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The Orphan Portrait of an unclothed little girl without a family. Painting by Plinio Nomellini (1866-1943) 20th century Collection BNL
The Orphan Portrait of an unclothed little girl without a family. Painting by Plinio Nomellini (1866-1943) 20th century Collection BNL

MRZ5031931: The Orphan Portrait of an unclothed little girl without a family. Painting by Plinio Nomellini (1866-1943) 20th century Collection BNL / Bridgeman Images

Portrait of Antonio Maria Valsalva (1666-1723) Italian anatomist
Portrait of Antonio Maria Valsalva (1666-1723) Italian anatomist

XEE5031993: Portrait of Antonio Maria Valsalva (1666-1723) Italian anatomist / Bridgeman Images

Gothic style: plinth decoration of Saint John Evangelist and Saint Luke. Cathedral (dome or duomo) of Milan Italy
Gothic style: plinth decoration of Saint John Evangelist and Saint Luke. Cathedral (dome or duomo) of Milan Italy

MRZ5032035: Gothic style: plinth decoration of Saint John Evangelist and Saint Luke. Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Portrait of the English doctor Thomas Willis (1622-1675)
Portrait of the English doctor Thomas Willis (1622-1675)

XEE5032069: Portrait of the English doctor Thomas Willis (1622-1675) / Bridgeman Images

Portrait of JOHN WALLIS (1616-1703), English mathematician
Portrait of JOHN WALLIS (1616-1703), English mathematician

XEE5032100: Portrait of JOHN WALLIS (1616-1703), English mathematician / Bridgeman Images

View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the coat of arms of the city - Piacenza (Piacenza), Italy
View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the coat of arms of the city - Piacenza (Piacenza), Italy

MRZ5034582: View of the statue of Ranuccio I Farnese made by Francesco Mochi, 1620-1625 Detail of the coat of arms of the city - Piacenza (Piacenza), Italy / Bridgeman Images

Ilias Picta: scene of the Iliad of Homer, 5th century AD. J.C. Patrocles observes Achilles fighting (to the far right); he then goes to Nestor's tent to ask for the news of Macahon finally in his tent he heals injured Eurypile. (Book XI, vv. 599 - 624 - 841).
Ilias Picta: scene of the Iliad of Homer, 5th century AD. J.C. Patrocles observes Achilles fighting (to the far right); he then goes to Nestor's tent to ask for the news of Macahon finally in his tent he heals injured Eurypile. (Book XI, vv. 599 - 624 - 841).

GIA5034588: Ilias Picta: scene of the Iliad of Homer, 5th century AD. J.C. Patrocles observes Achilles fighting (to the far right); he then goes to Nestor's tent to ask for the news of Macahon finally in his tent he heals injured Eurypile. (Book XI, vv. 599 - 624 - 841). / Bridgeman Images

Two Menorah or Menora (seven-pointed candlestick) on a 15th century manuscript.
Two Menorah or Menora (seven-pointed candlestick) on a 15th century manuscript.

GIA5034610: Two Menorah or Menora (seven-pointed candlestick) on a 15th century manuscript. / Bridgeman Images

The martyrdom of Saint Lawrence: the torment of the grill. 14th century manuscript.
The martyrdom of Saint Lawrence: the torment of the grill. 14th century manuscript.

GIA5034624: The martyrdom of Saint Lawrence: the torment of the grill. 14th century manuscript. / Bridgeman Images

A prophete sculpture formerly marquee of the Cathedral of Milan, Italy Archeveche
A prophete sculpture formerly marquee of the Cathedral of Milan, Italy Archeveche

MRZ5034641: A prophete sculpture formerly marquee of the Cathedral of Milan, Italy Archeveche / Bridgeman Images

Religious manuscript of the 15th century, deviated to Saint Augustine, represented on the top left in the lettrine.
Religious manuscript of the 15th century, deviated to Saint Augustine, represented on the top left in the lettrine.

GIA5034642: Religious manuscript of the 15th century, deviated to Saint Augustine, represented on the top left in the lettrine. / Bridgeman Images

Saint Paul, première page d'un manuscrit du 10eme siècle d'aprés les lettres de Saint Paul.
Saint Paul, première page d'un manuscrit du 10eme siècle d'aprés les lettres de Saint Paul.

GIA5034649: Saint Paul, première page d'un manuscrit du 10eme siècle d'aprés les lettres de Saint Paul. / Bridgeman Images

The bronze snake (18th century), Painting by pietro Ligari
The bronze snake (18th century), Painting by pietro Ligari

GIA5034655: The bronze snake (18th century), Painting by pietro Ligari, Ligari, Pietro (1686-1752) / Bridgeman Images

Wooden choir stalls, church of San Vittore, Milan Italy
Wooden choir stalls, church of San Vittore, Milan Italy

MRZ5034661: Wooden choir stalls, church of San Vittore, Milan Italy / Bridgeman Images

Facade of the church of San Fedele in Milan Italy
Facade of the church of San Fedele in Milan Italy

MRZ5034662: Facade of the church of San Fedele in Milan Italy / Bridgeman Images

Adoration of the Magi Sculpture of the Adam Kraft School (1455-1509) 15th century Chiesa di San Nazaro, Milan Italy
Adoration of the Magi Sculpture of the Adam Kraft School (1455-1509) 15th century Chiesa di San Nazaro, Milan Italy

MRZ5034674: Adoration of the Magi Sculpture of the Adam Kraft School (1455-1509) 15th century Chiesa di San Nazaro, Milan Italy / Bridgeman Images

A scientist performing a calculation on an armillary sphere (“” S”). Manuscript of the works of Aristotle, 13th century.
A scientist performing a calculation on an armillary sphere (“” S”). Manuscript of the works of Aristotle, 13th century.

GIA5034681: A scientist performing a calculation on an armillary sphere (“” S”). Manuscript of the works of Aristotle, 13th century. / Bridgeman Images

Adoration of the Magi Sculpture of the Adam Kraft School (1455-1509) 15th century Chiesa di San Nazaro, Milan Italy
Adoration of the Magi Sculpture of the Adam Kraft School (1455-1509) 15th century Chiesa di San Nazaro, Milan Italy

MRZ5034685: Adoration of the Magi Sculpture of the Adam Kraft School (1455-1509) 15th century Chiesa di San Nazaro, Milan Italy / Bridgeman Images

Marine monster of the Phiiologus (Greek bestiary) - Page from “Physiologus” (Physiologos or physiologist), 11th century manuscript.
Marine monster of the Phiiologus (Greek bestiary) - Page from “Physiologus” (Physiologos or physiologist), 11th century manuscript.

GIA5034701: Marine monster of the Phiiologus (Greek bestiary) - Page from “Physiologus” (Physiologos or physiologist), 11th century manuscript. / Bridgeman Images

The Resurrection Painting by Antonio Campi (1523-1587) 16th century Church Santa Maria dei Miracoli presso San Celso Milan, Italy
The Resurrection Painting by Antonio Campi (1523-1587) 16th century Church Santa Maria dei Miracoli presso San Celso Milan, Italy

MRZ5034724: The Resurrection Painting by Antonio Campi (1523-1587) 16th century Church Santa Maria dei Miracoli presso San Celso Milan, Italy, Campi, Antonio (1524-87) / Bridgeman Images

View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy
View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy

MRZ5034759: View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy / Bridgeman Images

David jouant du psaltérion. Manuscrit du 15eme siècle.
David jouant du psaltérion. Manuscrit du 15eme siècle.

GIA5034776: David jouant du psaltérion. Manuscrit du 15eme siècle. / Bridgeman Images

View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography
View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography

MRZ5034778: View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography / Bridgeman Images

View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography
View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography

MRZ5034793: View of the entrance of Vittorio-Emanuele gallery on Piazza Duomo in Milan, Italy Photography / Bridgeman Images

May: hunting with the falcon. Illumination from a guest book of the 13th century.
May: hunting with the falcon. Illumination from a guest book of the 13th century.

GIA5034799: May: hunting with the falcon. Illumination from a guest book of the 13th century. / Bridgeman Images

June: Harvest. Illumination from a 13th century guestbook.
June: Harvest. Illumination from a 13th century guestbook.

GIA5034802: June: Harvest. Illumination from a 13th century guestbook. / Bridgeman Images

François Arago (1786-1853), French astronomer, physicist and politician. 19th century engraving.
François Arago (1786-1853), French astronomer, physicist and politician. 19th century engraving.

JAB5034057: François Arago (1786-1853), French astronomer, physicist and politician. 19th century engraving. / Bridgeman Images

Maurice Chevalier, Parade d'amour, ca. 1930
Maurice Chevalier, Parade d'amour, ca. 1930

JAB5034074: Maurice Chevalier, Parade d'amour, ca. 1930 / Bridgeman Images

Portrait of Harmenszoon van Rijn Rembrandt (1606-1669), Dutch painter.
Portrait of Harmenszoon van Rijn Rembrandt (1606-1669), Dutch painter.

JAB5034104: Portrait of Harmenszoon van Rijn Rembrandt (1606-1669), Dutch painter. / Bridgeman Images

Vocation of Saint Matthew. Painting by Giovanni Lanfranco (1582-1647). Gospel of Matthew (Matthew 9:9 -13): Jesus, coming out of Capharnaum, saw a man named Matthew sitting in his office as a tax collector. He says, “Follow me.” The man stood up and followed him. Cassa di risparmio di Parma (Parma).
Vocation of Saint Matthew. Painting by Giovanni Lanfranco (1582-1647). Gospel of Matthew (Matthew 9:9 -13): Jesus, coming out of Capharnaum, saw a man named Matthew sitting in his office as a tax collector. He says, “Follow me.” The man stood up and followed him. Cassa di risparmio di Parma (Parma).

MPH5034105: Vocation of Saint Matthew. Painting by Giovanni Lanfranco (1582-1647). Gospel of Matthew (Matthew 9:9 -13): Jesus, coming out of Capharnaum, saw a man named Matthew sitting in his office as a tax collector. He says, “Follow me.” The man stood up and followed him. Cassa di risparmio di Parma (Parma). / Bridgeman Images

Portrait of Francois Joseph Fetis (1784 - 1871), Belgian musicologist and composer. Engraving of the 19th century.
Portrait of Francois Joseph Fetis (1784 - 1871), Belgian musicologist and composer. Engraving of the 19th century.

JAB5034108: Portrait of Francois Joseph Fetis (1784 - 1871), Belgian musicologist and composer. Engraving of the 19th century. / Bridgeman Images

Portrait of Antonio Sacchini (1730 - 1786), Italian composer.
Portrait of Antonio Sacchini (1730 - 1786), Italian composer.

JAB5034115: Portrait of Antonio Sacchini (1730 - 1786), Italian composer. / Bridgeman Images

Natural science board representing a pink spatula. 19th century engraving.
Natural science board representing a pink spatula. 19th century engraving.

JAB5034133: Natural science board representing a pink spatula. 19th century engraving. / Bridgeman Images

The Angels: Detail of the painting “” Madonna with the Saints”” by Carlo Francesco Nuvolone (1609-1662), 17th century. Galleria Nazionale, Parma.
The Angels: Detail of the painting “” Madonna with the Saints”” by Carlo Francesco Nuvolone (1609-1662), 17th century. Galleria Nazionale, Parma.

MPH5034153: The Angels: Detail of the painting “” Madonna with the Saints”” by Carlo Francesco Nuvolone (1609-1662), 17th century. Galleria Nazionale, Parma. / Bridgeman Images

Frontispice César Cascabel, novel by Jules Verne, 1890, published by Hetzel under the general title of Voyages extraordinaire.
Frontispice César Cascabel, novel by Jules Verne, 1890, published by Hetzel under the general title of Voyages extraordinaire.

JAB5034197: Frontispice César Cascabel, novel by Jules Verne, 1890, published by Hetzel under the general title of Voyages extraordinaire. / Bridgeman Images

Portrait of Jules Verne, French writer (1828-1905)
Portrait of Jules Verne, French writer (1828-1905)

JAB5034227: Portrait of Jules Verne, French writer (1828-1905) / Bridgeman Images


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