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Japanese-American U.S. Naval cadet nurse, Kay Fukuda, Manzanar Japanese American Internment Camp, California, 1943 (b/w photo)
Japanese-American U.S. Naval cadet nurse, Kay Fukuda, Manzanar Japanese American Internment Camp, California, 1943 (b/w photo)

XOS5962923: Japanese-American U.S. Naval cadet nurse, Kay Fukuda, Manzanar Japanese American Internment Camp, California, 1943 (b/w photo), Adams, Ansel (1902-84) / Bridgeman Images

Bedouin Chief of Palmyra, Tadmur, Syria, 1890 (photomechanical print)
Bedouin Chief of Palmyra, Tadmur, Syria, 1890 (photomechanical print)

XOS5962931: Bedouin Chief of Palmyra, Tadmur, Syria, 1890 (photomechanical print), Detroit Photographic Co. (fl.1898-1900) / Bridgeman Images

Nestorian (Assyrian) Christian family making butter (b/w photo)
Nestorian (Assyrian) Christian family making butter (b/w photo)

XOS5962935: Nestorian (Assyrian) Christian family making butter (b/w photo), Bain, George Grantham - Bain News Service (1865-1944) / Bridgeman Images

Remains of Temple of the Sun in Palmyra, Syria, 1867 (albumen print)
Remains of Temple of the Sun in Palmyra, Syria, 1867 (albumen print)

XOS5962944: Remains of Temple of the Sun in Palmyra, Syria, 1867 (albumen print), Bonfils, Felix (1831-1885) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962672: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962673: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962675: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", detail regarding the landscape, 1756-57 (detail), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962677: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962684: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962685: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica takes care of Medoro's wounds", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): the third room or room of the Aeneid. On the left
Palazzina (Small Building): the third room or room of the Aeneid. On the left

GRL5962687: Palazzina (Small Building): the third room or room of the Aeneid. On the left "Enea dreams of Mercury who orders him to leave"; on the right "Aeneas introduces Eros to Didone in the likeness of Ascanius", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962692: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas dreams of Mercury who orders him to leave", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962693: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas dreams of Mercury who orders him to leave", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962716: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail of the doe sent by Artemis to replace Iphigenia, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962719: Palazzina (Small Building), the entrance hall: "The Greek Fleet in Aulide", detail representing a dog and a soldier, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962723: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Family at Supper", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962725: Guest Lodgings, Room of the Rural Scenes: "Landscape with a sitting peasant", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962744: Guest Lodgings, the Room of the Olympus: "Mars, Venus and Eros", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962746: Guest Lodgings, the Room of the Olympus: "Mercury", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962747: Guest Lodgings, the Room of the Olympus: "Cronus", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962751: Guest Lodgings, the Room of the Olympus: "Apollo and Diana", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Ladies and Gentlemen (Monique) (F. & S. II.128-137), 1975 (screenprint)
Ladies and Gentlemen (Monique) (F. & S. II.128-137), 1975 (screenprint)

CH5973735: Ladies and Gentlemen (Monique) (F. & S. II.128-137), 1975 (screenprint), Warhol, Andy (1928-87) / Bridgeman Images

Ladies and Gentlemen (Wilhelmina Ross) (F. & S. II.128-137), 1975 (screenprint)
Ladies and Gentlemen (Wilhelmina Ross) (F. & S. II.128-137), 1975 (screenprint)

CH5973737: Ladies and Gentlemen (Wilhelmina Ross) (F. & S. II.128-137), 1975 (screenprint), Warhol, Andy (1928-87) / Bridgeman Images

Clock Tower: detail of the automata, called
Clock Tower: detail of the automata, called

GRL5973808: Clock Tower: detail of the automata, called "Macc de le ure" (The crazy men of the hours) who hammer every hour on the bell, Piazza della Loggia, Brescia, Italy / Bridgeman Images

A 16th-century fountain with a niche for the pool and a statue of Neptune, surrounded by double Corinthian pilasters, Palazzo Martinengo Cesaresco Novarino, Brescia, Italy
A 16th-century fountain with a niche for the pool and a statue of Neptune, surrounded by double Corinthian pilasters, Palazzo Martinengo Cesaresco Novarino, Brescia, Italy

GRL5973811: A 16th-century fountain with a niche for the pool and a statue of Neptune, surrounded by double Corinthian pilasters, Palazzo Martinengo Cesaresco Novarino, Brescia, Italy / Bridgeman Images

Brescia, the archaeological area of the Capitolium in the ancient Brixia, Unesco heritage since 2011: the Theatre (I-III century AD).
Brescia, the archaeological area of the Capitolium in the ancient Brixia, Unesco heritage since 2011: the Theatre (I-III century AD).

GRL5973820: Brescia, the archaeological area of the Capitolium in the ancient Brixia, Unesco heritage since 2011: the Theatre (I-III century AD). / Bridgeman Images

Portrait of the Emperor Claudius Gothicus or Aurelian
Portrait of the Emperor Claudius Gothicus or Aurelian

GRL5973834: Portrait of the Emperor Claudius Gothicus or Aurelian, Roman / Bridgeman Images

The house of Dionysus, one of the Roman domus of Ortaglia: detail of the mosaic floor representing Dionysus and the panther (mosaic)
The house of Dionysus, one of the Roman domus of Ortaglia: detail of the mosaic floor representing Dionysus and the panther (mosaic)

GRL5973838: The house of Dionysus, one of the Roman domus of Ortaglia: detail of the mosaic floor representing Dionysus and the panther (mosaic), Roman / Bridgeman Images

The House of Dionysus, one of the Roman domus of Ortaglia: detail of the mosaic floor representing Dionysus and the panther (mosaic)
The House of Dionysus, one of the Roman domus of Ortaglia: detail of the mosaic floor representing Dionysus and the panther (mosaic)

GRL5973840: The House of Dionysus, one of the Roman domus of Ortaglia: detail of the mosaic floor representing Dionysus and the panther (mosaic), Roman / Bridgeman Images

One of the Roman domus of Ortaglia: detail of the mosaic floor of the Chamber of the Columns and the adjacent garden of the Monastery
One of the Roman domus of Ortaglia: detail of the mosaic floor of the Chamber of the Columns and the adjacent garden of the Monastery

GRL5973842: One of the Roman domus of Ortaglia: detail of the mosaic floor of the Chamber of the Columns and the adjacent garden of the Monastery / Bridgeman Images

Detail of the mosaic floor with a geometric pattern and a hooked cross, II-III century AD (mosaic)
Detail of the mosaic floor with a geometric pattern and a hooked cross, II-III century AD (mosaic)

GRL5973849: Detail of the mosaic floor with a geometric pattern and a hooked cross, II-III century AD (mosaic), Roman, (2nd-3rd century) / Bridgeman Images

Palazzo della Loggia: detail of the white Botticino marble facade with statues, Piazza della Loggia, Brescia, Italy
Palazzo della Loggia: detail of the white Botticino marble facade with statues, Piazza della Loggia, Brescia, Italy

GRL5973860: Palazzo della Loggia: detail of the white Botticino marble facade with statues, Piazza della Loggia, Brescia, Italy / Bridgeman Images

Alley of the historical centre, Brescia, Italy
Alley of the historical centre, Brescia, Italy

GRL5973903: Alley of the historical centre, Brescia, Italy / Bridgeman Images

Old Man in the Snow, 1717 (oil on canvas)
Old Man in the Snow, 1717 (oil on canvas)

GRL5973912: Old Man in the Snow, 1717 (oil on canvas), Cifrondi, Antonio (1655-1730) / Bridgeman Images

Night view, Piazza della Loggia, Brescia, Italy
Night view, Piazza della Loggia, Brescia, Italy

GRL5973914: Night view, Piazza della Loggia, Brescia, Italy / Bridgeman Images

Another shotgun wedding, with neither party willing, 1897 (chromolithograph)
Another shotgun wedding, with neither party willing, 1897 (chromolithograph)

XOS5962965: Another shotgun wedding, with neither party willing, 1897 (chromolithograph), Taylor, Charles (1855-1929) / Bridgeman Images


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