4596440: La rue Royale in Paris. Photography 21/08/07. / Bridgeman Images

Aerial view of Frailes Cordillere (1983 - Photography)
Aerial view of Frailes Cordillere (1983 - Photography)

LRI4599586: Aerial view of Frailes Cordillere (1983 - Photography) / Bridgeman Images

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.
Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.

TEC4597996: Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years. / Bridgeman Images

Rue de Seine in Paris 6th arrondissement.
Rue de Seine in Paris 6th arrondissement.

TEC4597729: Rue de Seine in Paris 6th arrondissement. / Bridgeman Images

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.
Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

TEC4598427: Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904. / Bridgeman Images

Aerial view of cereal fields near Peoria (1988 - Photography)
Aerial view of cereal fields near Peoria (1988 - Photography)

LRI4598110: Aerial view of cereal fields near Peoria (1988 - Photography) / Bridgeman Images

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598202: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

Aerial view of the city of Recife, Pernambuco state (1983 - Photography)
Aerial view of the city of Recife, Pernambuco state (1983 - Photography)

LRI4599817: Aerial view of the city of Recife, Pernambuco state (1983 - Photography) / Bridgeman Images

Aerial view of the city (1983 - Photography)
Aerial view of the city (1983 - Photography)

LRI4599387: Aerial view of the city (1983 - Photography) / Bridgeman Images

Aerial view of Iguacu falls (1983 - Photography)
Aerial view of Iguacu falls (1983 - Photography)

LRI4599850: Aerial view of Iguacu falls (1983 - Photography) / Bridgeman Images

Model at the workshop, 20th century (oil on canvas)
Model at the workshop, 20th century (oil on canvas)

JLJ4597671: Model at the workshop, 20th century (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4598789: Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4598033: Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595214: Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.
Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

FLO4595857: Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920. / Bridgeman Images

Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596441: Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4598031: Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.
Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

FLO4598355: Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist. / Bridgeman Images

The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596782: The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images


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