2533389 Search Results
LLM5224820: Arawak Natives, British Guiana (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224823: The Gateway of Ak-Kapana, Tiahuanaco (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224825: Ruins at Zimbabwe, Rhodesia (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224829: The Emir's Palace, Kano (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224830: Bazar Souk-el-Trouk, Tunis (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224832: Custom-house Quay, Smyrna (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224840: Australian Bushman's Home (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224843: The Observatory on the City Wall, Peking (b/w photo), English Photographer, (20th century) / Bridgeman Images
LLM5224649: The Metamorphoses of Chalcophora Mariana (engraving), English School, (19th century) / Bridgeman Images
LLM5224664: Psithyrus vestalis (engraving), English School, (19th century) / Bridgeman Images
LLM5224674: Illustration for The Way We Live Now by Anthony Trollope (engraving), English School, (19th century) / Bridgeman Images
LLM5224677: Illustration for The Way We Live Now by Anthony Trollope (engraving), English School, (19th century) / Bridgeman Images
LLM5224682: Illustration for The Way We Live Now by Anthony Trollope (engraving), English School, (19th century) / Bridgeman Images
LLM5224695: Many are at this day Dukes on the earth whose extraction is from some porters and pardon-pedlars (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224699: He would fall into an extasie (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224702: They fell down before him like hay before a mower (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224709: I shall make them a faire long sermon (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224711: He caused to be honourably buried in Black-soile-valley (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224716: Thus grew Pantagruel from day to day (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224719: He seemed to have been a-fighting with mastiffe-dogs (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224721: The Lord Suckfist pleaded before Pantagruel (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224735: Who lendeth nothing is an ugly and wicked creature (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
LLM5224744: Old decrepit men upon the brinks of Charon's banks (litho), Robinson, William Heath (1872-1944) / Bridgeman Images
ANJ4992051: Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667, Borromini, Francesco (1599-1667) / Bridgeman Images
ANJ4992062: Totalitarian art under the Italian fascist regime: overview of the Post Office and telecommunication in rue Marmorata in Rome. Architecture by Adalberto Libera (1903-1963) and Mario De Renzi (1897-1967), 1933-1934. DR, Libera, Adalberto (1903-1963) / Bridgeman Images
ANJ4992077: Baroque art: Cloister of San Carlo alle Quattro Fontane (Saint Charles aux Quatre Fontaines), Rome. Architecture by Francesco Borromini (1599-1667), 1665-1667, Borromini, Francesco (1599-1667) / Bridgeman Images
ANJ4992147: Totalitarian art under the Italian fascist regime: Interior of the reception hall of the Palais des Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images
ANJ4992164: Totalitarian art under the Italian fascist regime: Hall of receptions of the Palace of Congres in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images
ANJ4992166: Totalitarian art under the Italian fascist regime: Corridor between the vestibule and the reception hall of the Palace of Congresses in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images
ANJ4992169: Totalitarian art under the Italian fascist regime: Ceiling of the receptions hall of the Palace of Congresses in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images
ANJ4992178: Totalitarian art under the Italian fascist regime: Wickets room 3 inside the Post Office and telecommunication rue Marmorata in Rome. Architecture by and Mario De Renzi (1897-1967), 1933-1934. DR, Renzi, Mario de (1897-1967) / Bridgeman Images
ANJ4992186: Renaissance art: Overview of the Mausolee of Jules II at the Church of San Pietro in Vincoli, Chapel della Rovere in Rome. Sculpture by Michelangelo Buonarroti called Michelangelo (Michelangelo or Michelangelo, 1475 - 1564), 1513-1545, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images
ANJ4992188: Totalitarian art under the Italian fascist regime: Hall of Congresses of the Palace of Congresses in Rome. Architecture by Adalberto Libera (1903-1963), 1938. DR, Libera, Adalberto (1903-1963) / Bridgeman Images
ANJ4992234: Baroque art: portico of the large cloister of the Carthusian Monastery of San Martin (Certosa di San Martino). Architecture by Cosimo Fanzago (1591-1678), 1623, Naples, Fanzago, Cosimo (1591-1678) / Bridgeman Images
ANJ4992262: Dome and arrow of the Porta Nuova (New Gate) in Palermo. Architecture from 1583, Italian School, (16th century) / Bridgeman Images
ANJ4992281: Moorish prisoners. Sculpture on the Porta Nuova (New Gate) in Palermo. Architecture from 1583, Italian School, (16th century) / Bridgeman Images
