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Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)
Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)

LRI4598094: Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography) / Bridgeman Images

ID: LRI4598094

Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)

Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement.
Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596115: Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

ID: TEC4596115

Cartier, 73 rue du Faubourg Saint Honore, Paris 8th arrondissement.

La Fontaine “” Embacle”, boulevard Saint Germain in Paris.
La Fontaine “” Embacle”, boulevard Saint Germain in Paris.

TEC4598111: La Fontaine “” Embacle”, boulevard Saint Germain in Paris. / Bridgeman Images

ID: TEC4598111

La Fontaine “” Embacle”, boulevard Saint Germain in Paris.

One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881).
One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881).

TEC4595329: One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881). / Bridgeman Images

ID: TEC4595329

One of the entrance to Parc Monceau, Paris 8th arrondissement. Grid designed by Gabriel Davioud (1824-1881).

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595816: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

ID: TEC4595816

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595849: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

ID: TEC4595849

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.
Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.

TEC4595242: Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. / Bridgeman Images

ID: TEC4595242

Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.

Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo)
Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo)

LRI4597431: Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo) / Bridgeman Images

ID: LRI4597431

Aerial View of the National Park, Tennessee and North Carolina, 1988 (photo)

Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography)
Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography)

LRI4598977: Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography) / Bridgeman Images

ID: LRI4598977

Moais Naunau, wearing hats, monolithic human figures wearing hats (1983 - Photography)

Laduree, 8 rue Royale in Paris. Photography 21/08/07.
Laduree, 8 rue Royale in Paris. Photography 21/08/07.

TEC4596316: Laduree, 8 rue Royale in Paris. Photography 21/08/07. / Bridgeman Images

ID: TEC4596316

Laduree, 8 rue Royale in Paris. Photography 21/08/07.

View of the Jatun Rumiyoc street (1983 - Photography)
View of the Jatun Rumiyoc street (1983 - Photography)

LRI4598829: View of the Jatun Rumiyoc street (1983 - Photography) / Bridgeman Images

ID: LRI4598829

View of the Jatun Rumiyoc street (1983 - Photography)

Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)
Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)

LRI4599750: Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography) / Bridgeman Images

ID: LRI4599750

Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)

Aerial view of oil refinery (1983 - Photography)
Aerial view of oil refinery (1983 - Photography)

LRI4598060: Aerial view of oil refinery (1983 - Photography) / Bridgeman Images

ID: LRI4598060

Aerial view of oil refinery (1983 - Photography)

Column Morris, boulevard Malesherbes in Paris.
Column Morris, boulevard Malesherbes in Paris.

TEC4596070: Column Morris, boulevard Malesherbes in Paris. / Bridgeman Images

ID: TEC4596070

Column Morris, boulevard Malesherbes in Paris.

Rue de l'Echaude in Paris 6th arrondissement.
Rue de l'Echaude in Paris 6th arrondissement.

TEC4597797: Rue de l'Echaude in Paris 6th arrondissement. / Bridgeman Images

ID: TEC4597797

Rue de l'Echaude in Paris 6th arrondissement.

Avenue des Champs Elysees, Paris 8th arrondissement.
Avenue des Champs Elysees, Paris 8th arrondissement.

TEC4595058: Avenue des Champs Elysees, Paris 8th arrondissement. / Bridgeman Images

ID: TEC4595058

Avenue des Champs Elysees, Paris 8th arrondissement.

Aerial view on the Laguna de los cisnes (1983 - Photography)
Aerial view on the Laguna de los cisnes (1983 - Photography)

LRI4599006: Aerial view on the Laguna de los cisnes (1983 - Photography) / Bridgeman Images

ID: LRI4599006

Aerial view on the Laguna de los cisnes (1983 - Photography)

La rue Royale in Paris. Photography 21/08/07.
La rue Royale in Paris. Photography 21/08/07.

TEC4596440: La rue Royale in Paris. Photography 21/08/07. / Bridgeman Images

ID: TEC4596440

La rue Royale in Paris. Photography 21/08/07.

Aerial view of Frailes Cordillere (1983 - Photography)
Aerial view of Frailes Cordillere (1983 - Photography)

LRI4599586: Aerial view of Frailes Cordillere (1983 - Photography) / Bridgeman Images

ID: LRI4599586

Aerial view of Frailes Cordillere (1983 - Photography)

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.
Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.

TEC4597996: Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years. / Bridgeman Images

ID: TEC4597996

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.

Rue de Seine in Paris 6th arrondissement.
Rue de Seine in Paris 6th arrondissement.

TEC4597729: Rue de Seine in Paris 6th arrondissement. / Bridgeman Images

ID: TEC4597729

Rue de Seine in Paris 6th arrondissement.

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.
Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

TEC4598427: Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904. / Bridgeman Images

ID: TEC4598427

Building Felix Potin, 140 bis rue de Rennes Paris 6th arrondissement. Architect Paul Auscher (1866-1932), construction 1904.

Aerial view of cereal fields near Peoria (1988 - Photography)
Aerial view of cereal fields near Peoria (1988 - Photography)

LRI4598110: Aerial view of cereal fields near Peoria (1988 - Photography) / Bridgeman Images

ID: LRI4598110

Aerial view of cereal fields near Peoria (1988 - Photography)

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598202: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598202

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

Aerial view of the city of Recife, Pernambuco state (1983 - Photography)
Aerial view of the city of Recife, Pernambuco state (1983 - Photography)

LRI4599817: Aerial view of the city of Recife, Pernambuco state (1983 - Photography) / Bridgeman Images

ID: LRI4599817

Aerial view of the city of Recife, Pernambuco state (1983 - Photography)

Aerial view of the city (1983 - Photography)
Aerial view of the city (1983 - Photography)

LRI4599387: Aerial view of the city (1983 - Photography) / Bridgeman Images

ID: LRI4599387

Aerial view of the city (1983 - Photography)

Aerial view of Iguacu falls (1983 - Photography)
Aerial view of Iguacu falls (1983 - Photography)

LRI4599850: Aerial view of Iguacu falls (1983 - Photography) / Bridgeman Images

ID: LRI4599850

Aerial view of Iguacu falls (1983 - Photography)

Model at the workshop, 20th century (oil on canvas)
Model at the workshop, 20th century (oil on canvas)

JLJ4597671: Model at the workshop, 20th century (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: JLJ4597671

Model at the workshop, 20th century (oil on canvas)

Dufy, Raoul (1877-1953)

Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4598789: Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

ID: FLO4598789

Black-eyed suzanne - Black-eyed susan vine, Thunbergia alata. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4598033: Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4598033

Osprey, Pandion haliaetus, and short-toed snake eagle. Circaetus gallicus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595214: Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595214

Scarlet flesh rock melon, Cucumis melo cantalupensis, cut in half to show flesh and seeds. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.
Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

FLO4595857: Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920. / Bridgeman Images

ID: FLO4595857

Men's Fashion 1920 - Men's single-breasted suits in sack. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596441: Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596441

Variety Iris. Hungarian iris, Iris variegata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4598031: Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4598031

Hawfinch, Coccothraustes coccothraustes, red crossbill, Loxia curvirostra, and house sparrow, Passe domesticus, on a flowerpot. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.
Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

FLO4598355: Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist. / Bridgeman Images

ID: FLO4598355

Mai's thrush (Convallaria majalis). Medicinal plant, description of the plant with stem, leaves and flowersand a plant with mature fruit and roots. Details of corolla, ovary and two seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596782: The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596782

The Pine of China. Yunnan pine, Pinus yunnanensis, with squirrel. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.


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